Songs like Let's Face the Music and Dance (From "Follow the Fleet") by Malcolm Lockyer Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Malcolm Lockyer Orchestra
Let's Face the Music and Dance
97 bpm • A min • 03:03 • -15.88db
0% Popularity • 55% Danceability • 24% Energy • 7% Liveness
9% Instrumentalness • 74% Positiveness
0% Popularity • 55% Danceability • 24% Energy • 7% Liveness
9% Instrumentalness • 74% Positiveness
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Luis Bacalov
Django - Instrumental Version
97 bpm • D min • 02:56 • -10db
31% Popularity • 41% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 42% Positiveness
31% Popularity • 41% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 42% Positiveness
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Peter Yorke
Crystal Clear
97 bpm • G Maj • 02:43 • -13.79db
3% Popularity • 55% Danceability • 23% Energy • 16% Liveness
85% Instrumentalness • 49% Positiveness
3% Popularity • 55% Danceability • 23% Energy • 16% Liveness
85% Instrumentalness • 49% Positiveness
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Leroy Holmes Orchestra
Mah-Na, Mah-Na - 1997 Remastered
97 bpm • C Maj • 02:33 • -15.07db
16% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Vince Guaraldi
Ginza Samba
97 bpm • G# Maj • 05:26 • -14.13db
38% Popularity • 62% Danceability • 38% Energy • 23% Liveness
20% Instrumentalness • 82% Positiveness
38% Popularity • 62% Danceability • 38% Energy • 23% Liveness
20% Instrumentalness • 82% Positiveness
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Herb Alpert & The Tijuana Brass
If I Were A Rich Man
97 bpm • C Maj • 02:38 • -10.33db
8% Popularity • 62% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
8% Popularity • 62% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
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Milt Buckner
The Beast - Digitally Remastered 95
97 bpm • A# min • 02:32 • -12.65db
32% Popularity • 81% Danceability • 47% Energy • 9% Liveness
80% Instrumentalness • 66% Positiveness
32% Popularity • 81% Danceability • 47% Energy • 9% Liveness
80% Instrumentalness • 66% Positiveness
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Luis Bacalov
Django (Alternate Instrumental Version)
97 bpm • F Maj • 02:55 • -8.24db
10% Popularity • 39% Danceability • 56% Energy • 6% Liveness
64% Instrumentalness • 40% Positiveness
10% Popularity • 39% Danceability • 56% Energy • 6% Liveness
64% Instrumentalness • 40% Positiveness
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Al Bowlly
The Very Thought of You
97 bpm • F min • 03:29 • -10.9db
20% Popularity • 48% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 37% Positiveness
20% Popularity • 48% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 37% Positiveness
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Sam Fonteyn
Galloping Gertie
97 bpm • B Maj • 01:08 • -11.3db
20% Popularity • 45% Danceability • 45% Energy • 31% Liveness
92% Instrumentalness • 96% Positiveness
20% Popularity • 45% Danceability • 45% Energy • 31% Liveness
92% Instrumentalness • 96% Positiveness
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Marcello Giombini
Ehi amico c'è Sabata
97 bpm • A min • 02:45 • -4.01db
19% Popularity • 52% Danceability • 82% Energy • 39% Liveness
82% Instrumentalness • 82% Positiveness
19% Popularity • 52% Danceability • 82% Energy • 39% Liveness
82% Instrumentalness • 82% Positiveness
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Herb Alpert & The Tijuana Brass
I'm Getting Sentimental Over You
97 bpm • A min • 02:10 • -11.52db
34% Popularity • 64% Danceability • 49% Energy • 15% Liveness
59% Instrumentalness • 68% Positiveness
34% Popularity • 64% Danceability • 49% Energy • 15% Liveness
59% Instrumentalness • 68% Positiveness
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Heinz Kiessling
Temptation Sensation (Main Title)
96 bpm • A Maj • 02:52 • -8.23db
36% Popularity • 36% Danceability • 46% Energy • 14% Liveness
52% Instrumentalness • 35% Positiveness
36% Popularity • 36% Danceability • 46% Energy • 14% Liveness
52% Instrumentalness • 35% Positiveness
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Fernest Arceneaux, Victor Walker
Big Mamou
96 bpm • A min • 02:53 • -9.05db
11% Popularity • 58% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 58% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Jerry Fielding
End Credits - La Golondrina
96 bpm • F Maj • 02:23 • -23.05db
11% Popularity • 12% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
11% Popularity • 12% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
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Vince Giordano And The Nighthawks
Everybody Loves My Baby
98 bpm • G Maj • 03:08 • -8.54db
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
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Carlo Rustichelli
Anda Mexico
98 bpm • E min • 01:27 • -9.18db
28% Popularity • 54% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 54% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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I Cantori Moderni Di Alessandroni
Ballata per un pistolero
98 bpm • D Maj • 02:30 • -10.34db
26% Popularity • 31% Danceability • 44% Energy • 17% Liveness
27% Instrumentalness • 18% Positiveness
26% Popularity • 31% Danceability • 44% Energy • 17% Liveness
27% Instrumentalness • 18% Positiveness
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Al Martino
I Have But One Heart
98 bpm • C Maj • 02:57 • -14.9db
46% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Alain Romans
Adieu Mario
96 bpm • C Maj • 02:49 • -15.43db
24% Popularity • 83% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 81% Positiveness
24% Popularity • 83% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 81% Positiveness
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George Fenton
Miss Shepherd's Waltz
98 bpm • C min • 01:56 • -18db
30% Popularity • 46% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
30% Popularity • 46% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Traditional
Songe d'Automne
98 bpm • C min • 03:54 • -18.07db
16% Popularity • 22% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Robert Mersey
Life of Luxury
96 bpm • D Maj • 02:58 • -13.76db
4% Popularity • 22% Danceability • 27% Energy • 25% Liveness
91% Instrumentalness • 19% Positiveness
4% Popularity • 22% Danceability • 27% Energy • 25% Liveness
91% Instrumentalness • 19% Positiveness
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Billy Munn
Dream Away
98 bpm • F# Maj • 02:41 • -18db
27% Popularity • 40% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
27% Popularity • 40% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
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Crazy Otto
The Darktown Strutters' Ball
96 bpm • F# min • 02:23 • -19.77db
11% Popularity • 66% Danceability • 36% Energy • 6% Liveness
91% Instrumentalness • 91% Positiveness
11% Popularity • 66% Danceability • 36% Energy • 6% Liveness
91% Instrumentalness • 91% Positiveness
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Marcello Giombini
Ehi amico c'è Sabata - Titoli
95 bpm • C min • 01:56 • -7.62db
25% Popularity • 44% Danceability • 72% Energy • 31% Liveness
90% Instrumentalness • 66% Positiveness
25% Popularity • 44% Danceability • 72% Energy • 31% Liveness
90% Instrumentalness • 66% Positiveness
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Nino Rota
La Dolce Vita (Finale)
99 bpm • C# min • 02:56 • -16db
15% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Christopher Young
Puerto Rican Piss-Off
99 bpm • F# min • 03:22 • -12.94db
8% Popularity • 61% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 25% Positiveness
8% Popularity • 61% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 25% Positiveness
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Marvin Hamlisch
The Entertainer / Rag Time Dance
95 bpm • F Maj • 03:40 • -7db
21% Popularity • 55% Danceability • 47% Energy • 10% Liveness
32% Instrumentalness • 58% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 10% Liveness
32% Instrumentalness • 58% Positiveness
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Bruno Nicolai
Ballata per Ringo
95 bpm • E min • 02:27 • -12.97db
26% Popularity • 41% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 41% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Benny Goodman Quartet
Whispering
99 bpm • D# Maj • 03:23 • -15.83db
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
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Ray Anthony & His Orchestra
Dragnet
95 bpm • C min • 02:52 • -9db
19% Popularity • 55% Danceability • 74% Energy • 16% Liveness
90% Instrumentalness • 28% Positiveness
19% Popularity • 55% Danceability • 74% Energy • 16% Liveness
90% Instrumentalness • 28% Positiveness
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Nino Rota
La dolce vita - Final
99 bpm • C# min • 03:01 • -15db
25% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Strange
The Girl From Ipanema
99 bpm • F min • 02:39 • -16.41db
19% Popularity • 51% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
19% Popularity • 51% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Orchestra di Bruno Nicolai
Il triello: titolo finali - Dal film ''I...
99 bpm • D min • 04:59 • -13.31db
17% Popularity • 20% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 17% Positiveness
17% Popularity • 20% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 17% Positiveness
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Jesse O'Mahoney
She's a Rainbow
99 bpm • A# Maj • 01:52 • -13db
42% Popularity • 64% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 42% Positiveness
42% Popularity • 64% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 42% Positiveness
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The Shiffers
Buena vista
99 bpm • A# min • 04:04 • -4.91db
22% Popularity • 71% Danceability • 70% Energy • 41% Liveness
95% Instrumentalness • 52% Positiveness
22% Popularity • 71% Danceability • 70% Energy • 41% Liveness
95% Instrumentalness • 52% Positiveness
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Jimmie Noone
Blues My Naughty Sweetie Gives to Me
95 bpm • F# min • 03:06 • -13.43db
18% Popularity • 73% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
18% Popularity • 73% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
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Apollo 100
Hall Of The Mountain Kings
95 bpm • F# Maj • 02:11 • -8.73db
14% Popularity • 49% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
14% Popularity • 49% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
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Elmer Bernstein
Thinking Of Baby
94 bpm • D# Maj • 02:59 • -12.52db
28% Popularity • 50% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
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Ella Fitzgerald
The Dipsy Doodle
94 bpm • D# Maj • 03:10 • -9.66db
30% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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The John Schroeder Orchestra
Explosive Corrosive Joseph
100 bpm • G Maj • 02:28 • -7.71db
22% Popularity • 59% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
22% Popularity • 59% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
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Billy Uke Scott
Happy Days Rag
94 bpm • G Maj • 02:49 • -14.13db
14% Popularity • 61% Danceability • 32% Energy • 19% Liveness
88% Instrumentalness • 70% Positiveness
14% Popularity • 61% Danceability • 32% Energy • 19% Liveness
88% Instrumentalness • 70% Positiveness
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Bobby Bare
Find Out What's Happening
94 bpm • E Maj • 02:12 • -14db
38% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Luis Bacalov
Blue Dark Waltz
94 bpm • C Maj • 01:06 • -34.18db
38% Popularity • 31% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
38% Popularity • 31% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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Esquivel And His Orchestra
Anna (El Negro Zumbon)
94 bpm • D Maj • 02:42 • -10.37db
12% Popularity • 69% Danceability • 56% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
12% Popularity • 69% Danceability • 56% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
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Greg J Walker
What Eyes You Have (Instrumental)
94 bpm • B min • 02:34 • -9.28db
21% Popularity • 75% Danceability • 42% Energy • 14% Liveness
79% Instrumentalness • 86% Positiveness
21% Popularity • 75% Danceability • 42% Energy • 14% Liveness
79% Instrumentalness • 86% Positiveness
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Allen Toussaint
Cast Your Fate To The Wind
100 bpm • A Maj • 03:18 • -16db
31% Popularity • 68% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
31% Popularity • 68% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Billy May
Mission Impossible - Lalo Schifrin Versi...
94 bpm • C min • 02:27 • -13db
18% Popularity • 50% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 50% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Orchestra di Bruno Nicolai
La resa - Dal film ''La resa dei conti''
101 bpm • E min • 02:53 • -13.51db
21% Popularity • 24% Danceability • 24% Energy • 6% Liveness
4% Instrumentalness • 12% Positiveness
21% Popularity • 24% Danceability • 24% Energy • 6% Liveness
4% Instrumentalness • 12% Positiveness
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Burnie Whibley
Table for Two
100 bpm • D min • 02:33 • -12db
31% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
31% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
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Anne Dudley
Jeeves And Wooster
101 bpm • D# min • 01:14 • -10.94db
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
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Paul Gerard
Pussyfoot
102 bpm • C Maj • 03:02 • -15.22db
3% Popularity • 60% Danceability • 27% Energy • 9% Liveness
82% Instrumentalness • 47% Positiveness
3% Popularity • 60% Danceability • 27% Energy • 9% Liveness
82% Instrumentalness • 47% Positiveness
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David Gold
Spanish Waltz
102 bpm • G min • 02:42 • -11.98db
8% Popularity • 36% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
8% Popularity • 36% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Ray Anthony
Dragnet/Room 43
93 bpm • A Maj • 04:54 • -13.43db
12% Popularity • 51% Danceability • 41% Energy • 8% Liveness
60% Instrumentalness • 37% Positiveness
12% Popularity • 51% Danceability • 41% Energy • 8% Liveness
60% Instrumentalness • 37% Positiveness
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Alain Romans
The Three Themes
93 bpm • D# Maj • 04:04 • -15db
21% Popularity • 53% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
21% Popularity • 53% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Orchestra di Bruno Nicolai
Navajo Joe - Dal film "Navajo Joe"
101 bpm • E min • 02:53 • -12.3db
26% Popularity • 37% Danceability • 65% Energy • 42% Liveness
95% Instrumentalness • 47% Positiveness
26% Popularity • 37% Danceability • 65% Energy • 42% Liveness
95% Instrumentalness • 47% Positiveness
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Anders Johan Greger Lewen
Winding Back the Years
92 bpm • C Maj • 02:20 • -13.53db
20% Popularity • 71% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 87% Positiveness
20% Popularity • 71% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 87% Positiveness
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Franco Micalizzi. Orch. Diretta M° Plenizio
Un cowboy e due ragazze
92 bpm • C Maj • 02:32 • -10.27db
23% Popularity • 53% Danceability • 40% Energy • 31% Liveness
21% Instrumentalness • 62% Positiveness
23% Popularity • 53% Danceability • 40% Energy • 31% Liveness
21% Instrumentalness • 62% Positiveness
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Alexandre Desplat
Traditional Arrangement: "Moonshine"
92 bpm • A Maj • 03:21 • -13.47db
33% Popularity • 48% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
33% Popularity • 48% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
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Nicola Piovani
Il Marchese del Grillo, Pt. 1
92 bpm • C Maj • 01:30 • -21.3db
42% Popularity • 44% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
42% Popularity • 44% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
27% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
27% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Julie Sutton
Stack Of Blues
103 bpm • D Maj • 03:36 • -6.05db
15% Popularity • 62% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 62% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Burt Bacharach
Bond Street
103 bpm • G min • 02:04 • -13.12db
24% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
24% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
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The Green Book Copacabana Orchestra
That Old Black Magic
103 bpm • G# Maj • 02:13 • -6.23db
35% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Tony Osborne
Springtime in Paris
91 bpm • C Maj • 02:40 • -10db
15% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Bobby Darin
The Good Life - Remastered
91 bpm • D# Maj • 02:25 • -10.56db
32% Popularity • 58% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 58% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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David McCallum
Mellow Yellow / We Gotta Get Out Of This...
103 bpm • A# Maj • 04:39 • -12.96db
7% Popularity • 48% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 43% Positiveness
7% Popularity • 48% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 43% Positiveness
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Gordon Jenkins
Caravan
103 bpm • F Maj • 02:12 • -9.03db
30% Popularity • 51% Danceability • 48% Energy • 60% Liveness
54% Instrumentalness • 62% Positiveness
30% Popularity • 51% Danceability • 48% Energy • 60% Liveness
54% Instrumentalness • 62% Positiveness
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Anton Karas
The Harry Lime Theme
91 bpm • F# Maj • 02:14 • -11.59db
20% Popularity • 47% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
20% Popularity • 47% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
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Alan Moorhouse
Waltzing in Dreamland
91 bpm • C# Maj • 02:36 • -18db
19% Popularity • 24% Danceability • 13% Energy • 9% Liveness
71% Instrumentalness • 27% Positiveness
19% Popularity • 24% Danceability • 13% Energy • 9% Liveness
71% Instrumentalness • 27% Positiveness
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Helmut Reinhardt
Cash or Check
104 bpm • A# Maj • 02:50 • -13.56db
9% Popularity • 66% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
9% Popularity • 66% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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John Barry
The Ipcress File
90 bpm • E min • 03:51 • -17.95db
26% Popularity • 27% Danceability • 23% Energy • 18% Liveness
32% Instrumentalness • 5% Positiveness
26% Popularity • 27% Danceability • 23% Energy • 18% Liveness
32% Instrumentalness • 5% Positiveness
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Alan Reeves
The Chase
104 bpm • B min • 01:03 • -8.65db
38% Popularity • 35% Danceability • 58% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
38% Popularity • 35% Danceability • 58% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
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Luis Bacalov
His Name Was King - Main Theme
90 bpm • A min • 02:07 • -17.06db
27% Popularity • 49% Danceability • 43% Energy • 15% Liveness
89% Instrumentalness • 91% Positiveness
27% Popularity • 49% Danceability • 43% Energy • 15% Liveness
89% Instrumentalness • 91% Positiveness
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Mort Stevens And His Orchestra
Hawaii Five-O
90 bpm • D min • 01:35 • -10db
33% Popularity • 66% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 93% Positiveness
33% Popularity • 66% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 93% Positiveness
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Herb Alpert & The Tijuana Brass
Walk, Don't Run
90 bpm • G# Maj • 01:46 • -10.67db
31% Popularity • 67% Danceability • 75% Energy • 14% Liveness
86% Instrumentalness • 89% Positiveness
31% Popularity • 67% Danceability • 75% Energy • 14% Liveness
86% Instrumentalness • 89% Positiveness
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Burt Bacharach
South American Getaway
105 bpm • F Maj • 05:18 • -21.22db
34% Popularity • 40% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 40% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Heisenberg & The Albuquerque Kingpins
It's Such a Good Night
90 bpm • C# Maj • 02:37 • -9db
38% Popularity • 46% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 83% Positiveness
38% Popularity • 46% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 83% Positiveness
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Bill Doggett
Honky Tonk Pt. 1
105 bpm • F Maj • 03:13 • -9db
36% Popularity • 64% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
36% Popularity • 64% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Anton Karas
The Third Man Theme (The Harry Lime Them...
90 bpm • F# Maj • 02:13 • -7.4db
32% Popularity • 49% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
32% Popularity • 49% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
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Franky ‘Fastfingers’ Flint
Goodtime Charlie
105 bpm • D# Maj • 02:01 • -11db
25% Popularity • 97% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 98% Positiveness
25% Popularity • 97% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 98% Positiveness
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Nino Rota
Gary Cooper
105 bpm • F Maj • 01:23 • -13db
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Jerry Fielding
Song from "The Wild Bunch"
90 bpm • D Maj • 03:54 • -18db
14% Popularity • 10% Danceability • 15% Energy • 13% Liveness
78% Instrumentalness • 8% Positiveness
14% Popularity • 10% Danceability • 15% Energy • 13% Liveness
78% Instrumentalness • 8% Positiveness
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Rich Ruttenberg, Joel Hamilton & Jerry Kalaf
No More Dues
89 bpm • F min • 08:54 • -21.52db
19% Popularity • 49% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
19% Popularity • 49% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
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Mel Young
Calling all Stars
89 bpm • A min • 03:19 • -10.81db
1% Popularity • 18% Danceability • 28% Energy • 35% Liveness
81% Instrumentalness • 9% Positiveness
1% Popularity • 18% Danceability • 28% Energy • 35% Liveness
81% Instrumentalness • 9% Positiveness
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Alvin 'Red' Tyler & The Gyros
Peanut Vendor
105 bpm • C Maj • 02:07 • -7.75db
27% Popularity • 56% Danceability • 86% Energy • 22% Liveness
16% Instrumentalness • 74% Positiveness
27% Popularity • 56% Danceability • 86% Energy • 22% Liveness
16% Instrumentalness • 74% Positiveness
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John Barry
From Russia with Love
105 bpm • E min • 02:35 • -13.18db
26% Popularity • 35% Danceability • 49% Energy • 15% Liveness
28% Instrumentalness • 36% Positiveness
26% Popularity • 35% Danceability • 49% Energy • 15% Liveness
28% Instrumentalness • 36% Positiveness
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David Carbonara
Moonglow
106 bpm • C min • 02:47 • -13.94db
14% Popularity • 48% Danceability • 22% Energy • 13% Liveness
96% Instrumentalness • 30% Positiveness
14% Popularity • 48% Danceability • 22% Energy • 13% Liveness
96% Instrumentalness • 30% Positiveness
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The Warner Bros. Studio Orchestra
Knock On Wood
89 bpm • F Maj • 01:16 • -10db
21% Popularity • 68% Danceability • 61% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
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Nino Rota
L'Illusionista
89 bpm • C# Maj • 02:21 • -8.98db
23% Popularity • 75% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 75% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Neal Hefti
Duel At Diablo (Main Title)
89 bpm • C Maj • 02:27 • -10.31db
17% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
17% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Luis Bacalov
In Bicicletta
106 bpm • A Maj • 02:28 • -14db
43% Popularity • 45% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
43% Popularity • 45% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Cyril Watters
China
106 bpm • D min • 03:08 • -16.55db
2% Popularity • 42% Danceability • 25% Energy • 13% Liveness
78% Instrumentalness • 46% Positiveness
2% Popularity • 42% Danceability • 25% Energy • 13% Liveness
78% Instrumentalness • 46% Positiveness
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David Carbonara
Beautiful Girls
89 bpm • F Maj • 02:18 • -14db
21% Popularity • 23% Danceability • 24% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
21% Popularity • 23% Danceability • 24% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
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Pee Wee Hunt
Twelfth Street Rag (Alternate Take)
106 bpm • A# Maj • 02:54 • -7.95db
4% Popularity • 51% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
4% Popularity • 51% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Nino Rota
La Gradisca e il Principe
106 bpm • B Maj • 02:29 • -12db
27% Popularity • 24% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 25% Positiveness
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Anton Karas
The "Harry Lime" Theme, Pt. 1
88 bpm • F# Maj • 02:13 • -17.99db
11% Popularity • 47% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 84% Positiveness
11% Popularity • 47% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 84% Positiveness
