Songs like Let's Get Lost by Chet Baker
Based on a tempo of (+/- 10%) and a similar genre
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Freddie Hubbard
The Things We Did Last Summer
79 bpm • F Maj • 07:19 • -20db
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
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Dean Martin
I've Grown Accustomed To Her Face - Rema...
79 bpm • C Maj • 02:42 • -16db
51% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Chet Baker
You're Mine, You!
79 bpm • G Maj • 03:18 • -20db
53% Popularity • 33% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 33% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sidney Bechet
Si tu vois ma mère - Slow
80 bpm • D# Maj • 03:13 • -12.86db
55% Popularity • 46% Danceability • 38% Energy • 55% Liveness
87% Instrumentalness • 61% Positiveness
55% Popularity • 46% Danceability • 38% Energy • 55% Liveness
87% Instrumentalness • 61% Positiveness
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Ahmad Jamal
For All We Know
80 bpm • C Maj • 02:47 • -20.31db
51% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
51% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Gerry Mulligan Quartet
Line For Lyons - Instrumental
80 bpm • C Maj • 02:31 • -20.93db
35% Popularity • 48% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
35% Popularity • 48% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
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John Coltrane
I'm Old Fashioned - Remastered 2003/Rudy...
78 bpm • D# Maj • 07:57 • -10.48db
46% Popularity • 39% Danceability • 23% Energy • 7% Liveness
50% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 23% Energy • 7% Liveness
50% Instrumentalness • 36% Positiveness
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Gerry Mulligan
When Your Lover Has Gone
78 bpm • D min • 05:09 • -14.9db
18% Popularity • 63% Danceability • 19% Energy • 13% Liveness
23% Instrumentalness • 48% Positiveness
18% Popularity • 63% Danceability • 19% Energy • 13% Liveness
23% Instrumentalness • 48% Positiveness
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Chet Baker
Oh, You Crazy Moon
78 bpm • F Maj • 03:35 • -19.17db
29% Popularity • 38% Danceability • 7% Energy • 22% Liveness
26% Instrumentalness • 10% Positiveness
29% Popularity • 38% Danceability • 7% Energy • 22% Liveness
26% Instrumentalness • 10% Positiveness
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Freddie Hubbard
Up Jumped Spring
78 bpm • G min • 06:41 • -22db
28% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Ahmad Jamal
I'll Never Stop Loving You
80 bpm • C Maj • 03:03 • -22db
35% Popularity • 52% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
35% Popularity • 52% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Shirley Horn
Do It Again
78 bpm • C Maj • 02:57 • -21db
47% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Chet Baker
Let's Get Lost
78 bpm • C Maj • 03:43 • -9db
51% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Helen Merrill
Dream Of You
78 bpm • D# min • 02:55 • -22.62db
24% Popularity • 38% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 38% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ahmad Jamal
Will You Still Be Mine
80 bpm • D min • 02:42 • -24.23db
31% Popularity • 53% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 41% Positiveness
31% Popularity • 53% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 41% Positiveness
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Miles Davis Quartet
Miles Ahead
78 bpm • G min • 04:29 • -14.85db
28% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
28% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
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Dakota Staton
In the Night
78 bpm • F# min • 02:04 • -9db
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Chet Baker
That Old Feeling
78 bpm • F min • 03:03 • -17db
56% Popularity • 64% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 64% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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McCoy Tyner
We'll Be Together Again
78 bpm • G# Maj • 03:40 • -20.72db
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Chet Baker
Look For The Silver Lining
80 bpm • D Maj • 02:39 • -16db
52% Popularity • 65% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 65% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Yusef Lateef
Michelle
77 bpm • D min • 01:44 • -21db
58% Popularity • 39% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
58% Popularity • 39% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Chick Corea
Crystal Silence
77 bpm • A min • 06:55 • -24.28db
48% Popularity • 20% Danceability • 2% Energy • 7% Liveness
38% Instrumentalness • 5% Positiveness
48% Popularity • 20% Danceability • 2% Energy • 7% Liveness
38% Instrumentalness • 5% Positiveness
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Teddy Wilson
Stompin' At The Savoy - 1956 Version
82 bpm • F# Maj • 04:09 • -16.32db
42% Popularity • 58% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Joe Henderson
Blue Bossa - Remastered
82 bpm • F min • 08:02 • -11.7db
49% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
49% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Chet Baker
She Was Too Good to Me
77 bpm • C Maj • 04:41 • -19.12db
26% Popularity • 24% Danceability • 10% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
26% Popularity • 24% Danceability • 10% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Ahmad Jamal
Comme Ci Comme Ca
82 bpm • F Maj • 02:12 • -19.69db
42% Popularity • 66% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 66% Positiveness
42% Popularity • 66% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 66% Positiveness
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Doris Day
Bewitched, Bothered and Bewildered
82 bpm • D min • 02:42 • -22db
37% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gene De Paul
Star Eyes
76 bpm • G# Maj • 06:59 • -15.13db
13% Popularity • 59% Danceability • 20% Energy • 11% Liveness
71% Instrumentalness • 50% Positiveness
13% Popularity • 59% Danceability • 20% Energy • 11% Liveness
71% Instrumentalness • 50% Positiveness
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Nina Simone
If I Should Lose You
82 bpm • D Maj • 03:55 • -16.77db
48% Popularity • 22% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
48% Popularity • 22% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Chet Baker
My Ideal
77 bpm • C min • 04:22 • -26.88db
50% Popularity • 53% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 53% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Shirley Horn
Love For Sale
75 bpm • F min • 03:51 • -20.39db
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sidney Bechet
Summertime
83 bpm • D# Maj • 04:11 • -17db
42% Popularity • 61% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
42% Popularity • 61% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Charlie Haden
My Funny Valentine
75 bpm • D# Maj • 05:37 • -22.3db
11% Popularity • 43% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 55% Positiveness
11% Popularity • 43% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 55% Positiveness
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Miles Davis
Moon Dreams
75 bpm • E min • 03:20 • -19.74db
42% Popularity • 19% Danceability • 4% Energy • 10% Liveness
23% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 4% Energy • 10% Liveness
23% Instrumentalness • 7% Positiveness
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Billie Holiday
April In Paris
75 bpm • C Maj • 03:05 • -14.21db
59% Popularity • 50% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 50% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Chet Baker
It's Always You - Vocal Version
82 bpm • G# Maj • 03:35 • -22.31db
60% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Lester Young
There Will Never Be Another You
83 bpm • C min • 03:25 • -17.94db
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Fred Astaire
Isn't This A Lovely Day
75 bpm • C Maj • 04:23 • -23db
44% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Gerry Mulligan
Stardust
84 bpm • C# Maj • 04:46 • -18.63db
51% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
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Helen Merrill
Anything Goes
85 bpm • F Maj • 03:07 • -17db
47% Popularity • 43% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
47% Popularity • 43% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Ahmad Jamal
It Ain't Necessarily So
85 bpm • A min • 03:00 • -15.16db
38% Popularity • 52% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 22% Positiveness
38% Popularity • 52% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 22% Positiveness
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Chet Baker
But Not For Me - Vocal Version
82 bpm • F min • 03:04 • -14db
57% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Miles Davis
Stella By Starlight
85 bpm • A# Maj • 04:44 • -12.82db
52% Popularity • 47% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 47% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Stan Getz
But Beautiful
73 bpm • B Maj • 04:40 • -21.88db
58% Popularity • 50% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
58% Popularity • 50% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
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Archie Semple
I'm in the Market for You
86 bpm • C min • 03:46 • -19db
47% Popularity • 49% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 34% Positiveness
47% Popularity • 49% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 34% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Chet Baker
My Heart Stood Still
82 bpm • F Maj • 03:26 • -16.81db
39% Popularity • 66% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 66% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Nina Simone
Love Me Or Leave Me
86 bpm • C Maj • 04:04 • -10.75db
58% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Dave Brubeck Trio
Laura
72 bpm • G# Maj • 02:42 • -12.1db
37% Popularity • 65% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
37% Popularity • 65% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Roy Hargrove
Joy Is Sorrow Unmasked
72 bpm • G min • 04:46 • -14.57db
33% Popularity • 42% Danceability • 12% Energy • 16% Liveness
62% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 12% Energy • 16% Liveness
62% Instrumentalness • 16% Positiveness
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Jeri Southern
You Better Go Now
72 bpm • G# Maj • 03:02 • -16db
40% Popularity • 18% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 18% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Chet Baker
Summertime
82 bpm • D min • 04:13 • -17db
43% Popularity • 58% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
43% Popularity • 58% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
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Charles Mingus
Goodbye Pork Pie Hat
87 bpm • G# min • 05:42 • -16.64db
54% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
54% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
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June Christy
Something Cool - Mono
72 bpm • A# min • 04:18 • -9.92db
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Fats Waller
Two Sleepy People
87 bpm • F Maj • 03:03 • -18.88db
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Ahmad Jamal
Rhumba No. 2
88 bpm • G# Maj • 02:40 • -15.82db
36% Popularity • 64% Danceability • 34% Energy • 39% Liveness
76% Instrumentalness • 84% Positiveness
36% Popularity • 64% Danceability • 34% Energy • 39% Liveness
76% Instrumentalness • 84% Positiveness
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Chet Baker
The More I See You
74 bpm • D Maj • 03:06 • -11db
52% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ella Fitzgerald
In A Sentimental Mood
71 bpm • E min • 02:48 • -21.17db
52% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
27% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Dinah Shore
My Melancholy Baby
71 bpm • A min • 03:39 • -14.2db
42% Popularity • 40% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 40% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Hank Mobley
Dam That Dream
71 bpm • A min • 06:10 • -15.73db
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Chet Baker
You'd Be So Nice To Come Home To - Mono
87 bpm • A min • 04:36 • -16.45db
39% Popularity • 52% Danceability • 5% Energy • 13% Liveness
12% Instrumentalness • 33% Positiveness
39% Popularity • 52% Danceability • 5% Energy • 13% Liveness
12% Instrumentalness • 33% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Duke Ellington
My Little Brown Book
70 bpm • C min • 05:19 • -13db
59% Popularity • 37% Danceability • 19% Energy • 16% Liveness
14% Instrumentalness • 22% Positiveness
59% Popularity • 37% Danceability • 19% Energy • 16% Liveness
14% Instrumentalness • 22% Positiveness
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Oscar Peterson
Blue And Sentimental
70 bpm • D# min • 02:26 • -25db
60% Popularity • 55% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 12% Positiveness
60% Popularity • 55% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 12% Positiveness
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Miles Davis Quintet
My Funny Valentine - Rudy Van Gelder Rem...
70 bpm • C min • 05:58 • -15.47db
54% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Gerry Mulligan
All The Things You Are
89 bpm • G# Maj • 06:46 • -17.68db
15% Popularity • 61% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 61% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Roy Hargrove
Easy To Remember
70 bpm • F min • 06:10 • -16.13db
24% Popularity • 38% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
24% Popularity • 38% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Ahmad Jamal
Poinciana
89 bpm • D Maj • 04:33 • -21.49db
40% Popularity • 55% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
40% Popularity • 55% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Billie Holiday
As Time Goes By
69 bpm • E min • 03:14 • -15.21db
56% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Helen Merrill
What's New
69 bpm • F min • 05:01 • -22.39db
28% Popularity • 35% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 35% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gerry Mulligan Sextet
Tell Me When
69 bpm • C# Maj • 04:09 • -23.73db
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
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Brad Mehldau
I Fall in Love Too Easily
90 bpm • C Maj • 07:18 • -21.43db
38% Popularity • 39% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
38% Popularity • 39% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Dakota Staton
The Thrill Is Gone
69 bpm • E min • 03:09 • -15db
23% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Otis Williams
I'm Waiting Just For You
90 bpm • D# Maj • 03:49 • -12.01db
20% Popularity • 66% Danceability • 29% Energy • 21% Liveness
1% Instrumentalness • 71% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 21% Liveness
1% Instrumentalness • 71% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Joe Henderson
Recorda Me
91 bpm • C Maj • 06:01 • -10.18db
38% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
38% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
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Wolfgang Lackerschmid
Softly As In A Morning Sunrise
69 bpm • D# Maj • 06:05 • -18.44db
29% Popularity • 30% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
29% Popularity • 30% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
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John Coltrane Quartet
Bessie's Blues
91 bpm • F min • 03:35 • -10db
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Jo Stafford
You Belong To Me
69 bpm • F Maj • 03:12 • -14.59db
53% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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Chet Baker
Born To Be Blue
69 bpm • C# Maj • 04:06 • -15.37db
47% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Dexter Gordon
I'm A Fool To Want You
91 bpm • F min • 06:42 • -16db
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
