Songs like Little Rascal (いたずら天使) - 2007 ver. by Toshifumi Hinata
Based on a tempo of (+/- 10%) and a similar genre
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Million Eyes
Where We First Met
82 bpm • C# Maj • 02:05 • -24.96db
37% Popularity • 51% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 51% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
None but the lonely heart, Op. 6, No. 6
82 bpm • D# min • 03:19 • -14.97db
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
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Toshifumi Hinata
Little Rascal (いたずら天使) - 200...
82 bpm • F Maj • 03:44 • -16.66db
50% Popularity • 23% Danceability • 36% Energy • 41% Liveness
69% Instrumentalness • 52% Positiveness
50% Popularity • 23% Danceability • 36% Energy • 41% Liveness
69% Instrumentalness • 52% Positiveness
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Joshua Kyan Aalampour
Raindrop Waltz No. 1 in B Minor
82 bpm • B min • 00:56 • -18db
47% Popularity • 33% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
47% Popularity • 33% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
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Sonicbrat
Caesura
82 bpm • C# Maj • 03:56 • -22.24db
33% Popularity • 47% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
33% Popularity • 47% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Oberhofer
Just When You Need Yourself Most
82 bpm • E min • 01:37 • -31.12db
55% Popularity • 26% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 32% Positiveness
55% Popularity • 26% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 32% Positiveness
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Piero Piccioni
Mexican Dream
82 bpm • F Maj • 02:01 • -14db
62% Popularity • 34% Danceability • 49% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
62% Popularity • 34% Danceability • 49% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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照井順政
If I Am With You
82 bpm • C Maj • 02:26 • -13.33db
64% Popularity • 34% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
64% Popularity • 34% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Masakatsu Takagi
Marginalia #65
81 bpm • F min • 08:37 • -20.79db
46% Popularity • 22% Danceability • 14% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
46% Popularity • 22% Danceability • 14% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 6. Internmezzo-seren...
83 bpm • A Maj • 02:26 • -32.62db
57% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Katsu Hoshi
The Beach of Memories
81 bpm • A# Maj • 01:04 • -24db
50% Popularity • 18% Danceability • 12% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 18% Danceability • 12% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Hikaru Shirosu
Fantasie No.1, Stories of a Figure Stake...
81 bpm • F# Maj • 02:50 • -24.1db
32% Popularity • 43% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
32% Popularity • 43% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Piero Piccioni
The American Dream
83 bpm • G min • 03:40 • -16.49db
34% Popularity • 19% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
34% Popularity • 19% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Cortex
Go Round
83 bpm • A min • 01:23 • -19db
59% Popularity • 53% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
59% Popularity • 53% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Laurindo Almeida
The Girl From Ipanema / Manha De Carnava...
81 bpm • A min • 05:22 • -20.7db
35% Popularity • 32% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 56% Positiveness
35% Popularity • 32% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 56% Positiveness
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Toshifumi Hinata
いたずら天使―Little Rascal
80 bpm • F Maj • 05:58 • -18.4db
26% Popularity • 35% Danceability • 26% Energy • 36% Liveness
72% Instrumentalness • 40% Positiveness
26% Popularity • 35% Danceability • 26% Energy • 36% Liveness
72% Instrumentalness • 40% Positiveness
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Katsu Hoshi
Main Theme
81 bpm • C Maj • 01:49 • -25db
55% Popularity • 30% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
55% Popularity • 30% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Paris Loves Lovers (Instrumental)
80 bpm • C# Maj • 02:36 • -14db
39% Popularity • 37% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 37% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Piero Piccioni
Amore che nasce
83 bpm • F# min • 02:56 • -22db
44% Popularity • 8% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 8% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 7% Positiveness
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Massimo Catalano
Foggy Night
80 bpm • G# min • 02:39 • -22.71db
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Braxton Burks
National Park
80 bpm • C# Maj • 03:18 • -17.5db
38% Popularity • 17% Danceability • 15% Energy • 12% Liveness
42% Instrumentalness • 5% Positiveness
38% Popularity • 17% Danceability • 15% Energy • 12% Liveness
42% Instrumentalness • 5% Positiveness
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Toshifumi Hinata
Good Evening, Heartache - 2007 ver.
84 bpm • F Maj • 01:41 • -21.8db
34% Popularity • 11% Danceability • 8% Energy • 18% Liveness
76% Instrumentalness • 3% Positiveness
34% Popularity • 11% Danceability • 8% Energy • 18% Liveness
76% Instrumentalness • 3% Positiveness
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Taku Matsushiba
Afternoon Waltz
84 bpm • G Maj • 01:09 • -13.97db
46% Popularity • 42% Danceability • 10% Energy • 28% Liveness
59% Instrumentalness • 56% Positiveness
46% Popularity • 42% Danceability • 10% Energy • 28% Liveness
59% Instrumentalness • 56% Positiveness
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John Greaves
Quai De Seine
80 bpm • E min • 01:25 • -11.49db
38% Popularity • 27% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
38% Popularity • 27% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Piero Piccioni
Titoli
84 bpm • C# Maj • 01:29 • -18.3db
49% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
49% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
84 bpm • G# Maj • 01:36 • -33db
55% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
55% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Amy Turk
Fairy Fountain
80 bpm • F Maj • 01:29 • -15.3db
50% Popularity • 56% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 93% Positiveness
50% Popularity • 56% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 93% Positiveness
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Nick Leng
Glisten by the Wind
80 bpm • C# Maj • 00:46 • -24.32db
54% Popularity • 26% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
54% Popularity • 26% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Tsuneo Imahori
砂の星
80 bpm • D Maj • 03:23 • -21.23db
41% Popularity • 52% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
41% Popularity • 52% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Joep Beving
Beving: Ala
79 bpm • G min • 02:00 • -22.84db
66% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
66% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Yoshihisa Hirano
Elegy of the Dynast
85 bpm • G min • 02:27 • -12.83db
46% Popularity • 24% Danceability • 31% Energy • 18% Liveness
93% Instrumentalness • 15% Positiveness
46% Popularity • 24% Danceability • 31% Energy • 18% Liveness
93% Instrumentalness • 15% Positiveness
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Michiru Oshima
私のテーマ
85 bpm • C Maj • 01:41 • -14.95db
26% Popularity • 25% Danceability • 26% Energy • 25% Liveness
35% Instrumentalness • 10% Positiveness
26% Popularity • 25% Danceability • 26% Energy • 25% Liveness
35% Instrumentalness • 10% Positiveness
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Toshifumi Hinata
Marrakesh Sundown
85 bpm • F min • 03:44 • -16.53db
16% Popularity • 30% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 25% Positiveness
16% Popularity • 30% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 25% Positiveness
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Takumi Kaneko
This World Today
79 bpm • F min • 01:42 • -32db
42% Popularity • 48% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
42% Popularity • 48% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
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Aphex Twin
QKThr
79 bpm • C# Maj • 01:27 • -26.12db
74% Popularity • 45% Danceability • 2% Energy • 13% Liveness
77% Instrumentalness • 6% Positiveness
74% Popularity • 45% Danceability • 2% Energy • 13% Liveness
77% Instrumentalness • 6% Positiveness
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Invadable Harmony
Lament
79 bpm • C min • 02:00 • -31.08db
56% Popularity • 55% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 27% Positiveness
56% Popularity • 55% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 27% Positiveness
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Elijah Fox
Greenpoint
85 bpm • D Maj • 02:06 • -33.65db
48% Popularity • 24% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
48% Popularity • 24% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Elmer Bernstein
Roses Montage
85 bpm • C min • 01:16 • -10.47db
40% Popularity • 21% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
40% Popularity • 21% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
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Taku Matsushiba
Passacaille in Barcelona
85 bpm • B min • 03:13 • -14.99db
49% Popularity • 18% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
49% Popularity • 18% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Super Guitar Bros
Zelda
85 bpm • E Maj • 01:19 • -19db
49% Popularity • 53% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
49% Popularity • 53% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Alberto Baldan Bembo
Nostalgia Per Eva
79 bpm • C Maj • 02:58 • -9.75db
38% Popularity • 25% Danceability • 42% Energy • 15% Liveness
97% Instrumentalness • 44% Positiveness
38% Popularity • 25% Danceability • 42% Energy • 15% Liveness
97% Instrumentalness • 44% Positiveness
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Brad Oberhofer
Where the Mountain Meets the Ocean
79 bpm • D Maj • 01:24 • -29.98db
58% Popularity • 38% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
58% Popularity • 38% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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mousike
Midnight Pretenders
85 bpm • A# min • 01:16 • -16.33db
48% Popularity • 76% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 41% Positiveness
48% Popularity • 76% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 41% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Go Ichinose
Stars Over Lake Verity (Sinnoh Lake Them...
86 bpm • F Maj • 04:08 • -12.57db
36% Popularity • 21% Danceability • 29% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
36% Popularity • 21% Danceability • 29% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
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Takatsugu Muramatsu
The Girl in the Blue Window
86 bpm • D Maj • 00:57 • -24.54db
53% Popularity • 25% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
53% Popularity • 25% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Katsu Hoshi
Theme Variation Abe-kun
78 bpm • C Maj • 01:48 • -27db
41% Popularity • 24% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Yu-Peng Chen
Lone Sojourner
86 bpm • C min • 00:50 • -30db
53% Popularity • 32% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
53% Popularity • 32% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Yoko Kanno
piece by ten
86 bpm • G Maj • 02:45 • -11.54db
35% Popularity • 18% Danceability • 30% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 30% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
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Toshifumi Hinata
A Moment
86 bpm • B min • 02:06 • -24.99db
26% Popularity • 17% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 15% Positiveness
26% Popularity • 17% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 15% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: II. A...
78 bpm • C# min • 08:51 • -27db
45% Popularity • 22% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 22% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Yoshihisa Hirano
Meimou
78 bpm • F Maj • 01:33 • -15.69db
43% Popularity • 27% Danceability • 26% Energy • 36% Liveness
91% Instrumentalness • 16% Positiveness
43% Popularity • 27% Danceability • 26% Energy • 36% Liveness
91% Instrumentalness • 16% Positiveness
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Nate Steckler
chrysanthemum
78 bpm • F Maj • 01:44 • -22.95db
30% Popularity • 45% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 45% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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yuma yamaguchi
坂の途中の家 (short ver.)
78 bpm • A Maj • 01:08 • -20db
43% Popularity • 59% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
43% Popularity • 59% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Umitaro Abe
Rondeau
78 bpm • C Maj • 03:01 • -12.97db
30% Popularity • 29% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 24% Positiveness
30% Popularity • 29% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 24% Positiveness
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Toshifumi Hinata
いつかまた逢える
78 bpm • B min • 03:53 • -15.03db
18% Popularity • 62% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 62% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Herb Alpert & The Tijuana Brass
Ladyfingers
86 bpm • G# Maj • 02:46 • -13.19db
61% Popularity • 37% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 56% Positiveness
61% Popularity • 37% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 56% Positiveness
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Million Eyes
Jours Vides
78 bpm • F# Maj • 01:45 • -19.49db
38% Popularity • 14% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jean Sibelius
Five Pieces for Piano, Op. 75: Granen, N...
78 bpm • B min • 02:49 • -32db
34% Popularity • 27% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
34% Popularity • 27% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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aqualina
orange hues
78 bpm • F# min • 03:21 • -23.1db
53% Popularity • 25% Danceability • 8% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
53% Popularity • 25% Danceability • 8% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
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Francis Poulenc
Nocturnes n°7 en mi majeur
87 bpm • D# Maj • 01:52 • -26.04db
47% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
47% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Toshifumi Hinata
Reflections
86 bpm • A min • 04:33 • -17.21db
19% Popularity • 18% Danceability • 14% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
19% Popularity • 18% Danceability • 14% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Federico Dubbini
Heavenly Flight
78 bpm • F Maj • 03:02 • -16db
42% Popularity • 18% Danceability • 18% Energy • 20% Liveness
82% Instrumentalness • 7% Positiveness
42% Popularity • 18% Danceability • 18% Energy • 20% Liveness
82% Instrumentalness • 7% Positiveness
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Yuji Nomi
Waltz "Katzen Blut"
87 bpm • A# Maj • 01:38 • -12.73db
49% Popularity • 38% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
49% Popularity • 38% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Claude Debussy
Clair De Lune
87 bpm • C# Maj • 05:06 • -18.24db
58% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Satoshi Takebe
The Latin Quarter
78 bpm • C Maj • 02:22 • -14db
49% Popularity • 66% Danceability • 37% Energy • 9% Liveness
49% Instrumentalness • 21% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 9% Liveness
49% Instrumentalness • 21% Positiveness
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BANANA FISH
Blue Bird
87 bpm • G# min • 02:24 • -25.17db
50% Popularity • 67% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 45% Positiveness
50% Popularity • 67% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 45% Positiveness
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Toshifumi Hinata
So Near and Dear
87 bpm • A min • 03:50 • -18.3db
23% Popularity • 18% Danceability • 14% Energy • 24% Liveness
75% Instrumentalness • 14% Positiveness
23% Popularity • 18% Danceability • 14% Energy • 24% Liveness
75% Instrumentalness • 14% Positiveness
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Piero Piccioni
Luna, amore e no
87 bpm • D# Maj • 02:02 • -13.99db
56% Popularity • 17% Danceability • 26% Energy • 29% Liveness
93% Instrumentalness • 19% Positiveness
56% Popularity • 17% Danceability • 26% Energy • 29% Liveness
93% Instrumentalness • 19% Positiveness
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Cyril Scott
Two Pieces, Op. 47: 1. Lotus Land
77 bpm • D# min • 04:15 • -29db
23% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Austin Farwell
Dreamscape
77 bpm • G Maj • 01:54 • -26db
59% Popularity • 35% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
59% Popularity • 35% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Satoshi Takebe
A Big Commotion
77 bpm • C Maj • 01:03 • -12db
41% Popularity • 55% Danceability • 38% Energy • 6% Liveness
67% Instrumentalness • 40% Positiveness
41% Popularity • 55% Danceability • 38% Energy • 6% Liveness
67% Instrumentalness • 40% Positiveness
► Preview
Katsu Hoshi
Ohanahan
77 bpm • F Maj • 01:27 • -17.75db
38% Popularity • 29% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
38% Popularity • 29% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Toshifumi Hinata
Mother's Grace
77 bpm • A min • 01:51 • -20.59db
34% Popularity • 28% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
34% Popularity • 28% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Emile Pandolfi
Once Upon a Dream
77 bpm • G# Maj • 03:55 • -18db
48% Popularity • 29% Danceability • 14% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
48% Popularity • 29% Danceability • 14% Energy • 16% Liveness
87% Instrumentalness • 22% Positiveness
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物語シリーズ
素敵滅法
88 bpm • A min • 02:37 • -12.81db
44% Popularity • 55% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 65% Positiveness
44% Popularity • 55% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 65% Positiveness
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aetoul
autumn leaves
76 bpm • G min • 01:44 • -11db
50% Popularity • 48% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 38% Positiveness
50% Popularity • 48% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 38% Positiveness
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Satoshi Takebe
Reminiscence
77 bpm • F Maj • 02:02 • -22.27db
50% Popularity • 45% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 20% Positiveness
50% Popularity • 45% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 20% Positiveness
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Sebastian Thomas
Prelude 1 (Recomposed)
88 bpm • C Maj • 01:25 • -39.85db
45% Popularity • 29% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
45% Popularity • 29% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
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Emile Mosseri
Our Love
76 bpm • D# Maj • 02:05 • -22db
52% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
52% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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TwoSet Violin
Prelude
89 bpm • C Maj • 01:08 • -18db
43% Popularity • 15% Danceability • 19% Energy • 37% Liveness
66% Instrumentalness • 25% Positiveness
43% Popularity • 15% Danceability • 19% Energy • 37% Liveness
66% Instrumentalness • 25% Positiveness
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Alberto Baldan Bembo
Blue Velvet
89 bpm • C# Maj • 01:18 • -12.13db
61% Popularity • 36% Danceability • 43% Energy • 19% Liveness
98% Instrumentalness • 16% Positiveness
61% Popularity • 36% Danceability • 43% Energy • 19% Liveness
98% Instrumentalness • 16% Positiveness
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Akira Senju
Lullaby of Resembool
76 bpm • A min • 02:13 • -16.57db
45% Popularity • 23% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 23% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Maurice Ravel
Miroirs: III. Une barque sur l'océan
76 bpm • D Maj • 07:08 • -27.02db
58% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
58% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Sebastian Thomas
Mistral 2
76 bpm • G Maj • 01:16 • -38.01db
36% Popularity • 34% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
36% Popularity • 34% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Yehezkel Raz
Ballerina
76 bpm • D# Maj • 01:11 • -35.71db
76% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
76% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Over the Garden Wall
Prelude
76 bpm • F Maj • 01:32 • -8.87db
51% Popularity • 8% Danceability • 27% Energy • 12% Liveness
69% Instrumentalness • 8% Positiveness
51% Popularity • 8% Danceability • 27% Energy • 12% Liveness
69% Instrumentalness • 8% Positiveness
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Macabre Plaza
An Old Smile
90 bpm • E min • 01:11 • -16.14db
49% Popularity • 50% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
49% Popularity • 50% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Masashi Hamauzu
"β" 1
75 bpm • D Maj • 02:39 • -23db
45% Popularity • 66% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
45% Popularity • 66% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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BANANA FISH
Him and Hym
75 bpm • D min • 02:20 • -18.8db
39% Popularity • 71% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
39% Popularity • 71% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
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AZALI
alone together
75 bpm • G min • 01:13 • -19.18db
44% Popularity • 59% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
44% Popularity • 59% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Yuji Nomi
The Elf Queen
75 bpm • D min • 01:00 • -9db
42% Popularity • 14% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
42% Popularity • 14% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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TwoSet Violin
Adagio
90 bpm • B Maj • 03:50 • -16db
36% Popularity • 24% Danceability • 13% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 13% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Miharu Koshi
希望の泉 （Source d'espoir）
90 bpm • F Maj • 04:27 • -14.16db
48% Popularity • 68% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
48% Popularity • 68% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Ricky Not Montgomery
Fallen Down
90 bpm • D Maj • 01:06 • -19.27db
52% Popularity • 55% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
52% Popularity • 55% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
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Martin Bloch
Debussy - Claire De Lune
74 bpm • C# Maj • 05:30 • -26db
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Invadable Harmony
We Will Meet Again
74 bpm • A min • 01:10 • -23db
49% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
49% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Patti Rudisill
Promise of the World
90 bpm • C Maj • 04:48 • -18.31db
42% Popularity • 28% Danceability • 11% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
42% Popularity • 28% Danceability • 11% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
