Songs like Left Behind - Original Broadway Cast Recording/2006 by Jonathan Groff
Based on a tempo of (+/- 10%) and a similar genre
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Gavin Lee
I'm Not a Loser
85 bpm • A min • 04:38 • -7.12db
38% Popularity • 51% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 51% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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The Guy Who Didn't Like Musicals Cast
Inevitable
85 bpm • G# Maj • 02:57 • -7.3db
40% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Zachary Levi
Everything I Ever Thought I Knew
85 bpm • G Maj • 02:24 • -8db
35% Popularity • 34% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 34% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Samantha Barks
On My Own
85 bpm • C Maj • 03:11 • -15.72db
50% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Amy Adams
Happy Working Song
86 bpm • D Maj • 02:10 • -6.42db
48% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Jonah Hauer-King
Wild Uncharted Waters
86 bpm • F min • 02:59 • -11.01db
55% Popularity • 26% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 26% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Leslie Odom Jr.
Wait for It
87 bpm • F# Maj • 03:13 • -9.64db
69% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Auli'i Cravalho
How Far I'll Go - Reprise
83 bpm • E Maj • 01:27 • -8.37db
63% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Hugh Jackman
The Confrontation
86 bpm • A# Maj • 01:54 • -11.05db
41% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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John Logan
Chapter 14 - Red
83 bpm • D# Maj • 03:09 • -13.98db
0% Popularity • 68% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 68% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Emma Watson
Belle (Reprise)
87 bpm • C Maj • 01:15 • -7.93db
52% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
38% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Jeff Talbott
Prayer
83 bpm • D Maj • 04:44 • -12.36db
6% Popularity • 48% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 48% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Auli'i Cravalho
How Far I'll Go
84 bpm • E Maj • 02:43 • -10.97db
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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SIX
Don't Lose Ur Head
83 bpm • G min • 04:05 • -7.64db
67% Popularity • 86% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
67% Popularity • 86% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Guy Who Didn't Like Musicals Cast
Show Stoppin Number
87 bpm • G Maj • 05:19 • -10.13db
41% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Brian Johnson
I Believe - Original Broadway Cast Recor...
83 bpm • A min • 02:31 • -7.04db
35% Popularity • 22% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 22% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Ben Platt
You Will Be Found
87 bpm • A Maj • 06:00 • -7.13db
60% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
60% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Central Park Cast
Own It
88 bpm • E Maj • 03:45 • -8.76db
30% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Tammy Blanchard
Finale (Don't Feed the Plants)
82 bpm • A# min • 03:23 • -7.7db
28% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Judy Kuhn
Like Other Girls
82 bpm • G Maj • 02:25 • -8.42db
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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George Salazar
Another Terrible Day
82 bpm • C min • 03:54 • -7.48db
44% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Elle McLemore
Lifeboat
82 bpm • G min • 01:39 • -10.1db
53% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Rachel Bay Jones
So Big / So Small
88 bpm • G Maj • 04:12 • -9.54db
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Okieriete Onaodowan
The Story of Tonight - Reprise
82 bpm • F min • 01:55 • -12.76db
63% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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John Logan
Chapter 17 - Red
82 bpm • F# min • 03:04 • -14.24db
1% Popularity • 71% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 71% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Sutton Foster
This Is Our Story
82 bpm • A Maj • 03:17 • -6.05db
38% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Chris McCarrell
Prologue / The Day I Got Expelled
82 bpm • G Maj • 07:43 • -8.43db
44% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Barrett Wilbert Weed
I Am Damaged
82 bpm • E Maj • 01:26 • -12.03db
55% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Write Out Loud
Little Miss Perfect
82 bpm • F# Maj • 03:18 • -12.58db
57% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Phillipa Soo
Take a Break
82 bpm • E Maj • 04:46 • -9.43db
63% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Bernadette Peters
Anything You Can Do
82 bpm • A# Maj • 03:17 • -6.03db
47% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Roger Bart
Go the Distance
89 bpm • A Maj • 03:14 • -17.08db
65% Popularity • 28% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 28% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Tammy Blanchard
Call Back in the Morning
89 bpm • G Maj • 02:36 • -10.15db
27% Popularity • 41% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 41% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Original Broadway Cast of Frozen
Vuelie / Let the Sun Shine On
89 bpm • D# Maj • 04:34 • -9.2db
38% Popularity • 31% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 31% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Garfield
Boho Days
81 bpm • C# Maj • 01:28 • -8.9db
53% Popularity • 78% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 78% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Jonathan Groff
The Mirror-Blue Night - Original Broadwa...
89 bpm • G# Maj • 02:23 • -9.51db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mandy Moore
Healing Incantation
81 bpm • F# Maj • 00:54 • -22.62db
52% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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André De Shields
Wait for Me
89 bpm • D Maj • 03:34 • -6.72db
57% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph Williams
Can You Feel the Love Tonight
81 bpm • F Maj • 02:56 • -15.26db
56% Popularity • 34% Danceability • 19% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 34% Danceability • 19% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Roz Ryan
The Gospel Truth II
81 bpm • C# min • 00:59 • -14.24db
49% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jasmine Cephas-Jones
Say No to This
81 bpm • A Maj • 04:02 • -8.16db
66% Popularity • 75% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 75% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan McCartan
Our Love Is God
81 bpm • A Maj • 05:18 • -14.21db
53% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Eva Noblezada
Any Way the Wind Blows
89 bpm • F Maj • 03:45 • -9.04db
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Sophia Anne Caruso
Prologue: Invisible
81 bpm • E Maj • 02:42 • -11.76db
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Lea Salonga
Reflection
81 bpm • A Maj • 02:26 • -19db
64% Popularity • 26% Danceability • 17% Energy • 34% Liveness
1% Instrumentalness • 8% Positiveness
64% Popularity • 26% Danceability • 17% Energy • 34% Liveness
1% Instrumentalness • 8% Positiveness
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Christopher Sieber
What's Up, Duloc?
90 bpm • B min • 04:25 • -7.01db
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Laura Dreyfuss
Requiem
80 bpm • E Maj • 04:19 • -6.52db
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Kristen Bell
Some Things Never Change
90 bpm • F Maj • 03:29 • -4.49db
55% Popularity • 57% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 57% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Cast of Mary Poppins
Supercalifragilisticexpialidocious
80 bpm • G min • 02:02 • -13.03db
36% Popularity • 53% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 53% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Angela Lansbury
Beauty and the Beast
91 bpm • F min • 02:45 • -17.45db
58% Popularity • 34% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Lauren Marcus
Upgrade
80 bpm • D# Maj • 04:38 • -6.63db
32% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Nikki Blonsky
Welcome To The 60's
79 bpm • D min • 05:12 • -5.26db
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
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Kristen Bell
For the First Time in Forever
91 bpm • C Maj • 03:45 • -6.02db
71% Popularity • 35% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 35% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Dan Stevens
Evermore
79 bpm • C# Maj • 03:14 • -8.74db
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Breaker
Make A Move
91 bpm • A# min • 03:03 • -6.89db
38% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jonathan Groff
That Frank
91 bpm • C Maj • 04:31 • -6.13db
36% Popularity • 62% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 62% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Gad
Unmeltable Me - Outtake
79 bpm • C Maj • 01:25 • -8.8db
50% Popularity • 68% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 68% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Phillipa Soo
Helpless
79 bpm • F Maj • 04:09 • -7.49db
68% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
68% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Andrew Garfield
Sunday
79 bpm • A# Maj • 02:50 • -11db
43% Popularity • 15% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 15% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Judy Kuhn
Colors of the Wind
92 bpm • C# Maj • 03:32 • -11.81db
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Anika Noni Rose
Almost There
79 bpm • A min • 02:24 • -6.47db
61% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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William Finn
And They're Off
79 bpm • C Maj • 03:32 • -3.89db
23% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Christopher Jackson
Benny's Dispatch
92 bpm • A Maj • 02:17 • -8.25db
43% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Caissie Levy
Monster
92 bpm • C Maj • 03:42 • -5.62db
48% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Leslie Grace
Benny's Dispatch
92 bpm • F# min • 02:20 • -8.5db
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Leslie Odom Jr.
Non-Stop
92 bpm • F# Maj • 06:25 • -9.53db
69% Popularity • 77% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 77% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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André De Shields
Wait for Me (Reprise)
92 bpm • C Maj • 03:12 • -6.35db
49% Popularity • 70% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 70% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 20% Positiveness
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Evan Rachel Wood
All Is Found (Lullaby Ending) - Outtake
78 bpm • A min • 01:54 • -14.77db
54% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Reeve Carney
Wedding Song
92 bpm • G Maj • 03:33 • -6.24db
53% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Emily Blunt
It Takes Two
78 bpm • A Maj • 02:29 • -15.85db
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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William Finn
I Feel so Much Spring
78 bpm • A Maj • 03:47 • -5db
14% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Thayne Jasperson
Farmer Refuted
78 bpm • A min • 01:52 • -8.33db
65% Popularity • 80% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
65% Popularity • 80% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jonathan Groff
Left Behind - Original Broadway Cast Rec...
93 bpm • G Maj • 04:16 • -10.59db
36% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Hadestown Original Broadway Company
Way Down Hadestown
93 bpm • A# min • 05:00 • -5.41db
39% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Melissa Barrera
Champagne
93 bpm • B min • 02:53 • -10db
43% Popularity • 63% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 63% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Adam Mitchell
Days In The Sun
94 bpm • A# Maj • 02:40 • -10db
53% Popularity • 30% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 30% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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William Finn
Prologue: Frogs Have so Much Spring (The...
78 bpm • C# min • 04:59 • -6.97db
19% Popularity • 47% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 47% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Christopher Jackson
History Has Its Eyes on You
77 bpm • C min • 01:37 • -10db
64% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Barrett Wilbert Weed
Seventeen
77 bpm • A Maj • 03:11 • -9.4db
62% Popularity • 34% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 34% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Caissie Levy
Monster
93 bpm • C Maj • 03:42 • -6.92db
35% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alex Brightman
Say My Name
94 bpm • F min • 03:55 • -5.94db
64% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Christy Altomare
In My Dreams
77 bpm • E min • 03:28 • -12db
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Hadestown Original Broadway Company
Chant
94 bpm • G# min • 06:31 • -7db
36% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Kristen Bell
For the First Time in Forever (Reprise)
94 bpm • A Maj • 02:29 • -9.32db
63% Popularity • 36% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
63% Popularity • 36% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Jodi Benson
Part of Your World (Reprise)
76 bpm • F Maj • 02:17 • -14.95db
48% Popularity • 27% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
48% Popularity • 27% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Mandy Moore
I See the Light
95 bpm • F Maj • 03:44 • -10.09db
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Emma Watson
How Does A Moment Last Forever (Montmart...
95 bpm • A# Maj • 01:55 • -18.66db
54% Popularity • 22% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 22% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Barrett Wilbert Weed
Beautiful
95 bpm • C# Maj • 08:19 • -8.17db
60% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Patti Murin
Colder by the Minute
76 bpm • G# Maj • 04:01 • -7.87db
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
