Songs like Like A Tumbleweed In Eden by Chris Robinson & The New Earth Mud
Based on a tempo of (+/- 10%) and a similar genre
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Railroad Earth
Black Elk Speaks
119 bpm • A# min • 05:40 • -10.7db
10% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Trigger Hippy
Nothing New
119 bpm • A Maj • 03:14 • -3.87db
9% Popularity • 62% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 62% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Cracker
Mr. Wrong
119 bpm • G Maj • 04:37 • -10db
25% Popularity • 66% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Hard Working Americans
Ascending into Madness
119 bpm • A Maj • 05:20 • -7.13db
8% Popularity • 52% Danceability • 54% Energy • 79% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 52% Danceability • 54% Energy • 79% Liveness
1% Instrumentalness • 19% Positiveness
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Alvin Youngblood Hart
In My Time of Dying
119 bpm • D Maj • 06:39 • -8.45db
11% Popularity • 32% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
11% Popularity • 32% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Patterson Hood
Better Than the Truth
119 bpm • C Maj • 03:04 • -8.28db
4% Popularity • 76% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 76% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Railroad Earth
Long Walk Home
118 bpm • F# Maj • 04:40 • -9.75db
18% Popularity • 66% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 66% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Trigger Hippy
Adelaide
118 bpm • G Maj • 04:54 • -8db
10% Popularity • 51% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 51% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Cracker
Take Me Down To The Infirmary
119 bpm • F Maj • 04:05 • -10.64db
28% Popularity • 59% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 15% Positiveness
28% Popularity • 59% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 15% Positiveness
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Whiskeytown
Dreams
120 bpm • C Maj • 05:49 • -5.03db
20% Popularity • 49% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 49% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Houser
Smoke and Burn
121 bpm • G Maj • 04:09 • -9.12db
21% Popularity • 63% Danceability • 77% Energy • 15% Liveness
52% Instrumentalness • 96% Positiveness
21% Popularity • 63% Danceability • 77% Energy • 15% Liveness
52% Instrumentalness • 96% Positiveness
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Hollis Brown
Cool It Down
118 bpm • G Maj • 04:59 • -5.03db
13% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Railroad Earth
Grandfather Mountain
120 bpm • D Maj • 08:56 • -5.77db
11% Popularity • 69% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 60% Positiveness
11% Popularity • 69% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 60% Positiveness
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Trigger Hippy
Goddamn Hurricane
120 bpm • G Maj • 04:05 • -7.97db
11% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cracker
Waiting for You Girl
117 bpm • G min • 05:32 • -6.72db
11% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Weir & Friends
Truckin'
121 bpm • B min • 07:41 • -6.09db
9% Popularity • 52% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 52% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
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Lukas Nelson and Promise of the Real
My Own Wave
117 bpm • A Maj • 03:46 • -5.26db
13% Popularity • 50% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 18% Positiveness
13% Popularity • 50% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 18% Positiveness
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Hollis Brown
Train Round The Bend
121 bpm • C Maj • 03:20 • -5db
18% Popularity • 76% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 76% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Mudcrutch
The Wrong Thing to Do - Live
121 bpm • G Maj • 04:46 • -5.49db
15% Popularity • 47% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 47% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 30% Positiveness
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Railroad Earth
Right In Tune
120 bpm • F Maj • 04:22 • -6.16db
27% Popularity • 60% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
27% Popularity • 60% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Donna The Buffalo
River Of Gold
121 bpm • B Maj • 03:36 • -12.63db
12% Popularity • 83% Danceability • 53% Energy • 10% Liveness
5% Instrumentalness • 90% Positiveness
12% Popularity • 83% Danceability • 53% Energy • 10% Liveness
5% Instrumentalness • 90% Positiveness
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Cracker
I Want Everything
120 bpm • F Maj • 05:53 • -10.23db
26% Popularity • 54% Danceability • 37% Energy • 9% Liveness
30% Instrumentalness • 18% Positiveness
26% Popularity • 54% Danceability • 37% Energy • 9% Liveness
30% Instrumentalness • 18% Positiveness
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Hard Working Americans
Stomp and Holler
117 bpm • C Maj • 04:48 • -6.83db
29% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Blackie & The Rodeo Kings
Beautiful Scars
117 bpm • G Maj • 04:55 • -7.97db
14% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Mudcrutch
Topanga Cowgirl
122 bpm • D Maj • 03:53 • -8.38db
22% Popularity • 58% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
22% Popularity • 58% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
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Ray Bonneville
Roll It Down
116 bpm • F Maj • 03:00 • -10.92db
27% Popularity • 79% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
27% Popularity • 79% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
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Blues Traveler
Warmer Days
116 bpm • B min • 04:55 • -11.34db
19% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Phil Lesh & Friends
Patchwork Quilt
116 bpm • E Maj • 04:54 • -9.26db
18% Popularity • 38% Danceability • 61% Energy • 11% Liveness
7% Instrumentalness • 47% Positiveness
18% Popularity • 38% Danceability • 61% Energy • 11% Liveness
7% Instrumentalness • 47% Positiveness
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Bob Weir
Gallop on the Run
122 bpm • E Maj • 04:35 • -11.15db
15% Popularity • 47% Danceability • 35% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
15% Popularity • 47% Danceability • 35% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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Assembly of Dust
All That I am Now
122 bpm • B Maj • 03:38 • -7db
13% Popularity • 59% Danceability • 83% Energy • 10% Liveness
11% Instrumentalness • 61% Positiveness
13% Popularity • 59% Danceability • 83% Energy • 10% Liveness
11% Instrumentalness • 61% Positiveness
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The Gourds
Pushed Her Down
122 bpm • G Maj • 03:11 • -7.95db
11% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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John Fullbright
Jericho
122 bpm • G Maj • 06:34 • -10.07db
25% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cracker
Something You Ain't Got
122 bpm • C Maj • 05:17 • -7.15db
17% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Dave Alvin
Thirty Dollar Room
122 bpm • A min • 04:23 • -9.98db
9% Popularity • 56% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
9% Popularity • 56% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
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Uncle Tupelo
Give Back the Key to My Heart
116 bpm • A Maj • 03:26 • -9.08db
31% Popularity • 63% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 63% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Alejandro Escovedo
Sister Lost Soul
122 bpm • A# Maj • 04:16 • -5db
30% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
30% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
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Lukas Nelson and Promise of the Real
Peaceful Solution
116 bpm • A Maj • 03:19 • -4.06db
24% Popularity • 36% Danceability • 89% Energy • 10% Liveness
33% Instrumentalness • 66% Positiveness
24% Popularity • 36% Danceability • 89% Energy • 10% Liveness
33% Instrumentalness • 66% Positiveness
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John Hiatt
Lift up Every Stone
115 bpm • E Maj • 03:15 • -6.61db
23% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Patterson Hood
I Understand Now
123 bpm • G min • 03:22 • -4.79db
16% Popularity • 60% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 60% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Gourds
Mister Betty
115 bpm • E Maj • 02:52 • -8.43db
12% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Willie Nelson
Stella Blue
115 bpm • E Maj • 06:22 • -8.58db
16% Popularity • 37% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
16% Popularity • 37% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
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Alejandro Escovedo
Rhapsody
115 bpm • D Maj • 04:04 • -5.37db
28% Popularity • 55% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 55% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ray LaMontagne
God Willin' & the Creek Don't Rise
123 bpm • G Maj • 03:09 • -7.97db
40% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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John Hiatt
Love's Not Where We Thought We Left It
123 bpm • E Maj • 05:17 • -8.37db
13% Popularity • 75% Danceability • 61% Energy • 9% Liveness
69% Instrumentalness • 46% Positiveness
13% Popularity • 75% Danceability • 61% Energy • 9% Liveness
69% Instrumentalness • 46% Positiveness
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Chuck Prophet
What Can You Tell Me
115 bpm • G Maj • 03:32 • -6.2db
16% Popularity • 50% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 50% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Lucinda Williams
Something Wicked This Way Comes
123 bpm • F min • 05:45 • -12.65db
15% Popularity • 58% Danceability • 44% Energy • 11% Liveness
70% Instrumentalness • 59% Positiveness
15% Popularity • 58% Danceability • 44% Energy • 11% Liveness
70% Instrumentalness • 59% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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The Gourds
All the Labor
123 bpm • A Maj • 03:17 • -11.34db
13% Popularity • 55% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 55% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Robert Bradley
Governor
123 bpm • C# Maj • 04:42 • -11.1db
9% Popularity • 58% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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John Hiatt
Ethylene
123 bpm • G Maj • 04:03 • -7db
29% Popularity • 63% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 63% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Marc Ford
A Change Of Mind
123 bpm • G Maj • 04:39 • -7.41db
8% Popularity • 59% Danceability • 79% Energy • 67% Liveness
3% Instrumentalness • 70% Positiveness
8% Popularity • 59% Danceability • 79% Energy • 67% Liveness
3% Instrumentalness • 70% Positiveness
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Strangefolk
Stout Hearted
115 bpm • C# Maj • 05:44 • -8db
9% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Ryan Adams & The Cardinals
Cherry Lane
115 bpm • D Maj • 04:31 • -7.32db
26% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Phil Lesh & Friends
Celebration
123 bpm • A Maj • 04:48 • -9.53db
16% Popularity • 68% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
16% Popularity • 68% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Mudcrutch
The Other Side of the Mountain
115 bpm • E min • 03:16 • -4.33db
22% Popularity • 58% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 58% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Chuck Prophet
Freckle Song
115 bpm • E Maj • 03:38 • -4.65db
16% Popularity • 65% Danceability • 79% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
16% Popularity • 65% Danceability • 79% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
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Alejandro Escovedo
Anchor
123 bpm • C Maj • 03:30 • -6db
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Strangefolk
Roads
123 bpm • G# Maj • 04:27 • -8db
31% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Donna The Buffalo
Need You More And More
115 bpm • D Maj • 05:06 • -15.79db
10% Popularity • 71% Danceability • 34% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
10% Popularity • 71% Danceability • 34% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
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Phil Lesh & Friends
Midnight Train
115 bpm • A min • 06:11 • -11.33db
15% Popularity • 62% Danceability • 64% Energy • 20% Liveness
6% Instrumentalness • 57% Positiveness
15% Popularity • 62% Danceability • 64% Energy • 20% Liveness
6% Instrumentalness • 57% Positiveness
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Hollis Brown
Down On Your Luck
124 bpm • A Maj • 03:04 • -6db
22% Popularity • 56% Danceability • 80% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
22% Popularity • 56% Danceability • 80% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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Ryan Adams & The Cardinals
Easy Plateau
114 bpm • D Maj • 05:11 • -5.07db
31% Popularity • 48% Danceability • 78% Energy • 10% Liveness
9% Instrumentalness • 72% Positiveness
31% Popularity • 48% Danceability • 78% Energy • 10% Liveness
9% Instrumentalness • 72% Positiveness
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Hard Working Americans
I Don't Have a Gun
124 bpm • C Maj • 04:11 • -17.02db
9% Popularity • 72% Danceability • 26% Energy • 12% Liveness
32% Instrumentalness • 46% Positiveness
9% Popularity • 72% Danceability • 26% Energy • 12% Liveness
32% Instrumentalness • 46% Positiveness
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Buddy Miller
Worry Too Much
114 bpm • A# min • 04:48 • -7.76db
26% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Cracker
Where Have Those Days Gone
114 bpm • C Maj • 05:59 • -7.05db
11% Popularity • 58% Danceability • 68% Energy • 10% Liveness
67% Instrumentalness • 48% Positiveness
11% Popularity • 58% Danceability • 68% Energy • 10% Liveness
67% Instrumentalness • 48% Positiveness
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Assembly of Dust
Light Blue Lover
114 bpm • B Maj • 05:03 • -9.65db
9% Popularity • 55% Danceability • 48% Energy • 18% Liveness
8% Instrumentalness • 35% Positiveness
9% Popularity • 55% Danceability • 48% Energy • 18% Liveness
8% Instrumentalness • 35% Positiveness
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Little
Trouble
125 bpm • G Maj • 02:17 • -8.11db
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Wilco
California Stars - Live
114 bpm • A Maj • 03:45 • -6.07db
27% Popularity • 53% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 53% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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The Magpie Salute
Ain't No More Cane - Live
125 bpm • G Maj • 07:32 • -7.36db
10% Popularity • 51% Danceability • 69% Energy • 68% Liveness
11% Instrumentalness • 58% Positiveness
10% Popularity • 51% Danceability • 69% Energy • 68% Liveness
11% Instrumentalness • 58% Positiveness
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Drivin N Cryin
Indian Song
113 bpm • G Maj • 03:20 • -9db
22% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Cracker
Friends
114 bpm • C Maj • 04:14 • -7db
14% Popularity • 65% Danceability • 65% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
14% Popularity • 65% Danceability • 65% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Hard Working Americans
Blackland Farmer
113 bpm • D min • 04:22 • -10.28db
11% Popularity • 71% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 71% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Assembly of Dust
Man with a Plan
125 bpm • D Maj • 05:36 • -6db
21% Popularity • 67% Danceability • 78% Energy • 87% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 67% Danceability • 78% Energy • 87% Liveness
0% Instrumentalness • 44% Positiveness
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Trigger Hippy
Full Circle and Then Some
125 bpm • E Maj • 04:11 • -6db
16% Popularity • 47% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Adams & The Cardinals
Cold Roses
125 bpm • E Maj • 04:36 • -5.63db
29% Popularity • 43% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 43% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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Marc Ford
Blue Sky
125 bpm • A Maj • 03:17 • -10db
8% Popularity • 57% Danceability • 61% Energy • 14% Liveness
5% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 61% Energy • 14% Liveness
5% Instrumentalness • 70% Positiveness
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Bob Weir
Whatever Happened to Rose
126 bpm • C Maj • 04:19 • -11.42db
14% Popularity • 55% Danceability • 39% Energy • 8% Liveness
10% Instrumentalness • 40% Positiveness
14% Popularity • 55% Danceability • 39% Energy • 8% Liveness
10% Instrumentalness • 40% Positiveness
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Phil Lesh & Friends
Again and Again
113 bpm • G Maj • 05:23 • -10.02db
11% Popularity • 49% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
11% Popularity • 49% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Tom Petty
Wake Up Time
112 bpm • D Maj • 05:19 • -9.88db
37% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Hiss Golden Messenger
Domino (Time Will Tell)
126 bpm • E Maj • 03:45 • -7.15db
28% Popularity • 62% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 62% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Whiskeytown
The Ballad Of Carol Lynn
126 bpm • C Maj • 03:04 • -10db
33% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Trigger Hippy
Heartache On The Line
112 bpm • A Maj • 05:48 • -4.83db
21% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Donna The Buffalo
Locket And Key
126 bpm • C Maj • 03:19 • -6.22db
26% Popularity • 63% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 63% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Railroad Earth
The Good Life
126 bpm • C Maj • 05:18 • -6.43db
33% Popularity • 74% Danceability • 88% Energy • 12% Liveness
42% Instrumentalness • 94% Positiveness
33% Popularity • 74% Danceability • 88% Energy • 12% Liveness
42% Instrumentalness • 94% Positiveness
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Justin Townes Earle
15-25
126 bpm • C Maj • 04:02 • -7.19db
31% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
31% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Michael Houser
No Matter What
112 bpm • C Maj • 06:33 • -10.19db
0% Popularity • 61% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 80% Positiveness
0% Popularity • 61% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 80% Positiveness
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Strangefolk
Westerly
126 bpm • B Maj • 05:47 • -8db
15% Popularity • 51% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 51% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Peter Wolf
Some Other Time, Some Other Place
112 bpm • G Maj • 03:49 • -11.93db
21% Popularity • 59% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 59% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Alejandro Escovedo
Bottom Of The World
126 bpm • D Maj • 03:04 • -9db
30% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Bradley's Blackwater Surprise
Train
112 bpm • C Maj • 03:36 • -4.28db
24% Popularity • 63% Danceability • 86% Energy • 21% Liveness
1% Instrumentalness • 67% Positiveness
24% Popularity • 63% Danceability • 86% Energy • 21% Liveness
1% Instrumentalness • 67% Positiveness
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Indigenous
You Got It
112 bpm • G# Maj • 03:36 • -4.06db
9% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Nicki Bluhm and the Gramblers
Another Rolling Stone
112 bpm • G Maj • 03:23 • -6.58db
9% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Hollis Brown
Rock & Roll
127 bpm • F Maj • 05:05 • -4.7db
15% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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John Hiatt
Master of Disaster
127 bpm • D Maj • 05:26 • -8db
39% Popularity • 68% Danceability • 77% Energy • 30% Liveness
5% Instrumentalness • 82% Positiveness
39% Popularity • 68% Danceability • 77% Energy • 30% Liveness
5% Instrumentalness • 82% Positiveness
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Alejandro Escovedo
Always A Friend
127 bpm • C Maj • 03:35 • -6db
36% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Neal Casal
The Losing End Again
127 bpm • D Maj • 03:12 • -7.34db
12% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Drivin N Cryin
Peacemaker
111 bpm • B min • 03:15 • -11.44db
22% Popularity • 52% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 52% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Bloodkin
End Of The Show
127 bpm • D Maj • 04:19 • -13db
20% Popularity • 53% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 53% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
