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Leaving
Songs like
Leaving
by
Lawson Hull
Based on a tempo of (+/- 10%) and a similar genre
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Patrick James
Be Loved
160 bpm • E Maj • 02:18 • -12.91db
13% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Lawson Hull
Leaving
160 bpm • A# Maj • 04:08 • -9.91db
17% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Seph Cove
Higher Now
160 bpm • B min • 04:18 • -7.42db
22% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Sash Seabourne
Raised By Rivers
160 bpm • A# Maj • 03:18 • -4.53db
20% Popularity • 45% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Casino Breakfast
rodeo clown.
161 bpm • F# Maj • 03:31 • -4.97db
32% Popularity • 50% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Joel Stewart
Lost With You
161 bpm • A# Maj • 03:19 • -10db
28% Popularity • 62% Danceability • 66% Energy • 26% Liveness
1% Instrumentalness • 86% Positiveness
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Jordy Maxwell
Let Me Out
162 bpm • F min • 04:28 • -11.64db
23% Popularity • 24% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Riley Pearce
Stone on Stone
162 bpm • F min • 03:48 • -16.66db
12% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lucy Clearwater
The Good Guy
158 bpm • D Maj • 03:53 • -13.48db
18% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sash Seabourne
Receiver
160 bpm • G Maj • 03:40 • -5.97db
9% Popularity • 47% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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PJ Harding
A Dangerous Thing
157 bpm • F Maj • 03:03 • -10.76db
47% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Castle Theater
Flashes and Floaters
163 bpm • B Maj • 03:20 • -18.63db
5% Popularity • 50% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 29% Positiveness
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Jordy Maxwell
Sunday Morning
158 bpm • C Maj • 03:52 • -8.89db
30% Popularity • 50% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Aodhan
When You're Ready
158 bpm • G Maj • 03:56 • -7.11db
9% Popularity • 51% Danceability • 76% Energy • 9% Liveness
40% Instrumentalness • 56% Positiveness
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Carla Geneve
What I Already Know
164 bpm • G Maj • 04:03 • -7.88db
13% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jolé
Let Go
156 bpm • C# min • 03:04 • -7.69db
35% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 48% Positiveness
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Gordon Airlie
trust my luck
156 bpm • C Maj • 02:46 • -6.3db
14% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Memorial
Latchkey
156 bpm • F# Maj • 02:51 • -12.92db
37% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Cassandra Coleman
Moonbeam
156 bpm • F Maj • 03:40 • -4.67db
28% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Thomas LaVine
Hand and String
155 bpm • C# Maj • 03:54 • -12.69db
16% Popularity • 43% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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Luke Kelly
Notting Hill
165 bpm • E Maj • 03:48 • -7.05db
17% Popularity • 46% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Euan Blackman
Everybody Lets You Down
155 bpm • F min • 03:32 • -12.66db
28% Popularity • 52% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Little Green
dinner with the moon
155 bpm • D Maj • 02:53 • -13db
13% Popularity • 69% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Jackson Wooten
Morning
154 bpm • B Maj • 04:13 • -13.75db
17% Popularity • 46% Danceability • 28% Energy • 13% Liveness
9% Instrumentalness • 32% Positiveness
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Austin Mackay
Borderline
154 bpm • E Maj • 04:15 • -10.13db
23% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Field Guide
Worst of Ways
167 bpm • E Maj • 03:26 • -9.44db
20% Popularity • 55% Danceability • 67% Energy • 8% Liveness
29% Instrumentalness • 62% Positiveness
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R.D. Thomas
Welcome To The Deep End
153 bpm • F Maj • 03:24 • -10.17db
7% Popularity • 62% Danceability • 67% Energy • 15% Liveness
36% Instrumentalness • 74% Positiveness
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Jessie Reid
Madrigal
153 bpm • D# Maj • 04:11 • -10.47db
10% Popularity • 43% Danceability • 48% Energy • 12% Liveness
72% Instrumentalness • 35% Positiveness
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Josie Oliver
Glued
152 bpm • G min • 03:16 • -9.61db
29% Popularity • 56% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Jackson Wooten
Lovely Day
153 bpm • G Maj • 03:46 • -10.06db
13% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Jordy Maxwell
Recording 58
152 bpm • F# Maj • 02:29 • -15.96db
42% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Theo Kandel
What if it all works out in the end?
170 bpm • E Maj • 04:28 • -12db
18% Popularity • 43% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Memorial
Old Oaks
152 bpm • F# Maj • 03:31 • -12.37db
9% Popularity • 59% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Joel Leggett
Every Morning
170 bpm • D Maj • 01:48 • -11.59db
20% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Neev
Fast Patterns
170 bpm • F Maj • 04:40 • -13.29db
6% Popularity • 53% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Vann
Prism
170 bpm • G# Maj • 03:49 • -14.68db
14% Popularity • 47% Danceability • 25% Energy • 42% Liveness
9% Instrumentalness • 53% Positiveness
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Rosie H Sullivan
So I've Been Told
150 bpm • G Maj • 03:36 • -11db
32% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Woodlock
Collateral - Acoustic
150 bpm • F Maj • 03:13 • -12db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Braden Lam
second wind
150 bpm • C# min • 03:32 • -6.97db
19% Popularity • 62% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Handsome Ghost
Call Me When You're Pulling Up
150 bpm • G# Maj • 03:34 • -7.86db
8% Popularity • 61% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
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Lawson Hull
Simple Life
150 bpm • C Maj • 04:30 • -12.23db
3% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mountain Boy
Noom
150 bpm • F# Maj • 04:49 • -8.91db
22% Popularity • 57% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas LaVine
Crumble
150 bpm • C# Maj • 03:58 • -10.33db
28% Popularity • 47% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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The Dunwells
Break my Fall
149 bpm • F# min • 03:36 • -14.9db
30% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Twin Tacoma
(Your Love Keeps Lifting Me) Higher and ...
149 bpm • G Maj • 03:02 • -17.34db
37% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Alivan Blu
Southern Sun
149 bpm • G# min • 04:36 • -10.14db
30% Popularity • 56% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
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Little Green
iridescent ghosts
149 bpm • E Maj • 03:26 • -11.13db
13% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Waves Rush In
Under The Static
148 bpm • E Maj • 01:15 • -13.98db
46% Popularity • 50% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Riley Pearce
Slow This Down
148 bpm • F Maj • 03:24 • -9.07db
40% Popularity • 52% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Louis Berry
Jolie
148 bpm • D Maj • 03:44 • -8.07db
11% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Francis Moon
Two Worlds Apart
174 bpm • F# Maj • 03:28 • -12.49db
33% Popularity • 29% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tay Oskee
Oxytocin
174 bpm • E Maj • 03:56 • -10.94db
27% Popularity • 47% Danceability • 52% Energy • 36% Liveness
10% Instrumentalness • 17% Positiveness
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Meadowlark
Full Me, Half You
147 bpm • G min • 03:44 • -13.46db
14% Popularity • 58% Danceability • 48% Energy • 10% Liveness
6% Instrumentalness • 52% Positiveness
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Angus Kaftan
Musty Tees
147 bpm • A Maj • 04:01 • -7.67db
12% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Riley Pearce
The Water
148 bpm • F Maj • 03:42 • -11.66db
23% Popularity • 61% Danceability • 55% Energy • 11% Liveness
68% Instrumentalness • 57% Positiveness
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Jordy Maxwell
Where'd You Go
174 bpm • B Maj • 03:39 • -9.37db
38% Popularity • 28% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Seánie Bermingham
Call the Coroner
174 bpm • F# Maj • 03:31 • -13.68db
29% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Hayden Calnin
We Lost Sight of the Shoreline
147 bpm • F Maj • 04:32 • -14.24db
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
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Handsome Ghost
Heaven Isn't Long for You
146 bpm • G Maj • 03:50 • -8.67db
9% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Rod Coote
Blue Lake
146 bpm • D# Maj • 02:57 • -8.74db
50% Popularity • 60% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 49% Positiveness
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Alexander William
Cuffley
146 bpm • C Maj • 03:56 • -10.71db
5% Popularity • 62% Danceability • 43% Energy • 11% Liveness
15% Instrumentalness • 26% Positiveness
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Jordy Maxwell
Red Wine Hurts My Head
146 bpm • B Maj • 03:14 • -8.15db
22% Popularity • 56% Danceability • 65% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
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Israel Cannan
By the Coastline
146 bpm • F Maj • 03:36 • -8.5db
26% Popularity • 48% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Young Mister
Sure Thing
176 bpm • A Maj • 03:55 • -10.71db
10% Popularity • 52% Danceability • 61% Energy • 23% Liveness
22% Instrumentalness • 69% Positiveness
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Tom Mac
California on My Mind
146 bpm • F# Maj • 04:07 • -10db
19% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lawson Hull
Second Gear
146 bpm • E Maj • 03:38 • -11.59db
5% Popularity • 46% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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By The Coast
Sway
176 bpm • G Maj • 02:50 • -9.16db
21% Popularity • 53% Danceability • 81% Energy • 22% Liveness
90% Instrumentalness • 52% Positiveness
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Slow Leaves
Jenny
145 bpm • E Maj • 03:38 • -6.19db
15% Popularity • 55% Danceability • 90% Energy • 12% Liveness
20% Instrumentalness • 61% Positiveness
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Tremors vs. Tremors
Starlight Keeper
176 bpm • C Maj • 03:26 • -8.58db
7% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jesse Taylor
By The Shore
145 bpm • C# Maj • 03:37 • -9.13db
9% Popularity • 58% Danceability • 51% Energy • 14% Liveness
57% Instrumentalness • 18% Positiveness
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Arliston
Pisco Sours
145 bpm • A Maj • 03:43 • -9.22db
21% Popularity • 57% Danceability • 47% Energy • 13% Liveness
38% Instrumentalness • 30% Positiveness
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Lawson Hull
Nine's Deadline
145 bpm • G Maj • 06:33 • -6.51db
1% Popularity • 41% Danceability • 65% Energy • 13% Liveness
2% Instrumentalness • 23% Positiveness
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Freight Train Foxes
Oh My Girl
145 bpm • A min • 02:48 • -7db
31% Popularity • 67% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Christian Sparacio
Suburban Movie Song
145 bpm • B Maj • 03:25 • -11.33db
34% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Welcome Stranger
See You Still
145 bpm • G Maj • 03:27 • -9db
21% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Hayden Calnin
A Turning of the Tide
145 bpm • A# Maj • 03:39 • -13.09db
34% Popularity • 52% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Abigail Rose
Dying to Live
145 bpm • A# Maj • 04:19 • -9.27db
23% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Haquin
Lions & Witches
145 bpm • F Maj • 03:03 • -12.12db
17% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Phoebe Go
Be the Player, Not the Poet
144 bpm • D Maj • 04:54 • -13.17db
28% Popularity • 42% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
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MADDY MAY
grey blue
144 bpm • D Maj • 03:15 • -9.78db
10% Popularity • 51% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Braden Lam
Smoking Gun
144 bpm • G Maj • 03:07 • -9.3db
29% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Seánie Bermingham
Perfect Among Mornings
144 bpm • F# Maj • 02:09 • -12.75db
43% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Birdtalker
When You Arrive
144 bpm • C Maj • 03:00 • -12.24db
26% Popularity • 46% Danceability • 35% Energy • 11% Liveness
54% Instrumentalness • 32% Positiveness
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Sunday Lemonade
Beyond the Hills
143 bpm • E Maj • 03:48 • -10.08db
15% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jack Willis
Belong Together
143 bpm • D# Maj • 03:36 • -8.86db
17% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Arliston
Mothering
180 bpm • G# Maj • 03:24 • -11.17db
15% Popularity • 36% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Josiah Johnson
Hello, Hello On Fire!
142 bpm • D Maj • 04:56 • -10.29db
11% Popularity • 44% Danceability • 46% Energy • 9% Liveness
26% Instrumentalness • 34% Positiveness
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Waiting for Smith
White Light Of Love
180 bpm • A Maj • 04:06 • -9.5db
29% Popularity • 62% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Pa Sheehy
Meet Me At The Record Store
142 bpm • A min • 03:53 • -6.53db
30% Popularity • 48% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Johnson
Your Cries
142 bpm • A Maj • 02:54 • -9.04db
8% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Hayden Calnin
If It's Time
141 bpm • E Maj • 04:17 • -8.2db
30% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Memorial
Circle
141 bpm • D# Maj • 03:25 • -16.74db
26% Popularity • 66% Danceability • 22% Energy • 12% Liveness
17% Instrumentalness • 56% Positiveness
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R.D. Thomas
Stray Dog
182 bpm • F Maj • 02:59 • -12.69db
23% Popularity • 52% Danceability • 49% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
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Skout
Pearls
141 bpm • D# Maj • 03:17 • -7.91db
25% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Martin Luke Brown
grateful
140 bpm • B min • 03:13 • -7.88db
30% Popularity • 72% Danceability • 67% Energy • 9% Liveness
32% Instrumentalness • 56% Positiveness
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Virens
from the fire
140 bpm • G Maj • 03:36 • -9.14db
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
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Quiet Houses
See For Miles
182 bpm • A Maj • 03:17 • -6.56db
29% Popularity • 42% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Chewie
All I See
140 bpm • D Maj • 03:15 • -9.12db
18% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Hunter James and The Titanic
Bad at Love
140 bpm • C# min • 02:27 • -6.87db
16% Popularity • 55% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 48% Positiveness
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Leaving