Songs like Linda Thompson by The Captain & Me
Based on a tempo of (+/- 10%) and a similar genre
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Elbow
Real Life (Angel)
106 bpm • F Maj • 06:47 • -9.85db
32% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Ron Sexsmith
Believe It When I See It
106 bpm • C# Maj • 03:45 • -5.07db
8% Popularity • 47% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 47% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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The Captain & Me
Linda Thompson
106 bpm • G# Maj • 03:58 • -6.73db
1% Popularity • 54% Danceability • 70% Energy • 24% Liveness
3% Instrumentalness • 37% Positiveness
1% Popularity • 54% Danceability • 70% Energy • 24% Liveness
3% Instrumentalness • 37% Positiveness
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Suzanne Vega
Crack in the Wall
106 bpm • D Maj • 04:23 • -11.97db
13% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Unthanks
Gan To The Kye
106 bpm • E min • 05:39 • -12.92db
8% Popularity • 23% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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The Phoenix Foundation
Pot
106 bpm • D Maj • 03:24 • -7db
10% Popularity • 54% Danceability • 70% Energy • 9% Liveness
51% Instrumentalness • 42% Positiveness
10% Popularity • 54% Danceability • 70% Energy • 9% Liveness
51% Instrumentalness • 42% Positiveness
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Minor Majority
Dancing in the Backyard
106 bpm • B min • 03:47 • -8.03db
30% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Badly Drawn Boy
Is There Nothing We Could Do?
107 bpm • C Maj • 03:37 • -13.73db
16% Popularity • 45% Danceability • 32% Energy • 24% Liveness
1% Instrumentalness • 38% Positiveness
16% Popularity • 45% Danceability • 32% Energy • 24% Liveness
1% Instrumentalness • 38% Positiveness
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The Captain & Me
Linda Thompson
106 bpm • G# Maj • 04:45 • -6.94db
2% Popularity • 53% Danceability • 68% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
2% Popularity • 53% Danceability • 68% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
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Joseph Arthur
Horses
107 bpm • E min • 04:12 • -11.75db
14% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Beth Orton
Dawn Chorus
107 bpm • E Maj • 03:23 • -11.01db
23% Popularity • 45% Danceability • 55% Energy • 19% Liveness
22% Instrumentalness • 55% Positiveness
23% Popularity • 45% Danceability • 55% Energy • 19% Liveness
22% Instrumentalness • 55% Positiveness
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Bob Geldof
Silly Pretty Thing
105 bpm • D Maj • 04:02 • -7.93db
17% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Minor Majority
Electrolove
106 bpm • G min • 03:19 • -14.64db
11% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Justin Currie
Walking Through You
107 bpm • G# Maj • 03:26 • -6.16db
15% Popularity • 56% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
15% Popularity • 56% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
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Jacob Bellens
My Convictions
105 bpm • C# min • 03:40 • -9.44db
26% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Magnet
Last Day of Summer
105 bpm • A min • 04:41 • -9.48db
7% Popularity • 58% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 58% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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The Waterboys
I Can See Elvis
107 bpm • B Maj • 05:47 • -13.53db
23% Popularity • 65% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
23% Popularity • 65% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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First Aid Kit
Blue
107 bpm • B Maj • 03:12 • -5.69db
36% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lloyd Cole
Blue Like Mars
107 bpm • A Maj • 04:19 • -8.37db
9% Popularity • 67% Danceability • 42% Energy • 9% Liveness
24% Instrumentalness • 46% Positiveness
9% Popularity • 67% Danceability • 42% Energy • 9% Liveness
24% Instrumentalness • 46% Positiveness
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Minor Majority
By This Time Tomorow
107 bpm • C Maj • 03:38 • -12.64db
24% Popularity • 57% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 57% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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The Captain & Me
Your Mamas Too
107 bpm • C Maj • 03:17 • -7.74db
0% Popularity • 68% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 68% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Ingrid Olava
Summer House
105 bpm • G Maj • 03:52 • -8db
8% Popularity • 30% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 30% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Suzanne Vega
Fool's Complaint
108 bpm • C Maj • 02:39 • -7.64db
13% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Manic Street Preachers
This Sullen Welsh Heart
108 bpm • D Maj • 04:13 • -15.5db
21% Popularity • 68% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 68% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Chrissie Hynde
In a Miracle
104 bpm • G Maj • 03:59 • -8.34db
8% Popularity • 64% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
8% Popularity • 64% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Admiral Fallow
Beetle In The Box
108 bpm • A Maj • 03:35 • -6.82db
18% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Captain & Me
Franz Mesmer
107 bpm • F Maj • 05:30 • -9.3db
0% Popularity • 44% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
0% Popularity • 44% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Peter and the Wolf
The Reason
104 bpm • F# min • 03:14 • -11.4db
22% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Tommy Tokyo
If There Ever Was a Paradise
109 bpm • D Maj • 03:18 • -10.68db
13% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Real Ones
Lonesome Town
103 bpm • C# min • 04:30 • -6.55db
18% Popularity • 64% Danceability • 72% Energy • 21% Liveness
4% Instrumentalness • 76% Positiveness
18% Popularity • 64% Danceability • 72% Energy • 21% Liveness
4% Instrumentalness • 76% Positiveness
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Anna Ternheim
Bow Your Head
103 bpm • C Maj • 05:23 • -12.61db
19% Popularity • 41% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
19% Popularity • 41% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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One-Eyed Mule
September Sigh
103 bpm • A Maj • 02:37 • -11.33db
21% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Teitur
Halfway Between
109 bpm • A# Maj • 02:18 • -9.39db
13% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Captain & Me
Starlight
103 bpm • C Maj • 04:05 • -8.69db
1% Popularity • 23% Danceability • 71% Energy • 37% Liveness
11% Instrumentalness • 24% Positiveness
1% Popularity • 23% Danceability • 71% Energy • 37% Liveness
11% Instrumentalness • 24% Positiveness
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Mike Scott
My Dark Side
109 bpm • F# min • 03:58 • -9.48db
25% Popularity • 62% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
25% Popularity • 62% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Tommy Tokyo
Far Between Highlights (And Further the ...
110 bpm • F min • 03:26 • -8db
22% Popularity • 44% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
22% Popularity • 44% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Monica Heldal
In Flight
102 bpm • F min • 05:42 • -6.17db
19% Popularity • 45% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
19% Popularity • 45% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
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The Soundtrack Of Our Lives
When We Fall
102 bpm • D# Maj • 04:11 • -7.98db
12% Popularity • 28% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 28% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Simple Minds
Honest Town
110 bpm • E min • 04:46 • -7.93db
25% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Turin Brakes
Sea Change
110 bpm • E min • 04:02 • -10db
26% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
26% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Shout Out Louds
Walking in Your Footsteps
110 bpm • G Maj • 03:44 • -6.29db
19% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Weeping Willows
Ghost of Love
102 bpm • E min • 03:11 • -6.3db
12% Popularity • 41% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 41% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Rufus Wainwright
Me And Liza
102 bpm • D Maj • 03:20 • -8.01db
18% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jonas Alaska
Tonight
102 bpm • A Maj • 03:38 • -8.63db
16% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Bon Iver
Come Talk To Me
102 bpm • D Maj • 06:20 • -9.99db
29% Popularity • 41% Danceability • 69% Energy • 10% Liveness
49% Instrumentalness • 31% Positiveness
29% Popularity • 41% Danceability • 69% Energy • 10% Liveness
49% Instrumentalness • 31% Positiveness
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The Autumn Defense
Back of My Mind
102 bpm • F Maj • 03:12 • -6.49db
9% Popularity • 54% Danceability • 64% Energy • 10% Liveness
47% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 64% Energy • 10% Liveness
47% Instrumentalness • 58% Positiveness
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AM
While My Guitar Gently Weeps
102 bpm • C# Maj • 03:42 • -13.18db
12% Popularity • 58% Danceability • 20% Energy • 7% Liveness
13% Instrumentalness • 16% Positiveness
12% Popularity • 58% Danceability • 20% Energy • 7% Liveness
13% Instrumentalness • 16% Positiveness
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Big Blue Ball
Exit Through You
111 bpm • E min • 05:52 • -9.16db
12% Popularity • 70% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 70% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
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Joseph Arthur
Saint of Impossible Causes
111 bpm • D Maj • 04:32 • -6.08db
10% Popularity • 63% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 63% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Magnet
Everything's Perfect
112 bpm • A# Maj • 03:58 • -8.43db
8% Popularity • 49% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 49% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
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Justin Currie
What Is Love For?
112 bpm • D# Maj • 03:10 • -5.24db
12% Popularity • 44% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 44% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Stornoway
You Take Me As I Am
112 bpm • D Maj • 05:09 • -5db
18% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Simon
So Beautiful or so What
112 bpm • C Maj • 04:08 • -5.1db
21% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Captain & Me
Give Up
112 bpm • D min • 03:26 • -8.3db
0% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Mark Knopfler
Hill Farmer's Blues
112 bpm • E min • 03:44 • -17.26db
38% Popularity • 63% Danceability • 38% Energy • 5% Liveness
36% Instrumentalness • 47% Positiveness
38% Popularity • 63% Danceability • 38% Energy • 5% Liveness
36% Instrumentalness • 47% Positiveness
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Guillemots
Walk The River
112 bpm • A Maj • 05:08 • -9db
28% Popularity • 57% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 57% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Andy Burrows
Because I Know That I Can
100 bpm • E min • 03:05 • -6.07db
21% Popularity • 59% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
21% Popularity • 59% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
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Sting
I Hung My Head
100 bpm • A# Maj • 05:31 • -9.98db
26% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Morten Harket
Safe with Me
100 bpm • C# min • 03:27 • -7.36db
21% Popularity • 71% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
21% Popularity • 71% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
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The Captain & Me
Roadhouse by the Sea
100 bpm • C# min • 03:51 • -8.45db
0% Popularity • 73% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 73% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Jonas Alaska
Aberdeen
100 bpm • C# min • 04:09 • -13.42db
12% Popularity • 68% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 17% Positiveness
12% Popularity • 68% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 17% Positiveness
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The Waterboys
November Tale
100 bpm • D Maj • 05:18 • -12db
26% Popularity • 68% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 68% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Bill Fay
There Is A Valley
113 bpm • A Maj • 04:15 • -10.95db
18% Popularity • 60% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
18% Popularity • 60% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Rufus Wainwright
Out Of The Game
113 bpm • A Maj • 04:05 • -6.05db
30% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Anna Ternheim
Solitary Move
114 bpm • A Maj • 03:53 • -12db
16% Popularity • 63% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
16% Popularity • 63% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Captain & Me
Moviestar
114 bpm • C# Maj • 03:05 • -8.5db
1% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Baldwin Boswell
Red Is Same
114 bpm • G min • 04:13 • -13.5db
29% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Violet Road
Rules Of The Ocean
98 bpm • F Maj • 03:41 • -7.84db
17% Popularity • 41% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 41% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Weeping Willows
Down On My Knees
115 bpm • E min • 03:58 • -9.84db
11% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Olly Knights (from Turin Brakes)
If Not Now When
98 bpm • A Maj • 03:12 • -15.12db
8% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Teitur
Shade Of A Shadow
98 bpm • F Maj • 03:35 • -12.41db
17% Popularity • 63% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 63% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Captain & Me
Leaving Lagos
98 bpm • G Maj • 03:09 • -11.01db
0% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Niclas Frisk
Catch 22
115 bpm • F min • 04:37 • -5.33db
8% Popularity • 45% Danceability • 80% Energy • 31% Liveness
31% Instrumentalness • 23% Positiveness
8% Popularity • 45% Danceability • 80% Energy • 31% Liveness
31% Instrumentalness • 23% Positiveness
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Ed Harcourt
This One's for You
115 bpm • C# Maj • 04:52 • -11.09db
19% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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John Grant
Where Dreams Go To Die
115 bpm • C Maj • 06:04 • -7.21db
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Anna Ternheim
Fly Me To The Moon
115 bpm • E min • 03:47 • -12db
12% Popularity • 65% Danceability • 40% Energy • 11% Liveness
48% Instrumentalness • 5% Positiveness
12% Popularity • 65% Danceability • 40% Energy • 11% Liveness
48% Instrumentalness • 5% Positiveness
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Me And My Army
The Only One
115 bpm • F Maj • 03:22 • -5db
29% Popularity • 76% Danceability • 64% Energy • 13% Liveness
4% Instrumentalness • 45% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 13% Liveness
4% Instrumentalness • 45% Positiveness
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The Captain & Me
Paris 1940
98 bpm • A min • 05:16 • -10.14db
0% Popularity • 48% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 48% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Shearwater
Star of the Age
115 bpm • E min • 05:01 • -6.48db
12% Popularity • 50% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
12% Popularity • 50% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Lost In The Trees
Golden Eyelids
97 bpm • B Maj • 05:01 • -7.03db
12% Popularity • 50% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 50% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Band of Horses
Slow Cruel Hands Of Time
115 bpm • A Maj • 03:50 • -15db
33% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Ternheim
Still A Beautiful Day
115 bpm • F# min • 02:48 • -9.1db
14% Popularity • 55% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 52% Positiveness
14% Popularity • 55% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 52% Positiveness
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Bruce Cockburn
The Iris Of The World
115 bpm • A min • 03:22 • -10.42db
9% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Captain & Me
Jacques De Vaucanson
115 bpm • A min • 04:49 • -10.06db
0% Popularity • 61% Danceability • 60% Energy • 78% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 61% Danceability • 60% Energy • 78% Liveness
0% Instrumentalness • 54% Positiveness
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Neil Finn
Flying In the Face of Love
116 bpm • B min • 04:04 • -5.65db
12% Popularity • 68% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 68% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Joel Alme
A Tender Trap
97 bpm • G Maj • 03:37 • -7.14db
14% Popularity • 44% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 44% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Ron Sexsmith
Michael and His Dad
116 bpm • G# Maj • 03:50 • -6.46db
3% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Iron & Wine
My Side of the Road
97 bpm • F Maj • 03:21 • -8.3db
8% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Christian Kjellvander
The Mariner
117 bpm • A Maj • 05:30 • -11.55db
8% Popularity • 43% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
8% Popularity • 43% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
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The Captain & Me
My Darling Mary K.
115 bpm • D min • 04:43 • -8.24db
0% Popularity • 61% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 61% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Max Jury
Black Metal
117 bpm • E Maj • 03:46 • -8db
25% Popularity • 60% Danceability • 67% Energy • 25% Liveness
12% Instrumentalness • 39% Positiveness
25% Popularity • 60% Danceability • 67% Energy • 25% Liveness
12% Instrumentalness • 39% Positiveness
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Beth Orton
Something More Beautiful
117 bpm • G Maj • 03:27 • -11.18db
12% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Minor Majority
When John Passed Away
96 bpm • D min • 05:05 • -12.87db
10% Popularity • 63% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Cashier No. 9
Lost at Sea
117 bpm • E Maj • 04:07 • -5.84db
8% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Shaun Bartlett
Secret Mission
96 bpm • F Maj • 03:44 • -11db
9% Popularity • 60% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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The Captain & Me
Plans
115 bpm • C Maj • 03:41 • -8.51db
0% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Uncle Deadly
Be Careful What You Wish For
96 bpm • A min • 03:28 • -6db
11% Popularity • 50% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 50% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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The Little Hands Of Asphalt
Bait
117 bpm • E Maj • 02:49 • -13.76db
10% Popularity • 73% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 73% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
