Songs like Les goûts-réunis, ou Nouveaux concerts, Sixième Concert: IV. Air de Diable. Tres viste by François Couperin
Based on a tempo of (+/- 10%) and a similar genre
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Suite en ré: Les niais de Sologne
121 bpm • D Maj • 01:44 • -29db
35% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
35% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
121 bpm • C min • 04:10 • -32.4db
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
122 bpm • G Maj • 03:59 • -33.32db
31% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
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Wilhelm Friedemann Bach
Sinfonia in F major, F. 67: IV. Menuetto...
122 bpm • F Maj • 02:33 • -24db
25% Popularity • 39% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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François Couperin
La Couperin: 21ème ordre, 4ème livre
120 bpm • B min • 04:00 • -26.51db
11% Popularity • 38% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
11% Popularity • 38% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Jordi Savall
Les Nations - Premier Ordre - La Franço...
119 bpm • D# min • 03:32 • -17.39db
4% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
31% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
31% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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François Couperin
Les Nations, III. L'Impériale: VI. Vive...
118 bpm • C min • 02:01 • -16.41db
0% Popularity • 51% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 51% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Jordi Savall
Les Nations - Premier Ordre - La Franço...
118 bpm • D# min • 03:04 • -15.73db
3% Popularity • 30% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 30% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
117 bpm • E min • 03:54 • -27db
21% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Concerto For 4 Violins In D Major, Op. 3...
117 bpm • D Maj • 03:01 • -16db
49% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
49% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
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Frédéric Chopin
Chopin: Cello Sonata in G Minor, Op. 65:...
117 bpm • A# Maj • 03:37 • -36.08db
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
117 bpm • C# Maj • 02:32 • -22.96db
47% Popularity • 46% Danceability • 14% Energy • 7% Liveness
64% Instrumentalness • 58% Positiveness
47% Popularity • 46% Danceability • 14% Energy • 7% Liveness
64% Instrumentalness • 58% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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George Frideric Handel
Keyboard Suite No. 5 in E Major, HWV 430...
126 bpm • E Maj • 04:43 • -26.48db
33% Popularity • 26% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
33% Popularity • 26% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Vivaldi - Concerto in D Major "Grosso Mo...
126 bpm • C# Maj • 05:40 • -18db
43% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
43% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
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Louise Farrenc
Cello Sonata in B-Flat Major, Op. 46: II...
116 bpm • D# Maj • 05:36 • -29.49db
38% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
38% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
41% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Jordi Savall
Les Nations - Second Ordre - L'Espagnole...
116 bpm • B min • 04:50 • -14.72db
3% Popularity • 29% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 29% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618 (Transcr. Liszt...
115 bpm • B Maj • 04:02 • -38.66db
23% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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François Couperin
Les Nations, III. L'Impériale: II. Vive...
115 bpm • C min • 01:13 • -16.25db
0% Popularity • 44% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 44% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Jordi Savall
Les Nations - Second Ordre - L'Espagnole...
115 bpm • B min • 02:40 • -17.54db
3% Popularity • 28% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 28% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
48% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
48% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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François Couperin
Les Ombres Errantes
115 bpm • C# Maj • 05:03 • -19.82db
1% Popularity • 42% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 37% Positiveness
1% Popularity • 42% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 37% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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George Frideric Handel
Suite No. 2 in F Major, HWV 427: I. Adag...
129 bpm • F Maj • 02:36 • -36.17db
39% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
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Jordi Savall
Les Nations - Second Ordre - L'Espagnole...
113 bpm • B min • 01:43 • -16db
5% Popularity • 38% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
5% Popularity • 38% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
62% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
62% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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François Couperin
La Visionaire
129 bpm • C# Maj • 03:26 • -13.65db
2% Popularity • 41% Danceability • 39% Energy • 7% Liveness
4% Instrumentalness • 76% Positiveness
2% Popularity • 41% Danceability • 39% Energy • 7% Liveness
4% Instrumentalness • 76% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
38% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
38% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
► Preview
Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
113 bpm • D Maj • 02:16 • -20db
17% Popularity • 33% Danceability • 23% Energy • 17% Liveness
97% Instrumentalness • 85% Positiveness
17% Popularity • 33% Danceability • 23% Energy • 17% Liveness
97% Instrumentalness • 85% Positiveness
► Preview
Johann Sebastian Sebastian
Concerto for 2 Harpsichords in C Minor, ...
113 bpm • B min • 03:23 • -14.66db
16% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Domenico Scarlatti
Sonata in A Major, Kk.208
130 bpm • A Maj • 04:15 • -27.38db
17% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
17% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
François Couperin
Les Nations, III. L'Impériale: VIII. Al...
130 bpm • C min • 02:12 • -17.61db
0% Popularity • 32% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
112 bpm • F# min • 04:21 • -28.44db
37% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Jean-Philippe Rameau
L’égyptienne
112 bpm • G min • 02:12 • -22.44db
28% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
28% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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Antonio Vivaldi
Vivaldi: Flute Concerto in D Major, RV 4...
131 bpm • D Maj • 01:49 • -25.17db
48% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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François Couperin
Concerts royaux, Premier Concert: III. S...
113 bpm • F min • 02:18 • -23.22db
0% Popularity • 28% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
132 bpm • C min • 02:07 • -27.63db
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Ferruccio Busoni
Das Orgel-Büchlein, BV B 27: No. 2, Wac...
111 bpm • D# Maj • 04:02 • -30.23db
16% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
16% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Emanuele Barbella
Mandolin Concerto in D Major: II. Andant...
110 bpm • G Maj • 03:53 • -20.29db
37% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
37% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
131 bpm • D Maj • 02:25 • -23.11db
16% Popularity • 28% Danceability • 17% Energy • 23% Liveness
89% Instrumentalness • 95% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 23% Liveness
89% Instrumentalness • 95% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Jean-Philippe Rameau
Les tendres plaintes
110 bpm • D min • 02:36 • -30.11db
28% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
28% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
42% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
42% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
110 bpm • B min • 01:38 • -18db
38% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
38% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
