Songs like Les Troqueurs: Ballet. Menuets I, II, III by Antoine Dauvergne
Based on a tempo of (+/- 10%) and a similar genre
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Antoine Dauvergne
Énée et Lavinie: Le chœur "Quel bruit...
80 bpm • F# Maj • 02:20 • -17.21db
1% Popularity • 25% Danceability • 31% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
1% Popularity • 25% Danceability • 31% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: III. Qu...
80 bpm • D# Maj • 02:43 • -15.88db
13% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: V. La...
80 bpm • F# Maj • 01:04 • -19.53db
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
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Jean-Marie Leclair
Ouvertures and Trio Sonatas, Op. 13, Son...
80 bpm • A# Maj • 01:58 • -20.21db
18% Popularity • 15% Danceability • 14% Energy • 24% Liveness
68% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 24% Liveness
68% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Sinfonia to Santa Beatrice d'Este in D M...
80 bpm • C min • 01:29 • -12.82db
15% Popularity • 42% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 59% Positiveness
15% Popularity • 42% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 59% Positiveness
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Jean-Philippe Rameau
Les fêtes de Polymnie: Premier et deuxi...
81 bpm • F# Maj • 03:03 • -21.28db
10% Popularity • 23% Danceability • 4% Energy • 13% Liveness
10% Instrumentalness • 34% Positiveness
10% Popularity • 23% Danceability • 4% Energy • 13% Liveness
10% Instrumentalness • 34% Positiveness
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Andre Cardinal Destouches
Callirhoé: Entracte
79 bpm • F# min • 01:33 • -25.06db
0% Popularity • 9% Danceability • 3% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 3% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: I. Te Deum
79 bpm • A# Maj • 05:39 • -9.92db
18% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
18% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
81 bpm • B Maj • 02:56 • -24.97db
2% Popularity • 33% Danceability • 3% Energy • 16% Liveness
5% Instrumentalness • 35% Positiveness
2% Popularity • 33% Danceability • 3% Energy • 16% Liveness
5% Instrumentalness • 35% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
81 bpm • D# Maj • 01:49 • -21.69db
18% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
18% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: II. Cuj...
81 bpm • G# Maj • 02:04 • -18.32db
12% Popularity • 26% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Trio Sonata No. 5 in D Major, Op. 2, Tri...
81 bpm • D# min • 03:14 • -18.65db
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Christoph Graupner
Oboe d'amore Concerto in C Major, GWV 30...
79 bpm • F# Maj • 02:14 • -24.55db
15% Popularity • 29% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 19% Positiveness
15% Popularity • 29% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 19% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pyrrhus, Acte III Scène 1: Ritournelle
81 bpm • G# Maj • 00:59 • -17.31db
9% Popularity • 33% Danceability • 28% Energy • 17% Liveness
22% Instrumentalness • 76% Positiveness
9% Popularity • 33% Danceability • 28% Energy • 17% Liveness
22% Instrumentalness • 76% Positiveness
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Georg Philipp Telemann
Wie ist dein Name so groß (Donner-Ode T...
79 bpm • G# Maj • 03:02 • -21.77db
7% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Antoine Dauvergne
La Vénitienne, Acte III, Scène derniè...
81 bpm • D# Maj • 02:49 • -28.1db
0% Popularity • 25% Danceability • 2% Energy • 27% Liveness
40% Instrumentalness • 15% Positiveness
0% Popularity • 25% Danceability • 2% Energy • 27% Liveness
40% Instrumentalness • 15% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: IV. Qui...
79 bpm • F min • 01:23 • -25db
20% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 2 in Dorian Mode, C. 1...
79 bpm • C# min • 01:21 • -21.92db
8% Popularity • 9% Danceability • 5% Energy • 14% Liveness
83% Instrumentalness • 5% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 14% Liveness
83% Instrumentalness • 5% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Reprise d...
81 bpm • F Maj • 01:48 • -19.89db
8% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jacques Hotteterre
Suite in D Major, Op. 2, No. 1: VI. Menu...
81 bpm • C Maj • 01:15 • -21.56db
23% Popularity • 41% Danceability • 9% Energy • 11% Liveness
54% Instrumentalness • 68% Positiveness
23% Popularity • 41% Danceability • 9% Energy • 11% Liveness
54% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 6.,...
79 bpm • E min • 01:38 • -20.48db
14% Popularity • 37% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 37% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Antoine Dauvergne
Hercule mourant: "Quelle voix suspend me...
81 bpm • F Maj • 04:01 • -19.99db
4% Popularity • 18% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 18% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Francesco Maria Veracini
Ouverture No. 2 in F Major (c 1715): VI....
82 bpm • E Maj • 01:01 • -18.75db
24% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
24% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
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Antonio Caldara
Ave Regina Caelorum: II. Gaude Virgo
78 bpm • F# Maj • 01:21 • -16.61db
19% Popularity • 32% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 32% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Arcangelo Corelli
Concerto in C Minor, Op. 6 No. 3: III. G...
78 bpm • D# min • 01:38 • -24.75db
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Georg Muffat
Concerto Grosso No. 1 in D Minor, "Bona ...
78 bpm • E Maj • 01:21 • -19.65db
16% Popularity • 14% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
16% Popularity • 14% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
82 bpm • B min • 02:43 • -22db
7% Popularity • 15% Danceability • 3% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
7% Popularity • 15% Danceability • 3% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
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François Francoeur
12 Violin Sonatas, Livre 2, Sonata 12 in...
78 bpm • G min • 03:10 • -20.46db
8% Popularity • 10% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
8% Popularity • 10% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Antoine Dauvergne
Les Amours de Tempé: La jeune beauté q...
82 bpm • G# Maj • 04:38 • -19.73db
2% Popularity • 28% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 28% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Agnus Dei: XX...
78 bpm • C min • 04:48 • -28.14db
2% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Andre Cardinal Destouches
Le Carnaval et la Folie: Gigue
82 bpm • F# min • 01:05 • -17.4db
13% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Giuseppe Antonio Brescianello
Ouverture for Strings & Continuo in A Ma...
82 bpm • A Maj • 01:25 • -14.14db
7% Popularity • 31% Danceability • 17% Energy • 14% Liveness
87% Instrumentalness • 64% Positiveness
7% Popularity • 31% Danceability • 17% Energy • 14% Liveness
87% Instrumentalness • 64% Positiveness
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Juan Pablo Fernández Ramos
La espada y el ancla
78 bpm • C Maj • 04:30 • -33.22db
8% Popularity • 14% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
13% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
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Nicola Porpora
Polifemo: Aria: Vo presagendo - Galatea,...
83 bpm • C# min • 02:05 • -14.24db
7% Popularity • 33% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 33% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Antonio Vivaldi
La Verità in Cimento, RV 739, Act II: A...
83 bpm • A Maj • 03:51 • -20.76db
10% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Act III: Que l'amour a d'a...
77 bpm • F min • 01:12 • -21.51db
7% Popularity • 27% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 27% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Mademoiselle Duval
Les Génies, Prologue Scene 2: Air, chœ...
83 bpm • A# min • 02:43 • -13.31db
11% Popularity • 29% Danceability • 47% Energy • 66% Liveness
29% Instrumentalness • 39% Positiveness
11% Popularity • 29% Danceability • 47% Energy • 66% Liveness
29% Instrumentalness • 39% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue: En...
77 bpm • F# Maj • 01:08 • -24.52db
13% Popularity • 16% Danceability • 6% Energy • 19% Liveness
10% Instrumentalness • 21% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 19% Liveness
10% Instrumentalness • 21% Positiveness
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Antonio Caldara
Stabat Mater: IX. Fac, ut portem
83 bpm • D Maj • 02:32 • -26.87db
18% Popularity • 22% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 14% Positiveness
18% Popularity • 22% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 14% Positiveness
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Jean-Baptiste Quentin
Sonata seconda du IIème Livre de Sonate...
83 bpm • F min • 02:49 • -22.09db
13% Popularity • 24% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
13% Popularity • 24% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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François Francoeur
Symphonie du festin royal de Monseigneur...
83 bpm • C# Maj • 02:00 • -22.69db
9% Popularity • 16% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Friedrich Ludwig Aemilius Kunzen
Das Halleluja der Schopfung (The Hallelu...
83 bpm • C min • 01:06 • -27.62db
17% Popularity • 14% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Markku Liukkonen
Resitatiivi, Pääsiäisjuhla Oli Jo Tul...
77 bpm • A Maj • 03:34 • -16.58db
10% Popularity • 15% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
83 bpm • A Maj • 01:25 • -15db
15% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 16 Ari...
83 bpm • G# Maj • 03:35 • -19.98db
7% Popularity • 31% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 31% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Antoine Dauvergne
Concerts de simphonies à IV parties, Op...
83 bpm • E min • 02:05 • -28.58db
0% Popularity • 30% Danceability • 2% Energy • 33% Liveness
3% Instrumentalness • 19% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 33% Liveness
3% Instrumentalness • 19% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part I, The Lam...
83 bpm • F# Maj • 01:46 • -23.74db
9% Popularity • 56% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 56% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Charles Dieupart
Suite No. 1 en la majeur, pour flûte de...
83 bpm • G# Maj • 05:18 • -19.5db
8% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: VIII. Fa...
83 bpm • F# min • 01:52 • -19db
11% Popularity • 34% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 34% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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António Pereira da Costa
Concerto VI in B Minor: I. Largo
77 bpm • A Maj • 01:15 • -18.35db
9% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Concerto grosso No. 3 in C Minor, Op. 6:...
76 bpm • D# min • 01:49 • -25.22db
11% Popularity • 7% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Antoine Dauvergne
Les Troqueurs, Scène 4 - 5: Air "Ah! qu...
84 bpm • F# Maj • 03:14 • -23.08db
7% Popularity • 30% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 30% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act II: Entrée des Song...
84 bpm • G# Maj • 02:12 • -20.65db
31% Popularity • 30% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 32% Positiveness
31% Popularity • 30% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 32% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Sar...
84 bpm • G# Maj • 01:09 • -27.88db
14% Popularity • 17% Danceability • 3% Energy • 26% Liveness
61% Instrumentalness • 41% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 26% Liveness
61% Instrumentalness • 41% Positiveness
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Michel Blavet
6 Sonates pour flûte, op. 2: Sonate pou...
84 bpm • C# min • 03:17 • -20.77db
12% Popularity • 31% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
François Francoeur
12 Violin Sonatas, Livre 2, Sonata 12 in...
76 bpm • A# Maj • 05:26 • -19.68db
8% Popularity • 15% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
8% Popularity • 15% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Christoph Graupner
Concerto, GWV 308: III. Largo
76 bpm • A# min • 01:20 • -20.21db
15% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
► Preview
Marc-Antoine Charpentier
Médée, H. 491, Prologue: Air et chœur...
84 bpm • A# Maj • 02:33 • -18.79db
12% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
François Rebel
Pyrame et Thisbé: Air pour les guerrier...
76 bpm • C# Maj • 01:19 • -14db
15% Popularity • 38% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 38% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Jan Dismas Zelenka
Gloria, ZWV 30: V. Qui sedes
84 bpm • E Maj • 01:18 • -22.07db
18% Popularity • 21% Danceability • 7% Energy • 17% Liveness
80% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 7% Energy • 17% Liveness
80% Instrumentalness • 7% Positiveness
► Preview
Francois-Joseph Gossec
Grande Messe des Morts: XXI. Sanctus: Ma...
76 bpm • F Maj • 00:58 • -16.86db
24% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Radoslaw Pallarz
Tal der Könige II - die goldene Maske
84 bpm • G min • 07:35 • -28.89db
8% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Antoine Dauvergne
Andante
76 bpm • E Maj • 02:13 • -21.84db
1% Popularity • 41% Danceability • 9% Energy • 20% Liveness
25% Instrumentalness • 41% Positiveness
1% Popularity • 41% Danceability • 9% Energy • 20% Liveness
25% Instrumentalness • 41% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: II. Ad Gen...
76 bpm • D# Maj • 06:46 • -13.33db
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jean-Philippe Rameau
Platée, RCT 53, Prologue Scène 5: Air ...
85 bpm • C Maj • 01:14 • -20.67db
9% Popularity • 50% Danceability • 14% Energy • 40% Liveness
88% Instrumentalness • 67% Positiveness
9% Popularity • 50% Danceability • 14% Energy • 40% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
76 bpm • C# Maj • 02:27 • -18.86db
18% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
► Preview
Carl Philipp Emanuel Bach
Symphony No. 3 in C Major, Wq. 182: III....
76 bpm • F# Maj • 04:57 • -18.69db
10% Popularity • 35% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 35% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier : Concert pour 4 parties de ...
85 bpm • C# min • 01:50 • -26.87db
10% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade: Air pour les T...
85 bpm • A# min • 01:31 • -27.86db
10% Popularity • 55% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 71% Positiveness
10% Popularity • 55% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Georg Philipp Telemann
Divertimento in E-Flat Major, TWV 50:21:...
85 bpm • D Maj • 01:12 • -32.31db
14% Popularity • 26% Danceability • 1% Energy • 9% Liveness
40% Instrumentalness • 27% Positiveness
14% Popularity • 26% Danceability • 1% Energy • 9% Liveness
40% Instrumentalness • 27% Positiveness
► Preview
Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
85 bpm • D min • 04:49 • -16.64db
8% Popularity • 27% Danceability • 10% Energy • 24% Liveness
3% Instrumentalness • 33% Positiveness
8% Popularity • 27% Danceability • 10% Energy • 24% Liveness
3% Instrumentalness • 33% Positiveness
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Joseph Haydn
String Quartet in A Major, Op. 20 No. 6:...
75 bpm • E Maj • 06:22 • -29.7db
1% Popularity • 7% Danceability • 2% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
1% Popularity • 7% Danceability • 2% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 5 in B Minor, Wq. 182: III....
85 bpm • C# Maj • 04:02 • -16.29db
10% Popularity • 30% Danceability • 20% Energy • 17% Liveness
16% Instrumentalness • 36% Positiveness
10% Popularity • 30% Danceability • 20% Energy • 17% Liveness
16% Instrumentalness • 36% Positiveness
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Dietrich Buxtehude
Trio Sonata in C Major, BuxWV 256: II. A...
75 bpm • B Maj • 01:43 • -15.26db
16% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
16% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
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Carl Heinrich Graun
Concerto in E Major: III. Siciliano
75 bpm • E Maj • 01:25 • -23.09db
13% Popularity • 18% Danceability • 5% Energy • 10% Liveness
57% Instrumentalness • 32% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 10% Liveness
57% Instrumentalness • 32% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: V. Chorus...
74 bpm • B Maj • 01:37 • -18db
17% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Ouv...
86 bpm • G# Maj • 03:55 • -20.19db
12% Popularity • 24% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 24% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Antoine Dauvergne
Chanson I
74 bpm • G min • 01:16 • -19.22db
1% Popularity • 41% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 41% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Domenico Sarro
Concerto for Recorder and Strings in A m...
74 bpm • G# min • 01:33 • -22db
20% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: VIIc. Ad f...
86 bpm • B min • 01:03 • -26.16db
21% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
87 bpm • F# Maj • 04:22 • -20.83db
12% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
12% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Francesco Maria Veracini
Partenio, Ouverture (1738): I. (Without ...
73 bpm • G# Maj • 01:15 • -17.55db
9% Popularity • 37% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 51% Positiveness
9% Popularity • 37% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 6 in B-Flat Maj...
87 bpm • D Maj • 04:42 • -26.06db
2% Popularity • 18% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
2% Popularity • 18% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
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António Pereira da Costa
Concerto IX in A Major: IV. Grave
87 bpm • A Maj • 01:40 • -16.71db
7% Popularity • 9% Danceability • 19% Energy • 31% Liveness
77% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 19% Energy • 31% Liveness
77% Instrumentalness • 5% Positiveness
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Henri Desmarets
Te Deum "de Lyon": VII. Tu rex gloriæ, ...
87 bpm • G Maj • 01:49 • -23.9db
8% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
8% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (b) Ch�...
88 bpm • F min • 01:14 • -21.05db
22% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
22% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
88 bpm • F# Maj • 08:50 • -19.07db
9% Popularity • 25% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Andre Cardinal Destouches
Le Carnaval et la Folie: Air pour les di...
72 bpm • F# min • 01:10 • -19.9db
10% Popularity • 64% Danceability • 18% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 18% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
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Carlo Tessarini
Violin Concerto in F Major, Op. 3, No. 1...
89 bpm • D min • 02:04 • -22db
9% Popularity • 21% Danceability • 7% Energy • 16% Liveness
2% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 16% Liveness
2% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
72 bpm • F# Maj • 03:21 • -10.7db
28% Popularity • 25% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 25% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Giuseppe Antonio Brescianello
Overture in G Minor: II. Gavotte
89 bpm • F# min • 01:15 • -18.96db
14% Popularity • 37% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 62% Positiveness
14% Popularity • 37% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 62% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (a) Int...
88 bpm • F min • 01:09 • -22.23db
16% Popularity • 55% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 72% Positiveness
16% Popularity • 55% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 72% Positiveness
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Tomaso Albinoni
Concerto a 5 in A Major, Op. 5, No. 10: ...
72 bpm • F# min • 01:14 • -22.9db
14% Popularity • 15% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
14% Popularity • 15% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: I. Ad...
72 bpm • F# min • 01:36 • -13db
14% Popularity • 13% Danceability • 15% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 15% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: III. O q...
72 bpm • F# min • 01:40 • -21.1db
13% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
89 bpm • C min • 08:32 • -21.77db
7% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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George Frideric Handel
Theodora, HWV 68, Overture: Trio
89 bpm • D Maj • 01:37 • -25.86db
16% Popularity • 22% Danceability • 7% Energy • 21% Liveness
77% Instrumentalness • 14% Positiveness
16% Popularity • 22% Danceability • 7% Energy • 21% Liveness
77% Instrumentalness • 14% Positiveness
