Songs like Lluvia En El Cristal by Pablo López
Based on a tempo of (+/- 10%) and a similar genre
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Pablo López
Lluvia En El Cristal
87 bpm • G Maj • 03:53 • -6.77db
31% Popularity • 54% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 54% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 20% Positiveness
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AntÃlopez
Analfanauta
87 bpm • D Maj • 05:59 • -8.5db
9% Popularity • 27% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 27% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Gonzalo Hermida
Quién Lo DirÃa
87 bpm • G min • 02:57 • -6.23db
23% Popularity • 32% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 32% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Marilà Machado
Lejos del Amor
88 bpm • A Maj • 04:14 • -12.23db
7% Popularity • 43% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 43% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Germán y La Potencia Musical
Te Atreviste a Mentirme
88 bpm • F# Maj • 03:39 • -9.23db
7% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Dvicio
ParaÃso
88 bpm • A# Maj • 03:00 • -3.34db
55% Popularity • 64% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 64% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Pablo López
Las 17:00
87 bpm • E Maj • 03:45 • -10.41db
25% Popularity • 25% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 25% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ramon Lazkano
Errobi-2
85 bpm • G# Maj • 07:17 • -27.89db
1% Popularity • 29% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 6% Positiveness
1% Popularity • 29% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 6% Positiveness
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Nil Moliner
Por Última Vez
85 bpm • G# Maj • 03:12 • -9.61db
41% Popularity • 64% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 64% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Grito de Cumbia
Que Bonito
85 bpm • A min • 03:31 • -4.66db
7% Popularity • 66% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 66% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Amaia Montero
Palabras
85 bpm • A Maj • 04:57 • -5.64db
44% Popularity • 52% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Mercedes Cañas
Aguamarina
89 bpm • D Maj • 02:39 • -8.53db
48% Popularity • 54% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 54% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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El Tren de los Sueños
Todo Lo Que Tu Me Das
90 bpm • D# Maj • 03:43 • -5db
31% Popularity • 63% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 63% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Hernán Narvaez
Himno Nacional Argentino: Artistas en Ca...
89 bpm • A Maj • 02:06 • -11.84db
6% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Marta Quintero
Mi Principio y Mi Fin
90 bpm • G# Maj • 02:02 • -7.14db
44% Popularity • 58% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 58% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Beret
El dÃa menos pensado
90 bpm • A# Maj • 03:44 • -3.7db
58% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Manuel Carrasco
Uno X Uno
90 bpm • C# min • 03:49 • -6.98db
60% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Edurne
Lo Que Perdà al Perderte
90 bpm • E Maj • 03:27 • -4.6db
32% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Pablo López
Ven
90 bpm • D# Maj • 03:36 • -5.7db
35% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Amaia Montero
Chiquitita - Spanish Version
84 bpm • G# Maj • 05:07 • -7db
42% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Marlon
Me supo a poco
90 bpm • A# Maj • 03:31 • -5.07db
42% Popularity • 59% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 59% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Despistaos
Quién te acompañará
90 bpm • D Maj • 03:35 • -7db
37% Popularity • 62% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Marta Santos
Corazón de Melón
90 bpm • G Maj • 02:57 • -5.04db
61% Popularity • 76% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 76% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Rayden
Abrazos impares (con Pablo López)
90 bpm • F# min • 04:02 • -9.59db
36% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 60% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Pablo López
Tu Enemigo
90 bpm • G min • 03:28 • -4.1db
57% Popularity • 52% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 52% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Amaia Montero
Nacidos para Creer
90 bpm • E Maj • 03:46 • -5db
46% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Blas Cantó
La cura
91 bpm • C min • 02:50 • -7.67db
45% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Nil Moliner
Me Quedo
91 bpm • F# min • 02:43 • -6db
48% Popularity • 73% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 73% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Antoñito Molina
Dicen que el mundo se acaba
91 bpm • G# Maj • 03:25 • -9db
50% Popularity • 50% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 50% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Edurne
Boomerang
91 bpm • C# min • 02:50 • -6db
38% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Pablo López
No Soy De Nadie
84 bpm • C# Maj • 03:57 • -5.99db
24% Popularity • 55% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 55% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Estopa
El Último Renglón
83 bpm • A min • 03:04 • -8.79db
45% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Amaia Montero
La Enredadera
91 bpm • A# Maj • 05:50 • -4db
30% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Efecto Mariposa
No me crees
92 bpm • D Maj • 04:18 • -5db
39% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Sidecars
El pasaje del terror
92 bpm • F Maj • 05:05 • -7.72db
38% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Marlon
Tequila y Candela
92 bpm • G Maj • 02:52 • -4.05db
46% Popularity • 61% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 61% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Pablo López
Unikornio
83 bpm • A Maj • 03:50 • -5db
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Estopa
Corazón Sin Salida
92 bpm • C Maj • 03:52 • -5db
50% Popularity • 49% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 49% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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ERRE
Barcelona
82 bpm • D# Maj • 03:31 • -7.14db
38% Popularity • 32% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 32% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Efecto Mariposa
No me crees
92 bpm • D Maj • 04:18 • -5db
48% Popularity • 67% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 67% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Pol 3.14
Lo Que no Ves
82 bpm • B Maj • 04:07 • -7.46db
46% Popularity • 54% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 54% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Marlon
Marzo en febrero
82 bpm • G Maj • 03:22 • -9.38db
46% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nil Moliner
Soldadito de Hierro
82 bpm • A Maj • 02:22 • -7.53db
54% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Estopa
Despertar
92 bpm • B min • 03:08 • -7.08db
51% Popularity • 41% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 41% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Beret
Beso robado
82 bpm • B Maj • 04:19 • -4.9db
55% Popularity • 36% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 36% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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MarÃa Isabel
Mira Niño
82 bpm • C# Maj • 02:54 • -6.46db
42% Popularity • 69% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 69% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Marta Santos
Que Se Pare el Tiempo
93 bpm • F Maj • 02:40 • -5.15db
58% Popularity • 82% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 82% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Antonio Flores
Alba
93 bpm • G Maj • 03:44 • -8db
53% Popularity • 80% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 80% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Nil Moliner
Sale el Sol - Versión 2018
93 bpm • C Maj • 03:47 • -5.51db
51% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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QOWASI
Mamita
94 bpm • G# Maj • 04:18 • -10.5db
0% Popularity • 39% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 39% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Edurne
Como Tú
94 bpm • F Maj • 02:58 • -5db
47% Popularity • 69% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 69% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Juanlu Montoya
Te lo Mereces
94 bpm • B Maj • 03:29 • -6.72db
57% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Marta Santos
Algo Sencillito
93 bpm • B min • 02:57 • -6.55db
66% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
66% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Amaral
Mares Igual Que Tú
94 bpm • A Maj • 03:39 • -6db
46% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Blas Cantó
Si te vas
94 bpm • D Maj • 03:28 • -8.5db
33% Popularity • 60% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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MANTRA
Prefiero Olvidarte
94 bpm • F Maj • 03:45 • -5.1db
29% Popularity • 67% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 67% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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MarÃa Peláe
Por Si Te Vas
94 bpm • A min • 04:21 • -6.1db
42% Popularity • 82% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 82% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Manolo Garcia
Niña Candela
94 bpm • D Maj • 03:54 • -7db
44% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Marilà Machado
El Corazón de Tu ViolÃn
80 bpm • F Maj • 04:56 • -11.7db
3% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hanna
Como La Vida
80 bpm • C Maj • 03:53 • -7db
31% Popularity • 67% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 67% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Sidecars
Los amantes - Acústico
80 bpm • E Maj • 04:14 • -4db
40% Popularity • 56% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 56% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Marta Soto
Nos hace falta valor
95 bpm • G# Maj • 03:42 • -4.18db
17% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Pablo López
Vi
80 bpm • G min • 02:56 • -6.34db
50% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Academia O.T. 1
Mi Música Es Tu Voz
80 bpm • A Maj • 04:00 • -10.01db
28% Popularity • 53% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 53% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Despistaos
Cuando lloras
80 bpm • F Maj • 03:21 • -5db
35% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Paty Cantú
Déjame Ir - En Directo
80 bpm • G Maj • 03:35 • -8db
24% Popularity • 60% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 60% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 16% Positiveness
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Manu Guix
En Tres Minuts (Remastered)
80 bpm • E min • 03:00 • -5.86db
27% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Señor Trepador
La noche me resbala
95 bpm • G# Maj • 03:01 • -4.73db
44% Popularity • 55% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 55% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Pablo López
DeberÃa
80 bpm • B Maj • 03:48 • -5.4db
37% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Merche
Somos Unos Valientes
95 bpm • C Maj • 03:30 • -3.67db
34% Popularity • 64% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 64% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Despistaos
Cada dos minutos (con Rulo y la Contraba...
80 bpm • F Maj • 03:12 • -2.07db
52% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sofia Ellar
Verano Con Lima
95 bpm • C# Maj • 04:29 • -7.58db
35% Popularity • 60% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 60% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Vanesa MartÃn
Te has perdido quién soy
95 bpm • G Maj • 03:56 • -7db
50% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Alone
Loca locura
95 bpm • C# min • 03:34 • -5.45db
32% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Amaia Montero
Caminando
95 bpm • A min • 03:11 • -3.86db
35% Popularity • 65% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 65% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Pablo López
La Libertad
95 bpm • D# Maj • 04:01 • -6.24db
28% Popularity • 59% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 59% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Marta Santos
Poquito a Poquito
95 bpm • A# Maj • 02:15 • -8.37db
64% Popularity • 78% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 78% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Sofia Ellar
Canción de Radio
95 bpm • G# Maj • 03:05 • -5.32db
46% Popularity • 69% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 69% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Ramon Lazkano
Hatsik-3
80 bpm • D Maj • 05:42 • -21.38db
0% Popularity • 36% Danceability • 10% Energy • 5% Liveness
53% Instrumentalness • 8% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 5% Liveness
53% Instrumentalness • 8% Positiveness
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Mikel Erentxun
Mañana
95 bpm • B Maj • 04:49 • -6.37db
47% Popularity • 55% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 55% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 53% Positiveness
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Nolasco
Las cosas pequeñitas - Mix
96 bpm • B min • 05:00 • -8.73db
54% Popularity • 86% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 86% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Antoñito Molina
Yo soy pa ti - Piano y Voz
79 bpm • F Maj • 03:39 • -7db
46% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Los Secretos
Pero a tu lado
79 bpm • F# Maj • 03:15 • -5db
60% Popularity • 48% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 48% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Elena Bella
El perfume de la soledad
96 bpm • A Maj • 03:43 • -6.76db
35% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Pablo López
KLPSO2
79 bpm • A Maj • 03:36 • -8.76db
28% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sofia Ellar
Bañarnos en Vaqueros
96 bpm • F# min • 03:41 • -6.95db
42% Popularity • 64% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 64% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Manuel Carrasco
No Dejes De Soñar
96 bpm • G# Maj • 05:19 • -7db
49% Popularity • 52% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 52% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Antoñito Molina
Ya no más
96 bpm • G Maj • 04:04 • -7.08db
49% Popularity • 70% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 70% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Cosa de Dos Flamenco
La Reina De Mis Domingos
96 bpm • A Maj • 03:54 • -6.95db
40% Popularity • 77% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 77% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Café Quijano
Perdonarme
96 bpm • E Maj • 03:33 • -4.46db
49% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Paula Mattheus
¿Para Qué?
96 bpm • A Maj • 03:18 • -5.35db
43% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Rosario
Algo Contigo
96 bpm • C# min • 03:30 • -5.54db
54% Popularity • 71% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 71% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Ana Mena
La Gata Bajo la Lluvia
79 bpm • F# Maj • 03:42 • -6.44db
64% Popularity • 36% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 36% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Antoñito Molina
No le digas más a nadie
96 bpm • G Maj • 03:20 • -4.81db
52% Popularity • 67% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 67% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Edurne
Despiértame Cuando Te Vayas
96 bpm • C# Maj • 02:58 • -3.53db
40% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Borja Navarro
Carta a quien me sustituye
96 bpm • C min • 03:17 • -7.25db
29% Popularity • 38% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 38% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Mikel Izal
La fe
78 bpm • A# Maj • 04:17 • -7.06db
52% Popularity • 30% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Taburete
Abierto en Vena
78 bpm • C# Maj • 03:47 • -4.28db
46% Popularity • 56% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 56% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
