Songs like Leave Before The Lights Come On by Arctic Monkeys
Based on a tempo of (+/- 10%) and a similar genre
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Arctic Monkeys
Leave Before The Lights Come On
151 bpm • C Maj • 03:53 • -4.58db
60% Popularity • 36% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 36% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Artemas
i like the way you kiss me
152 bpm • B Maj • 02:22 • -4.26db
98% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
98% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Interpol
Rest My Chemistry
150 bpm • B min • 05:01 • -6db
62% Popularity • 47% Danceability • 88% Energy • 28% Liveness
8% Instrumentalness • 42% Positiveness
62% Popularity • 47% Danceability • 88% Energy • 28% Liveness
8% Instrumentalness • 42% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
84% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
84% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
84% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Arctic Monkeys
You're So Dark
152 bpm • B min • 03:02 • -7.48db
59% Popularity • 48% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
59% Popularity • 48% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
71% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
71% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Glass Animals
Take A Slice
152 bpm • A Maj • 03:49 • -7db
67% Popularity • 62% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
67% Popularity • 62% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
77% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
77% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Lovejoy
Call Me What You Like
152 bpm • C min • 03:46 • -6.75db
62% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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girl in red
.
152 bpm • A# Maj • 02:46 • -7db
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
72% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
72% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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The Strokes
Bad Decisions
153 bpm • C Maj • 04:53 • -3.4db
63% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
63% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Kings of Leon
Sex on Fire
153 bpm • A Maj • 03:23 • -5.65db
85% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
85% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Lana Del Rey
Art Deco
148 bpm • B min • 04:55 • -11.11db
79% Popularity • 28% Danceability • 46% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
79% Popularity • 28% Danceability • 46% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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girl in red
You Stupid Bitch
149 bpm • B min • 03:15 • -5.66db
63% Popularity • 52% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
63% Popularity • 52% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
75% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
75% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Killers
Mr. Brightside
148 bpm • C# Maj • 03:42 • -5.23db
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Catfish and the Bottlemen
Pacifier
148 bpm • A Maj • 03:57 • -4.1db
60% Popularity • 46% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
60% Popularity • 46% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Young the Giant
Mind Over Matter
155 bpm • C Maj • 04:04 • -4.45db
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Harry Styles
Kiwi
147 bpm • D Maj • 02:56 • -2.63db
72% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
72% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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girl in red
forget her
149 bpm • D Maj • 02:23 • -16.79db
61% Popularity • 53% Danceability • 31% Energy • 7% Liveness
67% Instrumentalness • 51% Positiveness
61% Popularity • 53% Danceability • 31% Energy • 7% Liveness
67% Instrumentalness • 51% Positiveness
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Wallows
Pictures of Girls
155 bpm • F# Maj • 03:24 • -5.5db
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
80% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
80% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Chase Atlantic
Consume
146 bpm • A min • 04:27 • -5.32db
79% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
79% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
76% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
76% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
75% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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The Reytons
Low Life (2018)
145 bpm • C Maj • 02:55 • -6db
53% Popularity • 58% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 58% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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The Strokes
12:51
145 bpm • E Maj • 02:33 • -3.84db
69% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
69% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
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Lana Del Rey
Doin' Time
145 bpm • G min • 03:22 • -11.13db
81% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
81% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Labrinth
Formula
145 bpm • B Maj • 01:31 • -6.07db
84% Popularity • 57% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 23% Positiveness
84% Popularity • 57% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 23% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
76% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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girl in red
i'll die anyway.
158 bpm • C Maj • 03:12 • -6.89db
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
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Melanie Martinez
Pacify Her
158 bpm • A min • 03:40 • -6.02db
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Arctic Monkeys
Dancing Shoes
144 bpm • C# Maj • 02:21 • -4.14db
65% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
79% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
79% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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Foo Fighters
Everlong
158 bpm • B min • 04:10 • -5.54db
84% Popularity • 41% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
84% Popularity • 41% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
79% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Paramore
All I Wanted
144 bpm • F# min • 03:45 • -4.56db
67% Popularity • 49% Danceability • 72% Energy • 13% Liveness
3% Instrumentalness • 15% Positiveness
67% Popularity • 49% Danceability • 72% Energy • 13% Liveness
3% Instrumentalness • 15% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
85% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
85% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Beach Bunny
Prom Queen
144 bpm • E Maj • 02:16 • -7.49db
82% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
82% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Catfish and the Bottlemen
Anything
144 bpm • F# min • 04:09 • -6db
57% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Rex Orange County
Never Enough
159 bpm • E Maj • 04:58 • -4.44db
58% Popularity • 51% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 51% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mac DeMarco
Freaking Out The Neighborhood
143 bpm • G# min • 02:53 • -5.74db
56% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
56% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
82% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
82% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Frank Ocean
Pink + White
160 bpm • A Maj • 03:04 • -7.36db
89% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
89% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Chase Atlantic
Meddle About
160 bpm • E min • 03:23 • -6.41db
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
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Lovejoy
Portrait of a Blank Slate
160 bpm • G# min • 03:47 • -5.56db
62% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
99% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
99% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
59% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Catfish and the Bottlemen
Homesick
142 bpm • C# Maj • 02:28 • -6.33db
62% Popularity • 70% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
62% Popularity • 70% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Labrinth
All For Us
142 bpm • D# Maj • 03:11 • -6.64db
72% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
72% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Melanie Martinez
Teacher's Pet
141 bpm • G min • 04:01 • -6.14db
78% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
78% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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MGMT
When You Die
141 bpm • B min • 04:23 • -4.56db
65% Popularity • 64% Danceability • 94% Energy • 16% Liveness
2% Instrumentalness • 50% Positiveness
65% Popularity • 64% Danceability • 94% Energy • 16% Liveness
2% Instrumentalness • 50% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
76% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
76% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Gorillaz
She's My Collar
140 bpm • B Maj • 03:29 • -5.89db
73% Popularity • 73% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
73% Popularity • 73% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Mother Mother
Burning Pile
140 bpm • F Maj • 04:22 • -3.72db
74% Popularity • 52% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
74% Popularity • 52% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
78% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
78% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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Oasis
Don't Look Back in Anger - Remastered
163 bpm • C Maj • 04:49 • -3.24db
74% Popularity • 33% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 33% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
74% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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KALEO
Way down We Go
163 bpm • A# min • 03:33 • -8.02db
85% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
85% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mother Mother
Arms Tonite
140 bpm • E Maj • 03:36 • -3.84db
71% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler, The Creator
NEW MAGIC WAND
140 bpm • F min • 03:15 • -5.41db
82% Popularity • 62% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 46% Positiveness
82% Popularity • 62% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 46% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
82% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
82% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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Radiohead
Paranoid Android
164 bpm • F Maj • 06:27 • -6.5db
71% Popularity • 25% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 21% Positiveness
71% Popularity • 25% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 21% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
84% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
84% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
75% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
75% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Gorillaz
Feel Good Inc.
139 bpm • F# Maj • 03:42 • -6.68db
85% Popularity • 82% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
85% Popularity • 82% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
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Hotel Ugly
Shut up My Moms Calling
138 bpm • A min • 02:44 • -10.71db
89% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
89% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rex Orange County
Television / So Far So Good
165 bpm • F Maj • 04:22 • -7.75db
74% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
78% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
78% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Strokes
The Adults Are Talking
165 bpm • F Maj • 05:09 • -5.67db
82% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
82% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
83% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
83% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Vaccines
If You Wanna
165 bpm • D Maj • 02:54 • -3.27db
64% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
68% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
68% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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Arctic Monkeys
A Certain Romance
138 bpm • B Maj • 05:31 • -5.59db
64% Popularity • 46% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 46% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Catfish and the Bottlemen
Kathleen
138 bpm • B min • 02:40 • -4.76db
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Paramore
The Only Exception
138 bpm • E Maj • 04:27 • -6.61db
63% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Radiohead
Jigsaw Falling Into Place
166 bpm • B min • 04:08 • -6.09db
77% Popularity • 46% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
77% Popularity • 46% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Current Joys
New Flesh
166 bpm • A Maj • 02:47 • -16.07db
75% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
75% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
69% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Men I Trust
Show Me How
166 bpm • F Maj • 03:35 • -11.96db
82% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
82% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
85% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
85% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Black Keys
Lonely Boy
166 bpm • D Maj • 03:13 • -7.84db
80% Popularity • 36% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
80% Popularity • 36% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Dr. Dog
Where'd All the Time Go?
166 bpm • D Maj • 03:54 • -4.19db
79% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness