Songs like Linda Goes to Mars by John Prine
Based on a tempo of (+/- 10%) and a similar genre
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The Cactus Blossoms
If I Cant Win
84 bpm • A Maj • 03:17 • -10.63db
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jackie Greene
Honey I Been Thinking About You
84 bpm • G# Maj • 04:45 • -4.01db
41% Popularity • 21% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 21% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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John Prine
Linda Goes To Mars
83 bpm • D Maj • 03:06 • -19.11db
15% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Jim Croce
Hey Tomorrow
83 bpm • C Maj • 02:46 • -13.53db
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
85 bpm • G Maj • 03:00 • -13db
44% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
44% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Shovels & Rope
Leaving Louisiana In The Broad Daylight
85 bpm • F Maj • 03:33 • -4.72db
39% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Cactus Blossoms
Queen of Them All
83 bpm • A Maj • 03:40 • -9.07db
28% Popularity • 40% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 40% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Loretta Lynn
You're The Reason Our Kids Are Ugly
85 bpm • A Maj • 02:34 • -10db
51% Popularity • 75% Danceability • 54% Energy • 68% Liveness
2% Instrumentalness • 75% Positiveness
51% Popularity • 75% Danceability • 54% Energy • 68% Liveness
2% Instrumentalness • 75% Positiveness
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John Prine
Fish and Whistle
83 bpm • G Maj • 03:14 • -15db
52% Popularity • 72% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 72% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Drive-By Truckers
Outfit
83 bpm • G Maj • 04:06 • -7.05db
42% Popularity • 44% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 44% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Guy Clark
Dublin Blues
85 bpm • E Maj • 04:19 • -13db
46% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Little Feat
Missin' You
82 bpm • C Maj • 02:21 • -19db
40% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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The Cactus Blossoms
Got a Lotta Love
83 bpm • A Maj • 03:02 • -10db
37% Popularity • 57% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 33% Positiveness
37% Popularity • 57% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 33% Positiveness
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Roger Miller
Where Have All The Average People Gone -...
85 bpm • A Maj • 03:01 • -13db
45% Popularity • 70% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 70% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jonny Fritz
I Love Leaving
82 bpm • C Maj • 03:26 • -6.98db
26% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Deslondes
Low Down Soul
82 bpm • G Maj • 03:36 • -8.01db
30% Popularity • 60% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
30% Popularity • 60% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Warren Zevon
Accidentally Like a Martyr
86 bpm • G Maj • 03:06 • -8.53db
34% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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John Prine
Souvenirs - Live
82 bpm • G Maj • 03:45 • -9.53db
18% Popularity • 48% Danceability • 49% Energy • 71% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 48% Danceability • 49% Energy • 71% Liveness
0% Instrumentalness • 79% Positiveness
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Drive-By Truckers
Bob
82 bpm • C Maj • 02:15 • -9.45db
50% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Gordon Lightfoot
The Watchman's Gone
82 bpm • D Maj • 04:18 • -15db
47% Popularity • 56% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Jason Isbell and the 400 Unit
Last Of My Kind
82 bpm • A Maj • 04:22 • -15.12db
34% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Leon Russell
It's A Hard Rain Gonna Fall
86 bpm • F Maj • 05:10 • -14.08db
40% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Mary Gauthier
Oh Soul
82 bpm • F Maj • 05:26 • -15.83db
27% Popularity • 44% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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John Prine
No Ordinary Blue
87 bpm • A Maj • 02:56 • -14.1db
34% Popularity • 60% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
34% Popularity • 60% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Terry Allen
Amarillo Highway (for Dave Hickey)
82 bpm • A Maj • 04:00 • -7.76db
42% Popularity • 53% Danceability • 60% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
42% Popularity • 53% Danceability • 60% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
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The Deslondes
Muddy Water
82 bpm • A Maj • 03:36 • -8.93db
38% Popularity • 51% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
38% Popularity • 51% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Joe Ely
Treat Me Like A Saturday Night - 2022 Re...
81 bpm • B Maj • 03:03 • -12.36db
29% Popularity • 52% Danceability • 46% Energy • 8% Liveness
47% Instrumentalness • 40% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 8% Liveness
47% Instrumentalness • 40% Positiveness
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Kieran Kane
Till I'm Too Old to Die Young
81 bpm • D Maj • 03:29 • -8.96db
22% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Doc Watson
Sitting On Top Of the World
87 bpm • D# Maj • 03:45 • -17.5db
20% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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John Prine
Paradise
82 bpm • D Maj • 03:15 • -14db
49% Popularity • 58% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 58% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Dave Alvin
Rio Grande
87 bpm • C Maj • 04:25 • -9.69db
25% Popularity • 57% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
25% Popularity • 57% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
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The Flatlanders
After the Storm
81 bpm • D# Maj • 03:52 • -9.65db
24% Popularity • 65% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
24% Popularity • 65% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
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Jason Isbell and the 400 Unit
Into the Mystic - Live
81 bpm • D Maj • 04:24 • -10.32db
41% Popularity • 43% Danceability • 51% Energy • 84% Liveness
6% Instrumentalness • 26% Positiveness
41% Popularity • 43% Danceability • 51% Energy • 84% Liveness
6% Instrumentalness • 26% Positiveness
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Slaid Cleaves
Oh Roberta
87 bpm • D Maj • 03:17 • -8.89db
24% Popularity • 64% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 64% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Lori McKenna
People Get Old
81 bpm • G# Maj • 03:42 • -11db
44% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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John Prine
Spanish Pipedream
81 bpm • G Maj • 02:41 • -13.99db
51% Popularity • 67% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 67% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Neko Case
Buckets of Rain - Live
81 bpm • D Maj • 02:48 • -12.24db
37% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Willis Alan Ramsey
Satin Sheets
81 bpm • F min • 02:39 • -16.54db
31% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Gordon Lightfoot
Me and Bobby McGee
87 bpm • E Maj • 03:46 • -16.51db
45% Popularity • 69% Danceability • 22% Energy • 5% Liveness
5% Instrumentalness • 48% Positiveness
45% Popularity • 69% Danceability • 22% Energy • 5% Liveness
5% Instrumentalness • 48% Positiveness
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Tift Merritt
Traveling Alone
81 bpm • D Maj • 04:44 • -11db
48% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Marshall Tucker Band
Ab's Song
88 bpm • G Maj • 01:15 • -13db
55% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
55% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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John Prine
Aw Heck
88 bpm • E Maj • 02:20 • -15.41db
36% Popularity • 75% Danceability • 51% Energy • 7% Liveness
18% Instrumentalness • 87% Positiveness
36% Popularity • 75% Danceability • 51% Energy • 7% Liveness
18% Instrumentalness • 87% Positiveness
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Stephen Stills
Colorado
81 bpm • G Maj • 02:52 • -9.88db
40% Popularity • 55% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 55% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Willis Alan Ramsey
Angel Eyes
80 bpm • D Maj • 03:11 • -19.65db
26% Popularity • 37% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 37% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Arlo Guthrie
The Motorcycle Song - Remastered
80 bpm • G Maj • 07:57 • -11.89db
22% Popularity • 62% Danceability • 41% Energy • 97% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 62% Danceability • 41% Energy • 97% Liveness
0% Instrumentalness • 16% Positiveness
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Amanda Shires
Wasted and Rollin'
79 bpm • D Maj • 03:52 • -8.62db
26% Popularity • 38% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 46% Positiveness
26% Popularity • 38% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 46% Positiveness
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Alejandro Escovedo
Evening Gown
79 bpm • G Maj • 03:28 • -6.68db
34% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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John Prine
Lake Marie
80 bpm • G Maj • 06:00 • -9.68db
41% Popularity • 64% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 64% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Doc Watson
Sittin On Top Of The World
89 bpm • D# Maj • 02:39 • -21.44db
55% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Sturgill Simpson
In Bloom
78 bpm • D min • 04:00 • -8.98db
52% Popularity • 45% Danceability • 37% Energy • 12% Liveness
25% Instrumentalness • 26% Positiveness
52% Popularity • 45% Danceability • 37% Energy • 12% Liveness
25% Instrumentalness • 26% Positiveness
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Slaid Cleaves
Texas Love Song
90 bpm • G Maj • 03:03 • -8.66db
31% Popularity • 64% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 64% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bonnie Raitt
Your Sweet and Shiny Eyes - 2008 Remaste...
78 bpm • D Maj • 02:47 • -10db
30% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Willis Alan Ramsey
Northeast Texas Women
78 bpm • D# Maj • 05:51 • -15.85db
32% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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John Prine
Egg & Daughter Nite, Lincoln Nebraska, 1...
89 bpm • G# Maj • 04:05 • -10.76db
36% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Trampled by Turtles
Jars At Home
90 bpm • F# Maj • 02:09 • -11db
52% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Arlo Guthrie
Anytime
78 bpm • A Maj • 01:50 • -9.12db
30% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Loudon Wainwright III
Daughter
91 bpm • A Maj • 03:32 • -8.16db
47% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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John Hiatt
Memphis In The Meantime
91 bpm • E Maj • 03:59 • -11db
42% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Billy Bragg
Rock Island Line
78 bpm • F Maj • 02:55 • -6.94db
28% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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John Prine
When I Get to Heaven
90 bpm • D Maj • 03:42 • -13db
44% Popularity • 58% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 58% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Merle Haggard
Wishing All These Things Were New
78 bpm • C Maj • 03:20 • -14.07db
25% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jason Isbell and the 400 Unit
Hope The High Road
91 bpm • A Maj • 03:03 • -8.15db
19% Popularity • 45% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 45% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Hoyt Axton
Jealous Man
91 bpm • G Maj • 01:20 • -13.84db
34% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Taj Mahal
Fishin' Blues
77 bpm • D Maj • 03:04 • -17db
36% Popularity • 65% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Eilen Jewell
Half-Broke Horse
91 bpm • B Maj • 03:26 • -10.02db
40% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Warren Zevon
Back In the High Life Again
77 bpm • F Maj • 03:13 • -10.73db
34% Popularity • 50% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 50% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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John Prine
Long Monday
77 bpm • A# Maj • 03:22 • -12.86db
48% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jason Isbell and the 400 Unit
Something To Love
91 bpm • F Maj • 03:39 • -12db
19% Popularity • 55% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 55% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Doc Watson
Walk On Boy
77 bpm • F min • 03:23 • -15.17db
33% Popularity • 57% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 57% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Brent Cobb
Solving Problems
91 bpm • D Maj • 02:34 • -11db
44% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Amanda Shires
Detroit or Buffalo
77 bpm • C Maj • 04:08 • -10.02db
25% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Eilen Jewell
Worried Mind
92 bpm • A Maj • 03:15 • -8db
45% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
45% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
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Matt Urmy
Out of the Ashes
92 bpm • E Maj • 03:36 • -8.77db
6% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Willis Alan Ramsey
Goodbye Old Missoula
92 bpm • B Maj • 05:03 • -14.93db
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Scott Miller
Lo Siento, Spanishburg, WVA
92 bpm • A Maj • 03:58 • -10db
12% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Norman Blake
Ginseng Sullivan
93 bpm • D# Maj • 03:31 • -12.53db
33% Popularity • 56% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 56% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Loudon Wainwright III
The Swimming Song
93 bpm • A Maj • 02:27 • -11.29db
55% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
55% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
44% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
44% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Gordon Lightfoot
Second Cup of Coffee
93 bpm • E Maj • 03:03 • -13.09db
37% Popularity • 64% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 64% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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John Hiatt
Gone
93 bpm • G Maj • 02:57 • -7.7db
44% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
44% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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Dave Van Ronk
He Was A Friend Of Mine
76 bpm • F# Maj • 03:21 • -17.01db
36% Popularity • 45% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 45% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
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Mary Gauthier
Mercy Now
76 bpm • A Maj • 05:50 • -11.14db
51% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Barbara Keith
Detroit or Buffalo
76 bpm • C Maj • 04:31 • -11db
34% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Terry Allen
Gimme a Ride to Heaven Boy
93 bpm • A Maj • 04:59 • -9.99db
37% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Purdy
Kristine
93 bpm • A Maj • 03:54 • -9db
27% Popularity • 62% Danceability • 45% Energy • 11% Liveness
37% Instrumentalness • 43% Positiveness
27% Popularity • 62% Danceability • 45% Energy • 11% Liveness
37% Instrumentalness • 43% Positiveness
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The Flatlanders
Homeland Refugee
93 bpm • C Maj • 03:58 • -8.7db
20% Popularity • 65% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 46% Positiveness
20% Popularity • 65% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 46% Positiveness
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Townes Van Zandt
If I Needed You
76 bpm • B Maj • 03:44 • -17db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
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Van Morrison
And It Stoned Me - 2013 Remaster
76 bpm • G Maj • 04:32 • -11.17db
61% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Doc Watson
Deep River Blues
94 bpm • F Maj • 03:12 • -19.21db
49% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Rawlings Machine
I Hear Them All
94 bpm • G Maj • 02:27 • -20db
25% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Cantrell
The Whiskey Makes You Sweeter
95 bpm • A# Maj • 05:07 • -9db
20% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dave Alvin
Blackjack David
94 bpm • A# Maj • 04:59 • -13db
16% Popularity • 50% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 64% Positiveness
16% Popularity • 50% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 64% Positiveness
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John Prine
Summer's End
74 bpm • D Maj • 03:29 • -17.7db
51% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Buddy Miller
Love’s Gonna Live Here
95 bpm • G Maj • 02:14 • -6.91db
40% Popularity • 65% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 65% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Rawlings Machine
Candy
95 bpm • A Maj • 04:10 • -12.04db
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Warren Zevon
Mohammed's Radio
74 bpm • G Maj • 03:43 • -13.75db
40% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Modern Don Juans
The Prettiest Thing
74 bpm • G Maj • 04:14 • -6.75db
32% Popularity • 54% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 54% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
