Songs like Les ronds dans l'eau by Pierre Barouh
Based on a tempo of (+/- 10%) and a similar genre
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Pierre Barouh
Les ronds dans l'eau
125 bpm • A# Maj • 03:25 • -10.33db
7% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Enzo Enzo
Ils s'adorent
125 bpm • D min • 03:20 • -8.29db
25% Popularity • 63% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 63% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Sergio Mendes & Brasil '66
Ye-Me-Le
125 bpm • G min • 02:27 • -14.35db
37% Popularity • 59% Danceability • 39% Energy • 36% Liveness
11% Instrumentalness • 78% Positiveness
37% Popularity • 59% Danceability • 39% Energy • 36% Liveness
11% Instrumentalness • 78% Positiveness
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Hindi Zahra
The Man I Love - Unplugged
125 bpm • C Maj • 03:18 • -8db
53% Popularity • 69% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 69% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Gillian Hills
Cha cha stop
125 bpm • F Maj • 03:00 • -7db
18% Popularity • 77% Danceability • 84% Energy • 34% Liveness
13% Instrumentalness • 88% Positiveness
18% Popularity • 77% Danceability • 84% Energy • 34% Liveness
13% Instrumentalness • 88% Positiveness
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Francis Lemarque
Sambanella - Play Time
125 bpm • A Maj • 04:50 • -12.81db
10% Popularity • 71% Danceability • 40% Energy • 15% Liveness
6% Instrumentalness • 88% Positiveness
10% Popularity • 71% Danceability • 40% Energy • 15% Liveness
6% Instrumentalness • 88% Positiveness
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Louis Chedid
Ainsi soit-il
125 bpm • F min • 03:10 • -15db
34% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Stacey Kent
La vénus du mélo
124 bpm • D Maj • 03:47 • -13db
56% Popularity • 80% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 80% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Pierre Barouh
Les uns et les autres
126 bpm • B min • 04:00 • -9.83db
3% Popularity • 74% Danceability • 58% Energy • 28% Liveness
24% Instrumentalness • 47% Positiveness
3% Popularity • 74% Danceability • 58% Energy • 28% Liveness
24% Instrumentalness • 47% Positiveness
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Véronique Sanson
Le printemps est là - Remasterisé en 2...
124 bpm • C Maj • 02:09 • -7.66db
18% Popularity • 53% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 53% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Dutronc
Un homme et une femme
126 bpm • B Maj • 03:00 • -12.27db
38% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Pauline Croze
Les eaux de Mars
126 bpm • C min • 02:59 • -8db
38% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Louis Chedid
Chanson pour une emmerdeuse
124 bpm • G# Maj • 03:15 • -17db
14% Popularity • 77% Danceability • 43% Energy • 21% Liveness
10% Instrumentalness • 82% Positiveness
14% Popularity • 77% Danceability • 43% Energy • 21% Liveness
10% Instrumentalness • 82% Positiveness
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Stacey Kent
Raconte-moi...
124 bpm • F# min • 03:42 • -14db
47% Popularity • 72% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 72% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Alain Delon
Laetitia - Bande originale du film "Les ...
124 bpm • A# Maj • 02:24 • -19.96db
29% Popularity • 60% Danceability • 12% Energy • 8% Liveness
43% Instrumentalness • 21% Positiveness
29% Popularity • 60% Danceability • 12% Energy • 8% Liveness
43% Instrumentalness • 21% Positiveness
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Oscar Brown, Jr.
Laia Ladaia
126 bpm • D min • 03:07 • -19.49db
31% Popularity • 69% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 69% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dominique Cravic et Les Primitifs Du Futur
La dernière rumba de Django
126 bpm • B min • 04:19 • -11.58db
2% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Mayra Andrade
Simplement
127 bpm • F# min • 03:48 • -14db
32% Popularity • 81% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 54% Positiveness
32% Popularity • 81% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 54% Positiveness
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Pierre Barouh
De L'amour À L'amour
123 bpm • A# min • 02:46 • -7.11db
1% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dick Annegarn
Coutances
127 bpm • D Maj • 02:55 • -15.75db
20% Popularity • 46% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Eartha Kitt
C'est Magnifique (Can Can)
123 bpm • E min • 02:43 • -9.34db
33% Popularity • 38% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 38% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Joséphine Baker
Paris, Paris, Paris
127 bpm • E Maj • 02:28 • -15.52db
31% Popularity • 67% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 65% Positiveness
31% Popularity • 67% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 65% Positiveness
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Cesária Evora
Mar Azul
123 bpm • G min • 03:35 • -9.63db
33% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Mayra Andrade
Les mots d'amour
123 bpm • G Maj • 03:47 • -10.17db
49% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mathieu Boogaerts
Minuit
123 bpm • C# Maj • 02:44 • -12.52db
33% Popularity • 82% Danceability • 23% Energy • 6% Liveness
36% Instrumentalness • 54% Positiveness
33% Popularity • 82% Danceability • 23% Energy • 6% Liveness
36% Instrumentalness • 54% Positiveness
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Nino Ferrer
La Rua Madureira
123 bpm • G Maj • 03:23 • -8.7db
47% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Keren Ann
Le chien d'avant garde
123 bpm • C Maj • 03:58 • -12.39db
48% Popularity • 60% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
48% Popularity • 60% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
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Jean Constantin
Le pacha
127 bpm • D Maj • 02:38 • -10db
28% Popularity • 84% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 84% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
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Cesária Evora
Xandinha
127 bpm • E min • 05:43 • -15.12db
26% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Elizabeth Shepherd
Pourquoi Tu Vis
122 bpm • G min • 03:14 • -12db
24% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Desmond
A Taste of Honey
128 bpm • F min • 04:25 • -23.98db
41% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
41% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
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Emilie-Claire Barlow
C'est si bon - 2012
128 bpm • G# Maj • 03:16 • -10.74db
59% Popularity • 65% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 65% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Pierre Mas
Soneto de Fidelidade
128 bpm • A min • 01:29 • -20.89db
0% Popularity • 62% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 62% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Philippe Sarde
BaRocco (on se voit se voir)
123 bpm • F min • 02:20 • -15.79db
16% Popularity • 38% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 38% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Anna Torres
Camara
128 bpm • D Maj • 04:02 • -8.47db
0% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Gilbert Bécaud
Dimanche à Orly
128 bpm • C Maj • 03:25 • -12db
11% Popularity • 42% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 42% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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Sophia Loren
Zoo Be Zoo Be Zoo
128 bpm • C# Maj • 02:19 • -9db
37% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Vaughan
The Smiling Hour
128 bpm • C Maj • 04:17 • -14.57db
33% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Pauline Croze
Tu verras
122 bpm • G# min • 03:29 • -6.61db
36% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Pierre Barouh
Perdu
122 bpm • A min • 04:38 • -10.33db
4% Popularity • 72% Danceability • 46% Energy • 5% Liveness
1% Instrumentalness • 67% Positiveness
4% Popularity • 72% Danceability • 46% Energy • 5% Liveness
1% Instrumentalness • 67% Positiveness
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Marianne Faithfull
Hier Ou Demain
122 bpm • F Maj • 02:39 • -13db
22% Popularity • 64% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 64% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Stacey Kent
Les vacances au bord de la mer
128 bpm • G# Maj • 03:29 • -15.97db
40% Popularity • 68% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 68% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Laurent Voulzy
Cocktail chez mademoiselle
128 bpm • G min • 06:34 • -18.9db
31% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Anna Karina
Ma ligne de chance - Bande originale du ...
128 bpm • F# Maj • 02:38 • -12db
21% Popularity • 44% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 44% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Colette Magny
Les Tuileries
122 bpm • E min • 02:30 • -17db
28% Popularity • 44% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 44% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Pierre Barouh
La bicyclette
122 bpm • D Maj • 03:41 • -9.95db
1% Popularity • 44% Danceability • 47% Energy • 16% Liveness
5% Instrumentalness • 44% Positiveness
1% Popularity • 44% Danceability • 47% Energy • 16% Liveness
5% Instrumentalness • 44% Positiveness
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Jacques Dutronc
J'aime les filles
121 bpm • A Maj • 02:57 • -6.41db
51% Popularity • 62% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 62% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Mathieu Boogaerts
Bon Bon
121 bpm • D Maj • 02:41 • -13.16db
19% Popularity • 78% Danceability • 36% Energy • 16% Liveness
8% Instrumentalness • 48% Positiveness
19% Popularity • 78% Danceability • 36% Energy • 16% Liveness
8% Instrumentalness • 48% Positiveness
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Jean-Pierre Mas
Les roses ne disent rien
129 bpm • D min • 01:25 • -17.72db
1% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Dick Annegarn
Vélo vole
121 bpm • C Maj • 03:04 • -11db
29% Popularity • 73% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 73% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Jacqueline Taieb
La fac de lettres
121 bpm • D min • 02:47 • -7db
33% Popularity • 69% Danceability • 58% Energy • 58% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 69% Danceability • 58% Energy • 58% Liveness
0% Instrumentalness • 70% Positiveness
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Dominique A
Les Enfants du Pirée
121 bpm • D min • 02:54 • -16.67db
30% Popularity • 75% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 75% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Susannah McCorkle
The Waters Of March
129 bpm • B min • 03:57 • -24.88db
45% Popularity • 64% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 64% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Philippe Katerine
Chanson Des Jours Bénis
129 bpm • B min • 02:31 • -15.73db
12% Popularity • 60% Danceability • 15% Energy • 11% Liveness
9% Instrumentalness • 38% Positiveness
12% Popularity • 60% Danceability • 15% Energy • 11% Liveness
9% Instrumentalness • 38% Positiveness
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Jill Barber
N'oublie jamais
129 bpm • C Maj • 03:03 • -9db
41% Popularity • 66% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 66% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Nino Ferrer
Looking For You
129 bpm • F min • 05:49 • -6.69db
37% Popularity • 36% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 36% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Coralie Clement
Le dernier train
129 bpm • C min • 02:46 • -11db
32% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Serge Gainsbourg
La javanaise
129 bpm • A Maj • 02:29 • -12.86db
53% Popularity • 43% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 43% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Michel Magne
Palm Beach
121 bpm • A# Maj • 02:29 • -12.26db
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Nino Rota
Amarcord
130 bpm • B min • 02:07 • -10.4db
51% Popularity • 35% Danceability • 30% Energy • 31% Liveness
7% Instrumentalness • 30% Positiveness
51% Popularity • 35% Danceability • 30% Energy • 31% Liveness
7% Instrumentalness • 30% Positiveness
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Pauline Croze
La chanson d'Orphée (Manha Do Carnaval)
120 bpm • D# min • 03:06 • -11.44db
50% Popularity • 57% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 57% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Nicole Croisille
Aujourd'hui c'est toi
130 bpm • D Maj • 02:10 • -9db
31% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Jill Barber
La Javanaise
130 bpm • G Maj • 03:16 • -8db
48% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Nathalie Et Guillaume
Un Homme Et Une Femme
130 bpm • G Maj • 02:45 • -14.47db
47% Popularity • 61% Danceability • 29% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
47% Popularity • 61% Danceability • 29% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
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Alain Romans
How Is the Weather In Paris
120 bpm • C min • 02:14 • -23db
35% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
35% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Laure Briard
Cravado
120 bpm • F Maj • 03:34 • -7.41db
32% Popularity • 72% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 72% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Gillian Hills
Le paradis pour toi
120 bpm • C Maj • 02:02 • -6.99db
39% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Art Mengo
Je me fais des idées
120 bpm • D min • 02:18 • -12.72db
25% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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François de Roubaix
Xavier à la maison d’arrêt - Thème ...
120 bpm • A# min • 02:36 • -27.38db
16% Popularity • 83% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
16% Popularity • 83% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
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Jean-Pierre Mas
Elle est entrée
120 bpm • G min • 01:08 • -19.56db
0% Popularity • 68% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 68% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Philippe Katerine
Le Plus Beau Jour De Ma Vie
131 bpm • D# Maj • 02:02 • -10.32db
15% Popularity • 62% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 62% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Claudine Longet
Meditation (Meditaçao)
119 bpm • F Maj • 03:17 • -17.88db
15% Popularity • 51% Danceability • 23% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 51% Danceability • 23% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Francis Lai
Un homme et une femme - Instrumental
131 bpm • A Maj • 02:41 • -8.68db
56% Popularity • 45% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 45% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Pierre Barouh
En Fermant La Porte
131 bpm • D Maj • 02:59 • -14.23db
1% Popularity • 74% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
1% Popularity • 74% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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Yves Duteil
Coucher de soleil
119 bpm • C# Maj • 01:17 • -20db
48% Popularity • 46% Danceability • 14% Energy • 10% Liveness
61% Instrumentalness • 29% Positiveness
48% Popularity • 46% Danceability • 14% Energy • 10% Liveness
61% Instrumentalness • 29% Positiveness
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Gillian Hills
Zou bisou bisou
131 bpm • G# Maj • 02:15 • -9.18db
55% Popularity • 77% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
55% Popularity • 77% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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François de Roubaix
La scoumoune - Thème principal
119 bpm • A# min • 02:28 • -19db
27% Popularity • 35% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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France Gall
Zozoi
131 bpm • B Maj • 02:50 • -6.26db
24% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Colette Magny
Melocoton
119 bpm • B min • 01:40 • -13.44db
35% Popularity • 60% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 60% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Pierre Barouh
Boule qui roule
119 bpm • B min • 03:18 • -17.62db
4% Popularity • 49% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
4% Popularity • 49% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Célina Ramsauer
Traversée du désert
131 bpm • A Maj • 01:29 • -14.96db
0% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Philippe Sarde
Beau-père
132 bpm • D# min • 03:57 • -15.38db
8% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Gillian Hills
Jean-Lou
132 bpm • A min • 02:52 • -7db
27% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Alain Romans
Quel temps fait-il à Paris ? - Les vaca...
118 bpm • D# Maj • 02:17 • -18.03db
30% Popularity • 58% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 42% Positiveness
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Nicola Són
A Javanesa
132 bpm • G Maj • 03:38 • -13.03db
22% Popularity • 72% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
22% Popularity • 72% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
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Pierre Barouh
Saint Paul de Vence
132 bpm • A Maj • 04:23 • -15.32db
3% Popularity • 31% Danceability • 27% Energy • 61% Liveness
13% Instrumentalness • 27% Positiveness
3% Popularity • 31% Danceability • 27% Energy • 61% Liveness
13% Instrumentalness • 27% Positiveness
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Les Chats Sauvages
C'est pas sérieux
118 bpm • A Maj • 02:18 • -5db
36% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Pauline Croze
Tita
132 bpm • C# Maj • 03:22 • -10.46db
33% Popularity • 84% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 84% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Stacey Kent
Mi amor
118 bpm • C# min • 03:58 • -14.2db
48% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Paris Combo
Fibre De Verre
132 bpm • A min • 03:40 • -8.64db
55% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Vladimir Cosma
Lady from Amsterdam
118 bpm • F# min • 02:50 • -10db
20% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Walter Wanderley
It Hurts To Say Goodbye
132 bpm • C min • 02:09 • -21.35db
22% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Lucienne Delyle
C'est magnifique (Extrait de la comédie...
118 bpm • A# Maj • 03:12 • -13.83db
19% Popularity • 44% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 44% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Enzo Enzo
Juste quelqu'un de bien
133 bpm • A Maj • 04:07 • -16db
51% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Colette Magny
Rock Me More and More
118 bpm • G Maj • 02:21 • -14db
29% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Pierre Barouh
Altitude
133 bpm • B min • 03:30 • -10.12db
1% Popularity • 39% Danceability • 45% Energy • 7% Liveness
23% Instrumentalness • 10% Positiveness
1% Popularity • 39% Danceability • 45% Energy • 7% Liveness
23% Instrumentalness • 10% Positiveness
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Isabelle Antena
Quand Le Jazz Entre En Lice
133 bpm • F# Maj • 03:32 • -11.56db
13% Popularity • 72% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 72% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Gabi Hartmann
Mille rivages
117 bpm • F Maj • 03:59 • -14.55db
39% Popularity • 44% Danceability • 36% Energy • 10% Liveness
54% Instrumentalness • 51% Positiveness
39% Popularity • 44% Danceability • 36% Energy • 10% Liveness
54% Instrumentalness • 51% Positiveness
