Songs like Let's Go to the Mall - From "How I Met Your Mother: Season 2" by Robin Sparkles
Based on a tempo of (+/- 10%) and a similar genre
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The Foreskins
Murder Train
120 bpm • G# Maj • 00:35 • -8.62db
25% Popularity • 54% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 48% Positiveness
25% Popularity • 54% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 48% Positiveness
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Baha Men
Best Years Of Our Lives
120 bpm • B min • 02:57 • -4.16db
49% Popularity • 78% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 78% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Zach Braff
Finale (Friends Forever/What's Going To ...
120 bpm • D Maj • 02:37 • -7.97db
23% Popularity • 57% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 57% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Monty Python
The Silly Walk Song
120 bpm • G Maj • 02:01 • -11db
28% Popularity • 91% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 91% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Rachel Bloom
I Steal Pets
120 bpm • C# Maj • 02:55 • -1.92db
19% Popularity • 74% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 74% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Jason Steele
In the Ocean Blue
120 bpm • C Maj • 01:49 • -8db
28% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Robin Sparkles
Let's Go to the Mall
120 bpm • A Maj • 03:20 • -7.43db
41% Popularity • 74% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 74% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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2 Guys n the Parque
S.I.M.P. (Squirrels in My Pants)
120 bpm • B min • 01:33 • -5.42db
51% Popularity • 81% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 81% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Rockapella
Where in the World Is Carmen Sandiego?
120 bpm • B Maj • 02:09 • -5db
34% Popularity • 92% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 92% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
0% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Axis of Awesome
Four Chords
121 bpm • E Maj • 05:33 • -10.04db
35% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Phil Collins
Strangers Like Me
121 bpm • G# Maj • 02:59 • -6.28db
63% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Ron Wasserman
Go, Go Power Rangers
119 bpm • D Maj • 02:02 • -13db
24% Popularity • 53% Danceability • 82% Energy • 71% Liveness
1% Instrumentalness • 42% Positiveness
24% Popularity • 53% Danceability • 82% Energy • 71% Liveness
1% Instrumentalness • 42% Positiveness
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The Cuffs
Theme From Law and Order
119 bpm • F Maj • 02:46 • -13.36db
15% Popularity • 65% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
15% Popularity • 65% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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ABBA
Super Trouper
118 bpm • C Maj • 04:12 • -8db
75% Popularity • 76% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 76% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Randy Quaid
Yodel-Adle-Eedle-Idle-Oo
121 bpm • C Maj • 02:43 • -10.38db
39% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Crystal
If I Didn't Have You
122 bpm • G# Maj • 03:37 • -10db
60% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Irons
Be Prepared
122 bpm • A min • 03:39 • -9.12db
48% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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will.i.am
Best Friends
122 bpm • D Maj • 02:25 • -7.02db
33% Popularity • 68% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 68% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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MIKA
Billy Brown
122 bpm • G Maj • 03:14 • -8db
38% Popularity • 68% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 68% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Mark Rivers
Totally Gay
122 bpm • D min • 01:41 • -4.52db
32% Popularity • 61% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 61% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Cobie Smulders
Two Beavers Are Better Than One
122 bpm • A# Maj • 03:27 • -7.12db
32% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Hugh Jackman
Come Alive
118 bpm • G Maj • 03:45 • -9.41db
70% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Saturday Night Live
(Do It On My) Twin Bed
122 bpm • A Maj • 03:08 • -10db
21% Popularity • 96% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 96% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Bryan Adams
Get Off My Back
122 bpm • C# Maj • 02:48 • -6.46db
54% Popularity • 66% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 66% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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MIKA
Grace Kelly
122 bpm • C Maj • 03:07 • -5.8db
74% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
74% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
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Amick Byram
If You've Only Got A Moustache
122 bpm • B Maj • 01:31 • -10db
37% Popularity • 84% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 84% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jason Segel
You Just Got Slapped
118 bpm • C Maj • 01:43 • -13.35db
30% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Pirate Ensemble
The Frigate That Flies
117 bpm • G# Maj • 02:45 • -8.51db
39% Popularity • 76% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 76% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Only Murders in the Building – Cast
Which of the Pickwick Triplets Did It?
117 bpm • B Maj • 02:47 • -6.36db
44% Popularity • 67% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 67% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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MIKA
We Are Golden
123 bpm • C Maj • 03:58 • -5db
53% Popularity • 54% Danceability • 86% Energy • 11% Liveness
12% Instrumentalness • 40% Positiveness
53% Popularity • 54% Danceability • 86% Energy • 11% Liveness
12% Instrumentalness • 40% Positiveness
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Hannah Montana
The Best of Both Worlds
124 bpm • C# Maj • 02:54 • -3.65db
65% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
65% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Phil Collins
Dos Mundos- Finale
116 bpm • F Maj • 01:16 • -10db
36% Popularity • 63% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
36% Popularity • 63% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Cobie Smulders
On the House
116 bpm • D Maj • 00:47 • -6.86db
15% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Robbie Williams
Candy
116 bpm • A# Maj • 03:21 • -6.63db
69% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
69% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Van Dyke Parks
City of Lights
116 bpm • G Maj • 03:01 • -14db
20% Popularity • 36% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 36% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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MIKA
Big Girl (You Are Beautiful)
116 bpm • B Maj • 04:08 • -6.32db
60% Popularity • 80% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 80% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Bad Lip Reading
Don't Stare at the Sun
116 bpm • C# min • 02:54 • -5db
30% Popularity • 80% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 80% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Phil Collins
Welcome
124 bpm • C Maj • 03:38 • -8.06db
45% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Randy Newman
The Time Of Your Life
124 bpm • G Maj • 03:16 • -9.15db
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Muppets
Rainbow Connection
116 bpm • A Maj • 03:08 • -7.67db
52% Popularity • 53% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 53% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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John Travolta
Summer Nights
124 bpm • D Maj • 03:36 • -9.42db
71% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
71% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Honey B
Sindbad (Titellied)
125 bpm • A# Maj • 01:43 • -8.43db
28% Popularity • 65% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 65% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Will Ferrell
Volcano Man
125 bpm • G# Maj • 01:21 • -5.35db
34% Popularity • 46% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Selena Gomez
Everything Is Not As It Seems - Series T...
125 bpm • F min • 00:50 • -5.94db
54% Popularity • 80% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 80% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Carly Rae Jepsen
Everywhere You Look (The Fuller House Th...
125 bpm • F# Maj • 03:18 • -1.8db
50% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Orson Hong
Plain Plate Of Noodles
125 bpm • C# Maj • 02:49 • -9.27db
19% Popularity • 81% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 81% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Banaroo
Call Me Beep Me - Kim Possible Song
125 bpm • A min • 03:06 • -6db
20% Popularity • 78% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 78% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Jesse McCartney
Don't Go Breakin' My Heart - Original Ve...
125 bpm • F Maj • 03:10 • -4.62db
40% Popularity • 67% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 67% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Will Ferrell
Double Trouble - Film Version
125 bpm • C# Maj • 02:54 • -3.33db
47% Popularity • 70% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 70% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Jackson
Black or White - Single Version
115 bpm • A Maj • 03:18 • -2.77db
65% Popularity • 76% Danceability • 93% Energy • 37% Liveness
3% Instrumentalness • 96% Positiveness
65% Popularity • 76% Danceability • 93% Energy • 37% Liveness
3% Instrumentalness • 96% Positiveness
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Eddie Murphy
Thank You (Falletin' Me Be Mice Elf Agai...
115 bpm • D Maj • 04:38 • -5.53db
39% Popularity • 85% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 85% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 71% Positiveness
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The Simpsons
Look At All Those Idiots
115 bpm • D Maj • 03:50 • -11.43db
27% Popularity • 83% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 83% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Muppets
The Muppet Show Theme
115 bpm • G Maj • 00:50 • -5.19db
49% Popularity • 92% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 92% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Fraggle Rock
Fraggle Rock Theme Finale
115 bpm • C Maj • 01:43 • -6db
25% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Chameleon Circuit
Big Bang Two
115 bpm • C Maj • 02:58 • -12.97db
26% Popularity • 58% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 58% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Olsen
Pierce You Are a B
115 bpm • A Maj • 02:21 • -6.65db
28% Popularity • 78% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 78% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Segel
You Just Got Slapped (Slow Jam)
115 bpm • C Maj • 01:49 • -9.43db
22% Popularity • 68% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 68% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Simpsons
We Put the Spring in Springfield
115 bpm • F Maj • 02:28 • -7.98db
24% Popularity • 62% Danceability • 43% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 43% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Tracy Island
The Smurfs
115 bpm • C Maj • 01:03 • -8.89db
24% Popularity • 65% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 65% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Hugh Grant
PoP! Goes My Heart
126 bpm • B min • 03:16 • -4.44db
43% Popularity • 76% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 76% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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will.i.am
She Loves Me
114 bpm • D Maj • 01:45 • -9.2db
39% Popularity • 77% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 77% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Butterfly Boucher
Changes
113 bpm • F Maj • 03:22 • -5.3db
57% Popularity • 66% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 66% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Neil Patrick Harris
Nothin' Suits Me Like a Suit
114 bpm • F Maj • 02:52 • -5.93db
42% Popularity • 49% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 49% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Bad Lip Reading
Bouncy Ball
113 bpm • G Maj • 00:55 • -3.74db
30% Popularity • 84% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 84% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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The Company
When The Truth Comes Out - Original Vers...
128 bpm • D# Maj • 02:25 • -9.02db
21% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Crazy Ex-Girlfriend Cast
Anti-Depressants Are So Not A Big Deal
128 bpm • B min • 03:24 • -4.59db
31% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Hank Green
Accio Deathly Hallows
113 bpm • C Maj • 03:30 • -7.38db
14% Popularity • 71% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 71% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Dashboard Confessional
As Lovers Go
113 bpm • B Maj • 03:29 • -6.85db
44% Popularity • 59% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 59% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Harry Groener
Ode to Virginia
113 bpm • D Maj • 01:07 • -13.18db
19% Popularity • 63% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 63% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Cast of Eurovision Song Contest: The Story of Fire Saga
Song-A-Long / Believe / Ray Of Light / W...
128 bpm • F# Maj • 03:07 • -4.85db
45% Popularity • 57% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 57% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Francis Conroy
Barney Makes 3, Pts. 1 & 2
128 bpm • A Maj • 01:21 • -8.34db
17% Popularity • 83% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 83% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Crazy Ex-Girlfriend Cast
Fit Hot Guys Have Problems Too
128 bpm • G# Maj • 03:13 • -6.81db
27% Popularity • 70% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 70% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 37% Positiveness
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Debbie Reynolds
Good Morning (Alternate Take)
128 bpm • F Maj • 02:49 • -6db
26% Popularity • 52% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 52% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Garfunkel and Oates
Pregnant Women Are Smug
128 bpm • C Maj • 02:24 • -8.7db
26% Popularity • 70% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 70% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Axis of Awesome
Birdplane
112 bpm • C Maj • 02:52 • -9.88db
24% Popularity • 80% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 80% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hilary Summers
So Long & Thanks For All The Fish - Soun...
112 bpm • G Maj • 02:26 • -11.31db
35% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Segel
Marshall vs. the Machines (Journey to Fa...
112 bpm • A# min • 01:03 • -8.09db
21% Popularity • 40% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 40% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Rebecca Black
Friday
112 bpm • G# min • 03:30 • -4.56db
50% Popularity • 68% Danceability • 89% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 68% Danceability • 89% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
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Taron Egerton
Your Song
129 bpm • D# Maj • 04:00 • -7.67db
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Miss Piggy
Me Party
129 bpm • C# Maj • 01:53 • -6.1db
40% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
85% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Teddie Films
The Star Wars That I Used to Know
129 bpm • C min • 04:05 • -8.65db
19% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Eddie Schwartz
Hit Me With Your Best Shot
129 bpm • C# min • 02:28 • -6.08db
42% Popularity • 61% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 61% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Brian H. Kim
The Bro Chant
129 bpm • F min • 01:39 • -21.56db
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
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Baha Men
Who Let The Dogs Out
129 bpm • C Maj • 03:18 • -5db
67% Popularity • 87% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
67% Popularity • 87% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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The Simpsons
Homer & Apu (Medley)
111 bpm • G Maj • 01:54 • -10.31db
26% Popularity • 80% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 80% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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John Travolta
We Go Together
111 bpm • C Maj • 02:59 • -10.82db
60% Popularity • 73% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 73% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
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Aron Apping
Johnny Bravo
130 bpm • C# min • 01:28 • -5.65db
26% Popularity • 59% Danceability • 85% Energy • 36% Liveness
57% Instrumentalness • 94% Positiveness
26% Popularity • 59% Danceability • 85% Energy • 36% Liveness
57% Instrumentalness • 94% Positiveness
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Cast - Family Guy
Down's Syndrome Girl
111 bpm • F Maj • 03:22 • -8.13db
38% Popularity • 60% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 60% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
130 bpm • E min • 02:16 • -9.84db
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Anna Kendrick
Cups - Movie Version
130 bpm • G Maj • 01:16 • -13.68db
54% Popularity • 93% Danceability • 33% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
54% Popularity • 93% Danceability • 33% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Angela Lansbury
Substitutiary Locomotion
111 bpm • C Maj • 01:44 • -10.53db
34% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Beatles
Yellow Submarine
111 bpm • C# Maj • 02:39 • -7.06db
62% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
62% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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Jeff Richmond
Muffin Top
130 bpm • A Maj • 01:58 • -10.09db
16% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Miranda Cosgrove
Raining Sunshine
130 bpm • A Maj • 03:44 • -2.23db
29% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cast - Family Guy
The FCC Song
130 bpm • C Maj • 01:21 • -8db
41% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
