Songs like Linear by Yan Cook
Based on a tempo of (+/- 10%) and a similar genre
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MATRiXXMAN
Pitch Black
131 bpm • F# min • 05:29 • -12.51db
19% Popularity • 79% Danceability • 77% Energy • 6% Liveness
91% Instrumentalness • 11% Positiveness
19% Popularity • 79% Danceability • 77% Energy • 6% Liveness
91% Instrumentalness • 11% Positiveness
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Takaaki Itoh
Receptor (Claudio PRC Remix)
131 bpm • G Maj • 06:22 • -13.91db
17% Popularity • 67% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
17% Popularity • 67% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Yan Cook
Pauk
131 bpm • G Maj • 06:26 • -10.51db
15% Popularity • 86% Danceability • 69% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
15% Popularity • 86% Danceability • 69% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Unbalance
Warehouse Tool 1
131 bpm • A# min • 05:44 • -10db
10% Popularity • 75% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 75% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Keith Carnal
Backstage Gathering
131 bpm • F# Maj • 05:58 • -12.55db
20% Popularity • 63% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
20% Popularity • 63% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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DVS1
Confused
131 bpm • A# min • 06:53 • -12db
25% Popularity • 77% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
25% Popularity • 77% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Setaoc Mass
True lies - Original
131 bpm • G Maj • 06:15 • -10.4db
25% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
25% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
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TAFKAMP
Please Make Love To Me
131 bpm • B min • 05:58 • -6.98db
20% Popularity • 85% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
20% Popularity • 85% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Yan Cook
Sand
131 bpm • C# min • 05:40 • -8.85db
22% Popularity • 79% Danceability • 94% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
22% Popularity • 79% Danceability • 94% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Truncate
Terminal 5 - Mixed
131 bpm • B min • 03:25 • -12.05db
24% Popularity • 60% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Lex Gorrie
Storm Coming - Yan Cook Remix
132 bpm • A# min • 05:18 • -11.94db
0% Popularity • 63% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
0% Popularity • 63% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Unbalance
Fiorina 161
132 bpm • C Maj • 05:56 • -11db
8% Popularity • 74% Danceability • 91% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
8% Popularity • 74% Danceability • 91% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Hans Bouffmyhre
Game for Anything - Yan Cook Remix
132 bpm • D Maj • 05:15 • -9.52db
0% Popularity • 65% Danceability • 92% Energy • 22% Liveness
72% Instrumentalness • 8% Positiveness
0% Popularity • 65% Danceability • 92% Energy • 22% Liveness
72% Instrumentalness • 8% Positiveness
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Comunica
8 Bit Lullaby - Yan Cook Remix
132 bpm • D Maj • 05:11 • -9.32db
1% Popularity • 65% Danceability • 69% Energy • 14% Liveness
30% Instrumentalness • 3% Positiveness
1% Popularity • 65% Danceability • 69% Energy • 14% Liveness
30% Instrumentalness • 3% Positiveness
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Yan Cook
Indigo - Original mix
131 bpm • G Maj • 05:37 • -13.91db
2% Popularity • 76% Danceability • 58% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
2% Popularity • 76% Danceability • 58% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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James Ruskin
Page 1
130 bpm • G Maj • 03:09 • -10.71db
29% Popularity • 78% Danceability • 66% Energy • 23% Liveness
92% Instrumentalness • 29% Positiveness
29% Popularity • 78% Danceability • 66% Energy • 23% Liveness
92% Instrumentalness • 29% Positiveness
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Truncate
Good Morning V1
130 bpm • F# min • 05:50 • -12.53db
16% Popularity • 78% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 78% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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A_GIM
Yumatik - Yan Cook Remix
130 bpm • E min • 05:16 • -10.4db
7% Popularity • 72% Danceability • 79% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 72% Danceability • 79% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Bouffmyhre
Inwards - Mixed
131 bpm • E Maj • 03:03 • -14.56db
26% Popularity • 60% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
26% Popularity • 60% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Somewhen
Kilo
132 bpm • C Maj • 05:38 • -9.77db
20% Popularity • 79% Danceability • 87% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
20% Popularity • 79% Danceability • 87% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
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Yan Cook
Octa
130 bpm • B Maj • 06:00 • -10.86db
14% Popularity • 75% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 75% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Dax J
Reign Of Terror
132 bpm • G Maj • 06:21 • -11db
32% Popularity • 53% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
32% Popularity • 53% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Steve Parker
Acid Rain
130 bpm • D Maj • 06:57 • -9.84db
9% Popularity • 74% Danceability • 81% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 74% Danceability • 81% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Developer
In Pure Form 07
130 bpm • D# Maj • 06:26 • -10.96db
15% Popularity • 79% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 79% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Lewis Fautzi
Eerie - Sleeparchive Remix
132 bpm • G Maj • 06:51 • -14db
21% Popularity • 57% Danceability • 76% Energy • 37% Liveness
90% Instrumentalness • 3% Positiveness
21% Popularity • 57% Danceability • 76% Energy • 37% Liveness
90% Instrumentalness • 3% Positiveness
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Hertz Collision
Do Not Do
132 bpm • G Maj • 06:47 • -10.34db
10% Popularity • 79% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 79% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Yan Cook
Micron
130 bpm • C# min • 05:20 • -11.08db
8% Popularity • 74% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 74% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Amotik
Unnees
132 bpm • C# Maj • 05:52 • -12db
14% Popularity • 77% Danceability • 62% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
14% Popularity • 77% Danceability • 62% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Setaoc Mass
Light falls - Original
132 bpm • G Maj • 05:27 • -11db
17% Popularity • 67% Danceability • 85% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
17% Popularity • 67% Danceability • 85% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Andre Kronert
Terminus - Jonas Kopp Torture Mix
132 bpm • B min • 06:08 • -9.96db
17% Popularity • 78% Danceability • 71% Energy • 7% Liveness
51% Instrumentalness • 16% Positiveness
17% Popularity • 78% Danceability • 71% Energy • 7% Liveness
51% Instrumentalness • 16% Positiveness
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Under Black Helmet
Space and Time
130 bpm • F# min • 06:11 • -10.86db
22% Popularity • 80% Danceability • 93% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
22% Popularity • 80% Danceability • 93% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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Truncate
Level Up
132 bpm • F# min • 03:49 • -11db
30% Popularity • 78% Danceability • 71% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 78% Danceability • 71% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Yan Cook
Hammerhead
132 bpm • A min • 05:53 • -12.17db
7% Popularity • 57% Danceability • 58% Energy • 11% Liveness
19% Instrumentalness • 33% Positiveness
7% Popularity • 57% Danceability • 58% Energy • 11% Liveness
19% Instrumentalness • 33% Positiveness
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Planetary Assault Systems
Give It Up
132 bpm • F# Maj • 05:19 • -11.14db
11% Popularity • 65% Danceability • 81% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
11% Popularity • 65% Danceability • 81% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Johannes Heil
Scene Eight
130 bpm • C# min • 06:03 • -9.96db
21% Popularity • 64% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 64% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Robert S PT
Acid City
130 bpm • F# min • 06:30 • -11.15db
15% Popularity • 62% Danceability • 70% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
15% Popularity • 62% Danceability • 70% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Dimi Angélis
Rhetorica - Jonas Kopp Remix
130 bpm • C Maj • 06:49 • -9.55db
12% Popularity • 72% Danceability • 95% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 72% Danceability • 95% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Setaoc Mass
Torque
132 bpm • G Maj • 05:52 • -10.55db
23% Popularity • 63% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
23% Popularity • 63% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
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Yan Cook
Type E
132 bpm • C# Maj • 05:28 • -8.3db
11% Popularity • 67% Danceability • 98% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 67% Danceability • 98% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
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Planetary Assault Systems
Desert Races
130 bpm • D Maj • 07:37 • -11db
23% Popularity • 72% Danceability • 96% Energy • 61% Liveness
86% Instrumentalness • 6% Positiveness
23% Popularity • 72% Danceability • 96% Energy • 61% Liveness
86% Instrumentalness • 6% Positiveness
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Under Black Helmet
Mute
130 bpm • F# min • 05:56 • -10.06db
26% Popularity • 63% Danceability • 76% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
26% Popularity • 63% Danceability • 76% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Rødhåd
Patient Zero - Function Remix
130 bpm • G Maj • 03:40 • -8.74db
24% Popularity • 80% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
24% Popularity • 80% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
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Marcal
Shutdown
130 bpm • E min • 05:41 • -9.01db
13% Popularity • 75% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
13% Popularity • 75% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Setaoc Mass
Manifesto
130 bpm • F# min • 06:25 • -9db
22% Popularity • 64% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
22% Popularity • 64% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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Nørbak
Value of Icons
132 bpm • F# min • 05:28 • -10db
19% Popularity • 77% Danceability • 96% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
19% Popularity • 77% Danceability • 96% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
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Yan Cook
Fog Catcher
130 bpm • B Maj • 05:00 • -13.99db
20% Popularity • 79% Danceability • 56% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
20% Popularity • 79% Danceability • 56% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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TAFKAMP
When Desires Turn Evil
130 bpm • F# min • 06:36 • -8.92db
9% Popularity • 64% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
9% Popularity • 64% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Nick Hook
666 Wayz - Instrumental Version
130 bpm • B Maj • 01:06 • -12.19db
33% Popularity • 79% Danceability • 82% Energy • 12% Liveness
94% Instrumentalness • 71% Positiveness
33% Popularity • 79% Danceability • 82% Energy • 12% Liveness
94% Instrumentalness • 71% Positiveness
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I Hate Models
Warehouse Memories - Emmanuel AKNF Remix
132 bpm • D min • 05:35 • -7.68db
19% Popularity • 52% Danceability • 93% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
19% Popularity • 52% Danceability • 93% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
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Unbalance
Not Me
130 bpm • G Maj • 05:39 • -11db
8% Popularity • 66% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 66% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Developer
Lost Moments - Len Faki Hardspace Mix
130 bpm • A min • 05:56 • -10db
12% Popularity • 79% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 79% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Lewis Fautzi
Range
130 bpm • G Maj • 04:58 • -11.67db
17% Popularity • 65% Danceability • 63% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 65% Danceability • 63% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Yan Cook
Wide Angle
132 bpm • G# min • 05:27 • -9.36db
7% Popularity • 91% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
7% Popularity • 91% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Tensal
Effect 2
130 bpm • B Maj • 03:23 • -9.25db
21% Popularity • 62% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
21% Popularity • 62% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Boston 168
Cosmic Radiation
130 bpm • F# Maj • 06:15 • -10db
16% Popularity • 62% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
16% Popularity • 62% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Keith Carnal
Moving Molecules - Original Mix
132 bpm • C min • 06:56 • -15.29db
16% Popularity • 69% Danceability • 52% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 69% Danceability • 52% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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7CIRCLE
Eternal
130 bpm • G Maj • 07:00 • -13.67db
22% Popularity • 71% Danceability • 68% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 71% Danceability • 68% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Developer
Get Down Motive
132 bpm • B min • 06:48 • -16db
15% Popularity • 80% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
15% Popularity • 80% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Yan Cook
Rose
130 bpm • F# Maj • 06:34 • -9db
13% Popularity • 78% Danceability • 80% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
13% Popularity • 78% Danceability • 80% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Möd3rn
Mö 13
130 bpm • C Maj • 06:38 • -9.26db
14% Popularity • 78% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 78% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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MATRiXXMAN
No Rush
130 bpm • G min • 06:14 • -10.17db
17% Popularity • 64% Danceability • 78% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
17% Popularity • 64% Danceability • 78% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Anika Kunst
Prism
130 bpm • C# Maj • 05:56 • -10.22db
11% Popularity • 79% Danceability • 83% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
11% Popularity • 79% Danceability • 83% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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DJ Emerson
Anonymous - Yan Cook Remix
130 bpm • F# min • 05:05 • -11.06db
0% Popularity • 77% Danceability • 53% Energy • 11% Liveness
22% Instrumentalness • 5% Positiveness
0% Popularity • 77% Danceability • 53% Energy • 11% Liveness
22% Instrumentalness • 5% Positiveness
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Robert Hood
7 Mile Dog
132 bpm • G Maj • 04:41 • -6.94db
15% Popularity • 75% Danceability • 68% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 75% Danceability • 68% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Yan Cook
Pitch Black - Digital bonus
130 bpm • A# min • 06:09 • -11.85db
3% Popularity • 74% Danceability • 86% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
3% Popularity • 74% Danceability • 86% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Psyk
Falling
132 bpm • D Maj • 02:22 • -10.14db
27% Popularity • 78% Danceability • 97% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
27% Popularity • 78% Danceability • 97% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Rene Wise
190205
133 bpm • F# min • 06:17 • -10.05db
27% Popularity • 58% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
27% Popularity • 58% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Setaoc Mass
Eurhythmic - Original
133 bpm • A# min • 05:53 • -10.97db
16% Popularity • 62% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 62% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Dax J
Protect The Prophecy
133 bpm • G Maj • 05:52 • -10db
27% Popularity • 66% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
27% Popularity • 66% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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D.Dan
Take It Easy
133 bpm • F min • 05:39 • -8.62db
14% Popularity • 66% Danceability • 94% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
14% Popularity • 66% Danceability • 94% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Yan Cook
ZL
132 bpm • G Maj • 05:30 • -11.97db
7% Popularity • 78% Danceability • 50% Energy • 9% Liveness
70% Instrumentalness • 18% Positiveness
7% Popularity • 78% Danceability • 50% Energy • 9% Liveness
70% Instrumentalness • 18% Positiveness
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Truncate
Pseudo V2
132 bpm • C# Maj • 01:22 • -9.98db
27% Popularity • 80% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
27% Popularity • 80% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Rene Wise
190209.2
133 bpm • A# min • 06:10 • -10.5db
12% Popularity • 75% Danceability • 87% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
12% Popularity • 75% Danceability • 87% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Setaoc Mass
Floating - Original Mix
133 bpm • F# Maj • 06:20 • -11.06db
13% Popularity • 79% Danceability • 80% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
13% Popularity • 79% Danceability • 80% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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Dax J
The Invisible Man - Original Mix
133 bpm • C min • 05:51 • -7db
20% Popularity • 70% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
20% Popularity • 70% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
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Antigone
180702.1
133 bpm • B min • 06:17 • -9db
12% Popularity • 65% Danceability • 80% Energy • 22% Liveness
92% Instrumentalness • 54% Positiveness
12% Popularity • 65% Danceability • 80% Energy • 22% Liveness
92% Instrumentalness • 54% Positiveness
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DVS1
Lower Wacker Drive
133 bpm • B Maj • 04:01 • -12.75db
22% Popularity • 79% Danceability • 84% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
22% Popularity • 79% Danceability • 84% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Under Black Helmet
Staring Into Yellow Eyes
133 bpm • A# min • 05:50 • -10db
19% Popularity • 79% Danceability • 98% Energy • 20% Liveness
93% Instrumentalness • 45% Positiveness
19% Popularity • 79% Danceability • 98% Energy • 20% Liveness
93% Instrumentalness • 45% Positiveness
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MATRiXXMAN
Reckoning
133 bpm • C# Maj • 06:35 • -13.29db
15% Popularity • 79% Danceability • 79% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
15% Popularity • 79% Danceability • 79% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
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Cleric
Flight 19
133 bpm • G Maj • 06:00 • -11db
16% Popularity • 63% Danceability • 82% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Rene Wise
190204
133 bpm • B Maj • 04:49 • -9.22db
26% Popularity • 79% Danceability • 92% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 79% Danceability • 92% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Kaiser (K S R)
Wind Of Change - Parallx Remix
133 bpm • B min • 05:20 • -9.06db
14% Popularity • 59% Danceability • 95% Energy • 25% Liveness
93% Instrumentalness • 13% Positiveness
14% Popularity • 59% Danceability • 95% Energy • 25% Liveness
93% Instrumentalness • 13% Positiveness
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FJAAK
ALL MY FRIENDS ARE IN THE BATHROOM
133 bpm • B Maj • 04:08 • -11.47db
24% Popularity • 68% Danceability • 58% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
24% Popularity • 68% Danceability • 58% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Under Black Helmet
Have You Ever Had a Dream
133 bpm • B min • 06:04 • -7db
28% Popularity • 68% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
28% Popularity • 68% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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THIRD WIFE
Under Water
133 bpm • F# min • 05:08 • -13.93db
22% Popularity • 79% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
22% Popularity • 79% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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MATRiXXMAN
Vortex
133 bpm • F# Maj • 06:39 • -11db
22% Popularity • 76% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
22% Popularity • 76% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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Rene Wise
Sling Jockey
133 bpm • G Maj • 06:32 • -9.71db
22% Popularity • 79% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
22% Popularity • 79% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Bas Mooy
Tilt
129 bpm • G Maj • 04:28 • -13.05db
17% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
17% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Developer
Natives
129 bpm • A# min • 06:29 • -9db
18% Popularity • 62% Danceability • 77% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
18% Popularity • 62% Danceability • 77% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
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Setaoc Mass
Nicmos - Original Mix
129 bpm • A Maj • 06:28 • -10db
12% Popularity • 68% Danceability • 96% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
12% Popularity • 68% Danceability • 96% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Shlømo
Vertigo
129 bpm • C# Maj • 06:30 • -12db
18% Popularity • 53% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 53% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Spec X
Never Sleep Again - Yan Cook Remix
129 bpm • G# min • 05:12 • -10.02db
0% Popularity • 73% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
0% Popularity • 73% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Rene Wise
Tell Me
133 bpm • E min • 05:34 • -10.12db
16% Popularity • 79% Danceability • 94% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 79% Danceability • 94% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Nørbak
I Will Guide Thy Hand
129 bpm • G Maj • 06:12 • -9.92db
10% Popularity • 76% Danceability • 80% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
10% Popularity • 76% Danceability • 80% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Yan Cook
22.55
129 bpm • G# Maj • 05:04 • -10.65db
9% Popularity • 72% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
9% Popularity • 72% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Lars Huismann
Time Machine (Shinichiro Imanari Remix) ...
133 bpm • A# min • 02:22 • -9db
28% Popularity • 78% Danceability • 99% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
28% Popularity • 78% Danceability • 99% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Shlømo
M.U.M. - Johannes Heil Remix
129 bpm • G Maj • 08:47 • -13db
10% Popularity • 63% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
10% Popularity • 63% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
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Marcel Dettmann
No One Around
133 bpm • G Maj • 04:34 • -13.47db
25% Popularity • 65% Danceability • 47% Energy • 13% Liveness
74% Instrumentalness • 41% Positiveness
25% Popularity • 65% Danceability • 47% Energy • 13% Liveness
74% Instrumentalness • 41% Positiveness
