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Lenis Tinnitus
Songs like
Lenis Tinnitus
by
Nocturnal Emissions
Based on a tempo of (+/- 10%) and a similar genre
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Bourbonese Qualk
Moving Forward - Mixed
119 bpm • G# Maj • 04:16 • -8.82db
12% Popularity • 82% Danceability • 64% Energy • 41% Liveness
79% Instrumentalness • 78% Positiveness
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Kim Gordon
International Spy
119 bpm • B min • 02:43 • -9.1db
21% Popularity • 53% Danceability • 92% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Prurient
Pretext
119 bpm • D Maj • 04:45 • -13.53db
10% Popularity • 17% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
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Boyd Rice
Hatesville
119 bpm • D Maj • 01:59 • -8.28db
19% Popularity • 51% Danceability • 63% Energy • 12% Liveness
85% Instrumentalness • 58% Positiveness
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Lycia
Wake
119 bpm • G Maj • 03:45 • -9.36db
8% Popularity • 66% Danceability • 92% Energy • 17% Liveness
96% Instrumentalness • 46% Positiveness
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Nurse With Wound
Livin' Fear Of James Last
119 bpm • G Maj • 06:56 • -19.27db
9% Popularity • 22% Danceability • 40% Energy • 41% Liveness
84% Instrumentalness • 3% Positiveness
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Sherwin
Frenzy of Self-conceit
120 bpm • C# Maj • 02:17 • -14.44db
8% Popularity • 24% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Chris & Cosey
Trapezoid
118 bpm • F min • 05:15 • -14.79db
10% Popularity • 17% Danceability • 49% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
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Ramleh
Product Of Fear
118 bpm • G# min • 07:06 • -6.76db
19% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
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Nocturnal Emissions
Abidas
120 bpm • G# min • 06:00 • -21.45db
1% Popularity • 25% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
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Clock DVA
THE KONSTRUCTOR
120 bpm • E Maj • 04:08 • -12db
9% Popularity • 60% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Dadamah
High Tension House
118 bpm • D Maj • 09:09 • -21.82db
15% Popularity • 29% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Pablo's Eye
Long Distances
120 bpm • F# Maj • 01:42 • -35.57db
14% Popularity • 64% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 23% Positiveness
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Locust
Prospero
120 bpm • F Maj • 08:44 • -21.87db
8% Popularity • 50% Danceability • 19% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
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Drew McDowall
Violence's Detour
120 bpm • G# Maj • 08:55 • -12db
9% Popularity • 48% Danceability • 59% Energy • 14% Liveness
50% Instrumentalness • 5% Positiveness
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Scorn
Days Passed
120 bpm • G# Maj • 04:33 • -10.1db
12% Popularity • 56% Danceability • 74% Energy • 32% Liveness
90% Instrumentalness • 48% Positiveness
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Carl Crack
KR-6200
118 bpm • G Maj • 03:09 • -16.39db
8% Popularity • 26% Danceability • 40% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Nocturnal Emissions
Tryphyllius
120 bpm • G min • 05:54 • -18.57db
0% Popularity • 47% Danceability • 6% Energy • 6% Liveness
74% Instrumentalness • 3% Positiveness
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Vessels Of Judah
Zorah
120 bpm • C# Maj • 02:41 • -15.08db
15% Popularity • 64% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 74% Positiveness
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23 Skidoo
Kundalini
120 bpm • A# Maj • 05:08 • -8db
13% Popularity • 58% Danceability • 83% Energy • 12% Liveness
8% Instrumentalness • 87% Positiveness
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Genesis P-Orridge
Sex & the Married Frog - Mixed
120 bpm • A# min • 03:04 • -11.48db
19% Popularity • 58% Danceability • 47% Energy • 50% Liveness
94% Instrumentalness • 5% Positiveness
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Carter Tutti Void
T 3.2
118 bpm • G Maj • 07:15 • -13.75db
10% Popularity • 69% Danceability • 56% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Jerome Arizana
Captive Dreams
120 bpm • A Maj • 02:44 • -7.04db
21% Popularity • 71% Danceability • 73% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
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Nocturnal Emissions
Felicula
120 bpm • C Maj • 02:48 • -18.46db
1% Popularity • 53% Danceability • 22% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
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Geneva Jacuzzi
Technophelia (Intro)
120 bpm • B min • 02:45 • -11db
12% Popularity • 74% Danceability • 86% Energy • 33% Liveness
6% Instrumentalness • 5% Positiveness
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Sherwin
The Reply
120 bpm • D# Maj • 02:34 • -15.99db
9% Popularity • 36% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Deutsch Nepal
Carrions Still Walkin'
118 bpm • F min • 04:22 • -15.09db
11% Popularity • 64% Danceability • 52% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
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Bourbonese Qualk
Pogrom
118 bpm • B min • 02:37 • -10.83db
11% Popularity • 81% Danceability • 47% Energy • 16% Liveness
87% Instrumentalness • 54% Positiveness
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Beau Wanzer
He Spilled My Drink
118 bpm • C# Maj • 03:53 • -8.65db
9% Popularity • 87% Danceability • 88% Energy • 10% Liveness
85% Instrumentalness • 90% Positiveness
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Nocturnal Emissions
Sagar
120 bpm • G Maj • 06:42 • -11.06db
1% Popularity • 70% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Test Dept
Kick to Kill
120 bpm • A min • 06:11 • -8.9db
11% Popularity • 60% Danceability • 98% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
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Alberich
Unity House
120 bpm • C# Maj • 05:22 • -11db
11% Popularity • 65% Danceability • 57% Energy • 33% Liveness
89% Instrumentalness • 12% Positiveness
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Die Form
Re-Search
117 bpm • F# Maj • 02:37 • -12.72db
25% Popularity • 65% Danceability • 84% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
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Esplendor Geométrico
Rotor
121 bpm • A# min • 04:21 • -7.95db
9% Popularity • 82% Danceability • 80% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
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Deux Filles
Her New Master
117 bpm • C# Maj • 02:50 • -16.51db
8% Popularity • 38% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Nocturnal Emissions
Wigbert
120 bpm • G Maj • 03:36 • -18.39db
0% Popularity • 67% Danceability • 25% Energy • 5% Liveness
89% Instrumentalness • 16% Positiveness
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Test Dept
Sweet Sedation
117 bpm • D Maj • 04:12 • -11.59db
13% Popularity • 66% Danceability • 87% Energy • 14% Liveness
35% Instrumentalness • 25% Positiveness
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Coil
Where Even the Darkness Is Something to ...
117 bpm • B min • 03:05 • -15.9db
20% Popularity • 86% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Belbury Poly
A Warning
121 bpm • D# min • 01:06 • -11.39db
10% Popularity • 29% Danceability • 30% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
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Valentina Goncharova
Symphony Of Wind
121 bpm • F min • 07:11 • -16.22db
10% Popularity • 28% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Alberich
Infared Kommando
117 bpm • C# Maj • 05:08 • -6.07db
7% Popularity • 79% Danceability • 91% Energy • 28% Liveness
91% Instrumentalness • 3% Positiveness
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Nocturnal Emissions
Agathangelo
120 bpm • F Maj • 04:53 • -13.34db
0% Popularity • 26% Danceability • 30% Energy • 30% Liveness
14% Instrumentalness • 6% Positiveness
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Haus Arafna
Today You Died
121 bpm • F Maj • 04:12 • -14.38db
11% Popularity • 76% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Clock DVA
Uncertain
122 bpm • D Maj • 07:08 • -9.89db
11% Popularity • 40% Danceability • 74% Energy • 20% Liveness
74% Instrumentalness • 15% Positiveness
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Deutsch Nepal
Im Regen
122 bpm • C# Maj • 06:09 • -9.57db
8% Popularity • 27% Danceability • 41% Energy • 23% Liveness
70% Instrumentalness • 30% Positiveness
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Santa Pfeffer
Entering My Dream Journey
122 bpm • G# Maj • 02:56 • -20.45db
19% Popularity • 44% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Bourbonese Qualk
Dream Decade
116 bpm • B min • 04:44 • -12.27db
9% Popularity • 64% Danceability • 58% Energy • 38% Liveness
95% Instrumentalness • 58% Positiveness
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Nocturnal Emissions
Haldol Shuffle
117 bpm • E min • 03:00 • -9.47db
1% Popularity • 58% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Haus Arafna
Learned Helplessness
116 bpm • A min • 01:39 • -16.64db
10% Popularity • 39% Danceability • 51% Energy • 64% Liveness
92% Instrumentalness • 17% Positiveness
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Scraping Foetus off the Wheel
Private War - Instrumental
122 bpm • B Maj • 01:06 • -16.27db
17% Popularity • 44% Danceability • 82% Energy • 85% Liveness
9% Instrumentalness • 3% Positiveness
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Spk
Machine Age Voodoo
123 bpm • C# Maj • 04:04 • -8db
19% Popularity • 63% Danceability • 96% Energy • 8% Liveness
20% Instrumentalness • 78% Positiveness
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Robert Turman
Way Down
115 bpm • B Maj • 07:22 • -3.16db
10% Popularity • 36% Danceability • 83% Energy • 17% Liveness
87% Instrumentalness • 31% Positiveness
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Puce Mary
Slow Agony of a Dying Orgasm
123 bpm • F Maj • 06:29 • -6.95db
9% Popularity • 21% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Nocturnal Emissions
I Want You to Feel
116 bpm • F Maj • 01:28 • -12.56db
25% Popularity • 77% Danceability • 83% Energy • 14% Liveness
68% Instrumentalness • 88% Positiveness
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Haus Arafna
Feierhalle
123 bpm • C Maj • 01:39 • -15.31db
11% Popularity • 65% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 12% Positiveness
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Lucrecia Dalt
Anabolic Alien
115 bpm • C# Maj • 01:36 • -23.31db
9% Popularity • 91% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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TechDarken
Rock steel
123 bpm • A Maj • 01:03 • -11.11db
24% Popularity • 20% Danceability • 64% Energy • 8% Liveness
81% Instrumentalness • 36% Positiveness
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Nevi Mero
mine fav
115 bpm • C Maj • 01:00 • -18.56db
23% Popularity • 51% Danceability • 24% Energy • 34% Liveness
86% Instrumentalness • 37% Positiveness
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Melvin Miles
Build
123 bpm • F# Maj • 02:32 • -11.02db
33% Popularity • 74% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 74% Positiveness
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Nocturnal Emissions
Thor's Cave
122 bpm • A# min • 04:42 • -16.95db
6% Popularity • 39% Danceability • 53% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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Carter Martin
Country
123 bpm • A# min • 02:27 • -11.3db
33% Popularity • 80% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 62% Positiveness
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Aaron Dilloway
Born in a Maze
123 bpm • A Maj • 04:46 • -9.09db
12% Popularity • 31% Danceability • 59% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Ramleh
Hole In The Heart
115 bpm • G min • 03:51 • -4.56db
13% Popularity • 16% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Coil
The Snow
123 bpm • G Maj • 06:41 • -11.3db
23% Popularity • 66% Danceability • 62% Energy • 14% Liveness
82% Instrumentalness • 44% Positiveness
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Final
Flow River Flow
115 bpm • C# Maj • 06:15 • -13.41db
8% Popularity • 17% Danceability • 42% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
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Severed Heads
Spitoon Thud
124 bpm • A# min • 04:42 • -11.57db
8% Popularity • 81% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Chris & Cosey
Put Yourself In Los Angeles
124 bpm • C Maj • 03:46 • -22.42db
13% Popularity • 54% Danceability • 37% Energy • 65% Liveness
11% Instrumentalness • 23% Positiveness
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Con-Dom
Victory Through Violence
114 bpm • A Maj • 05:50 • -8.76db
10% Popularity • 21% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 4% Positiveness
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Nocturnal Emissions
Ch'i Sea
124 bpm • C Maj • 04:45 • -19.2db
4% Popularity • 17% Danceability • 22% Energy • 37% Liveness
32% Instrumentalness • 4% Positiveness
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The Focus Group
Open the Gate
114 bpm • C# Maj • 01:14 • -14.53db
8% Popularity • 64% Danceability • 44% Energy • 13% Liveness
74% Instrumentalness • 48% Positiveness
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Brian Hodgson
Liquid Energy - Underscore Version
114 bpm • B min • 01:04 • -30.08db
18% Popularity • 63% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
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Genocide Organ
Klaus Barbie
114 bpm • A# min • 04:02 • -6.88db
16% Popularity • 61% Danceability • 49% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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V_H_S
III неадеквата
114 bpm • A Maj • 01:21 • -5.22db
20% Popularity • 30% Danceability • 95% Energy • 29% Liveness
83% Instrumentalness • 39% Positiveness
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Severed Heads
Now, an Explosive New Movie
124 bpm • C# Maj • 03:49 • -12.19db
12% Popularity • 76% Danceability • 94% Energy • 28% Liveness
87% Instrumentalness • 91% Positiveness
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Bernard Fevre
Cimes éternelles
125 bpm • D Maj • 02:03 • -9.01db
13% Popularity • 43% Danceability • 52% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Crash Course In Science
Crashing Song
113 bpm • B min • 02:37 • -10db
8% Popularity • 52% Danceability • 80% Energy • 23% Liveness
86% Instrumentalness • 6% Positiveness
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Nocturnal Emissions
Bloddbath
113 bpm • B Maj • 02:47 • -10.44db
1% Popularity • 20% Danceability • 90% Energy • 27% Liveness
67% Instrumentalness • 4% Positiveness
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Genocide Organ
Come Orgasm
125 bpm • D Maj • 04:33 • -9.72db
11% Popularity • 58% Danceability • 78% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Esplendor Geométrico
Necrosis en la Poya
113 bpm • G Maj • 04:04 • -1.56db
10% Popularity • 87% Danceability • 92% Energy • 7% Liveness
90% Instrumentalness • 61% Positiveness
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Chris & Cosey
Unmasked
126 bpm • F Maj • 06:40 • -16.1db
9% Popularity • 34% Danceability • 51% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
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Section 25
C.P.
113 bpm • E Maj • 02:23 • -18.88db
18% Popularity • 63% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Halim El-Dabh
Wire Recorder Piece
126 bpm • A# min • 01:57 • -17.18db
15% Popularity • 22% Danceability • 44% Energy • 15% Liveness
4% Instrumentalness • 4% Positiveness
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Spk
Invocation to Secular Heresies
126 bpm • C Maj • 05:18 • -7.74db
13% Popularity • 22% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Death In June
Death Is a Drummer
126 bpm • B min • 09:17 • -18.53db
12% Popularity • 42% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Ike Yard
Loss
126 bpm • B Maj • 07:35 • -12.99db
8% Popularity • 80% Danceability • 80% Energy • 8% Liveness
88% Instrumentalness • 70% Positiveness
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Drew McDowall
Agalma I (Folding)
126 bpm • A min • 06:04 • -15.63db
7% Popularity • 31% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Chris & Cosey
Hazey Daze
126 bpm • B min • 03:21 • -18.63db
20% Popularity • 84% Danceability • 37% Energy • 6% Liveness
90% Instrumentalness • 81% Positiveness
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Muslimgauze
Nabius
126 bpm • G Maj • 04:22 • -23.93db
14% Popularity • 64% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 91% Positiveness
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Tuxedomoon
Willie
112 bpm • F Maj • 05:41 • -11.57db
7% Popularity • 40% Danceability • 58% Energy • 13% Liveness
80% Instrumentalness • 22% Positiveness
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Boyd Rice and Friends
Invocation
112 bpm • F# Maj • 02:23 • -16.02db
14% Popularity • 23% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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DAF
Bild 4
112 bpm • B Maj • 02:35 • -7.47db
9% Popularity • 44% Danceability • 89% Energy • 12% Liveness
83% Instrumentalness • 66% Positiveness
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Kitchen Cynics
Phosphorus Tenement
112 bpm • F Maj • 05:10 • -9.97db
10% Popularity • 24% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Anenzephalia
Mechanical Rape
112 bpm • C Maj • 04:26 • -14db
9% Popularity • 26% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Conrad Schnitzler
16 - Bonus Track
112 bpm • C# Maj • 01:32 • -9.66db
19% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
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Test Dept
Comrade Enver Hoxha
127 bpm • C# min • 04:59 • -15.87db
15% Popularity • 46% Danceability • 44% Energy • 18% Liveness
7% Instrumentalness • 27% Positiveness
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White Noise
Black Mass: An Electric Storm In Hell
127 bpm • G Maj • 07:21 • -13.53db
13% Popularity • 35% Danceability • 66% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
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Sherwin
Across the Universe
127 bpm • F Maj • 08:47 • -14.44db
8% Popularity • 42% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Charles Josh
New Wind
111 bpm • A# min • 01:31 • -15db
15% Popularity • 63% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 98% Positiveness
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Severed Heads
Lamborghini - Petrol April 1982
128 bpm • F Maj • 03:55 • -13.35db
27% Popularity • 56% Danceability • 70% Energy • 18% Liveness
88% Instrumentalness • 57% Positiveness
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Spk
In the Dying Moments
111 bpm • G Maj • 06:41 • -11.61db
8% Popularity • 68% Danceability • 77% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Lenis Tinnitus