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Songs like
Lines
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Midnight Youth
All on Our Own
137 bpm • F# Maj • 03:46 • -5.03db
32% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Mutton Birds
Dominion Road
137 bpm • B Maj • 03:55 • -10.5db
35% Popularity • 63% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Ball Park Music
All I Want is You
138 bpm • C Maj • 03:29 • -8db
43% Popularity • 51% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Pete Murray
Lines
136 bpm • A Maj • 03:00 • -6.88db
36% Popularity • 50% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Deborah Conway
Its Only the Beginning
138 bpm • E Maj • 04:41 • -10db
43% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Routh
The Nightwatchman's Hut
136 bpm • G Maj • 03:38 • -8.83db
0% Popularity • 69% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
41% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
37% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Whitlams
I Make Hamburgers
136 bpm • C Maj • 03:34 • -6.39db
39% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
40% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Dave Dobbyn
Beside You
139 bpm • C# Maj • 03:42 • -6.96db
21% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
4% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
139 bpm • G Maj • 04:36 • -5.84db
14% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
45% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
33% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Forrest Johnson
Then By Nightfall...
135 bpm • A min • 04:28 • -7.78db
0% Popularity • 41% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
51% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Jonathan Routh
Psst!
134 bpm • E min • 04:05 • -10.5db
0% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
41% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Pete Murray
Never Let The End Begin
134 bpm • C min • 03:01 • -11.03db
15% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dragon
Young Years
140 bpm • G Maj • 03:58 • -11.84db
48% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
38% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
51% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
34% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
46% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Murray
Tonic
134 bpm • B min • 03:00 • -9.48db
24% Popularity • 68% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 77% Positiveness
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Australian Crawl
Hoochie Gucci Fiorucci Mama - Remastered
141 bpm • A min • 02:30 • -10.34db
46% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Ian Moss
Tucker's Daughter
133 bpm • A# min • 04:34 • -11.31db
54% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Evermore
Are You Satisfied???
134 bpm • C# Maj • 04:19 • -6.38db
16% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
47% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Killing Heidi
Outside Of Me
141 bpm • D Maj • 04:05 • -5.53db
24% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
54% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Machine Gun Fellatio
The Girl Of My Dreams Is Giving Me Night...
133 bpm • B Maj • 03:31 • -6.98db
40% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Busby Marou
Banjo
142 bpm • G Maj • 04:29 • -5.59db
18% Popularity • 30% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Pete Murray
Silver Cloud
142 bpm • B Maj • 04:00 • -10.47db
24% Popularity • 58% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Clare Bowditch
When The Lights Went Down
142 bpm • E min • 03:21 • -5.24db
17% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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The Beautiful Girls
I Thought About You
142 bpm • G Maj • 03:12 • -5.01db
32% Popularity • 68% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
38% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Glenn Richards
She Got Body, She Got Soul
142 bpm • C Maj • 03:02 • -4.12db
17% Popularity • 36% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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You Am I
Damage
132 bpm • C min • 03:27 • -6.32db
27% Popularity • 50% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Pete Murray
Happy Ground
132 bpm • C Maj • 03:50 • -11.49db
31% Popularity • 60% Danceability • 41% Energy • 67% Liveness
0% Instrumentalness • 47% Positiveness
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Forrest Johnson
Waiting for Autumn
132 bpm • D Maj • 04:03 • -7.81db
0% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Choirboys
Run To Paradise
132 bpm • G# Maj • 04:50 • -8db
42% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Augie March
The Cold Acre
132 bpm • B min • 05:38 • -9.28db
21% Popularity • 49% Danceability • 67% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
39% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Hoodoo Gurus
Miss Freelove '69 - 2005 Remaster
131 bpm • A min • 04:12 • -3db
44% Popularity • 52% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 67% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
132 bpm • G Maj • 04:34 • -6.9db
20% Popularity • 57% Danceability • 69% Energy • 10% Liveness
29% Instrumentalness • 44% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
50% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Vance Joy
Georgia (Live from Melbourne)
143 bpm • B Maj • 04:09 • -7.9db
21% Popularity • 38% Danceability • 60% Energy • 94% Liveness
0% Instrumentalness • 36% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
27% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Kisschasy
Opinions Won't Keep You Warm At Night
144 bpm • G min • 03:06 • -3.35db
47% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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GANGgajang
Sounds Of Then (This Is Australia)
130 bpm • B min • 03:51 • -11.31db
59% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
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Pete Murray
Don't Change
142 bpm • D Maj • 03:36 • -14.38db
32% Popularity • 31% Danceability • 24% Energy • 18% Liveness
4% Instrumentalness • 26% Positiveness
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The Beautiful Girls
Under A Southern Sky
144 bpm • E min • 04:09 • -5.77db
22% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Screaming Jets
Eve Of Destruction
130 bpm • D# Maj • 03:28 • -4db
34% Popularity • 52% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
40% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Weddings Parties Anything
For a Short Time
130 bpm • D Maj • 05:11 • -8.37db
22% Popularity • 33% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Eskimo Joe
From The Sea
130 bpm • A# min • 03:22 • -7db
54% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Pete Murray
Tattoo Stained
132 bpm • C min • 03:29 • -6.42db
11% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Roachford
Only to Be with You
130 bpm • B min • 04:21 • -11db
45% Popularity • 64% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
23% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
41% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Skunkhour
Home
129 bpm • F Maj • 03:18 • -4db
30% Popularity • 61% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
45% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Pete Murray
Vacant
144 bpm • F# Maj • 03:42 • -5.58db
20% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Exponents
Why Does Love Do This To Me
128 bpm • D Maj • 03:25 • -6db
51% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Shannon Noll
What About Me
128 bpm • E Maj • 03:21 • -6.05db
51% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jebediah
Fall Down
146 bpm • B Maj • 03:19 • -4db
27% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Evermore
Hey Boys and Girls (Truth of the World, ...
128 bpm • E min • 05:48 • -4db
44% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
37% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Pete Murray
Sugar
144 bpm • A Maj • 04:30 • -9.4db
12% Popularity • 61% Danceability • 78% Energy • 15% Liveness
4% Instrumentalness • 46% Positiveness
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Bernard Fanning
Wash Me Clean
147 bpm • F Maj • 02:36 • -11.13db
38% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
42% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Silverchair
Straight Lines
127 bpm • C# Maj • 04:18 • -6.39db
59% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Evermore
Real Life
128 bpm • D# Maj • 04:36 • -6.3db
18% Popularity • 25% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
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The Whitlams
Beauty In Me
128 bpm • F# min • 03:05 • -10.18db
26% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Augie March
Pennywhistle
127 bpm • A Maj • 04:16 • -7.14db
20% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Pete Murray
Free
145 bpm • C Maj • 03:35 • -6db
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Hoodoo Gurus
Waking Up Tired - Remaster 2005
127 bpm • A Maj • 02:54 • -5db
36% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Tex Perkins
Whenever It Snows
127 bpm • E Maj • 04:42 • -8.43db
33% Popularity • 54% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Evermore
Unbreakable
128 bpm • C# Maj • 03:28 • -5.51db
20% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Killing Heidi
Heavensent
127 bpm • A Maj • 04:31 • -6.1db
26% Popularity • 50% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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The Mavis's
Cry
127 bpm • A Maj • 04:13 • -5db
38% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Pete Murray
King Tide
129 bpm • C Maj • 03:06 • -12.51db
17% Popularity • 54% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 24% Positiveness
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Daryl Braithwaite
Rise
127 bpm • G Maj • 03:55 • -12db
35% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Weddings Parties Anything
Monday's Experts
127 bpm • G Maj • 02:52 • -9db
29% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Whitlams
Royal In The Afternoon
148 bpm • A min • 02:58 • -4.54db
33% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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End Of Fashion
Rough Diamonds
148 bpm • D Maj • 04:15 • -5.98db
20% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Blasko
Don't U Eva
148 bpm • A# min • 04:19 • -5.62db
30% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
33% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Powderfinger
Burn Your Name
127 bpm • C Maj • 03:51 • -2.92db
52% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Dave Dobbyn
Naked Flame
126 bpm • C# min • 04:45 • -14.08db
7% Popularity • 67% Danceability • 50% Energy • 7% Liveness
46% Instrumentalness • 45% Positiveness
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The Whitlams
You Gotta Love This City
148 bpm • F# Maj • 05:11 • -8.79db
27% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Ben Lee
Love Me Like The World Is Ending
126 bpm • A Maj • 03:46 • -5.28db
18% Popularity • 68% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Pete Murray
Always A Winner
126 bpm • F Maj • 03:52 • -6.7db
13% Popularity • 74% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Kisschasy
Do-Do's And Whoa-Oh's
149 bpm • D Maj • 03:31 • -4.26db
42% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Things Of Stone and Wood
Share This Wine
126 bpm • G Maj • 04:00 • -8db
22% Popularity • 55% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Taxiride
AFTERGLOW
149 bpm • G Maj • 04:07 • -6.3db
21% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Lines