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Learning Time
Songs like
Learning Time
by
Éric Serra
Based on a tempo of (+/- 10%) and a similar genre
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Kyle Eastwood
Invictus Theme
92 bpm • G# min • 04:09 • -19.38db
30% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Armand Amar
Home, Pt. II
92 bpm • C# min • 03:41 • -20db
26% Popularity • 12% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Éric Serra
Learning Time
92 bpm • D# Maj • 04:10 • -12.55db
18% Popularity • 57% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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David Hirschfelder
The Dressmaker Opening Titles
93 bpm • G min • 03:13 • -18.43db
15% Popularity • 39% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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David Arnold
The Bitch is Dead
91 bpm • E min • 01:05 • -28.16db
28% Popularity • 10% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Adam Peters
Hotel Mira
93 bpm • C Maj • 03:01 • -25.16db
17% Popularity • 42% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 3% Positiveness
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Johan Söderqvist
The Father
91 bpm • E min • 01:47 • -21db
40% Popularity • 41% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Éric Serra
Obstacles in the Way
93 bpm • C# Maj • 02:20 • -25.34db
5% Popularity • 48% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Armand Amar
Va, vis et deviens
91 bpm • A# min • 06:02 • -16.93db
20% Popularity • 10% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Justin Hurwitz
Quarantine
90 bpm • C# min • 02:15 • -28.06db
51% Popularity • 29% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Joël Fajerman
Flower's love
90 bpm • A min • 04:13 • -17.21db
25% Popularity • 10% Danceability • 30% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Change The World
90 bpm • F min • 05:09 • -13.82db
29% Popularity • 67% Danceability • 36% Energy • 7% Liveness
91% Instrumentalness • 46% Positiveness
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Éric Serra
Driving Through the Desert
93 bpm • C# Maj • 01:18 • -8.37db
7% Popularity • 74% Danceability • 77% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
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The Band Of H.M. Royal Marines
The Matrix (Main Theme)
94 bpm • G min • 03:23 • -11.66db
24% Popularity • 24% Danceability • 53% Energy • 66% Liveness
77% Instrumentalness • 7% Positiveness
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Jeff Beal
Flowers For Claire
90 bpm • F Maj • 02:52 • -20db
25% Popularity • 17% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Michael Nyman
A Wild And Distant Shore
95 bpm • A min • 05:52 • -15.86db
33% Popularity • 13% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Armand Amar
Jonas et Emilie I
90 bpm • D min • 01:30 • -20.38db
11% Popularity • 26% Danceability • 13% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Éric Serra
Cruise Of The Dolphin Tribe
91 bpm • C Maj • 02:43 • -18.54db
26% Popularity • 26% Danceability • 36% Energy • 13% Liveness
32% Instrumentalness • 15% Positiveness
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Edward Shearmur
Constellation Lyra - K-Pax
89 bpm • D# min • 02:41 • -18db
18% Popularity • 16% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Antonio Pinto
By Sea
89 bpm • D Maj • 03:14 • -16.68db
13% Popularity • 24% Danceability • 56% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Roque Baños
A Slap Dance and Kiss
95 bpm • C Maj • 03:08 • -17.63db
9% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Nyman
The Morrow
95 bpm • A# min • 03:10 • -13.1db
28% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Underworld
Capa Meets the Sun (To Heal)
89 bpm • G Maj • 02:19 • -25.63db
32% Popularity • 23% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Éric Serra
Please Stay With Me
90 bpm • A# min • 02:30 • -20.56db
7% Popularity • 10% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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M83
Waking Up
96 bpm • C min • 04:09 • -13db
49% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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Clint Eastwood
Main Title
89 bpm • C# Maj • 01:57 • -20.34db
35% Popularity • 23% Danceability • 4% Energy • 9% Liveness
23% Instrumentalness • 21% Positiveness
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Angelo Badalamenti
Muholland Drive: Main Title Theme
89 bpm • D min • 04:14 • -19db
30% Popularity • 15% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ennio Morricone
Volti e fantasmi
88 bpm • A min • 05:01 • -17.21db
8% Popularity • 14% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Armand Amar
O
96 bpm • F# min • 03:02 • -19db
24% Popularity • 12% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Éric Serra
La Raya
94 bpm • F Maj • 02:05 • -9db
29% Popularity • 63% Danceability • 51% Energy • 10% Liveness
6% Instrumentalness • 25% Positiveness
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Christophe Julien
L'arnaque et la poste
96 bpm • G# Maj • 01:51 • -12.65db
20% Popularity • 68% Danceability • 40% Energy • 12% Liveness
77% Instrumentalness • 16% Positiveness
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Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
34% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Stewart Copeland
End Title Theme
96 bpm • C Maj • 01:09 • -20.16db
31% Popularity • 16% Danceability • 8% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
To Amman
88 bpm • G# Maj • 02:42 • -19.98db
10% Popularity • 31% Danceability • 40% Energy • 13% Liveness
72% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Let the Right One In
88 bpm • F# min • 05:49 • -20db
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Éric Serra
Virgin Islands
90 bpm • F Maj • 02:12 • -11.19db
29% Popularity • 50% Danceability • 56% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Klaus Badelt
Elysium
88 bpm • A Maj • 02:41 • -25.28db
58% Popularity • 12% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Pinto
Ava's Arms
87 bpm • E Maj • 02:00 • -18.19db
17% Popularity • 26% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
39% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Martin Phipps
Maria Altman
87 bpm • G min • 03:10 • -18.39db
20% Popularity • 27% Danceability • 23% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
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Éric Serra
Human Nature
88 bpm • B min • 02:02 • -26.56db
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Laurent Boutonnat
La Galiote
97 bpm • F# Maj • 06:59 • -16.11db
9% Popularity • 17% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Andrews
Middlesex Times
87 bpm • D# Maj • 01:41 • -14.17db
34% Popularity • 63% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 52% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Rob
Strate 31.3 - Flute Version
87 bpm • D min • 01:27 • -15.1db
18% Popularity • 46% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Joël Fajerman
Flower's Love
87 bpm • A min • 05:17 • -13.44db
32% Popularity • 10% Danceability • 38% Energy • 12% Liveness
46% Instrumentalness • 4% Positiveness
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Éric Serra
Subway
96 bpm • E Maj • 01:48 • -13db
23% Popularity • 79% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 93% Positiveness
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Steven Price
Above Earth
87 bpm • G min • 01:50 • -30db
27% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Mark Mancina
Return To Paradise
87 bpm • E Maj • 04:15 • -18.26db
7% Popularity • 27% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Angelo Badalamenti
The City Of Lost Children (La Cite Des E...
86 bpm • C min • 06:07 • -14db
15% Popularity • 9% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Honoring the Dead
87 bpm • G min • 02:43 • -16db
45% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Éric Serra
Do You Like This Place
96 bpm • D# Maj • 01:05 • -20.13db
39% Popularity • 21% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Joël Fajerman
Flying Birds
86 bpm • B Maj • 04:05 • -13.98db
21% Popularity • 9% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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A Filetta
Beating Drums
86 bpm • A min • 03:32 • -9.58db
15% Popularity • 36% Danceability • 44% Energy • 21% Liveness
74% Instrumentalness • 11% Positiveness
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Ennio Morricone
Four Friends
86 bpm • A min • 02:51 • -23.31db
25% Popularity • 10% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Ben Salisbury
Out
99 bpm • B min • 02:02 • -20db
40% Popularity • 49% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 2% Positiveness
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David Arnold
Blunt Instrument
98 bpm • G Maj • 02:22 • -14db
30% Popularity • 15% Danceability • 14% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Éric Serra
Homo Delphinus
88 bpm • C# Maj • 08:09 • -14.92db
28% Popularity • 20% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jeff Beal
House Of Cards Main Title Theme
99 bpm • A min • 01:49 • -12.68db
43% Popularity • 48% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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M83
Earth 2077
99 bpm • D min • 02:22 • -10.66db
40% Popularity • 22% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Alberto Iglesias
Opening + War Room
99 bpm • A# min • 02:38 • -16.76db
14% Popularity • 17% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Mathieu Lamboley
La petite coccinelle
85 bpm • E min • 02:14 • -18.2db
13% Popularity • 20% Danceability • 12% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
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Éric Serra
Leeloominai
86 bpm • B min • 01:41 • -24.1db
36% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Nikolaj Egelund
Arrival Manor House
100 bpm • G min • 03:16 • -24.27db
13% Popularity • 39% Danceability • 8% Energy • 19% Liveness
91% Instrumentalness • 15% Positiveness
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Jeff Beal
House Of Cards Main Title Season 2
99 bpm • A min • 03:18 • -16db
30% Popularity • 42% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Christophe Julien
La terrasse
85 bpm • G min • 03:40 • -20.98db
12% Popularity • 22% Danceability • 6% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
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Michael Nyman
To The Edge Of The Earth
100 bpm • A min • 04:05 • -17db
36% Popularity • 14% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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West Dylan Thordson
Kevin Wendell Crumb
100 bpm • F min • 02:41 • -28db
42% Popularity • 13% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Éric Serra
Korben Dallas
99 bpm • A# min • 01:43 • -13.16db
29% Popularity • 83% Danceability • 43% Energy • 7% Liveness
86% Instrumentalness • 39% Positiveness
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Vanessa Paradis
Time To Get Your Lovin'
100 bpm • C# min • 06:07 • -10.7db
12% Popularity • 63% Danceability • 64% Energy • 5% Liveness
58% Instrumentalness • 39% Positiveness
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Jeff Russo
Bemidji, MN (Fargo Series Main Theme)
85 bpm • D min • 02:28 • -16.33db
38% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
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Cliff Martinez
Unfamiliar Paths
100 bpm • A min • 02:41 • -14db
30% Popularity • 58% Danceability • 39% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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John Powell
Nach Deutschland
100 bpm • F min • 02:40 • -22.64db
30% Popularity • 70% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Ennio Morricone
For a Few Dollars More: Watch Chimes (Ca...
100 bpm • G min • 01:13 • -13.71db
42% Popularity • 40% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Éric Serra
The Goldeneye Overture (Part I: Half Of ...
99 bpm • A# min • 04:21 • -15.14db
29% Popularity • 42% Danceability • 53% Energy • 28% Liveness
88% Instrumentalness • 36% Positiveness
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Kyle Eastwood and Michael Stevens
Main Titles - Letters from Iwo Jima
101 bpm • D min • 04:17 • -12db
30% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
20% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Vladimir Cosma
Le shagma
83 bpm • A min • 03:09 • -12.26db
15% Popularity • 8% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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John Powell
Moscow Wind Up
100 bpm • B min • 06:55 • -16.31db
25% Popularity • 36% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Tom Hanks
Perdition
83 bpm • D min • 01:39 • -27.62db
25% Popularity • 47% Danceability • 1% Energy • 37% Liveness
94% Instrumentalness • 19% Positiveness
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Éric Serra
Five Millenia Later
100 bpm • C# min • 03:14 • -14.99db
29% Popularity • 60% Danceability • 46% Energy • 19% Liveness
81% Instrumentalness • 30% Positiveness
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Ennio Morricone
Et Pour quelques dollars de plus - Thèm...
100 bpm • G min • 01:13 • -13.71db
16% Popularity • 40% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Klaus Badelt
Mom
83 bpm • D min • 02:06 • -21.49db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Kings Of Electric
Black Rain Suite (Nick & Masa)
102 bpm • D min • 02:51 • -16db
26% Popularity • 46% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Frans Bak
Waiting
83 bpm • C Maj • 02:38 • -19.56db
8% Popularity • 8% Danceability • 16% Energy • 14% Liveness
75% Instrumentalness • 3% Positiveness
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Lisa Gerrard
Gloradin
83 bpm • A Maj • 03:56 • -16.85db
16% Popularity • 16% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
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Éric Serra
Akta
100 bpm • D Maj • 01:50 • -16.2db
28% Popularity • 58% Danceability • 56% Energy • 20% Liveness
88% Instrumentalness • 76% Positiveness
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Ennio Morricone
Mosca addio - Farewell Moscow (Main Them...
83 bpm • A min • 04:51 • -18.99db
7% Popularity • 13% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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David Arnold
Dinner Jackets
103 bpm • C Maj • 01:52 • -26.99db
29% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Elliot Goldenthal
JD Dies
82 bpm • G# Maj • 03:54 • -18.57db
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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John Powell
Bourne Gets Well
82 bpm • F# Maj • 01:21 • -18.2db
31% Popularity • 46% Danceability • 23% Energy • 23% Liveness
91% Instrumentalness • 9% Positiveness
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Éric Serra
Noon
102 bpm • C# Maj • 04:02 • -14.78db
29% Popularity • 24% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Joël Fajerman
Late Evening
103 bpm • C min • 03:28 • -16db
37% Popularity • 44% Danceability • 21% Energy • 30% Liveness
96% Instrumentalness • 5% Positiveness
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Learning Time