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Living on Mercy
Songs like
Living on Mercy
by
Dan Penn
Based on a tempo of (+/- 10%) and a similar genre
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Steve Forbert
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:06 • -10.29db
29% Popularity • 63% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 46% Positiveness
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Dion
Stumbling Blues
92 bpm • G Maj • 03:00 • -6.91db
14% Popularity • 63% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Neal Casal
Everything is Moving
92 bpm • C Maj • 04:16 • -6db
7% Popularity • 54% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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John Sebastian
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:01 • -8.64db
23% Popularity • 65% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Dan Penn
Living on Mercy
92 bpm • G Maj • 04:41 • -9db
12% Popularity • 67% Danceability • 44% Energy • 13% Liveness
28% Instrumentalness • 47% Positiveness
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A.J. Croce
San Diego Serenade
91 bpm • F Maj • 03:00 • -12.24db
14% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Hillman
Love in the Sweetest Amnesty
91 bpm • A Maj • 03:43 • -9db
15% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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J.J. Cale
Girl Of Mine
91 bpm • G Maj • 03:02 • -13.6db
22% Popularity • 65% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 47% Positiveness
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Peter Wolf
Five O'Clock Angel
93 bpm • G Maj • 03:00 • -10.09db
14% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mike Campbell & The Dirty Knobs
Irish Girl
91 bpm • A Maj • 04:25 • -8.52db
30% Popularity • 62% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Dan Penn
Lodi
93 bpm • A Maj • 03:14 • -13.58db
13% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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A.J. Croce
The Other Side Of Love
93 bpm • C Maj • 03:48 • -8.87db
8% Popularity • 75% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Susan Tedeschi
You Got The Silver
94 bpm • E Maj • 02:51 • -7.41db
44% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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J.J. Cale
Wish You Were Here
93 bpm • C Maj • 02:45 • -14.25db
21% Popularity • 66% Danceability • 45% Energy • 18% Liveness
40% Instrumentalness • 48% Positiveness
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Manassas
Like a Fox
90 bpm • G Maj • 02:58 • -7.69db
16% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Dion
Can’t Start Over Again
94 bpm • A Maj • 04:26 • -8.25db
17% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Brigitte DeMeyer
Salt of the Earth
94 bpm • C min • 03:08 • -9.68db
10% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Geraint Watkins
Heaven Only Knows
90 bpm • C Maj • 04:24 • -9.32db
34% Popularity • 71% Danceability • 44% Energy • 8% Liveness
24% Instrumentalness • 59% Positiveness
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Alejandro Escovedo
Something Blue
90 bpm • G Maj • 04:11 • -5.16db
10% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Forbert
Early Morning Rain
90 bpm • F Maj • 03:46 • -9.69db
21% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Subdudes
The Perfect Time
94 bpm • G# Maj • 04:01 • -7.61db
10% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Paul Thorn
It's Never Too Late to Call
94 bpm • E Maj • 03:01 • -16.43db
21% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Penn
Raining In Memphis
94 bpm • D Maj • 03:39 • -11.8db
12% Popularity • 61% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Amy Helm
Rescue Me
90 bpm • A# Maj • 04:07 • -8.16db
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Guy Clark
Picasso's Mandolin
89 bpm • C# min • 02:56 • -11.72db
18% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Wolf
A Lot of Good Ones Gone
95 bpm • C# Maj • 03:33 • -9.97db
16% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lowell George
Find a River
95 bpm • D Maj • 03:44 • -16.41db
20% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
24% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Dan Penn
I'm Your Puppet
89 bpm • G Maj • 03:32 • -9.39db
9% Popularity • 72% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Mary Gauthier
Jackie's Train
96 bpm • B Maj • 03:20 • -10.13db
9% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Ray Davies
Back In the Day
88 bpm • A Maj • 02:41 • -8.3db
10% Popularity • 68% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Rodney Crowell
One Little Bird
88 bpm • G Maj • 04:19 • -8.35db
10% Popularity • 59% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
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The Jayhawks
Homecoming
88 bpm • E Maj • 04:03 • -7db
16% Popularity • 43% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Andersen
Next Time You Call
96 bpm • E min • 03:35 • -7.26db
29% Popularity • 74% Danceability • 43% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Dan Penn
Strangest Feeling
96 bpm • C Maj • 02:56 • -7.51db
3% Popularity • 65% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Nick Lowe
What's Shaking on the Hill
97 bpm • D Maj • 03:30 • -19.56db
11% Popularity • 64% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
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Mickey Jupp
Blue Coffee
87 bpm • F Maj • 02:36 • -8.08db
13% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Rodney Crowell
The Damage
97 bpm • G# min • 04:01 • -12.45db
22% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Patti Scialfa
Like Any Woman Would
97 bpm • C Maj • 04:14 • -7.18db
8% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Luke Winslow-King
Farewell Blues
87 bpm • D Maj • 04:01 • -14.61db
18% Popularity • 68% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 84% Positiveness
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Delbert McClinton
Your Memory, Me, and the Blues
87 bpm • G Maj • 04:05 • -10.39db
15% Popularity • 34% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Dan Penn
I Hate You
87 bpm • A# Maj • 02:24 • -14.44db
10% Popularity • 63% Danceability • 19% Energy • 18% Liveness
3% Instrumentalness • 57% Positiveness
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Iain Matthews
Seven Bridges Road
98 bpm • G Maj • 04:05 • -12.31db
33% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Rodney Crowell
Forty Miles From Nowhere
97 bpm • D Maj • 05:59 • -10.73db
25% Popularity • 69% Danceability • 46% Energy • 10% Liveness
7% Instrumentalness • 58% Positiveness
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Nick Lowe
Blue on Blue
98 bpm • D# Maj • 03:26 • -10db
15% Popularity • 64% Danceability • 43% Energy • 9% Liveness
25% Instrumentalness • 74% Positiveness
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Peter Wolf
Tragedy
98 bpm • A# Maj • 02:44 • -13.61db
23% Popularity • 56% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 13% Positiveness
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Greg Trooper
They Call Me Hank
86 bpm • C# min • 04:48 • -11db
13% Popularity • 45% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kieran Kane
Just Like That
98 bpm • C Maj • 03:30 • -12.02db
29% Popularity • 72% Danceability • 43% Energy • 9% Liveness
50% Instrumentalness • 75% Positiveness
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Greg Brown
Blue Car
98 bpm • D Maj • 04:11 • -11.58db
30% Popularity • 78% Danceability • 39% Energy • 10% Liveness
28% Instrumentalness • 57% Positiveness
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Jesse Colin Young
Sugar Babe
98 bpm • C Maj • 03:41 • -9db
25% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Dion
I've Been Watching
98 bpm • E min • 04:32 • -3.07db
18% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Wolf
Peace Of Mind
98 bpm • G# Maj • 03:48 • -11.61db
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Handsome Family
Just Like Tom Thumb's Blues
98 bpm • D Maj • 05:39 • -10.08db
32% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Brigitte DeMeyer
Runnin' Round
98 bpm • G Maj • 02:46 • -9.37db
21% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Rory Block
Wayward Girl Blues
86 bpm • C# min • 04:41 • -7.53db
13% Popularity • 64% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Bap Kennedy
Good as Gold
98 bpm • C# min • 02:48 • -13.71db
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Donnie Fritts
Sumpin' Funky Going On
98 bpm • B min • 02:54 • -14.48db
22% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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The Allman Betts Band
Down To The River
98 bpm • G min • 04:43 • -9.5db
38% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Lonnie Mack
Rings
86 bpm • D Maj • 03:12 • -9.56db
27% Popularity • 52% Danceability • 48% Energy • 22% Liveness
3% Instrumentalness • 49% Positiveness
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Amy Speace
Nothing Good Can Come from This
86 bpm • A Maj • 03:11 • -12.49db
40% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Rodney Crowell
Caw Caw Blues
86 bpm • G Maj • 03:11 • -6.15db
12% Popularity • 76% Danceability • 63% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
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Robert Cray
You're the One
99 bpm • C Maj • 02:49 • -6.29db
23% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Geraint Watkins
Easy To Say 'Bon Temps Rouler'
86 bpm • F Maj • 03:59 • -9.56db
17% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Penn
Clean Slate
99 bpm • A# Maj • 04:09 • -6.71db
4% Popularity • 70% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Amazing Rhythm Aces
Just Between You and Me and the Wall, Yo...
86 bpm • D min • 04:41 • -17.6db
12% Popularity • 52% Danceability • 29% Energy • 16% Liveness
13% Instrumentalness • 36% Positiveness
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Grayson Capps
May We Love
85 bpm • D min • 05:03 • -11.99db
10% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Stephen Bruton
Bigger Wheel
99 bpm • A# Maj • 05:44 • -6.75db
17% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Delbert McClinton
When Rita Leaves
100 bpm • E Maj • 04:37 • -10db
37% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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David Olney
My Favorite Goodbye
85 bpm • C Maj • 04:38 • -10.23db
7% Popularity • 70% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Dan Penn
It Tears Me Up
100 bpm • C# Maj • 03:38 • -8.16db
8% Popularity • 55% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Guy Clark
How'd You Get This Number
100 bpm • A Maj • 03:36 • -16.49db
10% Popularity • 73% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bill Kirchen
Rocks into Sand
85 bpm • D min • 03:26 • -13.13db
22% Popularity • 63% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Russell
Touch of Evil
100 bpm • A Maj • 05:42 • -8.71db
12% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Case
Long Time Gone
100 bpm • C min • 04:29 • -8.96db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Geraint Watkins
I Got the Blues
100 bpm • F Maj • 03:22 • -6.53db
13% Popularity • 80% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Teddy Thompson
Why Wait
100 bpm • G Maj • 02:58 • -6.4db
8% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Dylan
Goodbye Jimmy Reed
100 bpm • E min • 04:13 • -12.43db
43% Popularity • 74% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Chuck Prophet
Love Doesn't Come From the Barrel of a G...
100 bpm • D Maj • 03:15 • -8.03db
14% Popularity • 78% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Dan Penn
He'll Take Care of You
100 bpm • A Maj • 03:09 • -8.71db
6% Popularity • 79% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Donnie Fritts
Short End of the Stick
100 bpm • E Maj • 03:35 • -12.17db
10% Popularity • 84% Danceability • 34% Energy • 12% Liveness
52% Instrumentalness • 48% Positiveness
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Jackson Browne
A Human Touch
100 bpm • A Maj • 04:42 • -11.14db
29% Popularity • 53% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Jesse Colin Young
1000 Miles from Nowhere
100 bpm • G Maj • 03:56 • -11.78db
18% Popularity • 60% Danceability • 39% Energy • 11% Liveness
50% Instrumentalness • 50% Positiveness
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Robert Vincent
Conundrum
84 bpm • B min • 04:41 • -9.69db
9% Popularity • 66% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jeffrey Foucault
There's a Destruction on This Land
101 bpm • E Maj • 05:02 • -9.64db
9% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Dan Penn
I Dig a Big Town
101 bpm • A Maj • 02:47 • -7.79db
2% Popularity • 64% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Hillman
Wildflowers
101 bpm • E Maj • 02:51 • -7db
31% Popularity • 55% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 56% Positiveness
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Townes Van Zandt
At My Window
101 bpm • D Maj • 04:18 • -16.11db
11% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Colin Young
Get Together - SongAid
101 bpm • C Maj • 04:49 • -6.58db
15% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Amazing Rhythm Aces
Never Been Hurt
84 bpm • D Maj • 04:16 • -13.81db
10% Popularity • 51% Danceability • 45% Energy • 14% Liveness
39% Instrumentalness • 51% Positiveness
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Lowell George
Heartache
101 bpm • G Maj • 02:28 • -24db
28% Popularity • 59% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Eliza Gilkyson
Sooner or Later
102 bpm • E min • 04:21 • -8.88db
21% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Hinton
Everybody Needs Love
102 bpm • D Maj • 04:20 • -10.4db
12% Popularity • 77% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Shemekia Copeland
Smoked Ham And Peaches
83 bpm • D Maj • 04:35 • -8.7db
11% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Delbert McClinton & Glen Clark
Sure Feels Good
102 bpm • B min • 04:24 • -12.02db
20% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Amazing Rhythm Aces
Who Will the Next Fool Be - Remastered
102 bpm • E Maj • 02:48 • -11db
30% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Janiva Magness
Have You Ever Seen the Rain
82 bpm • C Maj • 04:26 • -10db
14% Popularity • 72% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Greg Trooper
This I'd Do (Live)
102 bpm • F Maj • 03:42 • -9.33db
24% Popularity • 62% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
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Little
Missin' You
82 bpm • C Maj • 02:21 • -19db
39% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Dan Penn
The Puppet AKA I'm Your Puppet
103 bpm • A# Maj • 02:48 • -6.49db
4% Popularity • 74% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Elliott Murphy
Losing it
103 bpm • D Maj • 04:48 • -9.28db
19% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
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Living on Mercy