Songs like Life Story (Reprise) by Jared Gertner
Based on a tempo of (+/- 10%) and a similar genre
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Matilda Children Cast
Bruce
138 bpm • C min • 04:05 • -10db
34% Popularity • 54% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 54% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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Michael X. Martin
When I'm Gone
138 bpm • A Maj • 03:49 • -8.55db
15% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Cry-Baby Original Studio Cast
Thanks for the Nifty Country
137 bpm • A Maj • 01:48 • -5.42db
14% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Lauren Lopez
The Night Belongs to Us
139 bpm • A Maj • 03:02 • -6.9db
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
37% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Bubble Boy Original Company
One More Mile
137 bpm • F# min • 02:42 • -6.65db
7% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
33% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Julia Murney
Lucky
140 bpm • A# Maj • 02:33 • -11.07db
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
23% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Katlyn Carlson
Do You Wanna Hang?
141 bpm • C# Maj • 01:42 • -7.35db
22% Popularity • 58% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 58% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Sierra Boggess
Soldier On
142 bpm • F Maj • 02:19 • -7.69db
9% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Lauren Ward
Pathetic
142 bpm • F# Maj • 01:45 • -13.22db
30% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
25% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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'Falsettos' 2016 Broadway Company
A Day in Falsettoland
143 bpm • F# Maj • 07:39 • -7.97db
39% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Lost Without You
132 bpm • G Maj • 03:40 • -6db
28% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
18% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jeanine Tesori
Party Dress
144 bpm • G# Maj • 02:20 • -16.97db
21% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
All About Ruprecht
132 bpm • G Maj • 03:51 • -15.53db
14% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Gaby Alter
Good Enough
145 bpm • C Maj • 02:13 • -9.6db
11% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow - Reprise
145 bpm • D Maj • 01:09 • -11.76db
15% Popularity • 26% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
26% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
33% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Gaby Alter
Twirler Girl
130 bpm • D# Maj • 03:40 • -7.82db
12% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
25% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Kerry Butler
What's Wrong With Me? (Reprise)
129 bpm • C Maj • 01:50 • -8.37db
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Jaquel Spivey
Memory Song
129 bpm • F Maj • 03:44 • -11.31db
18% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kate Shindle
A Nice Little Walk
128 bpm • G# Maj • 02:26 • -11.96db
21% Popularity • 55% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 55% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Emily Padgett
If Your Father Were Here
128 bpm • B Maj • 02:49 • -14.65db
26% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Oona Laurence featuring Ben Thompson
Story 2: The Great Day Arrived…
128 bpm • C Maj • 03:24 • -10.04db
22% Popularity • 54% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 54% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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John Dossett
The Bottom Line (Reprise)
128 bpm • G Maj • 00:57 • -13.46db
38% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Alexander Nolan
She Thinks I'm Old
149 bpm • F min • 02:25 • -10.52db
20% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Wartella
You Can't Trust a Man
128 bpm • C Maj • 03:26 • -10.79db
26% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Orfeh
Ireland - Reprise
128 bpm • D Maj • 00:55 • -8.72db
40% Popularity • 51% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 51% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
21% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Hedwig's Lament
128 bpm • B min • 01:52 • -15.42db
16% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff Bowen
Two Nobodies in New York
127 bpm • C Maj • 02:50 • -9.2db
19% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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John Cullum
Don't Be the Bunny
127 bpm • B min • 03:02 • -13.14db
28% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Caroline Innerbichler
I Do
127 bpm • E Maj • 02:57 • -5.93db
27% Popularity • 62% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 62% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
24% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
28% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Murney
I'm Not Through
150 bpm • G Maj • 02:39 • -7.65db
14% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness