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Let England Shake
Songs like
Let England Shake
by
PJ Harvey
Based on a tempo of (+/- 10%) and a similar genre
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Fever Ray
I'm Not Done
162 bpm • C Maj • 04:19 • -7db
31% Popularity • 49% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Destroyer
Foam Hands
162 bpm • E Maj • 03:50 • -9.91db
18% Popularity • 45% Danceability • 41% Energy • 8% Liveness
38% Instrumentalness • 48% Positiveness
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PJ Harvey
Let England Shake
162 bpm • F Maj • 03:09 • -8.35db
37% Popularity • 36% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Clap Your Hands Say Yeah
Upon This Tidal Wave of Young Blood
161 bpm • G Maj • 04:34 • -5db
34% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Suicide
Cheree (2019 - Remaster)
163 bpm • G Maj • 03:42 • -11.81db
40% Popularity • 31% Danceability • 60% Energy • 26% Liveness
20% Instrumentalness • 38% Positiveness
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The Good, the Bad & the Queen
History Song
160 bpm • A min • 03:05 • -10db
39% Popularity • 42% Danceability • 64% Energy • 36% Liveness
15% Instrumentalness • 58% Positiveness
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Portishead
Mysterons
164 bpm • B Maj • 05:05 • -11.53db
54% Popularity • 66% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Nouvelle Vague
Too Drunk to Fuck
160 bpm • G Maj • 02:16 • -6.93db
42% Popularity • 45% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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PJ Harvey
The Whores Hustle And The Hustlers Whore
161 bpm • A min • 03:57 • -6.19db
36% Popularity • 39% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Young Marble Giants
Searching For Mr Right
160 bpm • G Maj • 03:03 • -11.49db
32% Popularity • 87% Danceability • 54% Energy • 29% Liveness
83% Instrumentalness • 89% Positiveness
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Midlake
Antiphon
165 bpm • B min • 03:16 • -4.23db
22% Popularity • 29% Danceability • 81% Energy • 65% Liveness
22% Instrumentalness • 46% Positiveness
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Atoms For Peace
Default
159 bpm • C# min • 05:15 • -4.86db
44% Popularity • 79% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 70% Positiveness
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The Organ
I Am Not Surprised
159 bpm • C Maj • 02:44 • -3.98db
25% Popularity • 40% Danceability • 82% Energy • 10% Liveness
53% Instrumentalness • 44% Positiveness
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Dark Dark Dark
Bright Bright Bright
159 bpm • A min • 04:30 • -14db
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
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PJ Harvey
A Perfect Day Elise
159 bpm • B min • 03:06 • -8.73db
45% Popularity • 48% Danceability • 96% Energy • 20% Liveness
62% Instrumentalness • 16% Positiveness
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Stereolab
Neon Beanbag
166 bpm • G# Maj • 03:49 • -7.5db
21% Popularity • 52% Danceability • 80% Energy • 16% Liveness
71% Instrumentalness • 85% Positiveness
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John Parish
Taut
166 bpm • A min • 03:15 • -9.35db
20% Popularity • 20% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Belle and Sebastian
Ease Your Feet in the Sea
157 bpm • A# Maj • 03:35 • -12.41db
43% Popularity • 51% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Organ
Brother
165 bpm • A min • 04:01 • -3.15db
40% Popularity • 44% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Blonde Redhead
Elephant Woman
167 bpm • C# min • 04:49 • -6db
43% Popularity • 44% Danceability • 83% Energy • 7% Liveness
61% Instrumentalness • 49% Positiveness
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PJ Harvey
The Words That Maketh Murder
158 bpm • D min • 03:45 • -8.84db
36% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Spiritualized
Hey Jane
167 bpm • A Maj • 08:54 • -4.52db
20% Popularity • 33% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Morphine
In Spite of Me
167 bpm • G Maj • 02:34 • -15db
48% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
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Grinderman
Mickey Mouse and the Goodbye Man
156 bpm • A Maj • 05:42 • -6.66db
25% Popularity • 42% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Beth Gibbons
Romance
170 bpm • F Maj • 05:09 • -14.39db
37% Popularity • 34% Danceability • 29% Energy • 10% Liveness
41% Instrumentalness • 19% Positiveness
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John Parish
Dance Hall At Louse Point
169 bpm • A Maj • 02:10 • -5.41db
18% Popularity • 25% Danceability • 95% Energy • 12% Liveness
86% Instrumentalness • 39% Positiveness
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PJ Harvey
Sixteen, Fifteen, Fourteen
155 bpm • G# min • 03:32 • -7.41db
21% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The National
Brainy
170 bpm • A Maj • 03:18 • -8.31db
42% Popularity • 50% Danceability • 82% Energy • 10% Liveness
73% Instrumentalness • 76% Positiveness
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Jarvis Cocker
I Will Kill Again
170 bpm • A# Maj • 03:47 • -9db
21% Popularity • 29% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Fall
Bury Pts. 1 + 3
154 bpm • D Maj • 06:36 • -7.07db
10% Popularity • 52% Danceability • 78% Energy • 38% Liveness
2% Instrumentalness • 44% Positiveness
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The Raveonettes
Dead Sound
154 bpm • G min • 03:32 • -5.67db
32% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
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Portishead
Plastic
154 bpm • D Maj • 03:27 • -8.15db
37% Popularity • 35% Danceability • 55% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Pulp
This Is Hardcore
154 bpm • A min • 06:23 • -7.84db
46% Popularity • 34% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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EmilÃana Torrini
Fireheads
154 bpm • C Maj • 03:44 • -12.41db
27% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Spiritualized
Come Together
172 bpm • E min • 04:40 • -7.09db
36% Popularity • 17% Danceability • 69% Energy • 24% Liveness
8% Instrumentalness • 38% Positiveness
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The Kills
DNA
171 bpm • A Maj • 04:32 • -5.4db
39% Popularity • 63% Danceability • 82% Energy • 12% Liveness
39% Instrumentalness • 81% Positiveness
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Hefner
Don't Flake Out On Me
172 bpm • A Maj • 04:54 • -8.45db
9% Popularity • 18% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 19% Positiveness
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Blonde Redhead
Falling Man
152 bpm • A# min • 03:26 • -7.85db
38% Popularity • 53% Danceability • 72% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Marianne Faithfull
The Mistery of Love
172 bpm • E min • 03:51 • -7.92db
35% Popularity • 41% Danceability • 61% Energy • 12% Liveness
24% Instrumentalness • 26% Positiveness
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PJ Harvey
You Said Something
152 bpm • C Maj • 03:18 • -7db
52% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Arab Strap
Love Detective
173 bpm • C Maj • 04:00 • -10.29db
15% Popularity • 53% Danceability • 80% Energy • 5% Liveness
63% Instrumentalness • 75% Positiveness
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Pascal Comelade
Love Too Soon (+ PJ Harvey) [El pianista...
174 bpm • D# Maj • 04:20 • -8.73db
8% Popularity • 19% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Gordon Gano
Hitting the Ground
174 bpm • A Maj • 02:59 • -3.33db
18% Popularity • 40% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Blonde Redhead
Melody
151 bpm • D# min • 04:36 • -6.41db
35% Popularity • 59% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 72% Positiveness
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Kate Bush
King Of The Mountain
150 bpm • A# Maj • 04:53 • -12.14db
39% Popularity • 58% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
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PJ Harvey
Bitter Branches
151 bpm • G# Maj • 02:29 • -9.48db
27% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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David Lynch
Pinky's Dream
150 bpm • C min • 04:00 • -5.12db
28% Popularity • 57% Danceability • 69% Energy • 19% Liveness
61% Instrumentalness • 4% Positiveness
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Yoko Ono
Death Of Samantha
150 bpm • E min • 04:35 • -9db
17% Popularity • 44% Danceability • 30% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Bill Wells
(If You) Keep Me in Your Heart
176 bpm • G min • 03:24 • -9.37db
7% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Villagers
Becoming A Jackal
150 bpm • C Maj • 03:21 • -10db
36% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Kills
Last Day Of Magic
148 bpm • C# Maj • 03:23 • -3db
37% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Belle and Sebastian
Seeing Other People
149 bpm • C# Maj • 03:48 • -11.33db
44% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Julia Holter
Silhouette
178 bpm • G# Maj • 03:53 • -5.98db
33% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Hanne Hukkelberg
Cheater's Armoury
147 bpm • A min • 03:39 • -11.43db
9% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jenny Wilson
LET MY SHOES LEAD ME FORWARD
147 bpm • F min • 04:25 • -7db
28% Popularity • 66% Danceability • 74% Energy • 6% Liveness
8% Instrumentalness • 89% Positiveness
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Warpaint
Krimson
147 bpm • B min • 04:04 • -11.94db
29% Popularity • 35% Danceability • 40% Energy • 11% Liveness
73% Instrumentalness • 35% Positiveness
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Arab Strap
The First Big Weekend
147 bpm • D Maj • 04:52 • -15db
36% Popularity • 71% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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PJ Harvey
The Colour Of The Earth
146 bpm • G# Maj • 02:33 • -10.66db
26% Popularity • 50% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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John Parish
Un Cercle Autour du Soleil
180 bpm • D min • 05:07 • -14.68db
14% Popularity • 36% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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John Grant
Tc & Honeybear
146 bpm • F Maj • 05:06 • -7.54db
25% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Sparks
Perfume
180 bpm • C min • 04:59 • -10.03db
21% Popularity • 53% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Fever Ray
Triangle Walks
180 bpm • A# Maj • 04:23 • -6.18db
36% Popularity • 58% Danceability • 73% Energy • 14% Liveness
36% Instrumentalness • 78% Positiveness
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Arcade Fire
Speaking in Tongues
146 bpm • F# Maj • 03:52 • -7.96db
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
37% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Beth Gibbons
Sand River
145 bpm • A# min • 03:48 • -16.41db
42% Popularity • 50% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 17% Positiveness
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Belle and Sebastian
The State I Am In
145 bpm • F# Maj • 04:57 • -13.19db
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lambchop
Gone Tomorrow
145 bpm • F# Maj • 06:59 • -12.94db
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
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Suicide
Dream Baby Dream - Single Edit
144 bpm • C# min • 03:13 • -9db
36% Popularity • 59% Danceability • 84% Energy • 9% Liveness
58% Instrumentalness • 95% Positiveness
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Micachu & The Shapes
Lips
182 bpm • C# Maj • 01:20 • -10.41db
21% Popularity • 61% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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PJ Harvey
Grow Grow Grow
144 bpm • A# min • 03:21 • -12db
27% Popularity • 29% Danceability • 31% Energy • 15% Liveness
15% Instrumentalness • 7% Positiveness
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Kaki King
Close to Me
182 bpm • C Maj • 03:31 • -5.83db
16% Popularity • 45% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Mogwai
Mexican Grand Prix
144 bpm • A min • 05:17 • -6.24db
22% Popularity • 48% Danceability • 74% Energy • 7% Liveness
83% Instrumentalness • 28% Positiveness
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LCD Soundsystem
Drunk Girls
144 bpm • E Maj • 03:42 • -8db
44% Popularity • 60% Danceability • 88% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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Suicide
Dream Baby Dream (Long Version)
144 bpm • C# min • 06:24 • -14.06db
41% Popularity • 69% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 98% Positiveness
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The Velvet Underground
Run Run Run
144 bpm • G Maj • 04:22 • -11.07db
47% Popularity • 46% Danceability • 71% Energy • 7% Liveness
5% Instrumentalness • 49% Positiveness
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Thurston Moore
Space
143 bpm • D min • 06:39 • -11db
8% Popularity • 33% Danceability • 54% Energy • 14% Liveness
72% Instrumentalness • 23% Positiveness
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Beth Gibbons
Spider Monkey
182 bpm • C# Maj • 04:08 • -17db
36% Popularity • 36% Danceability • 18% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Waits
Clap Hands - 2023 Remaster
143 bpm • G Maj • 03:47 • -17.58db
47% Popularity • 78% Danceability • 34% Energy • 8% Liveness
13% Instrumentalness • 79% Positiveness
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Blonde Redhead
Equus
143 bpm • B min • 03:50 • -5.86db
29% Popularity • 62% Danceability • 72% Energy • 16% Liveness
17% Instrumentalness • 70% Positiveness
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Nick Cave & The Bad Seeds
Henry Lee
143 bpm • A min • 03:58 • -11.94db
51% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Midlake
Head Home
143 bpm • D min • 05:41 • -9db
35% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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PJ Harvey
The Sky Lit Up
143 bpm • F Maj • 01:52 • -8.22db
36% Popularity • 54% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Belle and Sebastian
The State I Am in
143 bpm • F# Maj • 04:59 • -7.73db
23% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Thurston Moore
Circulation
143 bpm • G Maj • 04:10 • -6db
14% Popularity • 39% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 29% Positiveness
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Beck
Paper Tiger
142 bpm • A Maj • 04:35 • -10db
40% Popularity • 37% Danceability • 55% Energy • 18% Liveness
74% Instrumentalness • 46% Positiveness
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Django Django
Firewater
142 bpm • A Maj • 04:49 • -5.31db
35% Popularity • 71% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 70% Positiveness
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Grinderman
Kitchenette
141 bpm • G min • 05:16 • -5.49db
18% Popularity • 35% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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PJ Harvey
Teclo
142 bpm • E min • 04:56 • -15.9db
33% Popularity • 58% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Veirs
Fire Snakes
141 bpm • G Maj • 04:57 • -13db
17% Popularity • 61% Danceability • 39% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Grant Lee Buffalo
The Shining Hour
187 bpm • G# min • 03:52 • -4.96db
32% Popularity • 33% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Wild Beasts
Hooting & Howling
140 bpm • F Maj • 04:35 • -9db
27% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Bat For Lashes
Prescilla
140 bpm • B Maj • 03:34 • -7.27db
27% Popularity • 71% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Mark Lanegan
Come to Me
140 bpm • A Maj • 03:45 • -12.36db
34% Popularity • 54% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
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Elbow
Any Day Now
139 bpm • E Maj • 06:17 • -10.09db
36% Popularity • 61% Danceability • 77% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
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Atoms For Peace
Judge Jury and Executioner
139 bpm • C min • 03:28 • -7.71db
36% Popularity • 89% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 63% Positiveness
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St. Vincent
Cheerleader
139 bpm • C Maj • 03:28 • -9db
41% Popularity • 45% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
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Goldfrapp
Eat Yourself
139 bpm • D min • 04:06 • -10.77db
33% Popularity • 48% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Let England Shake