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Les Chansons des Roses: V. Dirait-on
Songs like
Les Chansons des Roses: V. Dirait-on
by
Morten Lauridsen
Based on a tempo of (+/- 10%) and a similar genre
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Morten Lauridsen
Les Chansons des Roses: V. Dirait-on
141 bpm • C# Maj • 05:16 • -27.01db
22% Popularity • 18% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
34% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
142 bpm • E Maj • 02:12 • -20.26db
1% Popularity • 26% Danceability • 6% Energy • 8% Liveness
4% Instrumentalness • 13% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
42% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
31% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
32% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Morten Lauridsen
Morten Lauridsen: O nata lux
140 bpm • D Maj • 04:09 • -25db
9% Popularity • 18% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir
Contre Qui, Rose
139 bpm • A# min • 04:10 • -20.81db
15% Popularity • 16% Danceability • 10% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Nicol Matt
Missa In C Major Kv 167, Trinitatis Mess...
139 bpm • C Maj • 04:56 • -13.32db
3% Popularity • 29% Danceability • 18% Energy • 5% Liveness
23% Instrumentalness • 21% Positiveness
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Nikolay Kedrov
Otche nash (Our Father)
138 bpm • A# Maj • 03:14 • -34.01db
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
15% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
37% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
19% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
30% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
36% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Lauridsen: O magnum mysterium
137 bpm • D Maj • 06:34 • -26db
10% Popularity • 15% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Henryk Górecki
Pieśni Maryjne, Op. 54: 3. Zdrowaś bą...
138 bpm • D Maj • 03:20 • -36.77db
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
27% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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George Frideric Handel
Handel: The Triumph of Time and Truth, H...
137 bpm • D# Maj • 05:52 • -19.14db
16% Popularity • 23% Danceability • 8% Energy • 9% Liveness
34% Instrumentalness • 7% Positiveness
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Rudolf Mauersberger
Wie liegt die Stadt so wust
145 bpm • A# min • 06:34 • -28.67db
16% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
44% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
30% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
137 bpm • E Maj • 01:18 • -21.59db
3% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
34% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
36% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
17% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Adoramus a sei voci
146 bpm • G Maj • 03:31 • -23.1db
11% Popularity • 14% Danceability • 8% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
9% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
13% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
27% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
34% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Ave, dulcissima Maria
135 bpm • A Maj • 07:26 • -18.99db
10% Popularity • 21% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
44% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
30% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
17% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Morten Lauridsen
O Magnum Mysterium
134 bpm • D Maj • 06:33 • -25.92db
16% Popularity • 16% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
11% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
19% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
32% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
19% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
19% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
17% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
34% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Lux aeterna: Introitus
133 bpm • D Maj • 07:38 • -26.25db
17% Popularity • 16% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Gloria in excelsis deo, RV 589 - Arr. fo...
133 bpm • C Maj • 02:27 • -16.32db
19% Popularity • 54% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
33% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Henry Purcell
Purcell: Funeral Sentences for the Death...
132 bpm • A Maj • 01:58 • -23.62db
10% Popularity • 20% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Lili Boulanger
Les Sirènes
132 bpm • F# Maj • 06:28 • -30db
21% Popularity • 21% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Les Chansons des roses: No. 1. En une se...
133 bpm • C# Maj • 02:57 • -37.44db
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
34% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
14% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
31% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
16% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Les Chansons des Roses: I. En une seule ...
133 bpm • C# Maj • 02:40 • -27.13db
12% Popularity • 30% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Chamber Choir Of Europe
Sieben Lieder Op. 62: 1. Rosmarin
131 bpm • G min • 02:24 • -18db
4% Popularity • 27% Danceability • 20% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
151 bpm • A min • 00:52 • -15.93db
1% Popularity • 44% Danceability • 35% Energy • 52% Liveness
1% Instrumentalness • 48% Positiveness
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
20% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
44% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
28% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto in C Major for Two Oboes and St...
131 bpm • C Maj • 01:50 • -11.65db
8% Popularity • 63% Danceability • 39% Energy • 17% Liveness
91% Instrumentalness • 94% Positiveness
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Morten Lauridsen
Lux aeterna: III. O nata lux
130 bpm • D Maj • 04:11 • -31.31db
23% Popularity • 16% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
15% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
26% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
31% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
14% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
32% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
10% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
25% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
155 bpm • C min • 01:05 • -14.27db
1% Popularity • 42% Danceability • 28% Energy • 26% Liveness
52% Instrumentalness • 80% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
36% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
128 bpm • E Maj • 05:48 • -27.47db
29% Popularity • 22% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
25% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
27% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
30% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
9% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
29% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
15% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Nicol Matt
Missa In C Major Kv 167, Trinitatis Mess...
126 bpm • F Maj • 03:11 • -13.86db
3% Popularity • 35% Danceability • 28% Energy • 48% Liveness
2% Instrumentalness • 51% Positiveness
► Preview
Morten Lauridsen
Sure on this Shining Night
127 bpm • C# Maj • 04:31 • -22db
32% Popularity • 22% Danceability • 9% Energy • 10% Liveness
22% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
22% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
41% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
18% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
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Giuseppe Torelli
Sinfonia a cinque in D Major, (G. 3): II...
125 bpm • D Maj • 01:01 • -12.62db
7% Popularity • 64% Danceability • 36% Energy • 14% Liveness
74% Instrumentalness • 36% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
10% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Missa brevis in B-Flat Major, K. 275: II...
125 bpm • A# Maj • 02:54 • -15.31db
1% Popularity • 33% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Lasciate Mi Morire
125 bpm • A# Maj • 02:38 • -23.26db
12% Popularity • 20% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Rebecca Dale
Materna Requiem: 10. In Paradisum: If I ...
161 bpm • C# Maj • 02:41 • -29.53db
14% Popularity • 10% Danceability • 2% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Giuseppe Torelli
Sonata in D Major, (G. 1): II. Allegro
124 bpm • D Maj • 01:27 • -12.9db
12% Popularity • 63% Danceability • 40% Energy • 21% Liveness
92% Instrumentalness • 91% Positiveness
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George Frideric Handel
Solomon HWV 67 / Act 3: The Arrival of t...
123 bpm • A Maj • 03:02 • -14.66db
21% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
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Les Chansons des Roses: V. Dirait-on