Songs like lie to me by Tate McRae
Based on a tempo of (+/- 10%) and a similar genre
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Beyoncé
II MOST WANTED
138 bpm • G# Maj • 03:28 • -6.13db
71% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
71% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Rodrigo
vampire
138 bpm • F Maj • 03:39 • -5.75db
90% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
90% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Alexander Stewart
broken by you
138 bpm • C# Maj • 02:52 • -4.65db
67% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
67% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lauren Spencer Smith
Flowers
138 bpm • D# Maj • 02:37 • -9.67db
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Ali Gatie
lie to me
138 bpm • E min • 02:57 • -7.68db
57% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
57% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Tate McRae
happy face
138 bpm • D Maj • 03:21 • -8.92db
50% Popularity • 55% Danceability • 43% Energy • 65% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 55% Danceability • 43% Energy • 65% Liveness
0% Instrumentalness • 44% Positiveness
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Jessie Murph
Always Been You
137 bpm • D# min • 02:11 • -7.67db
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Sabrina Carpenter
Nonsense
139 bpm • G# Maj • 02:43 • -4.91db
87% Popularity • 74% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
87% Popularity • 74% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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5 Seconds of Summer
Teeth
139 bpm • D# min • 03:25 • -2.99db
77% Popularity • 74% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
77% Popularity • 74% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Kim Petras
Alone
137 bpm • D# min • 03:05 • -6.7db
59% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Justin Timberlake
Drown
137 bpm • A min • 04:20 • -5.34db
58% Popularity • 61% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 61% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Tate McRae
i still say goodnight
139 bpm • F Maj • 03:08 • -10.48db
51% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Madison Beer
Good In Goodbye
139 bpm • B min • 02:21 • -5.95db
69% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
69% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Caleb Hearn
Little Bit Better
137 bpm • G# min • 03:47 • -9.38db
75% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
75% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Rita Ora
You & I
137 bpm • E Maj • 03:00 • -6.92db
60% Popularity • 60% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 60% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Justine Skye
Collide
140 bpm • B min • 04:20 • -9.87db
75% Popularity • 42% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
75% Popularity • 42% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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FLETCHER
girls girls girls
140 bpm • C Maj • 02:41 • -8.83db
62% Popularity • 65% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 65% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tate McRae
exes - Syn Cole Remix
137 bpm • C min • 03:02 • -5.42db
61% Popularity • 69% Danceability • 90% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
61% Popularity • 69% Danceability • 90% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Shawn Mendes
Wonder
140 bpm • C# min • 02:52 • -5.1db
70% Popularity • 44% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
70% Popularity • 44% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Natalie Jane
Seven
136 bpm • G# Maj • 02:04 • -7.75db
66% Popularity • 82% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 82% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Conan Gray
Winner
140 bpm • C Maj • 03:36 • -5.08db
54% Popularity • 44% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 44% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Hansen
GRAVITY
136 bpm • D Maj • 02:54 • -9.12db
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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charlieonnafriday
Enough
140 bpm • G Maj • 03:05 • -8.14db
70% Popularity • 74% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 74% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Tate McRae
bad ones
139 bpm • F# Maj • 03:03 • -11.88db
56% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lauren Spencer Smith
Fantasy
140 bpm • A# Maj • 02:55 • -5.35db
59% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Halsey
Without Me
136 bpm • F# Maj • 03:21 • -7.05db
81% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
81% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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David Guetta
When We Were Young (The Logical Song)
140 bpm • C min • 02:27 • -4.51db
84% Popularity • 66% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
84% Popularity • 66% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jessie Murph
Wild Ones
136 bpm • C Maj • 02:21 • -3.54db
83% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Calvin Harris
Desire
140 bpm • B min • 02:59 • -5.43db
81% Popularity • 59% Danceability • 92% Energy • 23% Liveness
2% Instrumentalness • 51% Positiveness
81% Popularity • 59% Danceability • 92% Energy • 23% Liveness
2% Instrumentalness • 51% Positiveness
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Tate McRae
exes
137 bpm • F min • 02:39 • -6.57db
88% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
88% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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G-Eazy
Lady Killers II - Christoph Andersson Re...
136 bpm • G min • 04:57 • -10.33db
32% Popularity • 67% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
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FLETCHER
Bitter
136 bpm • F# min • 03:14 • -8db
60% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
Wildest Dreams (Taylor's Version)
140 bpm • G# Maj • 03:40 • -7.42db
80% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
80% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Warren
Save You a Seat
136 bpm • F# Maj • 03:17 • -6.29db
73% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sabrina Carpenter
Thumbs
135 bpm • G# Maj • 03:36 • -3.5db
72% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
72% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tate McRae
r u ok
140 bpm • D Maj • 03:07 • -5.89db
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Jade LeMac
Constellations - Piano Version
136 bpm • C# Maj • 03:50 • -9db
67% Popularity • 41% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 41% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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FLETCHER
Pretending
135 bpm • A Maj • 03:02 • -5.22db
67% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jessie Murph
While You're At It
142 bpm • G Maj • 02:07 • -7db
67% Popularity • 63% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
67% Popularity • 63% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Taylor Swift
Don’t Blame Me
136 bpm • A min • 03:56 • -6.72db
88% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
88% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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cassö
Prada
142 bpm • G# Maj • 02:12 • -5.8db
89% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
89% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Jane
I'm Good
142 bpm • E Maj • 02:45 • -5.26db
57% Popularity • 72% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 72% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Marshmello
Silence
142 bpm • E Maj • 03:00 • -3.09db
82% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ariana Grande
Dangerous Woman
134 bpm • E min • 03:55 • -5.37db
80% Popularity • 66% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
80% Popularity • 66% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Cian Ducrot
Part Of Me
142 bpm • C# Maj • 03:22 • -5.65db
62% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
62% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Jessica Baio
at least
143 bpm • B Maj • 02:47 • -10db
57% Popularity • 47% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 47% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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charlieonnafriday
That's What I Get
143 bpm • C# Maj • 02:30 • -5.49db
61% Popularity • 81% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 81% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Madison Beer
Home To Another One
133 bpm • B min • 02:29 • -7.83db
63% Popularity • 68% Danceability • 52% Energy • 71% Liveness
6% Instrumentalness • 46% Positiveness
63% Popularity • 68% Danceability • 52% Energy • 71% Liveness
6% Instrumentalness • 46% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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girl in red
You Need Me Now?
144 bpm • G min • 03:06 • -4.4db
74% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
74% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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![Barbie World (with Aqua) [From Barbie The Album] cover art](https://i.scdn.co/image/ab67616d00001e027e8f938c02fac3b564931116)
Nicki Minaj
Barbie World [From Barbie The Album]
144 bpm • C Maj • 01:49 • -8.39db
79% Popularity • 77% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
79% Popularity • 77% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Kim Petras
Can't Do Better
132 bpm • G Maj • 03:08 • -5.14db
59% Popularity • 47% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 47% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Selena Gomez
My Mind & Me
144 bpm • A Maj • 02:27 • -5.73db
67% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Natalie Jane
seeing you with other girls
132 bpm • A Maj • 02:57 • -7.23db
54% Popularity • 64% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 64% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Tate McRae
you're so cool
132 bpm • F Maj • 02:50 • -3.14db
53% Popularity • 80% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 80% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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Lost Frequencies
The Feeling
132 bpm • G Maj • 02:34 • -8.28db
68% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
68% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Madison Beer
Sweet Relief
132 bpm • G min • 02:41 • -8.4db
65% Popularity • 72% Danceability • 58% Energy • 19% Liveness
7% Instrumentalness • 44% Positiveness
65% Popularity • 72% Danceability • 58% Energy • 19% Liveness
7% Instrumentalness • 44% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
82% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
82% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tate McRae
feel like shit
145 bpm • G Maj • 03:23 • -7.17db
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Smith
Unholy
131 bpm • D Maj • 02:36 • -7.4db
78% Popularity • 71% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
78% Popularity • 71% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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MEDUZA
Phone
130 bpm • D# min • 02:35 • -7.87db
69% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Tate McRae
boy x
145 bpm • D# Maj • 03:46 • -8.55db
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chase Atlantic
Into It
130 bpm • A# min • 03:16 • -6.71db
79% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
79% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Alexander Stewart
he never will
130 bpm • G# Maj • 02:51 • -4.92db
62% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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ZAYN
Love Like This
130 bpm • A# min • 02:53 • -4.49db
66% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sabrina Carpenter
Vicious
130 bpm • C Maj • 02:29 • -6.92db
70% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
70% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Jason Derulo
Spicy Margarita
130 bpm • F# min • 02:34 • -4.76db
73% Popularity • 71% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
73% Popularity • 71% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Tate McRae
run for the hills
130 bpm • G# Maj • 02:23 • -3.58db
80% Popularity • 54% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 54% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Rodrigo
bad idea right?
130 bpm • A Maj • 03:04 • -3.45db
84% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
84% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Mimi Webb
Red Flags
130 bpm • G# Maj • 02:21 • -5.63db
60% Popularity • 84% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 84% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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FLETCHER
Eras Of Us
130 bpm • D Maj • 02:48 • -7.46db
62% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Whethan
sick of myself
130 bpm • A# Maj • 02:21 • -5.41db
54% Popularity • 67% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 67% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Jessie Murph
How Could You
147 bpm • B Maj • 03:07 • -11db
69% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Diplo
Heartbroken
147 bpm • D Maj • 03:24 • -5.69db
72% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
72% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Miley Cyrus
Used To Be Young
147 bpm • E Maj • 03:11 • -3.84db
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Natalie Jane
Intrusive Thoughts
129 bpm • B Maj • 03:21 • -8.58db
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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FLETCHER
Lead Me On
148 bpm • F Maj • 02:53 • -4.78db
63% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Dean Lewis
Memories
129 bpm • D Maj • 02:59 • -6.51db
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Marcagi
Scared To Start
148 bpm • G Maj • 02:39 • -11.26db
91% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
91% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Shawn Mendes
Mercy
148 bpm • B min • 03:28 • -4.95db
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zara Larsson
You Love Who You Love
128 bpm • F# Maj • 03:05 • -3.93db
63% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
63% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Tate McRae
exes - Regard Remix
128 bpm • G min • 03:02 • -3.66db
63% Popularity • 78% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 78% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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Justin Bieber
Beauty And A Beat
128 bpm • C Maj • 03:47 • -4.87db
81% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
81% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Dylan Conrique
last one to love me
128 bpm • E Maj • 02:26 • -5.81db
55% Popularity • 62% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 62% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 77% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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FAST BOY
Forget You
128 bpm • G min • 02:27 • -6db
73% Popularity • 71% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 71% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
