Songs like Like a Record Player by The Lawrence Arms
Based on a tempo of (+/- 10%) and a similar genre
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The Lawrence Arms
Like a Record Player
154 bpm • C Maj • 02:02 • -5db
36% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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88 Fingers Louie
Blink
153 bpm • E Maj • 02:49 • -3.97db
35% Popularity • 38% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 38% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Ten Foot Pole
The Getaway
155 bpm • E Maj • 03:40 • -5.52db
33% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
33% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
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Against Me!
From Her Lips to God's Ears (The Energiz...
156 bpm • F# min • 02:35 • -5.79db
28% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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Swingin' Utters
Glad
156 bpm • F Maj • 02:09 • -3.24db
22% Popularity • 22% Danceability • 99% Energy • 22% Liveness
20% Instrumentalness • 24% Positiveness
22% Popularity • 22% Danceability • 99% Energy • 22% Liveness
20% Instrumentalness • 24% Positiveness
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Dear Landlord
A World That We Never Made
157 bpm • B Maj • 04:10 • -4.87db
16% Popularity • 16% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 16% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Lawrence Arms
Boat Less Booze Cruise Party
154 bpm • E Maj • 03:27 • -7.28db
21% Popularity • 30% Danceability • 91% Energy • 15% Liveness
75% Instrumentalness • 91% Positiveness
21% Popularity • 30% Danceability • 91% Energy • 15% Liveness
75% Instrumentalness • 91% Positiveness
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88 Fingers Louie
Outright Lies
157 bpm • E Maj • 02:47 • -4.17db
38% Popularity • 31% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 31% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Banner Pilot
Effigy
151 bpm • E Maj • 02:57 • -2.95db
22% Popularity • 52% Danceability • 97% Energy • 7% Liveness
89% Instrumentalness • 63% Positiveness
22% Popularity • 52% Danceability • 97% Energy • 7% Liveness
89% Instrumentalness • 63% Positiveness
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Iron Chic
My Best Friend (Is a Nihilist)
157 bpm • A Maj • 03:32 • -6.49db
44% Popularity • 39% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 39% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Avail
Black and Red
151 bpm • C Maj • 02:15 • -4.09db
20% Popularity • 18% Danceability • 99% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
20% Popularity • 18% Danceability • 99% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
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Dear Landlord
Three to the Beach
157 bpm • B Maj • 02:26 • -4.59db
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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The Suicide Machines
Islands
157 bpm • F Maj • 02:04 • -2.6db
27% Popularity • 26% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 26% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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The Lillingtons
I Don't Think She Cares
151 bpm • D Maj • 02:09 • -4.48db
25% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Diesel Boy
Punk Rock Girl
151 bpm • C Maj • 02:28 • -3.93db
22% Popularity • 25% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 25% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Screeching Weasel
The Science of Myth
158 bpm • F# min • 02:23 • -3.46db
29% Popularity • 32% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 32% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Against Me!
Because of the Shame
158 bpm • D Maj • 04:21 • -3db
39% Popularity • 46% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 46% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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88 Fingers Louie
Advice Column
158 bpm • E min • 03:08 • -4.05db
29% Popularity • 40% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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NOFX
California Drought
150 bpm • G Maj • 03:14 • -4.12db
32% Popularity • 48% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 48% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Lawrence Arms
Presenting: The Dancing Machine (The Rob...
150 bpm • E Maj • 01:27 • -5.7db
29% Popularity • 18% Danceability • 97% Energy • 33% Liveness
76% Instrumentalness • 37% Positiveness
29% Popularity • 18% Danceability • 97% Energy • 33% Liveness
76% Instrumentalness • 37% Positiveness
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Iron Chic
A Headache With Pictures
158 bpm • B Maj • 03:49 • -7.36db
36% Popularity • 39% Danceability • 99% Energy • 28% Liveness
1% Instrumentalness • 15% Positiveness
36% Popularity • 39% Danceability • 99% Energy • 28% Liveness
1% Instrumentalness • 15% Positiveness
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The Briggs
Panic!
150 bpm • C Maj • 04:42 • -4.45db
25% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Avail
Deepwood
158 bpm • D Maj • 02:00 • -4.99db
28% Popularity • 18% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 18% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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No Use For A Name
Justified Black Eye
158 bpm • G Maj • 02:38 • -6db
42% Popularity • 38% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 38% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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The Decline
You Call This A Happy Meal?
150 bpm • G# min • 01:56 • -3.53db
30% Popularity • 46% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 46% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Lawrence Arms
Quincentuple Your Money
158 bpm • G Maj • 03:01 • -6.97db
31% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Strike Anywhere
Infared
150 bpm • A Maj • 03:28 • -4.87db
31% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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The Menzingers
I Don't Wanna Be An Asshole Anymore
160 bpm • D# Maj • 03:04 • -5db
51% Popularity • 41% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 41% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Dead To Me
A Day Without a War
148 bpm • D Maj • 02:29 • -5db
23% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Holy Mess
Worthless Original
148 bpm • A Maj • 03:26 • -4db
25% Popularity • 23% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 23% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
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NOFX
No Fun In Fundamentalism
160 bpm • G Maj • 01:50 • -2.73db
18% Popularity • 58% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 58% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dillinger Four
A Jingle for the Product
160 bpm • B Maj • 03:47 • -4.45db
23% Popularity • 52% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 52% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Strike Anywhere
We Amplify
149 bpm • C# min • 01:04 • -5.47db
34% Popularity • 48% Danceability • 90% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 48% Danceability • 90% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
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Get Dead
Stickup
160 bpm • C Maj • 03:43 • -5.87db
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Red City Radio
Show Me on the Doll Where the Music Touc...
160 bpm • C# Maj • 03:04 • -5.73db
33% Popularity • 30% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 30% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Kid Dynamite
Heart A Tact
148 bpm • A Maj • 01:31 • -5db
28% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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Propagandhi
I Am a Rifle
148 bpm • C# Maj • 02:16 • -3.34db
49% Popularity • 46% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 46% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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American Steel
Smile on Me
148 bpm • A# Maj • 02:21 • -9db
11% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Strike Anywhere
You're Fired
147 bpm • A Maj • 02:04 • -6.38db
21% Popularity • 35% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 35% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Against Me!
One by One
147 bpm • C Maj • 03:35 • -3.16db
25% Popularity • 45% Danceability • 98% Energy • 14% Liveness
37% Instrumentalness • 48% Positiveness
25% Popularity • 45% Danceability • 98% Energy • 14% Liveness
37% Instrumentalness • 48% Positiveness
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The Lawrence Arms
Demons
147 bpm • C Maj • 02:13 • -5.67db
22% Popularity • 39% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 39% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Riverboat Gamblers
Black Nothing Of A Cat
162 bpm • D Maj • 03:37 • -3.96db
15% Popularity • 19% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
15% Popularity • 19% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Iron Chic
Planes, Chest Pains, and Automobiles
162 bpm • A Maj • 03:11 • -7.52db
35% Popularity • 36% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 36% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 51% Positiveness
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The Briggs
Back to Higher Ground
162 bpm • C# Maj • 02:46 • -2.75db
33% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Strike Anywhere
To The World
161 bpm • D Maj • 03:22 • -4.91db
32% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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American Steel
Old Croy Road
162 bpm • D Maj • 02:37 • -7.33db
12% Popularity • 39% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 39% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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Avail
Taken
146 bpm • D Maj • 02:35 • -3.92db
21% Popularity • 31% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 31% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Bombpops
Ca in July
146 bpm • B min • 02:00 • -5db
38% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Iron Chic
Timecop
146 bpm • E Maj • 02:23 • -6db
29% Popularity • 38% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 38% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Screeching Weasel
Follow Your Leaders
145 bpm • C# min • 02:06 • -4db
31% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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The Lawrence Arms
Belly of the Whale
163 bpm • C Maj • 01:59 • -5.44db
23% Popularity • 48% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 48% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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88 Fingers Louie
I’ve Won
163 bpm • C# min • 01:35 • -4.06db
47% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Menzingers
The Talk
163 bpm • F# Maj • 02:16 • -3.24db
32% Popularity • 25% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 25% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Against Me!
Mediocrity Gets You Pears (The Shaker)
164 bpm • D Maj • 02:38 • -5.84db
22% Popularity • 19% Danceability • 96% Energy • 17% Liveness
3% Instrumentalness • 23% Positiveness
22% Popularity • 19% Danceability • 96% Energy • 17% Liveness
3% Instrumentalness • 23% Positiveness
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Dillinger Four
Our Science Is Tight
145 bpm • E Maj • 01:54 • -2db
25% Popularity • 34% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 34% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Copyrights
The World Is Such a Drag
164 bpm • G Maj • 02:24 • -5.91db
16% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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The Falcon
The La-Z-Boy 500
164 bpm • C Maj • 02:53 • -7.33db
29% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Smoke Or Fire
Califonia's Burning
144 bpm • B Maj • 02:27 • -5db
24% Popularity • 28% Danceability • 97% Energy • 84% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 28% Danceability • 97% Energy • 84% Liveness
0% Instrumentalness • 65% Positiveness
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Get Dead
Hard Times
144 bpm • F min • 02:45 • -5.06db
33% Popularity • 50% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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None More Black
Under My Feet
165 bpm • F# Maj • 02:24 • -6.45db
26% Popularity • 24% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 24% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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American Steel
Love and Logic
144 bpm • B min • 02:44 • -6db
12% Popularity • 41% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 41% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
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The Dopamines
Ire
144 bpm • E Maj • 03:06 • -4db
17% Popularity • 23% Danceability • 100% Energy • 46% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 23% Danceability • 100% Energy • 46% Liveness
0% Instrumentalness • 7% Positiveness
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Brendan Kelly and the Wandering Birds
East St. Louis
165 bpm • C Maj • 03:14 • -3.68db
12% Popularity • 29% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
12% Popularity • 29% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Swingin' Utters
Tell Them Told You So
165 bpm • G Maj • 02:32 • -4.39db
27% Popularity • 45% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 45% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Red City Radio
Joy Comes with the Morning
144 bpm • C# Maj • 04:53 • -5db
25% Popularity • 49% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
25% Popularity • 49% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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The Holy Mess
Within the Range of a Raven
166 bpm • C# min • 02:53 • -6.98db
25% Popularity • 30% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 30% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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The Lillingtons
Invasion Of The Saucermen
166 bpm • C# min • 02:21 • -5.75db
24% Popularity • 40% Danceability • 99% Energy • 10% Liveness
6% Instrumentalness • 44% Positiveness
24% Popularity • 40% Danceability • 99% Energy • 10% Liveness
6% Instrumentalness • 44% Positiveness
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Propagandhi
Resisting Tyrannical Government
166 bpm • D Maj • 02:15 • -5.32db
25% Popularity • 30% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 30% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Pkew Pkew Pkew
Stop Calling Us Chief
166 bpm • D Maj • 01:57 • -3.53db
16% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
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The Menzingers
Who's Your Partner
166 bpm • A# Maj • 02:03 • -4.83db
34% Popularity • 50% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 50% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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88 Fingers Louie
I Hate Myself
142 bpm • C Maj • 02:08 • -4db
41% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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A Wilhelm Scream
Famous Friends And Fashion Drunks
142 bpm • D# Maj • 02:24 • -3.77db
38% Popularity • 33% Danceability • 100% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 33% Danceability • 100% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Red City Radio
If You Want Blood (Be My Guest)
167 bpm • G# Maj • 02:58 • -7db
32% Popularity • 48% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 48% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Get Dead
Pepperspray
142 bpm • D Maj • 02:16 • -6.99db
30% Popularity • 54% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 54% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Samiam
September Holiday
167 bpm • C# min • 02:48 • -3db
29% Popularity • 32% Danceability • 96% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
29% Popularity • 32% Danceability • 96% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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The Suicide Machines
Permanent Holiday
167 bpm • B Maj • 02:07 • -3.26db
35% Popularity • 41% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 41% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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American Steel
Dead and Gone
142 bpm • F Maj • 03:01 • -7.46db
13% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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A Wilhelm Scream
The Last Laugh
167 bpm • F# min • 03:02 • -5.02db
40% Popularity • 27% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 27% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Smoke Or Fire
Melatonin
167 bpm • D Maj • 02:10 • -5.83db
22% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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The Dopamines
Business Papers
167 bpm • E Maj • 03:09 • -3.6db
14% Popularity • 11% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 11% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 5% Positiveness
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Osker
Patience
167 bpm • F Maj • 01:16 • -8.4db
19% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Samiam
Dull
168 bpm • A Maj • 04:28 • -4.72db
23% Popularity • 46% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 46% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Banner Pilot
Expat
141 bpm • D Maj • 03:55 • -4db
20% Popularity • 54% Danceability • 96% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
20% Popularity • 54% Danceability • 96% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
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Iron Chic
Every Town Has an Elm Street
168 bpm • D Maj • 03:31 • -6.64db
27% Popularity • 23% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 23% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Lillingtons
I Came From The Future
169 bpm • C# min • 01:38 • -5.66db
29% Popularity • 14% Danceability • 98% Energy • 26% Liveness
78% Instrumentalness • 56% Positiveness
29% Popularity • 14% Danceability • 98% Energy • 26% Liveness
78% Instrumentalness • 56% Positiveness
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The Menzingers
Deep Sleep
169 bpm • A min • 02:37 • -4.81db
29% Popularity • 41% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 41% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Nothington
The Hard Way
140 bpm • C# Maj • 03:32 • -4.23db
12% Popularity • 48% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 48% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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The Copyrights
Keep the Change
140 bpm • C Maj • 01:00 • -4db
23% Popularity • 42% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 42% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Banner Pilot
Modern Shakes
169 bpm • E Maj • 02:28 • -3.34db
32% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
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Iron Chic
Bogus Journey
170 bpm • A Maj • 03:58 • -4.64db
18% Popularity • 31% Danceability • 100% Energy • 68% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 31% Danceability • 100% Energy • 68% Liveness
1% Instrumentalness • 15% Positiveness
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Direct Hit!
Kingdom Come
170 bpm • D# min • 02:01 • -5.02db
18% Popularity • 48% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 48% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Pkew Pkew Pkew
Asshole Pandemic
170 bpm • B Maj • 02:34 • -3.23db
25% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Smoke Or Fire
The Speakeasy
170 bpm • C Maj • 02:06 • -4.12db
12% Popularity • 46% Danceability • 96% Energy • 19% Liveness
5% Instrumentalness • 73% Positiveness
12% Popularity • 46% Danceability • 96% Energy • 19% Liveness
5% Instrumentalness • 73% Positiveness
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The Lawrence Arms
Spit Shining Shit
170 bpm • C Maj • 02:53 • -6.56db
19% Popularity • 37% Danceability • 88% Energy • 8% Liveness
6% Instrumentalness • 67% Positiveness
19% Popularity • 37% Danceability • 88% Energy • 8% Liveness
6% Instrumentalness • 67% Positiveness
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Cobra Skulls
Muniphobia
138 bpm • B min • 01:06 • -6.13db
19% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Dead To Me
Ran That Scam
171 bpm • B Maj • 02:39 • -7.49db
23% Popularity • 44% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 44% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Menzingers
A Lesson In The Abuse Of Information Tec...
172 bpm • D Maj • 02:36 • -3.98db
30% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
