Songs like Lincolnshire Posy: I. Lisbon by Percy Grainger
Based on a tempo of (+/- 10%) and a similar genre
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Samuel R. Hazo
Sevens
121 bpm • A# min • 03:57 • -16.92db
15% Popularity • 44% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
15% Popularity • 44% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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John Williams
March
121 bpm • C min • 04:29 • -22.55db
10% Popularity • 57% Danceability • 28% Energy • 28% Liveness
81% Instrumentalness • 20% Positiveness
10% Popularity • 57% Danceability • 28% Energy • 28% Liveness
81% Instrumentalness • 20% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: English Folk Song Suit...
121 bpm • F min • 03:19 • -14db
12% Popularity • 47% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 74% Positiveness
12% Popularity • 47% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 74% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
9% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Launy Grøndahl
Trombone Concerto (1st version): III. Fi...
121 bpm • F# Maj • 05:11 • -23db
10% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
10% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Alfred Reed
2 Suite for Band: I. Son Montuno
122 bpm • C min • 02:44 • -20db
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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John Mackey
Strange Humors
120 bpm • C min • 05:32 • -14.1db
21% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
21% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite (arr. G. Jacob):...
119 bpm • F min • 02:50 • -20db
15% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
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John Philip Sousa
The Fairest of the Fair
119 bpm • G# Maj • 03:34 • -20db
19% Popularity • 57% Danceability • 23% Energy • 55% Liveness
87% Instrumentalness • 76% Positiveness
19% Popularity • 57% Danceability • 23% Energy • 55% Liveness
87% Instrumentalness • 76% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
122 bpm • A# Maj • 07:14 • -15.46db
5% Popularity • 39% Danceability • 27% Energy • 69% Liveness
94% Instrumentalness • 30% Positiveness
5% Popularity • 39% Danceability • 27% Energy • 69% Liveness
94% Instrumentalness • 30% Positiveness
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Frank Ticheli
San Antonio Dances: II. Tex-Mex on the R...
119 bpm • A# Maj • 04:37 • -23db
7% Popularity • 36% Danceability • 14% Energy • 10% Liveness
76% Instrumentalness • 24% Positiveness
7% Popularity • 36% Danceability • 14% Energy • 10% Liveness
76% Instrumentalness • 24% Positiveness
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Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Brett William Dietz
Redshift
123 bpm • G Maj • 09:47 • -18.67db
0% Popularity • 34% Danceability • 17% Energy • 18% Liveness
51% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 17% Energy • 18% Liveness
51% Instrumentalness • 8% Positiveness
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Gustav Holst
1st Suite for Military Band in E-Flat Ma...
119 bpm • G# Maj • 03:11 • -21db
8% Popularity • 51% Danceability • 10% Energy • 29% Liveness
94% Instrumentalness • 40% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 29% Liveness
94% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Fugue à la gigue
118 bpm • A# Maj • 03:12 • -22.75db
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
19% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
19% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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Ron Nelson
Courtly Airs and Dances: IV. Saltarello
118 bpm • A# Maj • 02:06 • -24.45db
14% Popularity • 68% Danceability • 14% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
14% Popularity • 68% Danceability • 14% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
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John Philip Sousa
Solid Men to the Front (arr. F. Byrne)
118 bpm • G# Maj • 03:59 • -17.77db
1% Popularity • 61% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
1% Popularity • 61% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
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Gustav Holst
Hammersmith, Op. 52, H. 178
118 bpm • G# Maj • 14:38 • -28.24db
10% Popularity • 29% Danceability • 1% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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André Waignein
Rhapsody for Alto Saxophone: III. Allegr...
125 bpm • F min • 05:09 • -12.94db
9% Popularity • 46% Danceability • 32% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 46% Danceability • 32% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Percy Grainger
Green Bushes
118 bpm • A# Maj • 08:28 • -23.3db
9% Popularity • 32% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Traditional
Yagi-Bushi (arr. N. Iwai)
125 bpm • F min • 03:57 • -16.85db
5% Popularity • 60% Danceability • 44% Energy • 17% Liveness
28% Instrumentalness • 56% Positiveness
5% Popularity • 60% Danceability • 44% Energy • 17% Liveness
28% Instrumentalness • 56% Positiveness
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Kevin Day
Havana
117 bpm • C min • 07:58 • -16.13db
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
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Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
7% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Frank Erickson
Toccata for Band
125 bpm • G Maj • 05:27 • -16db
16% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
16% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
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Percy Grainger
In a Nutshell: IV. Gum-Suckers' March (V...
117 bpm • D# Maj • 03:39 • -14.72db
8% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
8% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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Robert W. Smith
Songs of Sailor and Sea
125 bpm • A# Maj • 08:29 • -19db
11% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
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Donald Grantham
J'ai ete au bal (I Went to the Dance)
126 bpm • A# min • 09:43 • -27.6db
10% Popularity • 32% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 9% Positiveness
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Gustav Holst
A Moorside Suite, H. 173: III. March. Al...
126 bpm • A# Maj • 04:11 • -24.19db
5% Popularity • 39% Danceability • 7% Energy • 32% Liveness
94% Instrumentalness • 31% Positiveness
5% Popularity • 39% Danceability • 7% Energy • 32% Liveness
94% Instrumentalness • 31% Positiveness
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Ron Nelson
Courtly Airs and Dances: VI. Allemande
126 bpm • A# Maj • 02:24 • -20db
10% Popularity • 50% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
10% Popularity • 50% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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Percy Grainger
The Immovable Do "The Ciphering C" (Vers...
126 bpm • F Maj • 04:44 • -15.31db
8% Popularity • 20% Danceability • 11% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
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Samuel R. Hazo
Perthshire Majesty
116 bpm • A# Maj • 04:35 • -16db
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
24% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
24% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
29% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
29% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Sea Songs
116 bpm • G# Maj • 03:57 • -23db
13% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
13% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
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Northwestern State University Bands
Overture for Winds
127 bpm • C min • 04:19 • -18.97db
13% Popularity • 23% Danceability • 20% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
13% Popularity • 23% Danceability • 20% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
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Percy Grainger
Children's March "Over the Hills and Far...
126 bpm • A# Maj • 06:44 • -15.5db
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Leonard Bernstein
Candide: I. The Best of All Possible Wor...
127 bpm • D# Maj • 02:01 • -17db
23% Popularity • 67% Danceability • 23% Energy • 23% Liveness
92% Instrumentalness • 76% Positiveness
23% Popularity • 67% Danceability • 23% Energy • 23% Liveness
92% Instrumentalness • 76% Positiveness
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W.J. Duthoit
The Love for 3 Oranges Suite, Op. 33bis:...
115 bpm • C# Maj • 01:52 • -19.09db
0% Popularity • 50% Danceability • 42% Energy • 66% Liveness
78% Instrumentalness • 19% Positiveness
0% Popularity • 50% Danceability • 42% Energy • 66% Liveness
78% Instrumentalness • 19% Positiveness
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Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
18% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
18% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Norman Dello Joio
Satiric Dances: I. Allegro pesante
115 bpm • A min • 02:03 • -14db
10% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
10% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
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Johan de Meij
Joropo
115 bpm • D min • 03:17 • -13db
21% Popularity • 53% Danceability • 30% Energy • 17% Liveness
88% Instrumentalness • 69% Positiveness
21% Popularity • 53% Danceability • 30% Energy • 17% Liveness
88% Instrumentalness • 69% Positiveness
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Percy Grainger
Lincolnshire Posy (Ed. F. Fennell): I. L...
116 bpm • C# Maj • 01:27 • -22.59db
14% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
14% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
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Øystein Baadsvik
Bass Tuba Concerto in F Minor: I. Prelud...
115 bpm • A# min • 04:09 • -21.2db
10% Popularity • 46% Danceability • 14% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
10% Popularity • 46% Danceability • 14% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
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David Maslanka
Symphony No. 4: Measures 333-405 -
127 bpm • C Maj • 03:36 • -41.56db
11% Popularity • 17% Danceability • 0% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 0% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Alfred Reed
Armenian Dances: Part II: I. Hov Arek
128 bpm • A min • 04:19 • -22db
19% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
19% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
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Gérard Besse
Suite française : IV. Alsace-Lorraine
114 bpm • D min • 03:59 • -17db
3% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
3% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Air Combat Command Heritage Of America Band
I. March; Allegro (Second Suite in F for...
128 bpm • F Maj • 04:25 • -22.16db
7% Popularity • 46% Danceability • 9% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
7% Popularity • 46% Danceability • 9% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Percy Grainger
Children's March, RMTB 4
127 bpm • A# Maj • 06:50 • -19.98db
2% Popularity • 35% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
2% Popularity • 35% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Norman Dello Joio
Variants on a Mediaeval Tune "In dulce j...
128 bpm • C min • 01:06 • -19.5db
4% Popularity • 51% Danceability • 22% Energy • 8% Liveness
76% Instrumentalness • 35% Positiveness
4% Popularity • 51% Danceability • 22% Energy • 8% Liveness
76% Instrumentalness • 35% Positiveness
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John Mackey
Redline Tango
128 bpm • C# Maj • 09:27 • -18db
16% Popularity • 37% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 37% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Donald Grantham
Southern Harmony: I. The Midnight Cry
129 bpm • G# Maj • 02:21 • -12db
18% Popularity • 48% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
18% Popularity • 48% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Gérard Besse
Suite française : I. Normandie
128 bpm • A# Maj • 01:48 • -14db
18% Popularity • 60% Danceability • 27% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
18% Popularity • 60% Danceability • 27% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
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Air Combat Command Heritage Of America Band
IV. Burlesque (Divertimento for Band)
114 bpm • E min • 01:42 • -21.05db
9% Popularity • 49% Danceability • 19% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
9% Popularity • 49% Danceability • 19% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
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Percy Grainger
Youthul Suite: IV. Eastern Intermezzo
128 bpm • F Maj • 02:03 • -21.03db
5% Popularity • 48% Danceability • 21% Energy • 9% Liveness
77% Instrumentalness • 36% Positiveness
5% Popularity • 48% Danceability • 21% Energy • 9% Liveness
77% Instrumentalness • 36% Positiveness
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Zequinha De Abreu
Tico-Tico no Fuba (arr. N. Iwai)
129 bpm • G min • 02:45 • -16.45db
25% Popularity • 50% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 51% Positiveness
25% Popularity • 50% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 51% Positiveness
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Alfred Reed
Armenian Dances: Part I
129 bpm • G min • 11:24 • -22.34db
11% Popularity • 25% Danceability • 10% Energy • 30% Liveness
54% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 10% Energy • 30% Liveness
54% Instrumentalness • 14% Positiveness
► Preview
Julie Giroux
Bookmarks from Japan: IV. Kinryuzan Temp...
114 bpm • C# Maj • 03:09 • -16.64db
16% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
16% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
► Preview
John Philip Sousa
Tales of a Traveler: Easter Monday on th...
114 bpm • A# Maj • 02:15 • -20.99db
5% Popularity • 59% Danceability • 33% Energy • 22% Liveness
88% Instrumentalness • 77% Positiveness
5% Popularity • 59% Danceability • 33% Energy • 22% Liveness
88% Instrumentalness • 77% Positiveness
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Air Combat Command Heritage Of America Band
I. Prologue (Divertimento for Band)
129 bpm • D Maj • 01:23 • -21.08db
10% Popularity • 55% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 74% Positiveness
10% Popularity • 55% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 74% Positiveness
► Preview
Kurt Weill
Kleine Dreigroschenmusik: I. Overture
113 bpm • F Maj • 01:55 • -19.52db
12% Popularity • 80% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 41% Positiveness
12% Popularity • 80% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 41% Positiveness
► Preview
Percy Grainger
Scotch Strathspey and Reel
114 bpm • C min • 07:14 • -18.79db
2% Popularity • 41% Danceability • 23% Energy • 8% Liveness
74% Instrumentalness • 39% Positiveness
2% Popularity • 41% Danceability • 23% Energy • 8% Liveness
74% Instrumentalness • 39% Positiveness
► Preview
Tylman Susato
Danserye: V. Den hoboecken dans
113 bpm • D min • 01:59 • -19.09db
4% Popularity • 34% Danceability • 24% Energy • 23% Liveness
65% Instrumentalness • 25% Positiveness
4% Popularity • 34% Danceability • 24% Energy • 23% Liveness
65% Instrumentalness • 25% Positiveness
► Preview
John Barnes Chance
Blue Lake Overture
129 bpm • A# min • 05:38 • -18.51db
7% Popularity • 28% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 28% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Samuel R. Hazo
Across the Halfpipe
113 bpm • A# Maj • 04:08 • -5.19db
8% Popularity • 47% Danceability • 60% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
8% Popularity • 47% Danceability • 60% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
► Preview
Robert Jager
Third Suite, III: Rondo - Robert E. Jage...
130 bpm • G min • 02:55 • -19db
14% Popularity • 48% Danceability • 36% Energy • 6% Liveness
75% Instrumentalness • 60% Positiveness
14% Popularity • 48% Danceability • 36% Energy • 6% Liveness
75% Instrumentalness • 60% Positiveness
► Preview
William Walton
Crown Imperial: Coronation March (arr. J...
113 bpm • C Maj • 06:10 • -10db
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
► Preview
Percy Grainger
Walking Tune
128 bpm • G Maj • 04:26 • -31.5db
8% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
8% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
US Continental Army Band
Black Granite
113 bpm • C# Maj • 03:56 • -17.77db
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
John Mackey
Strange Humors
113 bpm • D# Maj • 05:24 • -11db
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
► Preview
John Barnes Chance
Variations on a Korean Folk Song: III. L...
130 bpm • F# Maj • 01:36 • -36db
21% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
Octet for Wind Instruments : I. Sinfonia
113 bpm • D# Maj • 04:04 • -15db
12% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
12% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
John Philip Sousa
The Liberty Bell (arr. K. Brion)
130 bpm • A# Maj • 03:20 • -17.59db
1% Popularity • 62% Danceability • 27% Energy • 30% Liveness
98% Instrumentalness • 9% Positiveness
1% Popularity • 62% Danceability • 27% Energy • 30% Liveness
98% Instrumentalness • 9% Positiveness
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Percy Grainger
Molly on the Shore
130 bpm • C Maj • 03:17 • -21.61db
6% Popularity • 41% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 69% Positiveness
6% Popularity • 41% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 69% Positiveness
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Samuel R. Hazo
Blue and Green Music
112 bpm • F min • 04:20 • -17.69db
14% Popularity • 17% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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John Corigliano
Symphony No. 3, "Circus Maximus": I. Int...
130 bpm • D Maj • 03:26 • -15.95db
9% Popularity • 22% Danceability • 56% Energy • 23% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 56% Energy • 23% Liveness
83% Instrumentalness • 6% Positiveness
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Gustav Holst
2nd Suite for Military Band in F Major, ...
130 bpm • F Maj • 04:14 • -23.17db
14% Popularity • 52% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 60% Positiveness
14% Popularity • 52% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 60% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
130 bpm • F Maj • 01:47 • -17.55db
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
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Hugh Stuart
3 Ayres from Gloucester: No. 3. The Fief...
112 bpm • D min • 01:09 • -18.17db
17% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
17% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
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Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
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David Maslanka
A Child's Garden of Dreams, Book 1: V. A...
131 bpm • F Maj • 09:24 • -24.26db
6% Popularity • 23% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
6% Popularity • 23% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Air Combat Command Heritage Of America Band
III. Dance (Divertimento for Band)
131 bpm • F Maj • 00:59 • -24.25db
12% Popularity • 46% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 46% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Malcolm Arnold
Tam O'Shanter, Op. 51 (Arr. J. Paynter)
131 bpm • G Maj • 08:09 • -17.78db
4% Popularity • 28% Danceability • 26% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
4% Popularity • 28% Danceability • 26% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
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Fisher Tull
Rhapsody
131 bpm • G min • 12:19 • -19.27db
0% Popularity • 28% Danceability • 10% Energy • 3% Liveness
89% Instrumentalness • 6% Positiveness
0% Popularity • 28% Danceability • 10% Energy • 3% Liveness
89% Instrumentalness • 6% Positiveness
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Julie Giroux
One Life Beautiful
131 bpm • C# Maj • 05:40 • -22db
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Steven Bryant
Radiant Joy
131 bpm • D# Maj • 05:00 • -17.5db
9% Popularity • 35% Danceability • 17% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
9% Popularity • 35% Danceability • 17% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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The University of Illinois Symphonic Band
Scenes from the Louvre: II. Children's G...
111 bpm • F Maj • 02:12 • -29.67db
8% Popularity • 30% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 18% Positiveness
8% Popularity • 30% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 18% Positiveness
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Roger Cichy
Quartets
111 bpm • D# Maj • 09:08 • -14.43db
8% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
8% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Rossano Galante
Transcendent Journey
132 bpm • F Maj • 06:16 • -11.17db
16% Popularity • 26% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 25% Positiveness
16% Popularity • 26% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 25% Positiveness
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James Barnes
Appalachian Overture
132 bpm • G# Maj • 06:50 • -14.05db
17% Popularity • 28% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
17% Popularity • 28% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Percy Grainger
The Gum-Suckers March (Cornstalks' March...
111 bpm • D# Maj • 03:44 • -19.56db
18% Popularity • 45% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 56% Positiveness
18% Popularity • 45% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 56% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song: II. Vi...
132 bpm • C# Maj • 01:00 • -21.95db
16% Popularity • 31% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
16% Popularity • 31% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
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Fisher Tull
Trumpet Concerto No. 2: II. Slowly with ...
132 bpm • C# Maj • 05:28 • -22.87db
0% Popularity • 16% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
