Songs like Limits by Gordi
Based on a tempo of (+/- 10%) and a similar genre
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Francesca Blanchard
My Heart
115 bpm • G Maj • 03:16 • -11db
24% Popularity • 45% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 50% Positiveness
24% Popularity • 45% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 50% Positiveness
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#1 Dads
4bit
115 bpm • E Maj • 04:11 • -15.04db
25% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
25% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Gordi
Limits
115 bpm • G Maj • 03:31 • -8.71db
10% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Alexander Biggs
I've Been Holding Onto You For Way Too L...
115 bpm • C# Maj • 03:36 • -13.8db
17% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
17% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
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Konradsen
Odd Mistake
115 bpm • D Maj • 04:53 • -12.9db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hayden Calnin
The Parts I Hid Away
115 bpm • G# Maj • 02:48 • -9.44db
22% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
28% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Tomberlin
Untitled 1
114 bpm • A Maj • 04:51 • -15.85db
20% Popularity • 43% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
20% Popularity • 43% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Greta Stanley
Drunk Dreams
116 bpm • D Maj • 03:49 • -12.3db
21% Popularity • 73% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 28% Positiveness
21% Popularity • 73% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 28% Positiveness
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Prinze George
Lights Burn Out
114 bpm • C Maj • 04:35 • -9db
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Konradsen
Baby Hallelujah
114 bpm • G Maj • 02:48 • -16.17db
20% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Big Scary
You Won't Always
114 bpm • C Maj • 02:13 • -14.22db
16% Popularity • 59% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
16% Popularity • 59% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
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Emily Keener
Do You Love Me Lately?
116 bpm • G Maj • 03:56 • -15.54db
21% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Madi Diaz
Man In Me
113 bpm • D Maj • 04:48 • -11.12db
24% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Howl & The Hum
The Only Boy Racer Left On The Island
117 bpm • B Maj • 03:46 • -7db
22% Popularity • 52% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 52% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
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Jade Bird
Different Kinds of Light
113 bpm • C Maj • 03:05 • -12.7db
30% Popularity • 37% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 37% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
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Little May
As Loving Should
117 bpm • G min • 03:36 • -5.57db
14% Popularity • 62% Danceability • 68% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
14% Popularity • 62% Danceability • 68% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
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IDER
Slide
117 bpm • D Maj • 04:09 • -5.88db
18% Popularity • 58% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 58% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 30% Positiveness
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Le Youth
Hang On
117 bpm • C Maj • 03:25 • -9.09db
31% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gang of Youths
asleep in the back
113 bpm • D# Maj • 04:08 • -10.79db
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
27% Instrumentalness • 28% Positiveness
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
27% Instrumentalness • 28% Positiveness
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Fenne Lily
Unfucktheworld - Recorded at Metropolis ...
113 bpm • C Maj • 02:15 • -13.61db
25% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Nadia Reid
I Don't Wanna Take Anything From You
117 bpm • A Maj • 03:56 • -12.68db
10% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander Biggs
All I Can Do Is Hate You
113 bpm • E Maj • 03:44 • -11.98db
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Terrible Sons
What a Friend
112 bpm • G# Maj • 03:58 • -16.55db
14% Popularity • 67% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
14% Popularity • 67% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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The Howl & The Hum
Until I Found A Rose - Alternate
118 bpm • A Maj • 03:50 • -8.04db
9% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Another Sky
The Water Below
112 bpm • F# Maj • 02:45 • -18.46db
18% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Khushi
Like a City
118 bpm • D Maj • 03:48 • -17.44db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Lucie Silvas
Home Truths
118 bpm • C min • 03:37 • -8.91db
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Elise Davis
Yellow Bed
118 bpm • D# Maj • 04:17 • -6.2db
3% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Odette
Angels
118 bpm • A min • 02:39 • -14.86db
21% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Maple Glider
Friend
118 bpm • B Maj • 04:17 • -9.69db
38% Popularity • 75% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 75% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Anjimile
To Meet You There
112 bpm • C Maj • 04:17 • -12.56db
11% Popularity • 61% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
11% Popularity • 61% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Gordi
Look Like You
118 bpm • C# min • 03:54 • -14.66db
9% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hailaker
Earthbound
112 bpm • F Maj • 03:29 • -14.97db
30% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
30% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Josh Pyke
The Hummingbird
112 bpm • D min • 03:30 • -8.02db
16% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Skye
Grand Ideas
118 bpm • C Maj • 03:10 • -7.25db
19% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Maple Glider
Good Thing
112 bpm • G# min • 04:12 • -12.22db
56% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Lisa Mitchell
Everything Is Free
112 bpm • C Maj • 04:17 • -9db
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Denison Witmer
Catalina Love
112 bpm • D Maj • 04:27 • -9.83db
7% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Emma Louise
Never Making Plans Again
119 bpm • D# Maj • 03:40 • -11db
6% Popularity • 41% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 41% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gordi
Wrecking Ball - triple j Like A Version
111 bpm • D min • 04:50 • -11db
28% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Fenne Lily
Top to Toe
111 bpm • C# Maj • 03:36 • -14.59db
50% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Alice Skye
Stay In Bed
119 bpm • C min • 04:06 • -9.87db
10% Popularity • 43% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 43% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Julien Baker
Tokyo
111 bpm • A Maj • 03:43 • -8.19db
39% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
39% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Ethan Gruska
Another Animal
120 bpm • G# Maj • 02:50 • -11.06db
16% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
37% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bombay Bicycle Club
Is It Real - Acoustic
120 bpm • D# Maj • 02:47 • -12.91db
33% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Azure Ray
Bad Dream
120 bpm • A Maj • 04:10 • -9.41db
4% Popularity • 56% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
4% Popularity • 56% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Little May
Blue Highway
120 bpm • C Maj • 03:31 • -18.79db
7% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Miel
Early Hours
120 bpm • D Maj • 03:17 • -10.47db
16% Popularity • 45% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 45% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Bear's Den
Crow - Fragments
120 bpm • A Maj • 04:42 • -14.78db
20% Popularity • 56% Danceability • 25% Energy • 12% Liveness
61% Instrumentalness • 27% Positiveness
20% Popularity • 56% Danceability • 25% Energy • 12% Liveness
61% Instrumentalness • 27% Positiveness
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Riley Pearce
Ceramic Real Estate
120 bpm • D Maj • 03:08 • -6.77db
23% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Azure Ryder
Stir The Dust
110 bpm • C Maj • 03:15 • -7.71db
29% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Little May
Blame My Body
120 bpm • C min • 03:08 • -9.23db
8% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Gordi
Unready - aO2Sk
110 bpm • F Maj • 04:12 • -6.26db
10% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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#1 Dads
Fold
120 bpm • D min • 03:13 • -10.16db
17% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sea Changer
See You There
110 bpm • B min • 03:36 • -11.29db
13% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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San Fermin
Little Star
110 bpm • A min • 02:58 • -9.57db
17% Popularity • 63% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 63% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Half Waif
Leveler
120 bpm • A min • 03:51 • -13.5db
9% Popularity • 36% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 36% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sorcha Richardson
The Starlight Lounge
121 bpm • D Maj • 03:34 • -9.94db
29% Popularity • 83% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 83% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Gordi
Unready
110 bpm • F Maj • 03:42 • -7db
18% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Angie McMahon
Tea, Milk & Honey
121 bpm • B Maj • 05:04 • -13.33db
35% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:19 • -11.69db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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San Fermin
Run Away With Me
120 bpm • D# min • 03:59 • -9.02db
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jade Bird
Does Anybody Know
109 bpm • A# min • 03:27 • -11.12db
47% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bess Atwell
One Last Word
121 bpm • C# Maj • 04:54 • -7.49db
10% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Gordi
On My Side
109 bpm • E Maj • 04:30 • -8.44db
16% Popularity • 62% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 62% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Didirri
Don't fight with what you're fighting fo...
121 bpm • G# min • 03:53 • -10.51db
11% Popularity • 39% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 39% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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SOAK
Fall Asleep / Backseat
122 bpm • F# min • 03:24 • -6.72db
13% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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St. South
I'm Still Me
108 bpm • D Maj • 04:02 • -12.5db
14% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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la loye
i'm still asleep
122 bpm • C Maj • 04:53 • -14.45db
10% Popularity • 52% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Margaret Glaspy
Killing What Keeps Us Alive
108 bpm • B Maj • 03:18 • -8.76db
7% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Riun Garner
Wrote Myself Off
122 bpm • F Maj • 03:09 • -10.16db
10% Popularity • 57% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
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Troye Sivan
Wait - from ‘Three Months’
108 bpm • G Maj • 03:29 • -5.88db
44% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jamie Drake
To My Love
108 bpm • E min • 04:37 • -8.35db
26% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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San Fermin
The Myth
123 bpm • E min • 03:16 • -15.39db
14% Popularity • 52% Danceability • 19% Energy • 11% Liveness
62% Instrumentalness • 18% Positiveness
14% Popularity • 52% Danceability • 19% Energy • 11% Liveness
62% Instrumentalness • 18% Positiveness
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Night Beds
Blue Knuckle
123 bpm • F Maj • 04:09 • -10.93db
13% Popularity • 60% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 60% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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De Joie
Oslo
123 bpm • B Maj • 03:53 • -8.27db
22% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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SOAK
Crying Your Eyes Out
107 bpm • C Maj • 03:59 • -6.31db
10% Popularity • 32% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 32% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Middle Kids
Tell Me Something
107 bpm • F# Maj • 03:16 • -5db
29% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Ayoni
Unmoved (A Black Woman Truth)
124 bpm • F# Maj • 04:16 • -9.73db
26% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Brooke Bentham
Heavy Head (Keep It Near)
107 bpm • A Maj • 04:17 • -12.82db
21% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Benjamin Francis Leftwich
Sydney 2013
124 bpm • E Maj • 03:18 • -13.07db
10% Popularity • 63% Danceability • 37% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
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Flyte
Easy Tiger
124 bpm • E min • 02:54 • -8db
35% Popularity • 71% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 80% Positiveness
35% Popularity • 71% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 80% Positiveness
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Allie Crow Buckley
Hanging Tough
124 bpm • C Maj • 04:00 • -11.38db
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
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Gordi
Sandwiches
124 bpm • G Maj • 03:58 • -6.18db
13% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Tomberlin
I'm Not Scared
124 bpm • F Maj • 04:52 • -10.09db
22% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Azure Ryder
Stronger
124 bpm • B Maj • 03:24 • -9.08db
26% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Alex Luca
Only the River
124 bpm • G Maj • 02:38 • -11db
21% Popularity • 61% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 61% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Brooke Bentham
Perform for You
106 bpm • D Maj • 03:33 • -5.93db
10% Popularity • 44% Danceability • 71% Energy • 28% Liveness
16% Instrumentalness • 22% Positiveness
10% Popularity • 44% Danceability • 71% Energy • 28% Liveness
16% Instrumentalness • 22% Positiveness