Songs like Linda Lu by Ray Sharpe
Based on a tempo of (+/- 10%) and a similar genre
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Ray Sharpe
Linda Lu
120 bpm • F# Maj • 02:05 • -9.82db
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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The Olympics
Western Movies
120 bpm • G Maj • 02:24 • -10db
20% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
20% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
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Buster Brown
Fannie Mae
120 bpm • F Maj • 02:58 • -10db
30% Popularity • 66% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
30% Popularity • 66% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Ronnie Self
Big Town
120 bpm • A Maj • 02:14 • -9db
21% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Larry Williams
Rockin Pneumonia And The Boogie Woogie F...
120 bpm • C Maj • 02:14 • -11.39db
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Young Jessie
Mary Lou
121 bpm • C Maj • 02:33 • -6.28db
28% Popularity • 70% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 70% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Wilbert Harrison
Poison Ivy
119 bpm • C# Maj • 02:46 • -6.3db
19% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Benny Joy
Button Nose
121 bpm • B min • 02:50 • -5db
10% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
26% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Ballard
Annie Had A Baby
119 bpm • D# Maj • 02:41 • -7.66db
14% Popularity • 76% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 76% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Sharpe
Theme From Dixie
119 bpm • G# min • 02:08 • -3.89db
0% Popularity • 74% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 74% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Carroll
Wild Wild Women
119 bpm • F# min • 02:02 • -5db
14% Popularity • 80% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 80% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Eddie Fontaine
Nothin' Shakin'
119 bpm • A# Maj • 02:55 • -7db
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Little Willie Littlefield
K.C. Loving
121 bpm • C Maj • 02:44 • -5db
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
21% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Buddy Knox
Rock Your Little Baby to Sleep
118 bpm • A Maj • 02:24 • -9.23db
17% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ray Sharpe
Help Me (Get the Feeling)
119 bpm • A Maj • 02:34 • -5.7db
5% Popularity • 80% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 80% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Dave Bartholomew
Single Life
122 bpm • F Maj • 02:15 • -10.01db
28% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
28% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
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Johnny Carroll
Crazy, Crazy Lovin'
122 bpm • A Maj • 02:17 • -7db
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Dale Hawkins
Number Nine Train
118 bpm • E Maj • 02:23 • -12.01db
17% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Warren Smith
Got Love If You Want It
118 bpm • A Maj • 02:10 • -9db
16% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Hayden Thompson
Love My Baby - Remastered 2022
118 bpm • A Maj • 02:09 • -7.99db
12% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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The Collins Kids
Just Because - Remastered
118 bpm • A Maj • 01:55 • -6.53db
12% Popularity • 79% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ruby Ann
I've Heard That Line Before
122 bpm • G Maj • 02:53 • -9db
14% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Hank Ballard
Work With Me Annie
122 bpm • E Maj • 02:47 • -8.87db
28% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
29% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Dale Hawkins
Every Little Girl
123 bpm • G min • 02:27 • -4.99db
20% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Carroll
Bandstand Doll
117 bpm • E min • 02:16 • -10.61db
11% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Sharpe
Long John
123 bpm • C Maj • 02:42 • -6.15db
2% Popularity • 74% Danceability • 87% Energy • 27% Liveness
3% Instrumentalness • 90% Positiveness
2% Popularity • 74% Danceability • 87% Energy • 27% Liveness
3% Instrumentalness • 90% Positiveness
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Sonny Burgess
Thunderbird
117 bpm • A Maj • 02:20 • -7.59db
3% Popularity • 40% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 40% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Collins Kids
Rock Boppin Baby
116 bpm • C Maj • 02:19 • -11.93db
12% Popularity • 65% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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The Olympics
Hully Gully
117 bpm • G Maj • 02:04 • -14.22db
19% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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Carl Mann
I'm Walking the Dog
116 bpm • F Maj • 02:35 • -10.25db
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Little Junior Parker
Love My Baby
116 bpm • B min • 02:36 • -7.75db
11% Popularity • 69% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 69% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Scott
Baby She's Gone
125 bpm • A Maj • 02:49 • -10.13db
16% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Collins Kids
Hoy Hoy
124 bpm • G Maj • 01:59 • -4.78db
22% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Clarence "Frogman" Henry
A Little Too Much
115 bpm • C Maj • 01:55 • -0.52db
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Wilbert Harrison
Kansas City
115 bpm • C# Maj • 02:30 • -6.45db
45% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
45% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
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G.L. Crockett
Look Out Mabel
115 bpm • D Maj • 02:39 • -9.01db
10% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
10% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Huey "Piano" Smith
Little Chicken Wah Wah
126 bpm • G Maj • 02:05 • -7db
16% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Ray Sharpe
Red Sails in the Sunset
126 bpm • G Maj • 02:11 • -6.4db
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
23% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
23% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Tommy Sands
The Worryin' Kind
126 bpm • B min • 02:32 • -9db
24% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Ronnie Self
Ain't I'm a Dog
126 bpm • E Maj • 02:17 • -9.02db
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Lee Riley
Got the Water Boiling
127 bpm • D# Maj • 02:09 • -3.16db
18% Popularity • 74% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 74% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Sharpe
Kewpie Doll (Alternate Take)
127 bpm • D Maj • 02:39 • -10.14db
0% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Snow
Bring Your Love Back Home
113 bpm • C Maj • 03:14 • -8.87db
12% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Clay
You Look That Good to Me
113 bpm • A Maj • 01:35 • -9.18db
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Hank Ballard
Let's Go Let's Go Let's Go
128 bpm • G# Maj • 02:26 • -7db
31% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Benny Joy
Money Money
128 bpm • E Maj • 02:27 • -8db
15% Popularity • 69% Danceability • 96% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
15% Popularity • 69% Danceability • 96% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
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Ivory Joe Hunter
Shooty Booty - Bonus Track
128 bpm • G Maj • 02:03 • -6db
27% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
27% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Ray Sharpe
Kewpie Doll
127 bpm • D Maj • 02:30 • -6.73db
1% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 73% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Coasters
Wait a Minute
128 bpm • C# Maj • 02:39 • -9db
15% Popularity • 72% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Jack Scott
The Way I Walk
129 bpm • E Maj • 02:43 • -13db
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Hank Ballard
Sexy Ways
128 bpm • G# Maj • 02:30 • -7db
11% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Marvin Rainwater
Boo Hoo
112 bpm • G Maj • 01:45 • -5.73db
21% Popularity • 67% Danceability • 91% Energy • 8% Liveness
65% Instrumentalness • 92% Positiveness
21% Popularity • 67% Danceability • 91% Energy • 8% Liveness
65% Instrumentalness • 92% Positiveness
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Larry Williams
Just Because
112 bpm • D# Maj • 02:48 • -13.04db
12% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Gracie
Butterfly
129 bpm • E Maj • 02:25 • -6.28db
12% Popularity • 62% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 62% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Clarence "Frogman" Henry
Lonely Street
129 bpm • C Maj • 02:08 • -7db
30% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Jody Reynolds
Endless Sleep
111 bpm • E Maj • 02:23 • -11db
28% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ronnie Self
Flame of Love
130 bpm • F Maj • 02:14 • -9db
15% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Ray Sharpe
T.A. Blues
130 bpm • A# Maj • 02:56 • -5.26db
1% Popularity • 70% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Eddie Bond
Slip, slip, slippin' in
111 bpm • D Maj • 02:10 • -6db
24% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Jack Scott
Goodbye Baby
131 bpm • A Maj • 02:08 • -13db
20% Popularity • 74% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
20% Popularity • 74% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Sharpe
That's the Way I Feel
110 bpm • D min • 01:54 • -7db
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Collins Kids
Mercy - Remastered
131 bpm • B min • 02:04 • -7.06db
15% Popularity • 65% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 65% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Ronnie Hawkins
Mary Lou
131 bpm • D min • 02:10 • -8db
31% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Horton
Lover's Rock
131 bpm • A min • 02:34 • -10db
20% Popularity • 84% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 84% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Chuck Willis
Hang up My Rock and Roll Shoes
131 bpm • F Maj • 02:19 • -8db
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Olympics
Big Boy Pete '65
131 bpm • A# Maj • 02:29 • -9.16db
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Kidd & The Pirates
A Shot Of Rhythm And Blues
132 bpm • A Maj • 02:00 • -7.63db
18% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
132 bpm • D# Maj • 01:48 • -4.85db
34% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
34% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
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Chuck Willis
Hang up My Rock & Roll Shoes
132 bpm • F Maj • 02:19 • -3db
13% Popularity • 71% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 71% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Rosco Gordon
Bop With Me Baby
132 bpm • A# min • 02:36 • -9db
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Smokey Joe Baugh
The Signifying Monkey
132 bpm • F Maj • 03:16 • -8db
9% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Don & Dewey
Farmer John
133 bpm • C Maj • 02:29 • -11.02db
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Clarence "Frogman" Henry
Lonely Tramp
133 bpm • C Maj • 02:25 • 0.59db
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Larry Williams
Let Me Tell You, Baby
133 bpm • C Maj • 02:38 • -10.81db
13% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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Huelyn Duvall
Friday Night On a Dollar Bill
133 bpm • C min • 02:13 • -7.16db
14% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Chuck Willis
Kansas City Woman
133 bpm • F Maj • 02:00 • -7.55db
11% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Sharpe
Oh My Baby's Gone
133 bpm • C Maj • 02:08 • -3.3db
1% Popularity • 63% Danceability • 86% Energy • 70% Liveness
1% Instrumentalness • 87% Positiveness
1% Popularity • 63% Danceability • 86% Energy • 70% Liveness
1% Instrumentalness • 87% Positiveness
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Johnny Powers
Mama Rock
108 bpm • E min • 01:59 • -9.24db
14% Popularity • 47% Danceability • 65% Energy • 17% Liveness
86% Instrumentalness • 63% Positiveness
14% Popularity • 47% Danceability • 65% Energy • 17% Liveness
86% Instrumentalness • 63% Positiveness
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The Collins Kids
Mercy
133 bpm • B min • 02:04 • -4.09db
19% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Lee Riley
I Want You Baby
108 bpm • A Maj • 01:52 • -9.54db
18% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Mickey Baker
No Good Lover
134 bpm • A Maj • 02:53 • -7db
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Sid King & The Five Strings
Good Rockin' Baby
133 bpm • D Maj • 02:30 • -10db
10% Popularity • 82% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 82% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
