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Leave You Burning
Songs like
Leave You Burning
by
Andy Powell
Based on a tempo of (+/- 10%) and a similar genre
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Andy Powell
Leave You Burning
112 bpm • C# min • 02:50 • -7.93db
19% Popularity • 67% Danceability • 65% Energy • 11% Liveness
26% Instrumentalness • 44% Positiveness
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Tha Known
Freedom Me
112 bpm • C# min • 03:20 • -8.63db
14% Popularity • 76% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Richardson
Resonate
112 bpm • G min • 03:48 • -5.99db
26% Popularity • 70% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Adele Roberts
Set the Place on Fire
112 bpm • D Maj • 02:12 • -8.94db
0% Popularity • 67% Danceability • 68% Energy • 24% Liveness
11% Instrumentalness • 49% Positiveness
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Gold Brother
Lose My Faith
112 bpm • D min • 03:21 • -7.03db
43% Popularity • 62% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 42% Positiveness
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Nadia Fay
Ain't Got Nothin' On Sadness
112 bpm • A Maj • 01:42 • -6.11db
13% Popularity • 78% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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FRAUDS
Abandoned
111 bpm • E min • 04:06 • -13.42db
24% Popularity • 45% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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X-Ray Dog
I'm Losing Control
111 bpm • A# min • 02:38 • -6.51db
19% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Banda Do Sul
Big in Japan - Acoustic Mix
111 bpm • D min • 04:20 • -13.41db
18% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lara Yuzatli
Close Your Eyes
113 bpm • A min • 02:56 • -15.59db
31% Popularity • 66% Danceability • 66% Energy • 13% Liveness
54% Instrumentalness • 33% Positiveness
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Tango Jointz
Libertango
111 bpm • A min • 04:35 • -16.95db
21% Popularity • 81% Danceability • 35% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Homegrown
All I Need Is To Be Free
111 bpm • D# Maj • 02:38 • -14.48db
15% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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David Reichelt
Line Them Up
111 bpm • G# Maj • 02:32 • -6.68db
29% Popularity • 77% Danceability • 70% Energy • 12% Liveness
81% Instrumentalness • 64% Positiveness
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Geoff Zanelli
Johanna
113 bpm • C min • 04:24 • -6.45db
25% Popularity • 63% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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X-Ray Dog
Body To Body
111 bpm • D Maj • 02:36 • -9.07db
21% Popularity • 48% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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SELK
Salt
111 bpm • G Maj • 02:56 • -18.03db
12% Popularity • 77% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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VELVET MOON
Hush You
114 bpm • G Maj • 03:17 • -7.13db
19% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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5 Alarm
Last Man Standing
114 bpm • B min • 03:46 • -9.78db
22% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Andy Powell
Fire Me Up
110 bpm • G# Maj • 02:58 • -7.9db
1% Popularity • 56% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Linda Perry
Culmination
110 bpm • F min • 02:17 • -15db
29% Popularity • 56% Danceability • 53% Energy • 23% Liveness
89% Instrumentalness • 34% Positiveness
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Stonekeepers
Choo Choo
110 bpm • D Maj • 02:56 • -3.9db
24% Popularity • 74% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Anthony King
In the Sunrise
110 bpm • F min • 03:12 • -4.87db
14% Popularity • 64% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Kat Graham
All Your Love
114 bpm • C min • 03:57 • -4.64db
15% Popularity • 78% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 87% Positiveness
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Gemma Hayes
Wicked Games
110 bpm • C Maj • 04:01 • -11.68db
26% Popularity • 62% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Andy Powell
My Love Is Voodoo
114 bpm • F# Maj • 02:57 • -5.67db
10% Popularity • 72% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
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Amy McKnight
Hands Dirty
110 bpm • G Maj • 03:00 • -4.34db
13% Popularity • 83% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Bea Parks
Boom Chick
110 bpm • A min • 02:14 • -8.26db
33% Popularity • 92% Danceability • 37% Energy • 25% Liveness
8% Instrumentalness • 94% Positiveness
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Nick Kingsley
Watch Me Coil
114 bpm • E min • 03:24 • -8.18db
22% Popularity • 52% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Sagi Rei
Old and Wise
110 bpm • G min • 03:24 • -7.77db
17% Popularity • 61% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Malo
Kiss Me
110 bpm • A min • 03:08 • -10.16db
38% Popularity • 70% Danceability • 47% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
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Andy Powell
My Love Is Voodoo - Instrumental Version
114 bpm • A# Maj • 02:58 • -8.29db
3% Popularity • 64% Danceability • 60% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
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Thea Tyler
Come Over to Me
110 bpm • C# Maj • 03:19 • -7db
9% Popularity • 75% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Skinner & Dan Skinner
Blame It All On Me
110 bpm • A min • 02:59 • -11db
11% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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George Michael
This Is How (We Want You To Get High)
115 bpm • G min • 04:00 • -9.18db
33% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Tanya Michelle
Respect
115 bpm • A Maj • 02:27 • -10db
12% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Melanie
Johnny Boy
115 bpm • C# min • 02:40 • -12.46db
33% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Andy Powell
We Are Beautiful
110 bpm • C# Maj • 03:00 • -8.52db
4% Popularity • 70% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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ITG Studios
Capture My Soul
115 bpm • D min • 03:26 • -15.05db
19% Popularity • 63% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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David Reichelt
Starry Night - Duet Version
115 bpm • G# min • 02:29 • -9.89db
24% Popularity • 63% Danceability • 49% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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Amy Swift
Are You Ready for This?
109 bpm • A# min • 02:53 • -5.44db
9% Popularity • 82% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Nemo
Bardzo ProszÄ™
115 bpm • C# min • 04:03 • -9.46db
10% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sleep Room
Deep Water Blackout
115 bpm • F Maj • 06:17 • -7.68db
8% Popularity • 37% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Andy Powell
Feel the Love
109 bpm • C# min • 02:53 • -6.53db
8% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Class of 88
Walking on the Ceiling
109 bpm • A Maj • 03:15 • -8db
23% Popularity • 38% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Scott B Ingham
Hearts Clinging On
116 bpm • C Maj • 03:17 • -11.26db
14% Popularity • 34% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Arctic Lake
My Favourite Game
116 bpm • D# Maj • 03:18 • -12.06db
27% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Anders Lewén
Colours out of Grey
116 bpm • D Maj • 02:36 • -8.46db
15% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Ofrin
Make Me Mad
116 bpm • B min • 02:23 • -7db
24% Popularity • 77% Danceability • 63% Energy • 8% Liveness
4% Instrumentalness • 67% Positiveness
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Robin Loxley
Owe You Nothin'
116 bpm • A# min • 03:04 • -7.22db
21% Popularity • 58% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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THE K!X
I Like It, I Like It
116 bpm • A# min • 03:11 • -5db
18% Popularity • 80% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Fassine
Feather Jesus
116 bpm • E min • 03:17 • -8.36db
24% Popularity • 66% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
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Raphael Lake
Cruise
108 bpm • G Maj • 03:04 • -11db
24% Popularity • 57% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
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Nicole Gordon
Besame Mucho
108 bpm • G min • 04:36 • -22.55db
17% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Michelle Leverette
(The End Is) Coming Soon
108 bpm • F Maj • 03:03 • -5.95db
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Nynfus Corporation
La Petit P
108 bpm • G Maj • 04:40 • -6.2db
12% Popularity • 52% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Andy Powell
Love Who You Love
108 bpm • G# Maj • 02:42 • -9.67db
5% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Roberts
Beat Roadrunner
117 bpm • A Maj • 02:55 • -5.13db
28% Popularity • 72% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Ghost Monroe
Mother Mary
117 bpm • G# Maj • 05:17 • -13db
26% Popularity • 22% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
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Annie Drury
Time To Grow
107 bpm • C# Maj • 03:34 • -12.44db
8% Popularity • 38% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Mish Francisco
I Would Do Anything for You
107 bpm • A min • 02:57 • -6.11db
8% Popularity • 68% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Batchelor
Stylin'
117 bpm • A min • 03:55 • -10db
11% Popularity • 81% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Saleka
Remain
118 bpm • G min • 03:01 • -14.29db
25% Popularity • 37% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Rupert Pope
One of a Kind
118 bpm • E min • 03:12 • -6.95db
9% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Nynfus Corporation
Nina is Back
106 bpm • F min • 04:27 • -5.72db
15% Popularity • 50% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Post
Can't Stop Won't Stop
106 bpm • C Maj • 02:12 • -7.79db
29% Popularity • 85% Danceability • 71% Energy • 8% Liveness
34% Instrumentalness • 72% Positiveness
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Keith
I Only See You
106 bpm • D# Maj • 02:00 • -7.8db
9% Popularity • 89% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Loving Caliber
I Know You Won't Let Me Down
106 bpm • E min • 03:35 • -8.52db
17% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Vitamin A
It's Not You, It's Not Me
106 bpm • F# min • 01:47 • -11db
15% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Mars Big Bang
Perhaps, Perhaps, Perhaps
119 bpm • E min • 01:54 • -4.58db
21% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Marieme
Rogue
119 bpm • D min • 03:07 • -2.47db
15% Popularity • 69% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Samantha Jade
We Are Family
119 bpm • D Maj • 03:02 • -3.69db
16% Popularity • 76% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Joanna Jones as The Dame
Blood In the Water
119 bpm • C# Maj • 03:54 • -10db
39% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Stéphane Huguenin
I'm On My Way
119 bpm • D Maj • 02:52 • -4.95db
10% Popularity • 81% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Assaf Ayalon
Music
105 bpm • A# min • 03:17 • -5.58db
19% Popularity • 53% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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Nuka Prix
I Believe in the Green Light (Bonus Trac...
119 bpm • A min • 02:42 • -10.71db
13% Popularity • 39% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Puppini Sisters
Good Morning
105 bpm • G Maj • 02:21 • -6.55db
27% Popularity • 55% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Roberts
Ain't It Strange
105 bpm • B min • 02:30 • -6db
11% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Marc Ferrari
Nothing but Gold
105 bpm • D min • 04:23 • -8.2db
8% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Anders Kampe
Ayayayay
105 bpm • F min • 02:37 • -9.6db
9% Popularity • 75% Danceability • 54% Energy • 52% Liveness
0% Instrumentalness • 95% Positiveness
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Roscoe Williamson
Heartburn
105 bpm • A# min • 02:42 • -9.04db
12% Popularity • 60% Danceability • 72% Energy • 28% Liveness
4% Instrumentalness • 86% Positiveness
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Cecilia Krull
My Life is Going On
105 bpm • E min • 03:42 • -11.64db
15% Popularity • 70% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Jamie Norton
My Poison
120 bpm • G# min • 02:36 • -8db
16% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Nanou
No Other
120 bpm • A min • 03:02 • -6.92db
10% Popularity • 48% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Abigail O'Neill
A Woman Scorned
120 bpm • C Maj • 03:25 • -4.3db
7% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Devil's Sway
Director
120 bpm • C# Maj • 02:48 • -4.56db
24% Popularity • 68% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Chøppersaurus
Kings of Adrenaline
120 bpm • G Maj • 03:01 • -4.7db
16% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Adele Roberts
Feeling so Right
120 bpm • C# min • 02:27 • -8.17db
3% Popularity • 71% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Powell
Take It To The Grave
120 bpm • G Maj • 03:02 • -5.99db
5% Popularity • 65% Danceability • 85% Energy • 14% Liveness
21% Instrumentalness • 60% Positiveness
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Lilly Wolf
Terrible Mistake
120 bpm • F# min • 04:24 • -5.96db
21% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Venice Connection
Lipstick
120 bpm • D Maj • 02:28 • -10db
36% Popularity • 72% Danceability • 49% Energy • 41% Liveness
2% Instrumentalness • 26% Positiveness
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The EverLove
Wild One
120 bpm • A Maj • 02:37 • -6.87db
14% Popularity • 73% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Duplex Heart
All the Lovers
120 bpm • A# Maj • 04:06 • -5.43db
17% Popularity • 60% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Hilzie
Overdose
120 bpm • F min • 02:52 • -8.17db
13% Popularity • 88% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
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Andy Powell
Take Me to the Dancefloor
120 bpm • G# min • 03:05 • -6.19db
8% Popularity • 71% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Ivri Lider
The Spy
120 bpm • A min • 02:35 • -10.7db
12% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Venice Connection
Pulse
120 bpm • B min • 03:45 • -11db
26% Popularity • 59% Danceability • 69% Energy • 18% Liveness
6% Instrumentalness • 14% Positiveness
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Dwight Batteau
Every Little Movement
120 bpm • C min • 04:23 • -9db
33% Popularity • 82% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Valerio Calisse
Sky Lift
120 bpm • A Maj • 02:30 • -10.27db
18% Popularity • 67% Danceability • 32% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
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Bira
Back At It
120 bpm • C Maj • 02:31 • -6.91db
11% Popularity • 85% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Andy Powell
Dance Like Nobody's Watching
120 bpm • C# Maj • 02:52 • -8.67db
4% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Leave You Burning