Songs like Living Without Your Love by Peter Hunnigale
Based on a tempo of (+/- 10%) and a similar genre
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Duane Stephenson
Miss Wire Waist
78 bpm • G# Maj • 03:39 • -7.58db
22% Popularity • 85% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 85% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Peter Hunnigale
Love You So
78 bpm • F Maj • 02:40 • -7.71db
8% Popularity • 88% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 88% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Administrators
Emergency
78 bpm • F# Maj • 05:20 • -5.59db
13% Popularity • 82% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 82% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Winston Reedy
Dim the Light
78 bpm • C Maj • 04:08 • -11.14db
10% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Leroy Mafia
Take Me Higher
78 bpm • G Maj • 03:42 • -7.93db
9% Popularity • 75% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 75% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Carl St. Clair
Guilty for Loving You
78 bpm • G Maj • 04:36 • -8.65db
20% Popularity • 77% Danceability • 48% Energy • 13% Liveness
10% Instrumentalness • 55% Positiveness
20% Popularity • 77% Danceability • 48% Energy • 13% Liveness
10% Instrumentalness • 55% Positiveness
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Trevor Dixon
Woman Of Moods
78 bpm • C Maj • 03:15 • -6.55db
21% Popularity • 74% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 74% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Peter Hunnigale
Don't Wanna Let You Go
78 bpm • G Maj • 04:03 • -7.88db
10% Popularity • 79% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 79% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Trevor Walters
The Fool Again
78 bpm • G# min • 04:02 • -9.23db
15% Popularity • 77% Danceability • 38% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 77% Danceability • 38% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
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Winston Reedy
Someone to Talk To
78 bpm • F Maj • 04:14 • -3.53db
7% Popularity • 82% Danceability • 56% Energy • 8% Liveness
7% Instrumentalness • 89% Positiveness
7% Popularity • 82% Danceability • 56% Energy • 8% Liveness
7% Instrumentalness • 89% Positiveness
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Paul Dawkins
To Love Someone
78 bpm • F Maj • 03:22 • -9.58db
18% Popularity • 63% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
18% Popularity • 63% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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John McLean
If I Give My Heart To You
78 bpm • F# min • 04:24 • -12.37db
13% Popularity • 83% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 83% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Everton Blender
Defender of the Faith
77 bpm • B min • 03:30 • -7.07db
25% Popularity • 70% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 70% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Hunnigale
Living Without Your Love
78 bpm • D Maj • 03:24 • -6.45db
11% Popularity • 71% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 71% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Gordon
Magic Feeling
77 bpm • C# Maj • 03:48 • -12.68db
9% Popularity • 76% Danceability • 43% Energy • 6% Liveness
2% Instrumentalness • 83% Positiveness
9% Popularity • 76% Danceability • 43% Energy • 6% Liveness
2% Instrumentalness • 83% Positiveness
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Winston Reedy
Dim the Light
78 bpm • C Maj • 04:39 • -8.07db
12% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Angel
When You're Ready
79 bpm • A# min • 04:03 • -5.98db
9% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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John McLean
Say You
78 bpm • C Maj • 06:22 • -10.5db
19% Popularity • 80% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 80% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Marie Pierre
Walk Away
79 bpm • F Maj • 03:19 • -8.68db
26% Popularity • 74% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 74% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Peter Hunnigale
Mr Vibes
77 bpm • D Maj • 04:43 • -15.08db
9% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Tinga Stewart
Tinga Medley
77 bpm • A# Maj • 03:18 • -6.92db
14% Popularity • 86% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 86% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Winston Reedy
Dim the Light
79 bpm • C Maj • 04:30 • -7.63db
31% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Tony Curtis
Foolish Heart
79 bpm • G Maj • 03:27 • -6db
13% Popularity • 66% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 66% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Ambelique
Lonely Soldier
79 bpm • F Maj • 03:41 • -10.19db
13% Popularity • 81% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 81% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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John McLean
If I Gave My Heart To You
79 bpm • F# min • 04:25 • -11.09db
31% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Marie Pierre
Can't Go Through (With Life)
79 bpm • B min • 02:59 • -12.61db
20% Popularity • 81% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 81% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy London
Since I've Been Away
77 bpm • C Maj • 02:50 • -9.08db
20% Popularity • 72% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 72% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Winston Reedy
Moi Emma Oh
79 bpm • C# Maj • 03:19 • -10.21db
13% Popularity • 75% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 75% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Roger Robin
Take It Slow
79 bpm • A# min • 02:49 • -6.98db
12% Popularity • 79% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 79% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Ambelique
Love Doctor
79 bpm • G Maj • 03:43 • -12.78db
13% Popularity • 85% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 85% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Everton Blender
Let Not Your Heart Be Trouble
79 bpm • B Maj • 03:33 • -7.81db
31% Popularity • 71% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 71% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Ginjah
Trying Times
79 bpm • B min • 02:57 • -4.3db
9% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Bushman
Give Me Some More
79 bpm • A# Maj • 03:57 • -5.6db
16% Popularity • 61% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 61% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Peter Spence
Making Love
79 bpm • G Maj • 03:30 • -13db
11% Popularity • 66% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 66% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 83% Positiveness
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Peter Hunnigale
Believe in Love
77 bpm • A Maj • 04:01 • -6.03db
9% Popularity • 76% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 76% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Winston Reedy
My Eyes Adore You
79 bpm • G# min • 03:53 • -9.69db
19% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sylvia Tella
Plastic Smile
77 bpm • G Maj • 03:44 • -4.73db
13% Popularity • 85% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 85% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Pam Hall
Hold It Down
77 bpm • A Maj • 03:39 • -5.97db
18% Popularity • 73% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 73% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Stevie Face
Can't Go Round It
77 bpm • A Maj • 03:47 • -3.37db
13% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Vivian Jones
Good Morning
79 bpm • F Maj • 04:03 • -8.58db
18% Popularity • 70% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 70% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Hunnigale
House of Love
77 bpm • C Maj • 04:14 • -6.31db
23% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Winston Reedy
Daughter of Zion
77 bpm • F# min • 03:55 • -8.36db
23% Popularity • 68% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 56% Positiveness
23% Popularity • 68% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 56% Positiveness
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Ambelique
I Suppose
79 bpm • D Maj • 03:48 • -9.12db
13% Popularity • 75% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 75% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Kashief Lindo
Personal Physician
77 bpm • A Maj • 03:34 • -5.42db
23% Popularity • 67% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 67% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Gordon
Magic Feeling
77 bpm • A# min • 03:37 • -4.51db
22% Popularity • 78% Danceability • 65% Energy • 9% Liveness
8% Instrumentalness • 86% Positiveness
22% Popularity • 78% Danceability • 65% Energy • 9% Liveness
8% Instrumentalness • 86% Positiveness
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Peter Spence
Don't Leave Me Lonely
79 bpm • F# min • 05:00 • -10.55db
17% Popularity • 78% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 78% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy London
Moving On
77 bpm • C min • 03:00 • -14.2db
29% Popularity • 82% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 82% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Leroy Gibbons
Missing You
79 bpm • A# Maj • 03:43 • -8.6db
19% Popularity • 81% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 81% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ghost
By Your Side
79 bpm • C Maj • 03:45 • -9.23db
24% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Riley
Is This the Love
77 bpm • A Maj • 03:37 • -6.36db
10% Popularity • 70% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 70% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Vivian Jones
Never Not Love You
79 bpm • G Maj • 03:09 • -12db
6% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Ginger Williams
Tenderly
77 bpm • D Maj • 03:16 • -15.93db
33% Popularity • 81% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 81% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Christopher Martin
Better Than The Stars
80 bpm • G Maj • 04:09 • -2.51db
26% Popularity • 76% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 76% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Leroy Gibbons
I'm Missing You
79 bpm • A# Maj • 03:44 • -9.36db
12% Popularity • 79% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 79% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sandra Cross
No Getting Over
80 bpm • D Maj • 03:53 • -6.27db
17% Popularity • 62% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 62% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Anthony
Walk Away from Love
80 bpm • A Maj • 03:31 • -16db
23% Popularity • 73% Danceability • 28% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
23% Popularity • 73% Danceability • 28% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Sylvia Tella
Time Will Tell
76 bpm • D min • 03:38 • -4.64db
9% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Vivian Jones
Never Not Love U
80 bpm • G Maj • 03:11 • -7.2db
19% Popularity • 80% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 80% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Anthony Cruz
Leave the Door Open
80 bpm • C Maj • 03:36 • -2.69db
8% Popularity • 68% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 68% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Winston Reedy
Never Gonna Give You Up
80 bpm • C# Maj • 04:05 • -9.1db
10% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Pam Hall
I Won't Stop Loving You
76 bpm • C Maj • 03:20 • -12.61db
8% Popularity • 74% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 74% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Al Campbell
Talk About Love
76 bpm • A# min • 02:59 • -10db
24% Popularity • 82% Danceability • 64% Energy • 10% Liveness
43% Instrumentalness • 71% Positiveness
24% Popularity • 82% Danceability • 64% Energy • 10% Liveness
43% Instrumentalness • 71% Positiveness
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Donna Marie
Can't Stop Loving You
80 bpm • G Maj • 04:10 • -9.11db
17% Popularity • 70% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 70% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Vivian Jones
The First
80 bpm • F# min • 05:02 • -9.27db
16% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Aysha Loren
At Last
76 bpm • A# Maj • 02:32 • -7.89db
12% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Janet Lee Davis
Ready To Learn
76 bpm • C Maj • 03:25 • -7.32db
23% Popularity • 72% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 72% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Deborahe Glasgow
Lonely Hearts
80 bpm • E Maj • 03:21 • -12.81db
25% Popularity • 76% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 76% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Archie Wonder
Hero
80 bpm • A Maj • 04:25 • -10.62db
32% Popularity • 68% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 68% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Junior Kelly
Touch My Heart
80 bpm • C Maj • 04:02 • -5.24db
13% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Al Campbell
Old Time People Say
80 bpm • D# min • 03:35 • -6.04db
33% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Nadine Sutherland
Feeling Soul
76 bpm • C Maj • 04:04 • -3.76db
10% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Errol Lamzi
Easy Lover
80 bpm • F Maj • 03:13 • -11.21db
8% Popularity • 78% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 78% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Stevie Face
Tell It Like It Is
80 bpm • F Maj • 03:58 • -2.39db
35% Popularity • 69% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 69% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Terry Linen
Have To Get To Know You
80 bpm • G Maj • 03:39 • -6.96db
27% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Richie Davis
Jah We Lov U - Radio Edition
76 bpm • D Maj • 04:24 • -6.57db
18% Popularity • 68% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 68% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Half Pint
Blessing Darling
80 bpm • G Maj • 03:37 • -6.65db
34% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Ambelique
Taxi
80 bpm • D Maj • 02:35 • -12.77db
19% Popularity • 78% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 78% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
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Fred Locks
I've Got A Joy
76 bpm • B min • 03:54 • -9db
20% Popularity • 69% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 69% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Spence
Just My Imagination
76 bpm • C Maj • 04:13 • -9.84db
11% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Janet Lee Davis
Ready to Learn - Yes, I'm Ready
76 bpm • C Maj • 03:26 • -9.26db
23% Popularity • 72% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 72% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Calvin
Perfect Relationship
80 bpm • F min • 04:09 • -7.95db
9% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Al Campbell
Lover To Lover
80 bpm • G Maj • 04:05 • -9.66db
11% Popularity • 58% Danceability • 32% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 58% Danceability • 32% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Ambelique
Goodnight My Love (Medley)
80 bpm • A# min • 03:55 • -7.51db
27% Popularity • 72% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Andy
Feel the Feeling
80 bpm • G Maj • 03:53 • -11.26db
15% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Sandra Cross
Break Up To Make Up
81 bpm • C# min • 03:33 • -14.67db
17% Popularity • 73% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 73% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Janet Lee Davis
Girl On the Side
80 bpm • F min • 03:54 • -7.53db
27% Popularity • 70% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 70% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Slim Smith
Everybody Needs Love
76 bpm • C# Maj • 02:21 • -9db
31% Popularity • 75% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 75% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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I Wayne
Don't Worry
81 bpm • G# Maj • 04:09 • -7db
32% Popularity • 79% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 79% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Keith Douglas
Try Love Again
81 bpm • B Maj • 04:06 • -10.57db
10% Popularity • 64% Danceability • 52% Energy • 17% Liveness
12% Instrumentalness • 89% Positiveness
10% Popularity • 64% Danceability • 52% Energy • 17% Liveness
12% Instrumentalness • 89% Positiveness
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Lloyd Brown
Main Squeeze
81 bpm • A Maj • 04:10 • -8db
32% Popularity • 81% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 81% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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John McLean
Heartbreaker
81 bpm • F min • 03:43 • -11.64db
12% Popularity • 86% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 86% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Duane Stephenson
Good Good Love
75 bpm • C Maj • 03:31 • -5.73db
22% Popularity • 70% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 70% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Calvin
2 Am
75 bpm • D min • 03:38 • -11db
11% Popularity • 83% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 83% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bushman
Fire Bun A Weak Heart
81 bpm • B Maj • 03:35 • -8db
38% Popularity • 75% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 75% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Janet Lee Davis
Big Mistake
81 bpm • G min • 03:34 • -6.45db
31% Popularity • 85% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 85% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Peter Hunnigale
Can't Hold On
81 bpm • A# Maj • 03:40 • -3.1db
4% Popularity • 80% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 80% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Vivian Jones
I Care
81 bpm • B Maj • 04:10 • -8.47db
10% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Winston Reedy
Forever In Love
81 bpm • C Maj • 04:28 • -9.87db
14% Popularity • 83% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 83% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
