Songs like Let It Burn by Austin Burke
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Braden
Friends
164 bpm • C min • 03:26 • -5.7db
57% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Kameron Marlowe
Girl On Fire
164 bpm • D Maj • 02:53 • -5.79db
62% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cody Hibbard
Armed & Dangerous
164 bpm • F# Maj • 03:27 • -5.86db
39% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
38% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Kane Brown
Whiskey Sour
164 bpm • C# Maj • 03:31 • -9.23db
46% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Joey Greer
Outlaw Angel
164 bpm • F min • 02:58 • -3.76db
42% Popularity • 51% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 51% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
36% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Trey Lewis
Single Again
166 bpm • F# Maj • 03:13 • -4db
46% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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ERNEST
Some Other Bar
166 bpm • A# Maj • 03:19 • -5.08db
47% Popularity • 48% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 48% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Austin Burke
More Like Her
162 bpm • D# Maj • 03:06 • -5.29db
25% Popularity • 51% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 51% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Graham Barham
BEER BY MY BED
168 bpm • C min • 03:02 • -3.8db
49% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Sanders
What If I'm Right
168 bpm • C Maj • 02:46 • -3.42db
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Manny Blu
Rusty Things
160 bpm • F# min • 03:15 • -3db
42% Popularity • 40% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 40% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Karley Scott Collins
Heavenly
160 bpm • C# Maj • 03:12 • -4.23db
39% Popularity • 48% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 48% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Greylan James
My Future
168 bpm • C# Maj • 02:35 • -6.92db
43% Popularity • 55% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 55% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Julia Cole
Wine Country
160 bpm • G# min • 02:23 • -3db
47% Popularity • 55% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 55% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Austin Burke
Roots
168 bpm • C Maj • 03:03 • -4.42db
44% Popularity • 46% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 46% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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HARDY
A ROCK
160 bpm • F# Maj • 03:40 • -8.87db
55% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Roman Alexander
Bad for Me
160 bpm • D Maj • 03:09 • -5.28db
27% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
48% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Todd Cameron
Waiting on You
160 bpm • D Maj • 03:10 • -5db
48% Popularity • 35% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 35% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Brandon Davis
Destiny
160 bpm • C# Maj • 03:21 • -5db
36% Popularity • 39% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 39% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
49% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Hubbard
I'm The Only One
170 bpm • C# Maj • 02:48 • -4.17db
48% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Jameson Rodgers
Things That Matter
160 bpm • D# Maj • 03:13 • -9db
43% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lily Rose
Stronger Than I Am
170 bpm • E Maj • 03:51 • -5db
35% Popularity • 43% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 43% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Waters Band
Tomorrow's Not Tonight
170 bpm • G# Maj • 02:50 • -8db
53% Popularity • 48% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 48% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jordan Davis
Trying
170 bpm • F# Maj • 02:56 • -7db
58% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jimmie Allen
be alright
170 bpm • C# Maj • 02:54 • -4.82db
37% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jade Eagleson
She Don't Know
170 bpm • B Maj • 03:24 • -6db
54% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Brett Young
Not Yet
170 bpm • C# Maj • 02:54 • -6.11db
51% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Trey Lewis
Always You
158 bpm • G Maj • 03:08 • -4.03db
42% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Roman Alexander
Can I See My Dog?
157 bpm • B Maj • 03:15 • -6db
35% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Carter Winter
Love Like I Drink
172 bpm • F Maj • 03:15 • -5.66db
43% Popularity • 36% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 36% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Conner Smith
I Hate Alabama
172 bpm • E Maj • 03:34 • -5db
50% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Ray
Get Her Back
172 bpm • G# min • 03:10 • -5db
39% Popularity • 47% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 47% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Tyler Braden
Better Off
172 bpm • A Maj • 03:09 • -7db
39% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Canaan Cox
As You Leave
156 bpm • A min • 02:06 • -4db
55% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Jameson Rodgers
Mine for the Summer
156 bpm • E Maj • 03:29 • -4.59db
43% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
53% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Kolby Cooper
Excuses
156 bpm • G Maj • 03:26 • -5.41db
54% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Langston
Beers Got Drank
156 bpm • G Maj • 02:54 • -5.34db
34% Popularity • 55% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 55% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Rhett
Us Someday
156 bpm • A# Maj • 02:23 • -6db
47% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Ruediger
When You Don't
156 bpm • B Maj • 03:33 • -5.19db
37% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
53% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sammy Arriaga
i fkd up.
156 bpm • C min • 02:39 • -7.52db
51% Popularity • 55% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 55% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
41% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Murphy Elmore
Whoever Broke Your Heart
156 bpm • F# Maj • 03:14 • -5.25db
51% Popularity • 48% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 48% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Thomas Rhett
Slow Down Summer
156 bpm • B Maj • 03:37 • -5.64db
50% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Trey Lewis
How Bout We Don't
156 bpm • G Maj • 02:59 • -4.98db
43% Popularity • 52% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 52% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Brantley Gilbert
Heaven By Then
156 bpm • D Maj • 03:02 • -5.08db
54% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Austin Burke
Even on a Bad Day
156 bpm • D Maj • 03:28 • -7.55db
17% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Wallen
Bandaid On A Bullet Hole
155 bpm • D Maj • 03:54 • -6.75db
69% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
69% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Rich
Leave Her Wild
174 bpm • C Maj • 03:19 • -5.1db
55% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Troy Cartwright
Boys Like Trucks
154 bpm • C# Maj • 02:10 • -5db
49% Popularity • 52% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 52% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Noah Hicks
Miss You Back
154 bpm • F# Maj • 03:02 • -4.74db
36% Popularity • 52% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 52% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Chayce Beckham
Tell Me Twice
154 bpm • A Maj • 04:26 • -4.73db
40% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Melton
Letters
154 bpm • F# Maj • 03:20 • -7.19db
29% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Leah Mason
Far Boy
154 bpm • A Maj • 03:06 • -7.26db
27% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Waters Band
Wife Up
154 bpm • A Maj • 03:10 • -8db
39% Popularity • 54% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 54% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sam Riggs
Obsessed
176 bpm • D Maj • 02:57 • -5.62db
47% Popularity • 59% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 59% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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SixForty1
Somebody's Gonna
176 bpm • C# Maj • 02:58 • -5.66db
34% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Dylan Schneider
Right Girl
176 bpm • E Maj • 02:49 • -5.1db
44% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Walker Montgomery
She Don't Know
176 bpm • C# Maj • 03:49 • -4.28db
38% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bailey Zimmerman
Fix'n To Break
152 bpm • F Maj • 03:52 • -6.42db
60% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Todd Cameron
One of Those Songs
152 bpm • A Maj • 02:50 • -4.88db
40% Popularity • 46% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 46% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
44% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Corey Kent
How You Know You Made It
152 bpm • F Maj • 03:37 • -5.04db
40% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Levi Hummon
Paying For It
178 bpm • D Maj • 03:11 • -4db
48% Popularity • 53% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 53% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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David J
STAY
151 bpm • A# Maj • 02:38 • -8db
41% Popularity • 59% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 59% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Kyle Clark
Think You Know Someone
150 bpm • B Maj • 03:12 • -4.18db
36% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Austin Snell
Wasting All These Tears
150 bpm • A Maj • 03:15 • -7db
62% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
44% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
51% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Bailey Zimmerman
Waiting
150 bpm • F# Maj • 03:37 • -7db
58% Popularity • 51% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 51% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Waters Band
Young Forever
150 bpm • D# Maj • 03:28 • -8db
37% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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CHASE WRIGHT
Hurt No More
180 bpm • F# Maj • 02:56 • -3db
57% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Kameron Marlowe
Ain't Enough Whiskey
180 bpm • E Maj • 03:42 • -6db
49% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Austin Burke
I Don’t Care
149 bpm • B Maj • 02:51 • -6.18db
14% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Dean Brody
You Got The Wrong Guy
148 bpm • E Maj • 03:00 • -3.77db
38% Popularity • 54% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 54% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Kyle Clark
Winning
148 bpm • A# Maj • 02:56 • -5.22db
39% Popularity • 60% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 60% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
