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Life Must Have It's Mysteries
Songs like
Life Must Have It's Mysteries
by
Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
36% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Trevor Morris
Day Break / We Will Rise / End Credits
83 bpm • C# Maj • 05:06 • -14.26db
23% Popularity • 8% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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BBC Concert Orchestra
Fairy Circles
83 bpm • A# Maj • 01:49 • -11.79db
12% Popularity • 23% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Hans Zimmer
Life Must Have It's Mysteries
83 bpm • F Maj • 03:54 • -11.62db
38% Popularity • 16% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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John Powell
Dedication
82 bpm • C Maj • 03:51 • -26.41db
14% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Rachel Portman
G Is Taken to the Country
82 bpm • C Maj • 01:37 • -30db
24% Popularity • 9% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Hans Zimmer
Planet Earth II Suite
83 bpm • A# Maj • 04:31 • -18.64db
50% Popularity • 8% Danceability • 19% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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BBC Concert Orchestra
River of Life
82 bpm • A min • 02:33 • -8.95db
3% Popularity • 19% Danceability • 44% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Life and Death
84 bpm • G min • 02:52 • -26db
15% Popularity • 8% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Hans Zimmer
Beyond Rangoon/Waters of Irrawaddy
84 bpm • A# Maj • 04:34 • -15db
12% Popularity • 29% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Lisa Gerrard
Gladiator Orchestra Suite: Part 2, Elysi...
84 bpm • D Maj • 05:37 • -11.26db
23% Popularity • 19% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Silvestri
Contact - End Credits
84 bpm • F Maj • 07:58 • -25.24db
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
73% Instrumentalness • 3% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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James Newton Howard
Lasiurus
82 bpm • G min • 07:27 • -24.4db
45% Popularity • 9% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Zimmer
Leave No Man Behind
84 bpm • A min • 06:18 • -15.67db
49% Popularity • 29% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
55% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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John Debney
Mary Reveals the Truth to Jesus / Jesus ...
82 bpm • F min • 07:37 • -18.39db
11% Popularity • 9% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Martin Phipps
The Language of Our Future
85 bpm • F Maj • 03:18 • -21.31db
22% Popularity • 9% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Hans Zimmer
King Arthur Orchestra Suite - Live
82 bpm • D min • 03:49 • -12db
42% Popularity • 22% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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Fernando Velázquez
Credits
85 bpm • C min • 04:11 • -13db
24% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Clinton Shorter
The Expanse
85 bpm • C Maj • 01:04 • -13.23db
45% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
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The Meridian Studio Ensemble
The Da Vinci Code - Chevaliers de Sangre...
81 bpm • A# Maj • 04:06 • -16.12db
8% Popularity • 29% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Éric Serra
Origin of the World
85 bpm • D Maj • 02:26 • -13.09db
18% Popularity • 41% Danceability • 53% Energy • 9% Liveness
97% Instrumentalness • 34% Positiveness
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Veigar Margeirsson
Mythical Hero
81 bpm • C min • 02:29 • -12.79db
39% Popularity • 9% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Christopher Young
Humility and Love
81 bpm • F min • 06:21 • -14.42db
14% Popularity • 10% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Junkie XL
Becoming the Tomb Raider
81 bpm • A min • 07:15 • -13db
17% Popularity • 8% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Steven Price
The Army Ants
81 bpm • G# Maj • 07:08 • -20.63db
11% Popularity • 13% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Hans Zimmer
Air
81 bpm • D Maj • 09:07 • -18.27db
28% Popularity • 12% Danceability • 26% Energy • 22% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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James Newton Howard
Macrotus
80 bpm • E min • 07:35 • -23db
37% Popularity • 7% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Alan Silvestri
Reunited
80 bpm • D Maj • 04:23 • -20.01db
30% Popularity • 8% Danceability • 17% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Jeff Beal
Empire Without Heirs
80 bpm • E min • 03:41 • -16.84db
15% Popularity • 20% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Marrowbone
86 bpm • G Maj • 04:15 • -11.7db
11% Popularity • 14% Danceability • 19% Energy • 36% Liveness
85% Instrumentalness • 5% Positiveness
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Hans Zimmer
Dies Mercurii I Martius
81 bpm • D min • 06:03 • -19.47db
46% Popularity • 14% Danceability • 7% Energy • 28% Liveness
97% Instrumentalness • 4% Positiveness
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Trailerhead
Age of Discovery
86 bpm • C Maj • 03:49 • -10.08db
17% Popularity • 37% Danceability • 63% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Jesper Kyd
Evolver
86 bpm • A Maj • 02:01 • -13.88db
19% Popularity • 28% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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James Newton Howard
Corynorhinus
80 bpm • F min • 05:04 • -25.39db
46% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
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Veigar Margeirsson
Victorious
80 bpm • C# min • 02:29 • -12db
26% Popularity • 41% Danceability • 48% Energy • 20% Liveness
96% Instrumentalness • 18% Positiveness
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Hans Zimmer
Attack
86 bpm • D min • 08:57 • -17.44db
37% Popularity • 10% Danceability • 15% Energy • 21% Liveness
87% Instrumentalness • 9% Positiveness
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Future World Music
Victory of Life
86 bpm • F Maj • 02:50 • -10.53db
37% Popularity • 24% Danceability • 50% Energy • 14% Liveness
88% Instrumentalness • 20% Positiveness
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Carter Burwell
Billboards On Fire
86 bpm • G min • 02:25 • -13.29db
23% Popularity • 38% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Marc Streitenfeld
Honoring the Dead
87 bpm • G min • 02:43 • -16db
45% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Brook
Goodbye Eilis
86 bpm • A# Maj • 05:07 • -12.46db
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Hans Zimmer
Goodbye My Son
80 bpm • A min • 02:01 • -21.24db
49% Popularity • 25% Danceability • 13% Energy • 7% Liveness
32% Instrumentalness • 7% Positiveness
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Sarah Class
By the Beach
87 bpm • F Maj • 03:19 • -13.11db
11% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Dario Marianelli
Three Rooms
87 bpm • A# Maj • 04:21 • -18.2db
8% Popularity • 16% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
52% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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John Powell
P.S. I Love You
79 bpm • C Maj • 01:23 • -28.16db
46% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Hans Zimmer
Rush Orchestra Suite - Live
80 bpm • D min • 06:19 • -13.06db
38% Popularity • 30% Danceability • 48% Energy • 32% Liveness
78% Instrumentalness • 6% Positiveness
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BBC Concert Orchestra
Shores of Respite
87 bpm • F Maj • 02:15 • -11.63db
2% Popularity • 27% Danceability • 45% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Martin Phipps
Maria Altman
87 bpm • G min • 03:10 • -18.39db
18% Popularity • 27% Danceability • 23% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
62% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
28% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Junkie XL
Windflower
79 bpm • C min • 02:28 • -15.35db
16% Popularity • 11% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Hans Zimmer
All Of Them!
80 bpm • D min • 10:24 • -16.51db
40% Popularity • 8% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Trevor Morris
Bourbon and Choices
88 bpm • F Maj • 01:17 • -15.98db
30% Popularity • 22% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Rachel Portman
Mistake of Your Life
79 bpm • D min • 03:27 • -21.14db
25% Popularity • 7% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Adam Peters
After All. Three Hops To Anyone
88 bpm • F min • 02:19 • -19.96db
14% Popularity • 43% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Hans Zimmer
A Way of Life
87 bpm • D min • 08:03 • -29.35db
58% Popularity • 9% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Trevor Morris
Henry Dreams Of Death
78 bpm • F Maj • 01:34 • -20.39db
31% Popularity • 21% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Anže Rozman
Prehistoric Planet Suite
78 bpm • F Maj • 09:09 • -18.74db
35% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rachel Portman
Suite
78 bpm • C Maj • 05:33 • -15.95db
15% Popularity • 11% Danceability • 14% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Benjamin Wallfisch
Rusalka
78 bpm • A min • 04:52 • -14.1db
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Lion King Orchestra Suite - Live
87 bpm • F Maj • 08:55 • -11.7db
43% Popularity • 20% Danceability • 53% Energy • 46% Liveness
52% Instrumentalness • 18% Positiveness
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Daniel Pemberton
The Legend of Excalibur
89 bpm • G Maj • 02:43 • -15.03db
36% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
Our Own Hell On Earth
79 bpm • A# Maj • 06:19 • -20.7db
15% Popularity • 15% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Highlands
77 bpm • A min • 02:14 • -26db
21% Popularity • 11% Danceability • 10% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Morris
The Tudors Main Title Theme
89 bpm • C Maj • 01:33 • -14.32db
36% Popularity • 20% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
89 bpm • A min • 03:10 • -25db
17% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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John Debney
Resurrection
77 bpm • A# Maj • 05:04 • -19.3db
41% Popularity • 7% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Hans Zimmer
We are the Designers
79 bpm • F Maj • 02:48 • -18.8db
10% Popularity • 25% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Bear McCreary
Eye of the Storm
77 bpm • C min • 06:08 • -17db
27% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Éric Serra
Flicking Through Time
90 bpm • G min • 02:00 • -16.24db
28% Popularity • 10% Danceability • 15% Energy • 43% Liveness
95% Instrumentalness • 6% Positiveness
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Ennio Morricone
The Mission
77 bpm • G Maj • 02:49 • -23.18db
52% Popularity • 23% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Life Must Have It's Mysteries