Songs like L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro by Claudio Monteverdi
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Violin Concerto in B-Flat Major, RV 376:...
145 bpm • A# Maj • 04:25 • -23.82db
2% Popularity • 41% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 33% Positiveness
2% Popularity • 41% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 33% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
12% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dominus a dextri...
146 bpm • C# min • 03:07 • -17db
15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
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Franz Schubert
Schwanengesang, D. 957: Ständchen "Leis...
143 bpm • C Maj • 03:53 • -24db
12% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Lucio Silla: Overture
147 bpm • A Maj • 08:02 • -20.28db
5% Popularity • 35% Danceability • 7% Energy • 8% Liveness
25% Instrumentalness • 7% Positiveness
5% Popularity • 35% Danceability • 7% Energy • 8% Liveness
25% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Chaconne for Soprano and Continuo: Sans ...
145 bpm • G# Maj • 02:29 • -24.61db
3% Popularity • 43% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
3% Popularity • 43% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
L'Amant anonyme / Act 2: Enfin une foule...
143 bpm • C Maj • 03:33 • -16.27db
10% Popularity • 35% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
10% Popularity • 35% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
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Giuseppe Tartini
Concerto in G Major: III. Allegretto
142 bpm • D Maj • 03:43 • -18.29db
5% Popularity • 50% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 60% Positiveness
5% Popularity • 50% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 60% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
35% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Scherzi musicali a tre voci:...
150 bpm • C Maj • 02:12 • -16.24db
23% Popularity • 45% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
23% Popularity • 45% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588: Overture
140 bpm • C Maj • 04:32 • -18.38db
5% Popularity • 36% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
5% Popularity • 36% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Giuseppe Tartini
Violin Concerto in A Major, D. 96: IV. L...
142 bpm • E Maj • 04:41 • -26.01db
6% Popularity • 20% Danceability • 7% Energy • 36% Liveness
12% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 7% Energy • 36% Liveness
12% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: V. Agnus Dei
139 bpm • D min • 06:29 • -26db
14% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
139 bpm • D Maj • 01:03 • -27.5db
40% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
40% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Bastien und Bastienne, K. 50: Intrada
139 bpm • C Maj • 01:46 • -28.34db
6% Popularity • 32% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
6% Popularity • 32% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
139 bpm • D Maj • 03:40 • -17db
40% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
40% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ...
139 bpm • F# Maj • 01:58 • -14.32db
12% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Giuseppe Tartini
Concerto in G Major: I. Allegro
139 bpm • G Maj • 06:11 • -18.22db
5% Popularity • 35% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
5% Popularity • 35% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Traditional Venetian
La biondina in gondoleta
139 bpm • G Maj • 04:38 • -19.88db
18% Popularity • 35% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 35% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Domenico Cimarosa
Oreste: Cara parte del mio cor
138 bpm • F Maj • 05:49 • -16.91db
9% Popularity • 33% Danceability • 14% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
9% Popularity • 33% Danceability • 14% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Ich habe genug, Cantata BWV 82: 1. Aria:...
138 bpm • B min • 07:01 • -20.35db
23% Popularity • 20% Danceability • 10% Energy • 15% Liveness
82% Instrumentalness • 12% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 15% Liveness
82% Instrumentalness • 12% Positiveness
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Claudio Monteverdi
Monteverdi: Ohimè ch’io cado, SV 316
138 bpm • G Maj • 04:05 • -20.81db
23% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tomaso Albinoni
L'Eraclea: Dopo i nembi e le procelle
137 bpm • D min • 05:04 • -20.84db
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Mitridate, re di Ponto, K. 87: Overture
154 bpm • A Maj • 05:34 • -21.8db
5% Popularity • 30% Danceability • 8% Energy • 6% Liveness
27% Instrumentalness • 26% Positiveness
5% Popularity • 30% Danceability • 8% Energy • 6% Liveness
27% Instrumentalness • 26% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 2: Trans...
136 bpm • G Maj • 04:59 • -28.8db
11% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Franz Schubert
Ständchen, D. 920
136 bpm • F Maj • 05:26 • -24.99db
8% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Claudio Monteverdi
Scherzi musicali: Damigella tutta bella,...
136 bpm • A# Maj • 02:55 • -19db
11% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Carl Heinrich Graun
Cleopatra e Cesare (Act 1): Tra le proce...
136 bpm • D# Maj • 07:17 • -18.26db
15% Popularity • 52% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 32% Positiveness
15% Popularity • 52% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 32% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
136 bpm • F Maj • 10:44 • -20.61db
21% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
21% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
25% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
25% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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George Frideric Handel
Parnasso in festa, HWV 73, Pt. 1: Solo e...
135 bpm • A Maj • 02:49 • -16.77db
0% Popularity • 32% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 32% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
37% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
In furore, R.626: I. In furore iustissim...
134 bpm • C min • 05:10 • -14.15db
19% Popularity • 42% Danceability • 30% Energy • 34% Liveness
2% Instrumentalness • 27% Positiveness
19% Popularity • 42% Danceability • 30% Energy • 34% Liveness
2% Instrumentalness • 27% Positiveness
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Carlo Pallavicino
Pallavicino: L'Antiope: "Sdegni, furori ...
133 bpm • C# Maj • 01:13 • -14.1db
16% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Apollo et Hyacinthus, K. 38: Intrada
133 bpm • A Maj • 02:58 • -21.85db
6% Popularity • 38% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 31% Positiveness
6% Popularity • 38% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 31% Positiveness
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Giuseppe Tartini
Concerto in D Minor, D. 44: I. Allegro a...
133 bpm • D min • 05:38 • -18.07db
4% Popularity • 37% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
4% Popularity • 37% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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George Frideric Handel
Alcina / Act 1: Tornami a vagheggiar
133 bpm • A Maj • 04:58 • -15.96db
19% Popularity • 46% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 46% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Claudio Monteverdi
Vespers of 1610: Ave maris stella
136 bpm • G Maj • 07:57 • -24db
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Christoph Willibald Gluck
Paride ed Elena / Act 1: "O del mio dolc...
133 bpm • E min • 03:14 • -23db
11% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
31% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Nicola Porpora
Porpora: Arianna e Teseo: "Mira in cielo...
132 bpm • E Maj • 05:53 • -18.53db
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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George Frideric Handel
Giulio Cesare in Egitto, HWV 17 / Atto s...
133 bpm • F min • 09:20 • -20.58db
17% Popularity • 24% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Settimo libro de madrigali "...
133 bpm • G Maj • 07:49 • -19.87db
17% Popularity • 28% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Concerto In A Minor For 2 Violins, Strin...
133 bpm • A min • 02:52 • -17db
10% Popularity • 52% Danceability • 26% Energy • 8% Liveness
62% Instrumentalness • 62% Positiveness
10% Popularity • 52% Danceability • 26% Energy • 8% Liveness
62% Instrumentalness • 62% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Misere I
131 bpm • B min • 02:27 • -16db
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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George Frideric Handel
Parnasso in festa, HWV 73, Pt. 1: ''Già ...
132 bpm • C# min • 01:32 • -14.85db
0% Popularity • 35% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 35% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Claudio Monteverdi
Vespers of 1610, Magnificat (Low): Quia ...
131 bpm • C Maj • 01:05 • -22.27db
9% Popularity • 21% Danceability • 12% Energy • 13% Liveness
19% Instrumentalness • 18% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 13% Liveness
19% Instrumentalness • 18% Positiveness
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AntonÃn Dvořák
Stabat Mater, Op. 58, B.71: 3. "Eia mate...
131 bpm • C min • 07:04 • -17.69db
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Concerto For 2 Violins, Strings And Cont...
133 bpm • D Maj • 03:40 • -16.2db
12% Popularity • 48% Danceability • 30% Energy • 15% Liveness
50% Instrumentalness • 52% Positiveness
12% Popularity • 48% Danceability • 30% Energy • 15% Liveness
50% Instrumentalness • 52% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Carl Heinrich Graun
Cleopatra e Cesare, WV B:I:7: Tra le pro...
130 bpm • D# Maj • 07:24 • -13.34db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
► Preview
Claudio Monteverdi
Versicle/Response: Deus in adjutorium/Do...
135 bpm • D# Maj • 01:59 • -14db
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: I. Kyrie
130 bpm • A Maj • 03:33 • -25.43db
34% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Antonio Vivaldi
Juditha Triumphans, RV 644: Armatae face
129 bpm • C min • 03:22 • -18db
23% Popularity • 51% Danceability • 26% Energy • 29% Liveness
2% Instrumentalness • 63% Positiveness
23% Popularity • 51% Danceability • 26% Energy • 29% Liveness
2% Instrumentalness • 63% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
129 bpm • D# min • 06:40 • -19.08db
33% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
33% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
128 bpm • A min • 06:18 • -18.09db
7% Popularity • 31% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
7% Popularity • 31% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand, Beli...
164 bpm • F# min • 04:49 • -24db
7% Popularity • 16% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
30% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
128 bpm • G# Maj • 03:30 • -22db
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Alcidiane: Recits Italiens chantes par M...
165 bpm • B Maj • 04:45 • -28.81db
21% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: II. "Memor...
166 bpm • G# min • 04:45 • -17.18db
21% Popularity • 27% Danceability • 13% Energy • 30% Liveness
1% Instrumentalness • 29% Positiveness
21% Popularity • 27% Danceability • 13% Energy • 30% Liveness
1% Instrumentalness • 29% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z.323: V. Str...
127 bpm • G min • 03:52 • -16db
7% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Johann Sebastian Bach
Was mir behagt, ist nur die muntre Jagd,...
126 bpm • A Maj • 04:05 • -21.67db
15% Popularity • 30% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588: Act 1: "Faccia ...
167 bpm • G# min • 03:34 • -27db
11% Popularity • 12% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto In C Minor For 2 Violins, Strin...
126 bpm • C min • 03:22 • -18.57db
7% Popularity • 38% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 43% Positiveness
7% Popularity • 38% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 43% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
34% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Jordi Savall
Ohimè Ch'Io Cado (Libro Nono)
126 bpm • C Maj • 04:28 • -21db
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ritournelle et Recit chante p...
168 bpm • F# min • 06:04 • -35.26db
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Tartini
Violin Concerto in D Minor, D. 45: I. Al...
168 bpm • D min • 06:22 • -17.36db
6% Popularity • 26% Danceability • 13% Energy • 24% Liveness
3% Instrumentalness • 21% Positiveness
6% Popularity • 26% Danceability • 13% Energy • 24% Liveness
3% Instrumentalness • 21% Positiveness
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Pietro Locatelli
Concerto in C Minor, Op. 3 No. 2: I. And...
124 bpm • B min • 10:04 • -17.8db
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Vivaldi: Orlando Furioso RV 728 - Adapte...
125 bpm • A# Maj • 02:28 • -16db
7% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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George Frideric Handel
Giulio Cesare / Act 3: "Piangerò la sor...
124 bpm • D# Maj • 06:58 • -17.4db
10% Popularity • 28% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "With drooping ...
169 bpm • G min • 04:45 • -26db
18% Popularity • 14% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Credo RV 592 Crucifixus
169 bpm • E min • 02:51 • -20db
36% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Giulio Caccini
Caccini: Le nuove musiche: VIII. Amarill...
170 bpm • F# Maj • 03:27 • -16db
11% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Madrigals, Book 9: Entri pur nel nostro ...
125 bpm • G Maj • 00:56 • -20.69db
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Yvonne Kenny
Rinaldo, HWV 7: "Lascia ch'io pianga"
170 bpm • E Maj • 04:26 • -19db
17% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act 2: "Lascia ch'io p...
171 bpm • E Maj • 05:37 • -22.57db
17% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 3. Laudamus t...
123 bpm • F# Maj • 02:05 • -13.51db
16% Popularity • 46% Danceability • 30% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
16% Popularity • 46% Danceability • 30% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
