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Let You Go - Edit
Songs like
Let You Go - Edit
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Shannon Noll
Now I Run
86 bpm • G# Maj • 03:42 • -3.7db
30% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Taxiride
Helplessly Hoping
84 bpm • G Maj • 02:21 • -11db
32% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Pete Murray
Let You Go
85 bpm • F# min • 04:46 • -7.87db
28% Popularity • 64% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Powderfinger
My Happiness
86 bpm • C Maj • 04:36 • -5.42db
64% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Forrest Johnson
Endless Dream
84 bpm • B min • 04:52 • -12.14db
0% Popularity • 31% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Jack River
Truly Madly Deeply - triple j Like A Ver...
84 bpm • C Maj • 04:24 • -6db
36% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Bernard Fanning
How Many Times?
86 bpm • A Maj • 04:18 • -6db
30% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Evermore
My Guiding Light
84 bpm • D# min • 04:07 • -4.63db
13% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Pete Murray
Led
84 bpm • A Maj • 04:37 • -5.94db
14% Popularity • 46% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
58% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
56% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Busby Marou
Got Your Back
83 bpm • G Maj • 03:00 • -6db
37% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Kisschasy
Dinosaur
83 bpm • B Maj • 03:08 • -12db
36% Popularity • 52% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Bernard Fanning
Yesterday's Gone
87 bpm • A Maj • 02:32 • -9db
42% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Pete Murray
So Beautiful - Single Version
83 bpm • G min • 04:39 • -10db
51% Popularity • 50% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Thelma Plum
These Days
88 bpm • C Maj • 03:23 • -8.68db
46% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Whitlams
Blow Up The Pokies
82 bpm • A min • 03:27 • -8db
49% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Taxiride
Rachael
88 bpm • F# min • 03:00 • -7.28db
14% Popularity • 50% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Kisschasy
The Shake
82 bpm • G Maj • 04:02 • -10db
25% Popularity • 48% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Darren Middleton
Walk On By
82 bpm • F# min • 03:09 • -14.41db
6% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Pete Murray
So Beautiful
83 bpm • G min • 04:37 • -10.5db
18% Popularity • 38% Danceability • 42% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Evermore
Come To Nothing
88 bpm • D# min • 04:06 • -6db
16% Popularity • 45% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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Illy
Ausmusic Medley
88 bpm • G Maj • 05:10 • -4.79db
36% Popularity • 51% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Dempsey
Idiot Oracle
82 bpm • D# Maj • 04:05 • -10db
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Horrorshow
No Aphrodisiac - triple j Like A Version
88 bpm • D min • 03:55 • -8.9db
35% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Whitlams
Melbourne
82 bpm • C Maj • 04:50 • -9db
34% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Pete Murray
Let You Go
83 bpm • E Maj • 04:18 • -11.2db
16% Popularity • 51% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
34% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Zed
Hard To Find Her
89 bpm • G Maj • 03:02 • -6.51db
30% Popularity • 26% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Dempsey
The Great Optimist
82 bpm • D Maj • 03:09 • -5.81db
24% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Weddings Parties Anything
Wide Open Road
81 bpm • G Maj • 04:16 • -5db
25% Popularity • 21% Danceability • 76% Energy • 93% Liveness
0% Instrumentalness • 62% Positiveness
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The Panics
Don't Fight It - Radio Edit
89 bpm • E Maj • 03:57 • -7.5db
12% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pete Murray
This Game
82 bpm • D# Maj • 03:55 • -13.7db
19% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bernard Fanning
Songbird
81 bpm • F# min • 02:36 • -6.97db
59% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Urthboy
Roll up Your Sleeves - triple j Like A V...
80 bpm • G Maj • 03:40 • -6.82db
39% Popularity • 67% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Busby Marou
Better Be Home Soon
89 bpm • C Maj • 03:49 • -9db
33% Popularity • 56% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Clare Bowditch
You Make Me Happy
80 bpm • E Maj • 02:59 • -7.23db
30% Popularity • 46% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Warumpi Band
My Island Home
80 bpm • G Maj • 04:57 • -15.95db
44% Popularity • 49% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Pete Murray
Led
82 bpm • A Maj • 03:46 • -7.14db
27% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
54% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
32% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Boom Crash Opera
The Best Thing
79 bpm • F Maj • 04:13 • -3.86db
43% Popularity • 37% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Busby Marou
All Of You
79 bpm • D Maj • 02:52 • -6db
37% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
37% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Pete Murray
Broken
79 bpm • C Maj • 04:53 • -5.22db
14% Popularity • 49% Danceability • 87% Energy • 28% Liveness
4% Instrumentalness • 69% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
58% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
27% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Badloves
What's on Your Mind
92 bpm • D Maj • 04:29 • -16db
23% Popularity • 51% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Busby Marou
Underlying Message
79 bpm • D Maj • 04:25 • -6db
32% Popularity • 63% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Bernard Fanning
Thrill Is Gone
79 bpm • F Maj • 03:11 • -7db
40% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
21% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
45% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
23% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
53% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Killing Heidi
I Am
93 bpm • A# Maj • 03:27 • -2db
38% Popularity • 50% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Bernard Fanning
Hope And Validation
78 bpm • E Maj • 03:09 • -6db
36% Popularity • 54% Danceability • 65% Energy • 44% Liveness
8% Instrumentalness • 38% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
52% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
24% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
26% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
34% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Goldenhorse
I'll Never Know
94 bpm • E Maj • 03:04 • -7.23db
25% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Bernard Fanning
Watch Over Me
77 bpm • D Maj • 03:33 • -15.92db
43% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
61% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jonathan Routh
Taxi Driver's Recipe
94 bpm • A# Maj • 03:33 • -8.52db
0% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
35% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Herd
I Was Only 19 - triple j Like A Version
94 bpm • A Maj • 04:29 • -9db
38% Popularity • 63% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
52% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Bernard Fanning
Which Way Home?
77 bpm • D Maj • 03:19 • -4.41db
34% Popularity • 65% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 61% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
53% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Josh Pyke
You're My Colour
95 bpm • D Maj • 04:20 • -6.17db
30% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Xavier Rudd
Green Spandex
96 bpm • G Maj • 03:56 • -11.19db
29% Popularity • 45% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Goodshirt
Fiji Baby
96 bpm • C# Maj • 03:13 • -11.22db
34% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Grinspoon
No Reason
96 bpm • E Maj • 03:49 • -6.43db
39% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Bernard Fanning
Reckless
76 bpm • F# Maj • 03:36 • -5db
37% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
39% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
32% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Epicure
Armies Against Me
75 bpm • C Maj • 05:11 • -5.31db
28% Popularity • 49% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Goldenhorse
Maybe Tomorrow
96 bpm • E Maj • 02:56 • -5.6db
43% Popularity • 56% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Newton Faulkner
I Need Something
97 bpm • G# Maj • 02:55 • -7.39db
39% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Clare Bowditch
The One
75 bpm • G Maj • 04:19 • -7db
23% Popularity • 40% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
17% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
44% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Taxiride
How I Got This Way
98 bpm • C# Maj • 03:30 • -5.96db
24% Popularity • 44% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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John Farnham
Burn for You
97 bpm • G# min • 03:32 • -15.2db
45% Popularity • 55% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
63% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
57% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
42% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Professor Ratbaggy
Love Letter
98 bpm • C Maj • 03:31 • -7.13db
22% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Pete Murray
Feeler - Michael Brauer Mix
98 bpm • G Maj • 04:21 • -6.51db
42% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
26% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jonathan Routh
Camden Town Return
100 bpm • G# Maj • 02:32 • -11db
2% Popularity • 68% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
50% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
60% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Grinspoon
Just Ace
100 bpm • D Maj • 01:48 • -6.83db
50% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Pete Murray
Fall Your Way
100 bpm • F min • 03:53 • -7.08db
9% Popularity • 48% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
34% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
28% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
61% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
19% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
31% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Let You Go - Edit