Songs like Life Sentence by Epicure
Based on a tempo of (+/- 10%) and a similar genre
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
22% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Clare Bowditch
You Look So Good
145 bpm • C# min • 04:08 • -6.54db
18% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Bertie Blackman
Television
145 bpm • D Maj • 03:26 • -6.82db
21% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Superjesus
I'm Stained
144 bpm • D Maj • 04:47 • -5.98db
20% Popularity • 30% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 30% Positiveness
20% Popularity • 30% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 30% Positiveness
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Magic Dirt
Vulcanella
144 bpm • C# min • 04:18 • -5.38db
18% Popularity • 57% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 57% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Jebediah
Fall Down
146 bpm • B Maj • 03:19 • -4db
26% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Epicure
Pack My Parachute
145 bpm • E Maj • 04:02 • -6.51db
4% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Faker
Teenage Werewolf
144 bpm • E Maj • 04:59 • -4db
15% Popularity • 43% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 43% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Bernard Fanning
Wash Me Clean
147 bpm • F Maj • 02:36 • -11.13db
37% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Augie March
This Train Will Be Taking No Passengers
144 bpm • F# min • 04:30 • -6db
16% Popularity • 39% Danceability • 97% Energy • 22% Liveness
15% Instrumentalness • 50% Positiveness
16% Popularity • 39% Danceability • 97% Energy • 22% Liveness
15% Instrumentalness • 50% Positiveness
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Motor Ace
Budge
143 bpm • G# Maj • 04:47 • -8.54db
10% Popularity • 57% Danceability • 83% Energy • 8% Liveness
6% Instrumentalness • 67% Positiveness
10% Popularity • 57% Danceability • 83% Energy • 8% Liveness
6% Instrumentalness • 67% Positiveness
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Epicure
No-One's Listening
146 bpm • D Maj • 04:58 • -7.53db
3% Popularity • 57% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 57% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Powderfinger
Since You've Been Gone
143 bpm • G# Maj • 04:12 • -5db
41% Popularity • 24% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 24% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Tex Perkins
Fake That Emotion
143 bpm • G Maj • 05:49 • -12db
21% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Weddings Parties Anything
Away, Away
148 bpm • E Maj • 03:51 • -9.01db
26% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Sidewinder
Evil Eye
143 bpm • D Maj • 04:58 • -8db
16% Popularity • 30% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 30% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Magic Dirt
Watch Out Boys
148 bpm • A Maj • 03:24 • -3.96db
27% Popularity • 47% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 47% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Epicure
At The Bottom Of A Well
144 bpm • D Maj • 04:49 • -8.59db
1% Popularity • 57% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 57% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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George
Sell Out
148 bpm • G min • 04:41 • -14.06db
10% Popularity • 45% Danceability • 31% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
10% Popularity • 45% Danceability • 31% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Tex Perkins
She Speaks A Different Language - Biling...
148 bpm • E min • 04:45 • -9.13db
13% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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End Of Fashion
Rough Diamonds
148 bpm • D Maj • 04:15 • -5.98db
19% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah Blasko
Don't U Eva
148 bpm • A# min • 04:19 • -5.62db
29% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Epicure
Blood On My Hands
148 bpm • B Maj • 03:28 • -3.24db
1% Popularity • 40% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 40% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Grates
Trampoline
148 bpm • G Maj • 02:06 • -3.02db
19% Popularity • 64% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 64% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Dempsey
Bird In A Basement
142 bpm • C Maj • 04:16 • -4.85db
17% Popularity • 49% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 49% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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The Superjesus
Ashes
142 bpm • D# min • 03:36 • -6db
21% Popularity • 42% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 42% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Diana Anaid
Perfect Family
149 bpm • C Maj • 03:28 • -5.29db
18% Popularity • 46% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 46% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Epicure
Under Your Radar
148 bpm • A min • 02:57 • -4.3db
1% Popularity • 36% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 36% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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The Grates
Burn Bridges
142 bpm • E Maj • 02:26 • -3db
27% Popularity • 61% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 61% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Clare Bowditch
When The Lights Went Down
142 bpm • E min • 03:21 • -5.24db
16% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Grinspoon
Rock Show (You Don't Know Me)
149 bpm • A Maj • 04:06 • -7db
32% Popularity • 54% Danceability • 72% Energy • 9% Liveness
30% Instrumentalness • 60% Positiveness
32% Popularity • 54% Danceability • 72% Energy • 9% Liveness
30% Instrumentalness • 60% Positiveness
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Bob Evans
Wintersong
149 bpm • G# Maj • 04:15 • -10.26db
2% Popularity • 37% Danceability • 39% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
2% Popularity • 37% Danceability • 39% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
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Motor Ace
Death Defy
141 bpm • F min • 04:19 • -6db
30% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Epicure
Landslide
141 bpm • E Maj • 03:43 • -6.96db
12% Popularity • 43% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 43% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Magic Dirt
Dirty Jeans
141 bpm • F Maj • 03:41 • -6.52db
37% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Cordrazine
Crazy
150 bpm • A min • 04:37 • -8.72db
9% Popularity • 36% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 36% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Faker
Quarter To Three
150 bpm • B min • 03:54 • -2.51db
14% Popularity • 37% Danceability • 95% Energy • 34% Liveness
7% Instrumentalness • 41% Positiveness
14% Popularity • 37% Danceability • 95% Energy • 34% Liveness
7% Instrumentalness • 41% Positiveness
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Augie March
Mother Greer
140 bpm • G Maj • 03:46 • -7.68db
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Rebecca's Empire
Empty
151 bpm • A Maj • 03:14 • -6db
24% Popularity • 31% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 31% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Epicure
Fly The Flag
141 bpm • A Maj • 03:57 • -8.63db
0% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Magic Dirt
Supagloo
150 bpm • E Maj • 02:20 • -5.07db
23% Popularity • 21% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 70% Positiveness
23% Popularity • 21% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 70% Positiveness
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The Grates
Science Is Golden
151 bpm • B Maj • 02:57 • -3.88db
26% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Motor Ace
Chairman of the Board
139 bpm • G Maj • 04:02 • -6.5db
24% Popularity • 43% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 43% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
50% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Machine Gun Fellatio
Not Afraid of Romance
139 bpm • C# Maj • 03:42 • -5.73db
22% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Epicure
Johnny Venus
150 bpm • G min • 03:37 • -7.32db
1% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Magic Dirt
Plastic Loveless Letter
140 bpm • D Maj • 04:11 • -4.78db
31% Popularity • 50% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 50% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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Bernard Fanning
For You And I,
139 bpm • G Maj • 02:57 • -7db
17% Popularity • 48% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
17% Popularity • 48% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
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The Panics
This Day Last Year
152 bpm • F min • 05:17 • -8db
22% Popularity • 28% Danceability • 68% Energy • 40% Liveness
2% Instrumentalness • 39% Positiveness
22% Popularity • 28% Danceability • 68% Energy • 40% Liveness
2% Instrumentalness • 39% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
36% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
40% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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The Cops
Call Me Anytime
152 bpm • A# Maj • 03:49 • -5.17db
24% Popularity • 64% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 64% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Augie March
Just Passing Through
138 bpm • F# min • 05:24 • -6.34db
11% Popularity • 45% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 45% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Magic Dirt
Locket
152 bpm • D Maj • 03:03 • -2.67db
19% Popularity • 30% Danceability • 98% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 30% Danceability • 98% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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End Of Fashion
Too Careful
138 bpm • E Maj • 03:13 • -4.64db
13% Popularity • 51% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 51% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
30% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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Epicure
Cobra Kisses
153 bpm • A min • 03:06 • -5.34db
1% Popularity • 46% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 46% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Birds Of Tokyo
Wayside
138 bpm • C min • 04:30 • -7.95db
32% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Powderfinger
Sink Low
137 bpm • E Maj • 02:12 • -16.01db
14% Popularity • 50% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 50% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Bernard Fanning
Further Down The Road
137 bpm • B Maj • 04:41 • -7.92db
26% Popularity • 57% Danceability • 48% Energy • 17% Liveness
8% Instrumentalness • 29% Positiveness
26% Popularity • 57% Danceability • 48% Energy • 17% Liveness
8% Instrumentalness • 29% Positiveness
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End Of Fashion
In Denial
153 bpm • G Maj • 05:03 • -6.31db
9% Popularity • 45% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 45% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Blasko
Planet New Year
137 bpm • B min • 03:36 • -6.8db
23% Popularity • 60% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 60% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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The Mutton Birds
In My Room
137 bpm • D Maj • 04:36 • -11.6db
14% Popularity • 51% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 51% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Jebediah
Military Strongmen
137 bpm • C# Maj • 03:27 • -4.43db
32% Popularity • 37% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 37% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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The Superjesus
Saturation
137 bpm • C min • 04:04 • -5.95db
26% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Augie March
AWOL
137 bpm • F Maj • 03:58 • -4.27db
21% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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End Of Fashion
She's Love
137 bpm • E Maj • 03:45 • -5.75db
21% Popularity • 49% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 49% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 61% Positiveness
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Motor Ace
Criminal Past - 2017 Remaster
136 bpm • A Maj • 03:20 • -5db
9% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Epicure
When That Hurricane Blows Through
136 bpm • F# Maj • 04:08 • -12.09db
0% Popularity • 57% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
0% Popularity • 57% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Faker
The Familiar
155 bpm • C# min • 04:07 • -2.18db
12% Popularity • 38% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 38% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Big Heavy Stuff
Hibernate
135 bpm • E Maj • 03:41 • -9.58db
20% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Jebediah
Benedict
135 bpm • D Maj • 04:03 • -3.34db
24% Popularity • 58% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 58% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
4% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Sarah Blasko
Always Worth It
135 bpm • C# min • 03:47 • -5.98db
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Epicure
Listens To The Rain
155 bpm • C# Maj • 03:37 • -7.69db
1% Popularity • 41% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 41% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Sophie Koh
Charlie
156 bpm • F# Maj • 03:47 • -5.03db
17% Popularity • 35% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 35% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Dave Dobbyn
Don't Hold Your Breath
135 bpm • E min • 04:49 • -12.68db
11% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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The Superjesus
Enough to Know
156 bpm • D# Maj • 03:13 • -6.41db
27% Popularity • 50% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 50% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Epicure
Empire In Decline
155 bpm • F# Maj • 04:29 • -2.96db
2% Popularity • 38% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 38% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
51% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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The Fauves
The Charles Atlas Way
134 bpm • F Maj • 02:50 • -8.02db
17% Popularity • 48% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 48% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Pollyanna
Keep Me Guessing
134 bpm • C# Maj • 04:26 • -15.23db
13% Popularity • 40% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
13% Popularity • 40% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
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Bernard Fanning
Down To The River
156 bpm • F Maj • 04:13 • -9.5db
24% Popularity • 37% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 37% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Epicure
Like You Just Don't Care
136 bpm • G Maj • 03:07 • -4.58db
1% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Even
No Surprises
134 bpm • C Maj • 02:49 • -5.28db
13% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Motor Ace
Hey Driver
157 bpm • G Maj • 04:56 • -7.02db
23% Popularity • 46% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 46% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Ratcat
That Ain't Bad
134 bpm • A Maj • 04:03 • -8.32db
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
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Magic Dirt
Pace It
157 bpm • G min • 03:26 • -5.45db
28% Popularity • 20% Danceability • 89% Energy • 20% Liveness
2% Instrumentalness • 37% Positiveness
28% Popularity • 20% Danceability • 89% Energy • 20% Liveness
2% Instrumentalness • 37% Positiveness
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Faker
Kids On Overload
134 bpm • F# min • 04:32 • -3.64db
10% Popularity • 53% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 53% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Epicure
Dark Room Candle Burning
135 bpm • C Maj • 05:23 • -7.65db
1% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Regurgitator
Happiness
134 bpm • A Maj • 03:56 • -9.57db
19% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
