Songs like Liverpool Street In The Rain by Mall Grab
Based on a tempo of (+/- 10%) and a similar genre
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X CLUB.
SENSATION
130 bpm • C min • 06:39 • -6.13db
31% Popularity • 78% Danceability • 96% Energy • 8% Liveness
59% Instrumentalness • 20% Positiveness
31% Popularity • 78% Danceability • 96% Energy • 8% Liveness
59% Instrumentalness • 20% Positiveness
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Ewan McVicar
El Bombo
130 bpm • F# min • 04:00 • -7db
40% Popularity • 81% Danceability • 85% Energy • 16% Liveness
86% Instrumentalness • 82% Positiveness
40% Popularity • 81% Danceability • 85% Energy • 16% Liveness
86% Instrumentalness • 82% Positiveness
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Denis Sulta
A.A.L.A.S
130 bpm • E min • 06:38 • -8.56db
33% Popularity • 78% Danceability • 54% Energy • 8% Liveness
19% Instrumentalness • 25% Positiveness
33% Popularity • 78% Danceability • 54% Energy • 8% Liveness
19% Instrumentalness • 25% Positiveness
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COMPUTER DATA
Seele
130 bpm • A# min • 08:25 • -10db
33% Popularity • 79% Danceability • 75% Energy • 6% Liveness
90% Instrumentalness • 46% Positiveness
33% Popularity • 79% Danceability • 75% Energy • 6% Liveness
90% Instrumentalness • 46% Positiveness
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Vv Pete
Frauds (Mall Grab Remix)
130 bpm • F# min • 03:36 • -6db
41% Popularity • 89% Danceability • 53% Energy • 11% Liveness
42% Instrumentalness • 63% Positiveness
41% Popularity • 89% Danceability • 53% Energy • 11% Liveness
42% Instrumentalness • 63% Positiveness
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PAWSA
Room Service - 24 Hour Mix
130 bpm • D Maj • 04:44 • -11.53db
51% Popularity • 67% Danceability • 55% Energy • 9% Liveness
36% Instrumentalness • 83% Positiveness
51% Popularity • 67% Danceability • 55% Energy • 9% Liveness
36% Instrumentalness • 83% Positiveness
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MCR-T
My Core Really Talks Catlaine
130 bpm • B Maj • 03:41 • -4db
34% Popularity • 80% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 80% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Mella Dee
Techno Disco Tool
130 bpm • B Maj • 06:41 • -5.21db
39% Popularity • 75% Danceability • 97% Energy • 9% Liveness
59% Instrumentalness • 52% Positiveness
39% Popularity • 75% Danceability • 97% Energy • 9% Liveness
59% Instrumentalness • 52% Positiveness
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Vieze Asbak
Drankstand
130 bpm • C min • 02:01 • -8.08db
55% Popularity • 83% Danceability • 63% Energy • 87% Liveness
16% Instrumentalness • 75% Positiveness
55% Popularity • 83% Danceability • 63% Energy • 87% Liveness
16% Instrumentalness • 75% Positiveness
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Luke Dean
Get Hard (You In The Lobby)
130 bpm • C Maj • 02:36 • -4.17db
61% Popularity • 81% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 73% Positiveness
61% Popularity • 81% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 73% Positiveness
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Denis Sulta
It's Only Real
130 bpm • C min • 06:53 • -8.43db
42% Popularity • 74% Danceability • 96% Energy • 8% Liveness
90% Instrumentalness • 39% Positiveness
42% Popularity • 74% Danceability • 96% Energy • 8% Liveness
90% Instrumentalness • 39% Positiveness
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Carl Cox
Speed Trials On Acid (LF SYSTEM Remix)
130 bpm • G# Maj • 03:03 • -4.9db
50% Popularity • 68% Danceability • 96% Energy • 14% Liveness
38% Instrumentalness • 52% Positiveness
50% Popularity • 68% Danceability • 96% Energy • 14% Liveness
38% Instrumentalness • 52% Positiveness
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Nia Archives
Don't Kid Urself
130 bpm • B min • 02:18 • -8.32db
45% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Alan Fitzpatrick
Haven't You Heard - Fitzy's Half Charged...
130 bpm • F# min • 02:39 • -5.24db
52% Popularity • 83% Danceability • 90% Energy • 26% Liveness
69% Instrumentalness • 96% Positiveness
52% Popularity • 83% Danceability • 90% Energy • 26% Liveness
69% Instrumentalness • 96% Positiveness
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Lemtom
Namerakana
130 bpm • C# min • 05:34 • -10db
48% Popularity • 87% Danceability • 67% Energy • 4% Liveness
29% Instrumentalness • 40% Positiveness
48% Popularity • 87% Danceability • 67% Energy • 4% Liveness
29% Instrumentalness • 40% Positiveness
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Overmono
Bby
130 bpm • D Maj • 05:43 • -9db
45% Popularity • 56% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
45% Popularity • 56% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Hush Hush
How True Is Your Love
130 bpm • F# min • 05:08 • -6.06db
34% Popularity • 66% Danceability • 95% Energy • 16% Liveness
79% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 95% Energy • 16% Liveness
79% Instrumentalness • 70% Positiveness
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DVS1
Black Russian
130 bpm • F# min • 06:31 • -10.48db
37% Popularity • 82% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
37% Popularity • 82% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
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PAWSA
GOING TO THE PARK
130 bpm • G Maj • 03:34 • -16.12db
46% Popularity • 80% Danceability • 77% Energy • 10% Liveness
81% Instrumentalness • 97% Positiveness
46% Popularity • 80% Danceability • 77% Energy • 10% Liveness
81% Instrumentalness • 97% Positiveness
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Mall Grab
Strangers
130 bpm • C# Maj • 06:09 • -13.68db
42% Popularity • 58% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
42% Popularity • 58% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Chris Stussy
Midtown Playground
130 bpm • E min • 03:42 • -7.68db
51% Popularity • 80% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 85% Positiveness
51% Popularity • 80% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 85% Positiveness
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E&D
Not Enough - Mall Grab Remix
130 bpm • G Maj • 05:58 • -13db
5% Popularity • 67% Danceability • 66% Energy • 8% Liveness
94% Instrumentalness • 46% Positiveness
5% Popularity • 67% Danceability • 66% Energy • 8% Liveness
94% Instrumentalness • 46% Positiveness
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DJ BORING
Beautiful Strangers
130 bpm • G# Maj • 03:57 • -9.9db
41% Popularity • 63% Danceability • 76% Energy • 44% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 63% Danceability • 76% Energy • 44% Liveness
76% Instrumentalness • 9% Positiveness
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Makèz
Downstream
130 bpm • G# Maj • 02:55 • -8.37db
54% Popularity • 86% Danceability • 77% Energy • 48% Liveness
4% Instrumentalness • 67% Positiveness
54% Popularity • 86% Danceability • 77% Energy • 48% Liveness
4% Instrumentalness • 67% Positiveness
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Overmono
So U Kno
130 bpm • C Maj • 05:43 • -8.36db
53% Popularity • 82% Danceability • 60% Energy • 4% Liveness
21% Instrumentalness • 56% Positiveness
53% Popularity • 82% Danceability • 60% Energy • 4% Liveness
21% Instrumentalness • 56% Positiveness
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Armand Van Helden
You Don't Know Me - Radio Edit
130 bpm • A# Maj • 04:02 • -6.92db
64% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
64% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Borai & Denham Audio
Make Me
130 bpm • A# min • 02:31 • -3.42db
64% Popularity • 62% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 62% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Mella Dee
Techno Disco Tool - Radio Edit
130 bpm • D# min • 03:14 • -6.1db
55% Popularity • 77% Danceability • 95% Energy • 28% Liveness
5% Instrumentalness • 71% Positiveness
55% Popularity • 77% Danceability • 95% Energy • 28% Liveness
5% Instrumentalness • 71% Positiveness
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Skin On Skin
Way Ur Touchin Me
130 bpm • C Maj • 04:59 • -8.87db
46% Popularity • 90% Danceability • 60% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
46% Popularity • 90% Danceability • 60% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Mall Grab
Liverpool Street In The Rain
130 bpm • F# min • 05:32 • -9.19db
61% Popularity • 67% Danceability • 80% Energy • 15% Liveness
89% Instrumentalness • 27% Positiveness
61% Popularity • 67% Danceability • 80% Energy • 15% Liveness
89% Instrumentalness • 27% Positiveness
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Sosa UK
DFCW
130 bpm • G# Maj • 04:00 • -5.7db
57% Popularity • 82% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 82% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Mark Blair
Ginseng Strip 303
130 bpm • B Maj • 05:33 • -10.29db
41% Popularity • 55% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 55% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Borai & Denham Audio
Make Me - Franky Rizardo Remix
130 bpm • F# Maj • 03:15 • -8.07db
62% Popularity • 69% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
62% Popularity • 69% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
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Conducta
Whippet
130 bpm • C# Maj • 04:18 • -8.03db
46% Popularity • 86% Danceability • 46% Energy • 49% Liveness
88% Instrumentalness • 50% Positiveness
46% Popularity • 86% Danceability • 46% Energy • 49% Liveness
88% Instrumentalness • 50% Positiveness
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DJ Planet Express
Take Me
131 bpm • D# min • 06:08 • -7db
38% Popularity • 86% Danceability • 69% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
38% Popularity • 86% Danceability • 69% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Mall Grab
Patience
130 bpm • C Maj • 04:17 • -9.87db
46% Popularity • 71% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 21% Positiveness
46% Popularity • 71% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 21% Positiveness
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Anish Kumar
Hummingbird
129 bpm • G# min • 02:57 • -8db
37% Popularity • 68% Danceability • 83% Energy • 18% Liveness
90% Instrumentalness • 68% Positiveness
37% Popularity • 68% Danceability • 83% Energy • 18% Liveness
90% Instrumentalness • 68% Positiveness
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⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ
()vȯ)) ̷̨ʅ(ʅ(Ɵʅ():::()̵̳̗̊(...
129 bpm • C# Maj • 04:31 • -7db
41% Popularity • 85% Danceability • 93% Energy • 6% Liveness
49% Instrumentalness • 24% Positiveness
41% Popularity • 85% Danceability • 93% Energy • 6% Liveness
49% Instrumentalness • 24% Positiveness
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Ewan McVicar
Groove Thang
131 bpm • D Maj • 03:40 • -5.62db
60% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Overmono
Gunk
129 bpm • F# min • 05:14 • -6.54db
45% Popularity • 75% Danceability • 94% Energy • 12% Liveness
35% Instrumentalness • 76% Positiveness
45% Popularity • 75% Danceability • 94% Energy • 12% Liveness
35% Instrumentalness • 76% Positiveness
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Mella Dee
Sidney Street
131 bpm • A Maj • 05:23 • -9.1db
29% Popularity • 83% Danceability • 91% Energy • 24% Liveness
70% Instrumentalness • 89% Positiveness
29% Popularity • 83% Danceability • 91% Energy • 24% Liveness
70% Instrumentalness • 89% Positiveness
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Peggy Gou
1+1=11 - Edit
131 bpm • C# Maj • 03:10 • -5.15db
54% Popularity • 55% Danceability • 93% Energy • 16% Liveness
89% Instrumentalness • 60% Positiveness
54% Popularity • 55% Danceability • 93% Energy • 16% Liveness
89% Instrumentalness • 60% Positiveness
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DJibouti
Cantona
129 bpm • E min • 06:51 • -9.83db
40% Popularity • 84% Danceability • 91% Energy • 19% Liveness
40% Instrumentalness • 33% Positiveness
40% Popularity • 84% Danceability • 91% Energy • 19% Liveness
40% Instrumentalness • 33% Positiveness
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Lemtom
Bancroft
129 bpm • A# min • 07:28 • -10.99db
53% Popularity • 79% Danceability • 69% Energy • 25% Liveness
92% Instrumentalness • 61% Positiveness
53% Popularity • 79% Danceability • 69% Energy • 25% Liveness
92% Instrumentalness • 61% Positiveness
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Kolter
Hooked on You
131 bpm • G# min • 06:23 • -7db
45% Popularity • 86% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 80% Positiveness
45% Popularity • 86% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 80% Positiveness
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LOSTBOYJAY
COULD BE WRONG
129 bpm • C Maj • 03:06 • -8.39db
71% Popularity • 89% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 89% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Overmono
Diamond Cut
131 bpm • G Maj • 06:10 • -8.82db
38% Popularity • 72% Danceability • 53% Energy • 13% Liveness
72% Instrumentalness • 16% Positiveness
38% Popularity • 72% Danceability • 53% Energy • 13% Liveness
72% Instrumentalness • 16% Positiveness
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Peggy Gou
1+1=11 - Beatless Mix
131 bpm • A# min • 05:11 • -10.97db
42% Popularity • 57% Danceability • 66% Energy • 23% Liveness
89% Instrumentalness • 40% Positiveness
42% Popularity • 57% Danceability • 66% Energy • 23% Liveness
89% Instrumentalness • 40% Positiveness
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DJibouti
Wanna B
129 bpm • A Maj • 04:11 • -9.56db
42% Popularity • 82% Danceability • 66% Energy • 56% Liveness
60% Instrumentalness • 29% Positiveness
42% Popularity • 82% Danceability • 66% Energy • 56% Liveness
60% Instrumentalness • 29% Positiveness
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Finn
Sometimes The Going Gets A Little Tough ...
131 bpm • C# Maj • 05:39 • -6.59db
39% Popularity • 74% Danceability • 95% Energy • 9% Liveness
92% Instrumentalness • 68% Positiveness
39% Popularity • 74% Danceability • 95% Energy • 9% Liveness
92% Instrumentalness • 68% Positiveness
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Lemtom
Wanna See U
129 bpm • G min • 05:21 • -9db
47% Popularity • 80% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
47% Popularity • 80% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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For Those I Love
I Have a Love (Overmono Remix)
129 bpm • F min • 06:06 • -10.52db
42% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ross from Friends
High Energy
129 bpm • F# min • 05:46 • -7.25db
35% Popularity • 74% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 61% Positiveness
35% Popularity • 74% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 61% Positiveness
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Effy
Ara
129 bpm • B Maj • 06:58 • -8.67db
25% Popularity • 68% Danceability • 97% Energy • 6% Liveness
82% Instrumentalness • 43% Positiveness
25% Popularity • 68% Danceability • 97% Energy • 6% Liveness
82% Instrumentalness • 43% Positiveness
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SILK
Quiver
131 bpm • F# Maj • 03:01 • -8db
60% Popularity • 90% Danceability • 78% Energy • 30% Liveness
48% Instrumentalness • 12% Positiveness
60% Popularity • 90% Danceability • 78% Energy • 30% Liveness
48% Instrumentalness • 12% Positiveness
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DJBOEING
I'll Be Gone
129 bpm • E min • 03:17 • -9.04db
31% Popularity • 69% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 69% Positiveness
31% Popularity • 69% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 69% Positiveness
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ANOTR
Vertigo
131 bpm • E min • 04:16 • -8db
60% Popularity • 79% Danceability • 56% Energy • 7% Liveness
71% Instrumentalness • 67% Positiveness
60% Popularity • 79% Danceability • 56% Energy • 7% Liveness
71% Instrumentalness • 67% Positiveness
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Overmono
Is U
131 bpm • F min • 03:48 • -5.34db
52% Popularity • 72% Danceability • 75% Energy • 12% Liveness
41% Instrumentalness • 40% Positiveness
52% Popularity • 72% Danceability • 75% Energy • 12% Liveness
41% Instrumentalness • 40% Positiveness
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Ross from Friends
The One
131 bpm • A# Maj • 05:01 • -7.23db
41% Popularity • 72% Danceability • 81% Energy • 6% Liveness
73% Instrumentalness • 57% Positiveness
41% Popularity • 72% Danceability • 81% Energy • 6% Liveness
73% Instrumentalness • 57% Positiveness
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Daphni
Falling
132 bpm • G# Maj • 01:12 • -16.71db
50% Popularity • 77% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 86% Positiveness
50% Popularity • 77% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 86% Positiveness
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Octave One
Blackwater - 128 full strings vocal mix
128 bpm • F min • 08:38 • -8.94db
52% Popularity • 76% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 76% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Subjoi
Belle
128 bpm • E min • 05:13 • -11.67db
27% Popularity • 80% Danceability • 58% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
27% Popularity • 80% Danceability • 58% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
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Barry Can't Swim
Lone Raver
128 bpm • G# Maj • 04:17 • -12.53db
46% Popularity • 73% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 19% Positiveness
46% Popularity • 73% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 19% Positiveness
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Mall Grab
Hand In Hand Through Wonderland
132 bpm • A min • 05:27 • -12.06db
33% Popularity • 60% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
33% Popularity • 60% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Model Man
Don't Cry - Mall Grab Remix
132 bpm • C# Maj • 04:31 • -5.98db
26% Popularity • 53% Danceability • 97% Energy • 16% Liveness
90% Instrumentalness • 45% Positiveness
26% Popularity • 53% Danceability • 97% Energy • 16% Liveness
90% Instrumentalness • 45% Positiveness
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ANOTR
Relax My Eyes
132 bpm • D# min • 03:12 • -9.76db
77% Popularity • 75% Danceability • 62% Energy • 14% Liveness
12% Instrumentalness • 91% Positiveness
77% Popularity • 75% Danceability • 62% Energy • 14% Liveness
12% Instrumentalness • 91% Positiveness
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Skin On Skin
Memories of Before - jamesjamesjames Rem...
132 bpm • A# min • 06:06 • -12.2db
37% Popularity • 79% Danceability • 47% Energy • 8% Liveness
83% Instrumentalness • 53% Positiveness
37% Popularity • 79% Danceability • 47% Energy • 8% Liveness
83% Instrumentalness • 53% Positiveness
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Sosa UK
Bring It Back
132 bpm • C Maj • 05:41 • -6.32db
57% Popularity • 80% Danceability • 97% Energy • 8% Liveness
87% Instrumentalness • 47% Positiveness
57% Popularity • 80% Danceability • 97% Energy • 8% Liveness
87% Instrumentalness • 47% Positiveness
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Sammy Virji
If U Need It
132 bpm • A# min • 02:59 • -5.83db
70% Popularity • 87% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
70% Popularity • 87% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sweely
Stronger Than Me
128 bpm • C# Maj • 06:22 • -6.39db
30% Popularity • 78% Danceability • 87% Energy • 3% Liveness
88% Instrumentalness • 50% Positiveness
30% Popularity • 78% Danceability • 87% Energy • 3% Liveness
88% Instrumentalness • 50% Positiveness
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Ouri
High & Choking - Jacques Greene Remix
132 bpm • B min • 04:38 • -9.59db
45% Popularity • 70% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 37% Positiveness
45% Popularity • 70% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 37% Positiveness
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nørus
I'll wait for u tonight
128 bpm • G# Maj • 08:31 • -8.08db
31% Popularity • 78% Danceability • 82% Energy • 8% Liveness
47% Instrumentalness • 51% Positiveness
31% Popularity • 78% Danceability • 82% Energy • 8% Liveness
47% Instrumentalness • 51% Positiveness
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jamesjamesjames
J'adore
132 bpm • F Maj • 04:12 • -8.84db
38% Popularity • 78% Danceability • 75% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
38% Popularity • 78% Danceability • 75% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Jasper Tygner
With You
132 bpm • B min • 01:36 • -13db
44% Popularity • 64% Danceability • 68% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
44% Popularity • 64% Danceability • 68% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Robert Hood
Onslaught - FJAAK Remix
132 bpm • B Maj • 07:35 • -8.06db
31% Popularity • 70% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
31% Popularity • 70% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Franky Rizardo
Out The Fire (At The Hotel) - Radio Edit
128 bpm • B min • 03:34 • -6.36db
58% Popularity • 85% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 85% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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O'Flynn
Call For Noise
132 bpm • A min • 03:50 • -9db
32% Popularity • 63% Danceability • 81% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 63% Danceability • 81% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Vrdnyn
Shoreditch
132 bpm • B Maj • 02:29 • -8.91db
57% Popularity • 85% Danceability • 60% Energy • 31% Liveness
73% Instrumentalness • 68% Positiveness
57% Popularity • 85% Danceability • 60% Energy • 31% Liveness
73% Instrumentalness • 68% Positiveness
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Skin On Skin
J'adore - Skin On Skin Remix
132 bpm • C# min • 06:23 • -10.8db
27% Popularity • 78% Danceability • 71% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
27% Popularity • 78% Danceability • 71% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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James Pepper
For All My Wrongs
132 bpm • G min • 07:40 • -9db
33% Popularity • 74% Danceability • 91% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
33% Popularity • 74% Danceability • 91% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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Fred again..
Kammy (like i do)
132 bpm • D min • 03:58 • -6.46db
61% Popularity • 72% Danceability • 94% Energy • 27% Liveness
8% Instrumentalness • 60% Positiveness
61% Popularity • 72% Danceability • 94% Energy • 27% Liveness
8% Instrumentalness • 60% Positiveness
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Elkka
Voices
132 bpm • E Maj • 04:27 • -11db
29% Popularity • 79% Danceability • 68% Energy • 6% Liveness
94% Instrumentalness • 64% Positiveness
29% Popularity • 79% Danceability • 68% Energy • 6% Liveness
94% Instrumentalness • 64% Positiveness
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Barbara Tucker
Beautiful People (Obskür Remix)
128 bpm • B min • 05:33 • -8.78db
59% Popularity • 83% Danceability • 68% Energy • 5% Liveness
2% Instrumentalness • 38% Positiveness
59% Popularity • 83% Danceability • 68% Energy • 5% Liveness
2% Instrumentalness • 38% Positiveness
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Dj Streaks
Day 'N' Nite
132 bpm • C# min • 07:16 • -12.08db
38% Popularity • 72% Danceability • 60% Energy • 7% Liveness
89% Instrumentalness • 39% Positiveness
38% Popularity • 72% Danceability • 60% Energy • 7% Liveness
89% Instrumentalness • 39% Positiveness
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Oden & Fatzo
Lauren (I Can't Stay Forever)
128 bpm • A min • 03:20 • -8.69db
68% Popularity • 70% Danceability • 91% Energy • 9% Liveness
31% Instrumentalness • 96% Positiveness
68% Popularity • 70% Danceability • 91% Energy • 9% Liveness
31% Instrumentalness • 96% Positiveness
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COMPUTER DATA
Schlafen
128 bpm • F# min • 06:52 • -12.36db
33% Popularity • 78% Danceability • 50% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
33% Popularity • 78% Danceability • 50% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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KENT PAUL
BOBBY'SDANCE
132 bpm • C# Maj • 01:34 • -9.65db
42% Popularity • 87% Danceability • 70% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
42% Popularity • 87% Danceability • 70% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
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3NDLES5
CCB - Mall Grab Breakbeat Remix
132 bpm • B min • 04:38 • -11.62db
29% Popularity • 69% Danceability • 78% Energy • 21% Liveness
94% Instrumentalness • 50% Positiveness
29% Popularity • 69% Danceability • 78% Energy • 21% Liveness
94% Instrumentalness • 50% Positiveness
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Chris Stussy
Seeing & Believing - Kolter Remix
128 bpm • D Maj • 03:31 • -8.94db
50% Popularity • 78% Danceability • 72% Energy • 9% Liveness
92% Instrumentalness • 80% Positiveness
50% Popularity • 78% Danceability • 72% Energy • 9% Liveness
92% Instrumentalness • 80% Positiveness
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nørus
make a move
128 bpm • B min • 07:36 • -6.39db
36% Popularity • 72% Danceability • 93% Energy • 48% Liveness
85% Instrumentalness • 77% Positiveness
36% Popularity • 72% Danceability • 93% Energy • 48% Liveness
85% Instrumentalness • 77% Positiveness
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Kerri Chandler
You Are In My System - Club Mix
128 bpm • D# min • 03:05 • -5.11db
50% Popularity • 74% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 74% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Loods
Love Is Real
128 bpm • D# Maj • 03:17 • -4db
49% Popularity • 70% Danceability • 88% Energy • 4% Liveness
73% Instrumentalness • 55% Positiveness
49% Popularity • 70% Danceability • 88% Energy • 4% Liveness
73% Instrumentalness • 55% Positiveness
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Skin On Skin
Multiply
128 bpm • A min • 06:03 • -7.67db
33% Popularity • 63% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 44% Positiveness
33% Popularity • 63% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 44% Positiveness
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DJ Seinfeld
Too Late for U and M1
128 bpm • D Maj • 06:37 • -7db
33% Popularity • 69% Danceability • 93% Energy • 6% Liveness
88% Instrumentalness • 57% Positiveness
33% Popularity • 69% Danceability • 93% Energy • 6% Liveness
88% Instrumentalness • 57% Positiveness
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Chris Stussy
Blueprint
132 bpm • D Maj • 03:54 • -8.54db
44% Popularity • 79% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
44% Popularity • 79% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Kleinefrigo
Blue Everyday - Good Luck Remix
132 bpm • G# min • 03:09 • -8.95db
49% Popularity • 81% Danceability • 71% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
49% Popularity • 81% Danceability • 71% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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Subjoi
Dash
128 bpm • F# Maj • 05:01 • -8.03db
21% Popularity • 76% Danceability • 89% Energy • 8% Liveness
96% Instrumentalness • 68% Positiveness
21% Popularity • 76% Danceability • 89% Energy • 8% Liveness
96% Instrumentalness • 68% Positiveness
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Chris Lorenzo
Every Morning
128 bpm • F# Maj • 03:16 • -4.67db
55% Popularity • 80% Danceability • 98% Energy • 5% Liveness
91% Instrumentalness • 67% Positiveness
55% Popularity • 80% Danceability • 98% Energy • 5% Liveness
91% Instrumentalness • 67% Positiveness
