Songs like Little Bit of This (feat. Vince Staples) by Good Times Ahead
Based on a tempo of (+/- 10%) and a similar genre
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Good Times Ahead
Heartbeat
118 bpm • G min • 03:54 • -7.73db
20% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Vince Staples
Yeah Right
118 bpm • C# Maj • 03:08 • -9.03db
54% Popularity • 73% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 73% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Duckwrth
MICHUUL.
118 bpm • C# Maj • 03:06 • -6.17db
56% Popularity • 85% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 85% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Young Franco
About This Thing
118 bpm • G# Maj • 03:17 • -5db
44% Popularity • 90% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 90% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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NxWorries
Suede
117 bpm • G min • 02:54 • -7.26db
58% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Procussions
Track 10
120 bpm • B min • 02:21 • -7.55db
24% Popularity • 87% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 87% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Good Times Ahead
Little Bit of This
118 bpm • B Maj • 02:48 • -6db
43% Popularity • 84% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 84% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Flying Lotus
Dead Man's Tetris
119 bpm • B min • 02:25 • -4db
39% Popularity • 62% Danceability • 80% Energy • 59% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 62% Danceability • 80% Energy • 59% Liveness
0% Instrumentalness • 22% Positiveness
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Kilo Kish
NEW TRICKS: ART, AESTHETICS, AND MONEY
120 bpm • F# min • 03:09 • -9db
23% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ground Up
Lets Ride
120 bpm • G min • 03:14 • -5.18db
32% Popularity • 88% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 88% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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A$AP Ferg
Shabba
120 bpm • A Maj • 04:35 • -6.14db
62% Popularity • 87% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 87% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Run The Jewels
Call Ticketron
120 bpm • G Maj • 03:18 • -9.64db
51% Popularity • 83% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 83% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Danny Brown
25 Bucks
116 bpm • F Maj • 03:30 • -7db
42% Popularity • 72% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 72% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Vince Staples
Jump Off The Roof
120 bpm • C# Maj • 03:43 • -5.43db
45% Popularity • 73% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 73% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Good Times Ahead
In My Nature
116 bpm • F min • 04:00 • -5.25db
17% Popularity • 72% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 72% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Aminé
Caroline
120 bpm • F min • 03:29 • -10.18db
72% Popularity • 94% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
72% Popularity • 94% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Tyler, The Creator
Who Dat Boy
115 bpm • G# Maj • 03:25 • -9.67db
66% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
66% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Seige
Boing Boing
120 bpm • A# min • 03:23 • -8db
30% Popularity • 75% Danceability • 51% Energy • 49% Liveness
2% Instrumentalness • 49% Positiveness
30% Popularity • 75% Danceability • 51% Energy • 49% Liveness
2% Instrumentalness • 49% Positiveness
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Hippie Sabotage
High Enough
121 bpm • F min • 04:19 • -10.77db
49% Popularity • 56% Danceability • 51% Energy • 39% Liveness
8% Instrumentalness • 50% Positiveness
49% Popularity • 56% Danceability • 51% Energy • 39% Liveness
8% Instrumentalness • 50% Positiveness
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Vince Staples
Party People
115 bpm • B Maj • 02:58 • -6.75db
42% Popularity • 54% Danceability • 56% Energy • 19% Liveness
11% Instrumentalness • 10% Positiveness
42% Popularity • 54% Danceability • 56% Energy • 19% Liveness
11% Instrumentalness • 10% Positiveness
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Run The Jewels
Legend Has It
121 bpm • G Maj • 03:25 • -6.77db
62% Popularity • 83% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 83% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Lorde
Supercut - El-P Remix
121 bpm • C# Maj • 03:32 • -8.97db
41% Popularity • 78% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 78% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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GoldLink
Polarized - CRNKN Remix
121 bpm • C Maj • 04:11 • -6.49db
9% Popularity • 66% Danceability • 88% Energy • 12% Liveness
39% Instrumentalness • 11% Positiveness
9% Popularity • 66% Danceability • 88% Energy • 12% Liveness
39% Instrumentalness • 11% Positiveness
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Angelo Mota
Namaste
121 bpm • C# Maj • 03:25 • -3.99db
13% Popularity • 74% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 74% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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A$AP Ferg
New Level
121 bpm • C# min • 04:24 • -1.69db
57% Popularity • 73% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
57% Popularity • 73% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Lupe Fiasco
Dopamine Lit (Intro)
115 bpm • C Maj • 02:49 • -7db
17% Popularity • 91% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 91% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Deorro
Bomba
115 bpm • G# min • 03:13 • -6db
26% Popularity • 78% Danceability • 58% Energy • 37% Liveness
29% Instrumentalness • 69% Positiveness
26% Popularity • 78% Danceability • 58% Energy • 37% Liveness
29% Instrumentalness • 69% Positiveness
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Danny Brown
Ain't it Funny
114 bpm • F min • 02:57 • -5.12db
53% Popularity • 48% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 48% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Kovas
Grape Drank
114 bpm • F Maj • 03:28 • -6.58db
25% Popularity • 63% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 63% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Jay Rock
Vice City
115 bpm • G# min • 04:43 • -7.28db
53% Popularity • 84% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 84% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Falcons
I Won't Lie
122 bpm • A# min • 03:28 • -5db
22% Popularity • 68% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 68% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Metric
Freeek
122 bpm • C# Maj • 03:58 • -5.51db
5% Popularity • 78% Danceability • 87% Energy • 8% Liveness
35% Instrumentalness • 41% Positiveness
5% Popularity • 78% Danceability • 87% Energy • 8% Liveness
35% Instrumentalness • 41% Positiveness
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Autoerotique
Bling
122 bpm • G Maj • 04:19 • -5.07db
29% Popularity • 76% Danceability • 94% Energy • 10% Liveness
7% Instrumentalness • 12% Positiveness
29% Popularity • 76% Danceability • 94% Energy • 10% Liveness
7% Instrumentalness • 12% Positiveness
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Vince Staples
Hang N' Bang
114 bpm • B min • 02:06 • -5.07db
35% Popularity • 83% Danceability • 64% Energy • 27% Liveness
1% Instrumentalness • 33% Positiveness
35% Popularity • 83% Danceability • 64% Energy • 27% Liveness
1% Instrumentalness • 33% Positiveness
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G-Eazy
Forbes
114 bpm • G# Maj • 03:26 • -4.33db
48% Popularity • 75% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 75% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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BROCKHAMPTON
ZIPPER
114 bpm • G# Maj • 03:22 • -4.36db
52% Popularity • 84% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 84% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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With You.
Ghost
114 bpm • A Maj • 03:15 • -7.53db
22% Popularity • 89% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 89% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Flatbush Zombies
New Phone, Who Dis?
122 bpm • B Maj • 05:31 • -11.31db
47% Popularity • 84% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 84% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Joey Bada$$
DEVASTATED
123 bpm • A# min • 03:27 • -6.16db
66% Popularity • 81% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 81% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Kaskade
Fun
123 bpm • C Maj • 02:54 • -3.17db
40% Popularity • 84% Danceability • 92% Energy • 5% Liveness
1% Instrumentalness • 35% Positiveness
40% Popularity • 84% Danceability • 92% Energy • 5% Liveness
1% Instrumentalness • 35% Positiveness
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Austin Millz
Cyclone
123 bpm • F# min • 03:19 • -5.19db
14% Popularity • 69% Danceability • 81% Energy • 59% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 69% Danceability • 81% Energy • 59% Liveness
0% Instrumentalness • 39% Positiveness
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Malaa
Notorious
123 bpm • D Maj • 04:31 • -6.07db
54% Popularity • 81% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 81% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Denzel Curry
Ultimate
113 bpm • A Maj • 03:09 • -3.11db
64% Popularity • 49% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
64% Popularity • 49% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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ScHoolboy Q
THat Part
113 bpm • F# min • 05:13 • -7.59db
60% Popularity • 93% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 93% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Autoerotique
I Get Up
124 bpm • C Maj • 02:46 • -5.4db
39% Popularity • 44% Danceability • 92% Energy • 31% Liveness
73% Instrumentalness • 21% Positiveness
39% Popularity • 44% Danceability • 92% Energy • 31% Liveness
73% Instrumentalness • 21% Positiveness
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A$AP Ferg
Strive
124 bpm • B min • 02:50 • -6db
35% Popularity • 84% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 84% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Good Times Ahead
WORK
124 bpm • G# Maj • 02:40 • -4.67db
37% Popularity • 80% Danceability • 90% Energy • 9% Liveness
6% Instrumentalness • 66% Positiveness
37% Popularity • 80% Danceability • 90% Energy • 9% Liveness
6% Instrumentalness • 66% Positiveness
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Childish Gambino
Waiting For My Moment
112 bpm • A# Maj • 04:11 • -8.51db
49% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
49% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Cheat Codes
NSFW
124 bpm • C# Maj • 02:38 • -6.01db
25% Popularity • 82% Danceability • 74% Energy • 33% Liveness
18% Instrumentalness • 67% Positiveness
25% Popularity • 82% Danceability • 74% Energy • 33% Liveness
18% Instrumentalness • 67% Positiveness
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Flux Pavilion
Saxophone Doom
124 bpm • C# Maj • 03:00 • -5db
18% Popularity • 78% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 78% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Nacey
I Own It - Jauz Remix
124 bpm • F Maj • 05:27 • -3.43db
14% Popularity • 63% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 63% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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KAYTRANADA
TOGETHER
112 bpm • C# Maj • 03:17 • -7.6db
53% Popularity • 82% Danceability • 69% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
53% Popularity • 82% Danceability • 69% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
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Dillon Francis
Under Pressure
112 bpm • D Maj • 02:57 • -4.36db
31% Popularity • 71% Danceability • 87% Energy • 13% Liveness
58% Instrumentalness • 55% Positiveness
31% Popularity • 71% Danceability • 87% Energy • 13% Liveness
58% Instrumentalness • 55% Positiveness
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Chance the Rapper
All Night
112 bpm • D Maj • 02:21 • -5.73db
66% Popularity • 70% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 70% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Trinidad James
T Jame$ Expre$$
112 bpm • F# Maj • 02:53 • -4.63db
17% Popularity • 90% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 90% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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ScHoolboy Q
Man Of The Year
112 bpm • D# Maj • 03:36 • -5.23db
70% Popularity • 75% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 75% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Lido
Citi Bike
112 bpm • E Maj • 04:08 • -14db
11% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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JOYRYDE
FLO
125 bpm • C# Maj • 03:48 • -1.89db
40% Popularity • 75% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 75% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dillon Francis
Not Butter
112 bpm • C Maj • 04:01 • -3.86db
34% Popularity • 41% Danceability • 73% Energy • 9% Liveness
52% Instrumentalness • 19% Positiveness
34% Popularity • 41% Danceability • 73% Energy • 9% Liveness
52% Instrumentalness • 19% Positiveness
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BROCKHAMPTON
BOY BYE
125 bpm • A Maj • 02:22 • -7.14db
59% Popularity • 87% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 87% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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BROHUG
If I'm Wrong
125 bpm • C# Maj • 03:36 • -3.78db
31% Popularity • 84% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 84% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Gorillaz
Ascension - Nic Fanciulli Remix
125 bpm • G# Maj • 06:09 • -6.14db
30% Popularity • 88% Danceability • 94% Energy • 6% Liveness
30% Instrumentalness • 81% Positiveness
30% Popularity • 88% Danceability • 94% Energy • 6% Liveness
30% Instrumentalness • 81% Positiveness
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Good Times Ahead
Milky Cabrera
125 bpm • C# min • 04:36 • -4db
19% Popularity • 84% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 84% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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JOYRYDE
HOT DRUM
125 bpm • G Maj • 04:26 • -3.8db
41% Popularity • 62% Danceability • 98% Energy • 36% Liveness
33% Instrumentalness • 16% Positiveness
41% Popularity • 62% Danceability • 98% Energy • 36% Liveness
33% Instrumentalness • 16% Positiveness
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Ghastly
Every Night
125 bpm • B min • 03:58 • -4.55db
28% Popularity • 72% Danceability • 87% Energy • 10% Liveness
28% Instrumentalness • 20% Positiveness
28% Popularity • 72% Danceability • 87% Energy • 10% Liveness
28% Instrumentalness • 20% Positiveness
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Dillon Francis
Listen
112 bpm • C Maj • 03:27 • -2.12db
29% Popularity • 80% Danceability • 95% Energy • 36% Liveness
25% Instrumentalness • 58% Positiveness
29% Popularity • 80% Danceability • 95% Energy • 36% Liveness
25% Instrumentalness • 58% Positiveness
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ETC!ETC!
Devil's Lettuce - LO-DEF Remix
125 bpm • A Maj • 03:08 • -4.44db
18% Popularity • 88% Danceability • 72% Energy • 23% Liveness
5% Instrumentalness • 46% Positiveness
18% Popularity • 88% Danceability • 72% Energy • 23% Liveness
5% Instrumentalness • 46% Positiveness
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VIC MENSA
Down On My Luck
125 bpm • B min • 03:29 • -7.69db
42% Popularity • 72% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 72% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Shaquille O'Neal
My Squads Lit
125 bpm • B min • 03:56 • -1.22db
20% Popularity • 82% Danceability • 94% Energy • 4% Liveness
16% Instrumentalness • 46% Positiveness
20% Popularity • 82% Danceability • 94% Energy • 4% Liveness
16% Instrumentalness • 46% Positiveness
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JOYRYDE
I WARE HOUSE
125 bpm • F# Maj • 04:26 • -4db
42% Popularity • 66% Danceability • 89% Energy • 34% Liveness
3% Instrumentalness • 30% Positiveness
42% Popularity • 66% Danceability • 89% Energy • 34% Liveness
3% Instrumentalness • 30% Positiveness
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Martin Solveig
Intoxicated - Radio Edit
125 bpm • C Maj • 02:38 • -6.11db
62% Popularity • 80% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 80% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Dillon Francis
Bruk Bruk (I Need Your Lovin)
112 bpm • F# min • 03:12 • -4.02db
30% Popularity • 75% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 16% Positiveness
30% Popularity • 75% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 16% Positiveness
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Joey Purp
Elastic
111 bpm • C# Maj • 02:06 • -4.94db
62% Popularity • 97% Danceability • 44% Energy • 5% Liveness
22% Instrumentalness • 56% Positiveness
62% Popularity • 97% Danceability • 44% Energy • 5% Liveness
22% Instrumentalness • 56% Positiveness
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Jay Rock
WIN
126 bpm • C# Maj • 03:35 • -2.94db
61% Popularity • 88% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 88% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Good Times Ahead
DBL Park
126 bpm • D Maj • 03:24 • -7db
21% Popularity • 87% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 65% Positiveness
21% Popularity • 87% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 65% Positiveness
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JOYRYDE
ON FIRE
125 bpm • C# Maj • 03:23 • -3db
51% Popularity • 78% Danceability • 91% Energy • 28% Liveness
59% Instrumentalness • 60% Positiveness
51% Popularity • 78% Danceability • 91% Energy • 28% Liveness
59% Instrumentalness • 60% Positiveness
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Autoerotique
The Sound
126 bpm • A# Maj • 04:00 • -5.57db
25% Popularity • 65% Danceability • 93% Energy • 47% Liveness
74% Instrumentalness • 46% Positiveness
25% Popularity • 65% Danceability • 93% Energy • 47% Liveness
74% Instrumentalness • 46% Positiveness
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Dillon Francis
LA On Acid
112 bpm • E min • 02:23 • -2.93db
37% Popularity • 80% Danceability • 92% Energy • 35% Liveness
87% Instrumentalness • 45% Positiveness
37% Popularity • 80% Danceability • 92% Energy • 35% Liveness
87% Instrumentalness • 45% Positiveness
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AC Slater
Bass Inside
126 bpm • F# Maj • 04:24 • -6.84db
44% Popularity • 90% Danceability • 84% Energy • 61% Liveness
84% Instrumentalness • 46% Positiveness
44% Popularity • 90% Danceability • 84% Energy • 61% Liveness
84% Instrumentalness • 46% Positiveness
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Moksi
Lights Down Low
126 bpm • G Maj • 04:12 • -5.08db
29% Popularity • 72% Danceability • 93% Energy • 30% Liveness
7% Instrumentalness • 81% Positiveness
29% Popularity • 72% Danceability • 93% Energy • 30% Liveness
7% Instrumentalness • 81% Positiveness
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Good Times Ahead
No Time
126 bpm • A# min • 03:20 • -5.56db
30% Popularity • 81% Danceability • 87% Energy • 6% Liveness
55% Instrumentalness • 62% Positiveness
30% Popularity • 81% Danceability • 87% Energy • 6% Liveness
55% Instrumentalness • 62% Positiveness
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JOYRYDE
IM GONE
126 bpm • A Maj • 04:45 • -4db
45% Popularity • 66% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
45% Popularity • 66% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
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TV Noise
EDM O' CLOCK
126 bpm • C# Maj • 02:28 • -3.53db
31% Popularity • 80% Danceability • 90% Energy • 44% Liveness
12% Instrumentalness • 20% Positiveness
31% Popularity • 80% Danceability • 90% Energy • 44% Liveness
12% Instrumentalness • 20% Positiveness
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Big Grams
Drum Machine - Chris Lake Remix
126 bpm • F# min • 04:19 • -5.47db
12% Popularity • 84% Danceability • 91% Energy • 7% Liveness
48% Instrumentalness • 54% Positiveness
12% Popularity • 84% Danceability • 91% Energy • 7% Liveness
48% Instrumentalness • 54% Positiveness
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Christian Rich
High
110 bpm • D Maj • 03:01 • -4.08db
9% Popularity • 71% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 71% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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NITTI
Hush Money
110 bpm • C# Maj • 03:39 • -4.12db
32% Popularity • 82% Danceability • 72% Energy • 14% Liveness
3% Instrumentalness • 31% Positiveness
32% Popularity • 82% Danceability • 72% Energy • 14% Liveness
3% Instrumentalness • 31% Positiveness
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Good Times Ahead
Let Go
126 bpm • F min • 03:27 • -6db
27% Popularity • 78% Danceability • 86% Energy • 16% Liveness
67% Instrumentalness • 64% Positiveness
27% Popularity • 78% Danceability • 86% Energy • 16% Liveness
67% Instrumentalness • 64% Positiveness
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Dillon Francis
Candy
110 bpm • C# Maj • 03:02 • -3db
31% Popularity • 89% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 89% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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JOYRYDE
GIVE MY LOVE
126 bpm • C# Maj • 04:20 • -4db
34% Popularity • 72% Danceability • 94% Energy • 38% Liveness
28% Instrumentalness • 16% Positiveness
34% Popularity • 72% Danceability • 94% Energy • 38% Liveness
28% Instrumentalness • 16% Positiveness
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Weekend Money
Yellow
110 bpm • F# min • 03:14 • -12db
18% Popularity • 85% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
18% Popularity • 85% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
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BROCKHAMPTON
BOOGIE
110 bpm • C# Maj • 03:13 • -3.03db
62% Popularity • 60% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 60% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Joey Purp
Girls @
110 bpm • G Maj • 03:32 • -7.32db
46% Popularity • 94% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 94% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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N.A.S.A.
We Takin' Over
110 bpm • C# Maj • 04:13 • -3.59db
11% Popularity • 65% Danceability • 97% Energy • 10% Liveness
45% Instrumentalness • 16% Positiveness
11% Popularity • 65% Danceability • 97% Energy • 10% Liveness
45% Instrumentalness • 16% Positiveness
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Crash Land
Crash Land - BIJOU Remix
110 bpm • C# Maj • 04:08 • -7.36db
37% Popularity • 81% Danceability • 46% Energy • 45% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 81% Danceability • 46% Energy • 45% Liveness
0% Instrumentalness • 22% Positiveness
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JOYRYDE
THE BOX
126 bpm • C# Maj • 04:38 • -3.17db
43% Popularity • 79% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 79% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Good Times Ahead
Blow Up
110 bpm • C# min • 03:22 • -2.58db
13% Popularity • 78% Danceability • 86% Energy • 4% Liveness
47% Instrumentalness • 32% Positiveness
13% Popularity • 78% Danceability • 86% Energy • 4% Liveness
47% Instrumentalness • 32% Positiveness
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Logic
Everybody
110 bpm • C# Maj • 02:42 • -5.91db
63% Popularity • 88% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 88% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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TINCUP
Talk Shit
110 bpm • C# Maj • 03:46 • -1.73db
9% Popularity • 81% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 81% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
