Songs like Liszt: 6 Consolations, S. 172: V. Andantino by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Franz Liszt
Liszt: 6 Consolations, S. 172: V. Andant...
166 bpm • E Maj • 02:25 • -34.5db
37% Popularity • 25% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
37% Popularity • 25% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Emmanuel Pahud
Molino: Duo No. 3, Op. 16: I. Andantino
167 bpm • G Maj • 01:38 • -25.18db
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
166 bpm • G Maj • 01:04 • -25db
47% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
47% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Claude Debussy
La plus que lente, L.121
168 bpm • F# Maj • 04:12 • -26.79db
30% Popularity • 23% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 23% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Moments musicaux, Op. 16: No. 5 in D-Fla...
169 bpm • C# Maj • 03:43 • -31.94db
34% Popularity • 32% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Muzio Clementi
Keyboard Sonatina In C Major, Op. 36, No...
170 bpm • G Maj • 01:32 • -28db
45% Popularity • 38% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 82% Positiveness
45% Popularity • 38% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 82% Positiveness
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Frédéric Chopin
Études, Op. 10: Etude No. 6 in E-Flat M...
171 bpm • B Maj • 03:36 • -38db
41% Popularity • 13% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 8% Positiveness
41% Popularity • 13% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
51% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
51% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Bedřich Smetana
4 Sketches, Op. 5, JB 1:67: No. 2, Melan...
173 bpm • G# min • 02:10 • -33db
36% Popularity • 21% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
36% Popularity • 21% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice - Vienna Version (1762...
174 bpm • C Maj • 02:07 • -29.54db
21% Popularity • 11% Danceability • 3% Energy • 12% Liveness
27% Instrumentalness • 22% Positiveness
21% Popularity • 11% Danceability • 3% Energy • 12% Liveness
27% Instrumentalness • 22% Positiveness
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Lang Lang
Sonatina No. 1 in C Major, Op. 36: II. A...
176 bpm • F Maj • 01:31 • -27.33db
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Jules Massenet
Les Erinnyes - Arr. by Mischa Maisky: El...
179 bpm • G min • 02:27 • -25.11db
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
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Franz Liszt
Grand Galop chromatique in E-Flat Major,...
153 bpm • G# Maj • 03:58 • -18.42db
30% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
30% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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Claude Debussy
Debussy: Children's Corner, CD 119, L. 1...
180 bpm • G# min • 02:21 • -32.72db
35% Popularity • 34% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
35% Popularity • 34% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
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Ignaz Friedman
Les Indes galantes: Musette (arr. I. Fri...
152 bpm • G Maj • 02:07 • -29db
36% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
36% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B-Flat Major, BWV 825: ...
145 bpm • A# Maj • 03:17 • -32.24db
36% Popularity • 34% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
36% Popularity • 34% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 5 in D Major
143 bpm • D Maj • 01:58 • -34db
38% Popularity • 29% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
38% Popularity • 29% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Gabriel Fauré
« Dolly », 6 pièces pour piano à 4 m...
142 bpm • E Maj • 02:33 • -32.97db
43% Popularity • 44% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
