Songs like Let's Do It Again Interlude by Take That
Based on a tempo of (+/- 10%) and a similar genre
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JLS
Postcard
93 bpm • F Maj • 03:09 • -4.49db
37% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Adventures
One Step from Heaven
93 bpm • F Maj • 04:37 • -13.13db
13% Popularity • 53% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 53% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Busted
Air Hostess 2.0
93 bpm • G Maj • 03:40 • -3.99db
39% Popularity • 54% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 54% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Sheridan Smith
For Forever
93 bpm • D# Maj • 04:33 • -9.29db
8% Popularity • 30% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 30% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Take That
Don't Say Goodbye
93 bpm • E min • 03:54 • -6.59db
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tina Arena
Love Is The Answer
93 bpm • B Maj • 03:56 • -8.3db
21% Popularity • 59% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
21% Popularity • 59% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Robson & Jerome
(There'll Be Bluebirds Over) The White C...
93 bpm • C min • 03:18 • -10.79db
23% Popularity • 59% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 59% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Eternal
Don't You Love Me
92 bpm • C min • 03:49 • -10db
27% Popularity • 58% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Curtis Stigers
I Keep Telling Myself
92 bpm • E Maj • 03:56 • -8.71db
15% Popularity • 61% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 61% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Hue and Cry
Wide Screen
94 bpm • F Maj • 03:47 • -14.15db
8% Popularity • 35% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 35% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Take That
Let's Do It Again Interlude
93 bpm • C min • 01:34 • -17.93db
19% Popularity • 43% Danceability • 29% Energy • 44% Liveness
62% Instrumentalness • 25% Positiveness
19% Popularity • 43% Danceability • 29% Energy • 44% Liveness
62% Instrumentalness • 25% Positiveness
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Texas
In Our Lifetime
94 bpm • F# min • 04:06 • -8db
47% Popularity • 69% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 69% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Nik Kershaw
Shame On You
94 bpm • E min • 03:37 • -8db
25% Popularity • 72% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 88% Positiveness
25% Popularity • 72% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 88% Positiveness
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Natalie Imbruglia
Starting Today
94 bpm • E Maj • 02:55 • -2.91db
28% Popularity • 45% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 45% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Delta Goodrem
Innocent Eyes
92 bpm • A min • 03:53 • -6db
40% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Level 42
Take A Look
94 bpm • G# min • 04:41 • -5.95db
39% Popularity • 62% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 62% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Take That
Another Crack in My Heart
92 bpm • B min • 04:13 • -10.61db
27% Popularity • 47% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 47% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Five
It's the Things You Do
94 bpm • G# min • 03:36 • -6db
32% Popularity • 66% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 66% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Hates Jazz
Different Seasons - 2008 Digital Remaste...
94 bpm • A Maj • 03:32 • -9db
35% Popularity • 63% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 63% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Louise
Reminds Me of You
95 bpm • E min • 03:58 • -6.91db
9% Popularity • 62% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 62% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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JLS
Only Tonight
95 bpm • A# Maj • 03:38 • -5.33db
36% Popularity • 69% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 69% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Busted
MIA
91 bpm • D Maj • 03:25 • -5.8db
25% Popularity • 60% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 60% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Hue and Cry
She Makes A Sound
91 bpm • C# Maj • 05:44 • -13.63db
11% Popularity • 67% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 67% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Five
Until the Time Is Through
94 bpm • D Maj • 04:14 • -7db
46% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Delta Goodrem
My Big Mistake
95 bpm • G# Maj • 03:42 • -4.78db
24% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Louise
All That Matters
95 bpm • C# Maj • 03:39 • -7.48db
17% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Elton John
Old Friend
95 bpm • D Maj • 04:15 • -9db
24% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Liberty X
Everybody Cries
95 bpm • F min • 04:56 • -5.15db
15% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Corrs
Forgiven, Not Forgotten
91 bpm • G Maj • 04:15 • -8.23db
44% Popularity • 61% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 61% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Embrace
Nature's Law
96 bpm • F min • 04:07 • -5.63db
41% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Five
Until the Time Is Through - Radio Edit
96 bpm • B min • 04:09 • -6.51db
30% Popularity • 73% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 73% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Eternal
Good Thing - Radio Mix
90 bpm • G# min • 03:51 • -7.46db
18% Popularity • 76% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 76% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Nicky Byrne
Song For Lovers
96 bpm • C Maj • 03:24 • -11.62db
11% Popularity • 58% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 58% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Phil Collins
Hey, Now Sunshine - B-Side; 2016 Remaste...
90 bpm • G# Maj • 05:02 • -7.53db
16% Popularity • 61% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 61% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Girls Aloud
The Promise
90 bpm • A Maj • 03:44 • -4db
56% Popularity • 57% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 57% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Savage Garden
Hold Me
90 bpm • C Maj • 04:50 • -8db
44% Popularity • 55% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 55% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Busted
It Happens
90 bpm • A Maj • 04:25 • -7.15db
23% Popularity • 54% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Nik Kershaw
Bogart
90 bpm • E Maj • 04:37 • -7.99db
25% Popularity • 68% Danceability • 50% Energy • 17% Liveness
2% Instrumentalness • 48% Positiveness
25% Popularity • 68% Danceability • 50% Energy • 17% Liveness
2% Instrumentalness • 48% Positiveness
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Texas
Insane
89 bpm • A# Maj • 04:45 • -7.04db
31% Popularity • 53% Danceability • 68% Energy • 8% Liveness
4% Instrumentalness • 28% Positiveness
31% Popularity • 53% Danceability • 68% Energy • 8% Liveness
4% Instrumentalness • 28% Positiveness
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The Corrs
I Never Loved You Anyway
97 bpm • G Maj • 03:53 • -7db
44% Popularity • 55% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 55% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 38% Positiveness
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Take That
If You Want It
97 bpm • C Maj • 04:02 • -6.21db
22% Popularity • 58% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 58% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Hue and Cry
Looking For Linda
97 bpm • C Maj • 03:51 • -11db
38% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Lemar
Dust
89 bpm • C Maj • 03:23 • -7.2db
22% Popularity • 65% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 65% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Nik Kershaw
Human Racing
97 bpm • F Maj • 04:34 • -11.05db
30% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Cliff Richard
Human Work of Art
89 bpm • C# Maj • 04:38 • -12.2db
8% Popularity • 67% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 67% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Texas
In Demand
96 bpm • D# Maj • 04:25 • -10db
45% Popularity • 60% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 60% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Take That
Eight Letters
97 bpm • C# Maj • 04:40 • -7.57db
37% Popularity • 61% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 61% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Hue and Cry
Sweet Invisibility
97 bpm • G# Maj • 04:29 • -10db
15% Popularity • 58% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 58% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Simple Minds
This Is Your Land - DJ Version
89 bpm • B min • 05:04 • -11.43db
14% Popularity • 55% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
14% Popularity • 55% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
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Tina Arena
Standing Up
97 bpm • G Maj • 03:35 • -9.38db
16% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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The Lightning Seeds
Perfect - Remastered
89 bpm • C Maj • 03:29 • -16db
17% Popularity • 47% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 47% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Five
C'Mon C'Mon
97 bpm • A Maj • 04:49 • -7.13db
18% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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A1
Make It Good - Radio Edit
98 bpm • G Maj • 03:37 • -3.83db
31% Popularity • 48% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 48% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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The Coronas
Light Me Up
98 bpm • D# Maj • 03:33 • -6.82db
30% Popularity • 41% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 41% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Ball
All Dance Together
98 bpm • G# Maj • 03:21 • -11.88db
12% Popularity • 66% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 66% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 65% Positiveness
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Des'ree
Best Days
98 bpm • C Maj • 04:10 • -6.23db
22% Popularity • 70% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 70% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Savage Garden
The Lover After Me
98 bpm • G Maj • 04:49 • -9.8db
39% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Texas
The Day Before I Went Away
88 bpm • B Maj • 04:53 • -9db
19% Popularity • 56% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 56% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Tina Arena
Be A Man
98 bpm • F# min • 03:51 • -7.41db
15% Popularity • 65% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 65% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Five
Got the Feelin' - Radio Edit
99 bpm • C Maj • 03:28 • -7.09db
45% Popularity • 76% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 76% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Robson & Jerome
What Becomes Of The Broken Hearted
99 bpm • D# Maj • 03:21 • -8.38db
31% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Liberty X
No Clouds
99 bpm • A Maj • 03:53 • -9.08db
14% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Savage Garden
Mine
99 bpm • A min • 04:28 • -6.25db
24% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Hue and Cry
Where We Wish To Remain
87 bpm • F min • 03:59 • -19.33db
11% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bucks Fizz
Now Those Days Are Gone
99 bpm • F Maj • 03:31 • -15.47db
22% Popularity • 38% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 38% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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V
You Stood Up
87 bpm • A Maj • 03:59 • -7.26db
16% Popularity • 47% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 47% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Curtis Stigers
I Guess It Wasn't Mine
100 bpm • A Maj • 03:57 • -9db
18% Popularity • 57% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 57% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Texas
Guitar Song
87 bpm • C Maj • 03:55 • -7db
38% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Eternal
Save Our Love - West End Mix
100 bpm • G Maj • 04:21 • -7.36db
20% Popularity • 69% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 69% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Take That
Sunday to Saturday
100 bpm • D Maj • 05:03 • -8.09db
33% Popularity • 57% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 57% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Tina Arena
Strong As Steel
100 bpm • G Maj • 05:06 • -8.5db
11% Popularity • 65% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
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A1
Do You Remember
100 bpm • G Maj • 03:02 • -4.78db
15% Popularity • 54% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 54% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Busted
Thunderbirds Are Go 2.0
100 bpm • E Maj • 03:23 • -4.3db
40% Popularity • 55% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 55% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Coronas
Haunted
100 bpm • B min • 03:43 • -7.1db
31% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Eternal
Save Our Love - 7" Mix
100 bpm • G Maj • 03:46 • -6.56db
24% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Take That
Keep Your Head Up
100 bpm • A min • 03:13 • -12.25db
45% Popularity • 48% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 9% Positiveness
45% Popularity • 48% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 9% Positiveness
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McFly
It's All Coming Back to Me Now
86 bpm • G# Maj • 02:38 • -6.51db
51% Popularity • 36% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 36% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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JLS
Hottest Girl in the World
100 bpm • G min • 03:38 • -3.03db
39% Popularity • 66% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 66% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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James
Way Over Your Head
101 bpm • D Maj • 04:18 • -9.13db
47% Popularity • 64% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 64% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Alison Moyet
Steal Me Blind (2016 Remaster)
86 bpm • C Maj • 03:17 • -5.12db
24% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Then Jerico
What Does It Take?
101 bpm • C Maj • 03:49 • -10.51db
22% Popularity • 50% Danceability • 91% Energy • 49% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 50% Danceability • 91% Energy • 49% Liveness
0% Instrumentalness • 27% Positiveness
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Danny Jones
Is This Still Love
85 bpm • C min • 03:02 • -4.45db
28% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Take That
Hanging onto Your Love
102 bpm • F# min • 04:08 • -9.59db
36% Popularity • 68% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 68% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Hue and Cry
Three Foot Blasts Of Fire
102 bpm • D Maj • 04:17 • -10.57db
9% Popularity • 71% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 71% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Five
Greatest Hits Megamix - Jewels & Stone R...
102 bpm • G Maj • 10:59 • -5.82db
23% Popularity • 50% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 50% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 61% Positiveness
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Paloma Faith
Crybaby
102 bpm • A Maj • 03:53 • -4db
44% Popularity • 70% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 70% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Curtis Stigers
Count My Blessings
102 bpm • A# Maj • 04:22 • -11.32db
13% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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All Saints
Love Lasts Forever
84 bpm • F# min • 04:06 • -6.31db
25% Popularity • 38% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 38% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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The Corrs
Love to Love You
84 bpm • A# Maj • 03:22 • -7.17db
44% Popularity • 45% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 45% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Young
Softly Whispering I Love You
84 bpm • G Maj • 03:44 • -12.33db
29% Popularity • 46% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 46% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Take That
Pray
104 bpm • G Maj • 03:43 • -7.2db
52% Popularity • 54% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 54% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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The Saturdays
My Heart Takes Over
104 bpm • A Maj • 04:06 • -2.08db
34% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Hue and Cry
Remote
104 bpm • C# Maj • 04:33 • -12.06db
20% Popularity • 67% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 67% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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A1
Living The Dream
83 bpm • D Maj • 03:54 • -7.34db
29% Popularity • 59% Danceability • 73% Energy • 45% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 73% Energy • 45% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Hates Jazz
Turn Back The Clock - Unreleased Version
104 bpm • C Maj • 04:35 • -11db
33% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Beautiful South
How Long's A Tear Take To Dry? - Radio E...
105 bpm • E Maj • 03:17 • -7.23db
19% Popularity • 66% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 66% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Take That
Bird In Your Hand
84 bpm • B Maj • 03:20 • -9.93db
15% Popularity • 48% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 48% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sugababes
About You Now - Radio Edit
82 bpm • C# min • 03:09 • -5.82db
44% Popularity • 57% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 57% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
