Songs like Let's Make Love Tonight by Cold Sweat
Based on a tempo of (+/- 10%) and a similar genre
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Valentine
Once in a Lifetime
137 bpm • A min • 03:42 • -13.07db
13% Popularity • 48% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 48% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Roxx Gang
Scratch My Back
137 bpm • G# Maj • 05:06 • -10.99db
23% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Killer Dwarfs
Lonely Road
137 bpm • G# Maj • 04:23 • -7.86db
28% Popularity • 38% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 38% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Kick Axe
Make Your Move
137 bpm • C min • 03:50 • -5.04db
14% Popularity • 39% Danceability • 91% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 39% Danceability • 91% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Melidian
Fire up the Heart
137 bpm • A Maj • 04:01 • -6.13db
12% Popularity • 54% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 54% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Heavens Edge
Play Dirty
137 bpm • G Maj • 04:34 • -4.86db
20% Popularity • 60% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 60% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Cold Sweat
Let's Make Love Tonight
137 bpm • D Maj • 04:10 • -2.96db
18% Popularity • 34% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 34% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Shotgun Messiah
Nowhere Fast
137 bpm • B Maj • 03:59 • -11.04db
14% Popularity • 51% Danceability • 95% Energy • 31% Liveness
2% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 95% Energy • 31% Liveness
2% Instrumentalness • 36% Positiveness
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Trouble Tribe
Tattoo
137 bpm • A# min • 04:08 • -9.71db
18% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Killer Dwarfs
Solid Ground
138 bpm • C# min • 03:55 • -7.47db
19% Popularity • 43% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 43% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
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Tuff
Ain't Worth a Dime
136 bpm • D# min • 03:10 • -8.41db
13% Popularity • 54% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 83% Positiveness
13% Popularity • 54% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 83% Positiveness
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Heavens Edge
Can't Catch Me
136 bpm • B min • 04:30 • -4.04db
10% Popularity • 35% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 35% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Baton Rouge
Bad Time Comin' Down
136 bpm • F# min • 04:01 • -9.47db
21% Popularity • 53% Danceability • 94% Energy • 7% Liveness
28% Instrumentalness • 63% Positiveness
21% Popularity • 53% Danceability • 94% Energy • 7% Liveness
28% Instrumentalness • 63% Positiveness
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Cold Sweat
Take This Heart Of Mine
137 bpm • A Maj • 03:56 • -2.77db
12% Popularity • 37% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 37% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Wildside
Sweet Little Sinner
136 bpm • G# Maj • 03:50 • -7.06db
33% Popularity • 48% Danceability • 99% Energy • 37% Liveness
38% Instrumentalness • 38% Positiveness
33% Popularity • 48% Danceability • 99% Energy • 37% Liveness
38% Instrumentalness • 38% Positiveness
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Sleeze Beez
House Is on Fire
136 bpm • D Maj • 03:44 • -5.9db
18% Popularity • 51% Danceability • 94% Energy • 28% Liveness
1% Instrumentalness • 37% Positiveness
18% Popularity • 51% Danceability • 94% Energy • 28% Liveness
1% Instrumentalness • 37% Positiveness
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Hericane Alice
Dream Girl
138 bpm • F# Maj • 05:47 • -11.82db
13% Popularity • 28% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 28% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Kane Roberts
Women On The Edge Of Love
136 bpm • D min • 03:09 • -1.55db
25% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Baton Rouge
Dreamin' in Black and White
138 bpm • B Maj • 03:54 • -8.11db
10% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Tuff
Ruck a Pit Bridge
138 bpm • C# Maj • 03:44 • -9.81db
18% Popularity • 47% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 47% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Wildside
Hair of the Dog
136 bpm • B Maj • 03:46 • -9.23db
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
64% Instrumentalness • 68% Positiveness
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
64% Instrumentalness • 68% Positiveness
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Sleeze Beez
Girls Girls, Nasty Nasty
136 bpm • D Maj • 04:09 • -3.98db
9% Popularity • 51% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 51% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Saints & Sinners
Rip It Up
138 bpm • G# Maj • 04:40 • -7.1db
15% Popularity • 47% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 47% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Cold Sweat
Lovestruck
138 bpm • A Maj • 03:07 • -1.92db
9% Popularity • 38% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 38% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Keel
So Many Girls, So Little Time
139 bpm • D min • 03:15 • -5.55db
14% Popularity • 38% Danceability • 94% Energy • 53% Liveness
3% Instrumentalness • 41% Positiveness
14% Popularity • 38% Danceability • 94% Energy • 53% Liveness
3% Instrumentalness • 41% Positiveness
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Tuff
The All New Generation
139 bpm • C# Maj • 03:38 • -8.29db
23% Popularity • 55% Danceability • 94% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 55% Danceability • 94% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
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Kick Axe
On the Road to Rock
139 bpm • F min • 04:19 • -5.03db
23% Popularity • 50% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 50% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Wildside
Hang on Lucy*
135 bpm • F# min • 04:37 • -9.57db
36% Popularity • 55% Danceability • 81% Energy • 30% Liveness
65% Instrumentalness • 31% Positiveness
36% Popularity • 55% Danceability • 81% Energy • 30% Liveness
65% Instrumentalness • 31% Positiveness
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Saraya
Fire to Burn
139 bpm • G Maj • 04:38 • -9.97db
29% Popularity • 27% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 27% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Cold Sweat
Lovestruck - Live 2020
139 bpm • G# Maj • 03:11 • -5.66db
6% Popularity • 39% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 39% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Killer Dwarfs
Comin' Through
139 bpm • F# Maj • 03:39 • -7.51db
29% Popularity • 43% Danceability • 93% Energy • 4% Liveness
29% Instrumentalness • 71% Positiveness
29% Popularity • 43% Danceability • 93% Energy • 4% Liveness
29% Instrumentalness • 71% Positiveness
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Saints & Sinners
Takin' My Chances
139 bpm • C# Maj • 05:36 • -7.96db
10% Popularity • 34% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 34% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Babylon A.D.
Take the Dog Off The Chain
135 bpm • C# Maj • 04:39 • -9.07db
15% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Hericane Alice
Shake, Shake, Shout
135 bpm • G# Maj • 03:11 • -10.9db
11% Popularity • 42% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 42% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Melidian
Hands Off
139 bpm • G# Maj • 03:15 • -5.97db
10% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Shark Island
Ready Or Not
134 bpm • E Maj • 03:36 • -10.14db
8% Popularity • 53% Danceability • 92% Energy • 31% Liveness
38% Instrumentalness • 69% Positiveness
8% Popularity • 53% Danceability • 92% Energy • 31% Liveness
38% Instrumentalness • 69% Positiveness
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Roxy Blue
Main Attraction
134 bpm • C# Maj • 05:18 • -8.19db
9% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Bulletboys
Kissin' Kitty
140 bpm • G Maj • 03:11 • -6.33db
27% Popularity • 47% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 47% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Jetboy
Stomp It (Down to the Bricks)
134 bpm • F# Maj • 05:12 • -14.24db
25% Popularity • 54% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 34% Positiveness
25% Popularity • 54% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 34% Positiveness
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Hericane Alice
Wild Young and Crazy
134 bpm • C# min • 04:16 • -10.26db
21% Popularity • 44% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 44% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
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Baton Rouge
Big Trouble
134 bpm • G Maj • 03:22 • -8.53db
16% Popularity • 54% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 54% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Melidian
Overheated
134 bpm • D Maj • 04:15 • -5.76db
9% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Killer Dwarfs
Last Laugh
134 bpm • E Maj • 03:33 • -7db
25% Popularity • 49% Danceability • 77% Energy • 17% Liveness
3% Instrumentalness • 65% Positiveness
25% Popularity • 49% Danceability • 77% Energy • 17% Liveness
3% Instrumentalness • 65% Positiveness
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Q5
Ain't No Way to Treat a Lady
134 bpm • D Maj • 02:34 • -6.07db
25% Popularity • 55% Danceability • 90% Energy • 4% Liveness
44% Instrumentalness • 62% Positiveness
25% Popularity • 55% Danceability • 90% Energy • 4% Liveness
44% Instrumentalness • 62% Positiveness
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Rough Cutt
You Wanna Be a Star
140 bpm • C# Maj • 02:44 • -6.61db
11% Popularity • 51% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 51% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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White Lion
Sweet Little Loving
140 bpm • E Maj • 04:02 • -8.73db
27% Popularity • 42% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 42% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Baton Rouge
Tokyo Time
134 bpm • E min • 03:25 • -8.27db
11% Popularity • 54% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 54% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 84% Positiveness
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Babylon A.D.
Maryanne
140 bpm • D Maj • 03:43 • -10db
17% Popularity • 44% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 44% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Killer Dwarfs
Dirty Weapons
140 bpm • E Maj • 03:38 • -6.41db
35% Popularity • 40% Danceability • 92% Energy • 5% Liveness
11% Instrumentalness • 66% Positiveness
35% Popularity • 40% Danceability • 92% Energy • 5% Liveness
11% Instrumentalness • 66% Positiveness
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Kane Roberts
Outlaw
140 bpm • G Maj • 03:07 • -2.74db
17% Popularity • 52% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 52% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Rough Cutt
Take Her
140 bpm • G# Maj • 03:38 • -6.95db
18% Popularity • 40% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 40% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Shotgun Messiah
I'm Your Love
140 bpm • A Maj • 04:53 • -10.34db
13% Popularity • 54% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 54% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Cold Sweat
Long Way Down - Live 2020
134 bpm • G# Maj • 04:12 • -7.89db
7% Popularity • 35% Danceability • 86% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
7% Popularity • 35% Danceability • 86% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Shark Island
Get Some Strange
141 bpm • C# min • 04:11 • -10.76db
11% Popularity • 45% Danceability • 88% Energy • 36% Liveness
24% Instrumentalness • 48% Positiveness
11% Popularity • 45% Danceability • 88% Energy • 36% Liveness
24% Instrumentalness • 48% Positiveness
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Eyes
Wired 4 Love
141 bpm • A Maj • 05:05 • -7.17db
11% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Babylon A.D.
Psychedelic Sex Reaction
141 bpm • C Maj • 04:27 • -8.26db
13% Popularity • 50% Danceability • 95% Energy • 43% Liveness
12% Instrumentalness • 61% Positiveness
13% Popularity • 50% Danceability • 95% Energy • 43% Liveness
12% Instrumentalness • 61% Positiveness
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Dirty Looks
It's a Bitch
133 bpm • C Maj • 03:57 • -12.16db
14% Popularity • 59% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 59% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Shotgun Messiah
Nervous
140 bpm • C Maj • 04:07 • -10.32db
13% Popularity • 53% Danceability • 97% Energy • 39% Liveness
1% Instrumentalness • 23% Positiveness
13% Popularity • 53% Danceability • 97% Energy • 39% Liveness
1% Instrumentalness • 23% Positiveness
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Trouble Tribe
(Angel With A) Devil's Kiss
133 bpm • C# Maj • 03:29 • -8.6db
15% Popularity • 54% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
15% Popularity • 54% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
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Shark Island
Paris Calling
141 bpm • E min • 04:51 • -11db
31% Popularity • 52% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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Heavens Edge
Rock Steady
133 bpm • F# min • 05:11 • -3.65db
12% Popularity • 44% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 44% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Hericane Alice
Badboy Breakout
133 bpm • E Maj • 04:41 • -10.69db
10% Popularity • 45% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 45% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Dirty Looks
Put a Spell on You
133 bpm • A Maj • 03:26 • -13.15db
17% Popularity • 53% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 53% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Laine
Heart of America
141 bpm • A Maj • 04:45 • -5.53db
9% Popularity • 38% Danceability • 91% Energy • 13% Liveness
9% Instrumentalness • 39% Positiveness
9% Popularity • 38% Danceability • 91% Energy • 13% Liveness
9% Instrumentalness • 39% Positiveness
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Keel
Back To The City
141 bpm • F# min • 03:47 • -4.73db
20% Popularity • 36% Danceability • 99% Energy • 62% Liveness
1% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 99% Energy • 62% Liveness
1% Instrumentalness • 9% Positiveness
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Cats In Boots
Judas Kiss
142 bpm • D# Maj • 03:25 • -2db
9% Popularity • 27% Danceability • 100% Energy • 37% Liveness
54% Instrumentalness • 13% Positiveness
9% Popularity • 27% Danceability • 100% Energy • 37% Liveness
54% Instrumentalness • 13% Positiveness
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Q5
In the Night
142 bpm • C Maj • 04:37 • -6.62db
14% Popularity • 50% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
14% Popularity • 50% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Hericane Alice
Need a Lover
142 bpm • F min • 03:37 • -10.35db
9% Popularity • 38% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 38% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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John Norum
Counting On Your Love
132 bpm • G# Maj • 03:16 • -7.16db
19% Popularity • 46% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 46% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Dirty Looks
Can't Take My Eyes off of You
133 bpm • D# min • 03:21 • -14.35db
29% Popularity • 52% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 72% Positiveness
29% Popularity • 52% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 72% Positiveness
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Keel
Cherry Lane
132 bpm • A Maj • 03:25 • -13.66db
19% Popularity • 53% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 53% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Heavy Bones
Where Eagles Fly
142 bpm • G# min • 07:05 • -10.89db
10% Popularity • 28% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 28% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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XYZ
Don't Say No
142 bpm • C# Maj • 04:31 • -8.42db
33% Popularity • 50% Danceability • 94% Energy • 4% Liveness
1% Instrumentalness • 41% Positiveness
33% Popularity • 50% Danceability • 94% Energy • 4% Liveness
1% Instrumentalness • 41% Positiveness
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Sleeze Beez
Damned If We Do, Damned If We Don't
132 bpm • G Maj • 03:47 • -4db
14% Popularity • 53% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
14% Popularity • 53% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
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Vinnie Vincent Invasion
Naughty Naughty - Remastered
142 bpm • A Maj • 03:31 • -5.68db
17% Popularity • 50% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 50% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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Winger
In the Day We'll Never See
132 bpm • C# Maj • 04:49 • -9.78db
20% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Keel
United Nations
132 bpm • A Maj • 04:05 • -12.28db
27% Popularity • 48% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 48% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Jetboy
Make Some Noise
132 bpm • G Maj • 03:48 • -3.62db
17% Popularity • 34% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 34% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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XYZ
When The Night Comes Down
132 bpm • F# min • 04:57 • -8.39db
26% Popularity • 53% Danceability • 92% Energy • 5% Liveness
18% Instrumentalness • 40% Positiveness
26% Popularity • 53% Danceability • 92% Energy • 5% Liveness
18% Instrumentalness • 40% Positiveness
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Tuff
Ain't Worth a Dime
132 bpm • G# Maj • 03:03 • -6.51db
21% Popularity • 45% Danceability • 80% Energy • 7% Liveness
57% Instrumentalness • 66% Positiveness
21% Popularity • 45% Danceability • 80% Energy • 7% Liveness
57% Instrumentalness • 66% Positiveness
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Eyes
Young And Innocent
132 bpm • A Maj • 05:25 • -8.03db
8% Popularity • 47% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Heavy Bones
Anna
143 bpm • F# Maj • 04:45 • -11.32db
10% Popularity • 43% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 43% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bang Tango
Do What You're Told
132 bpm • F# Maj • 03:25 • -9.54db
12% Popularity • 54% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 54% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Heavens Edge
Find Another Way
132 bpm • F# min • 05:06 • -5.13db
23% Popularity • 63% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 63% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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XYZ
Nice Day To Die
132 bpm • B Maj • 05:06 • -12.46db
17% Popularity • 48% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 48% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 28% Positiveness
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Hericane Alice
Crank the Heat Up
143 bpm • C# Maj • 03:51 • -10.02db
9% Popularity • 35% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 35% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Lynch Mob
River of Love
132 bpm • F# Maj • 04:22 • -5.17db
38% Popularity • 46% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 46% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Cold Sweat
Waiting In Vain
131 bpm • D Maj • 04:19 • -2.52db
8% Popularity • 30% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 30% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Sleeze Beez
When the Brains Go Down to the Balls
143 bpm • A Maj • 03:43 • -5db
22% Popularity • 41% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 41% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Tangier
Good Lovin'
143 bpm • F Maj • 03:34 • -6.86db
18% Popularity • 56% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 56% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Child's Play
Day After Night
131 bpm • G# Maj • 03:28 • -8.64db
12% Popularity • 65% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 65% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Keel
The Right To Rock
131 bpm • D Maj • 03:34 • -5.12db
29% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Killer Dwarfs
All That We Dream
143 bpm • D# min • 04:30 • -6.54db
21% Popularity • 48% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 48% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Baton Rouge
Baby's so Cool
131 bpm • C Maj • 03:33 • -9.05db
17% Popularity • 61% Danceability • 96% Energy • 41% Liveness
6% Instrumentalness • 80% Positiveness
17% Popularity • 61% Danceability • 96% Energy • 41% Liveness
6% Instrumentalness • 80% Positiveness
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Kick Axe
Comin' After You
131 bpm • B min • 04:55 • -5.14db
10% Popularity • 35% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 35% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Tuff
Forever Yours
131 bpm • G# Maj • 03:03 • -7.72db
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Wildside
Just Another Night*
143 bpm • F# Maj • 05:19 • -9.2db
28% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Kik Tracee
Don't Need Rules
131 bpm • A min • 03:18 • -9.08db
20% Popularity • 52% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 52% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
