Songs like Lo! He Comes with Clouds Descending by Choir of St. John's College, Cambridge
Based on a tempo of (+/- 10%) and a similar genre
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John Hughes
Cwm Rhondda "Guide Me, O Thou Great Rede...
135 bpm • G Maj • 02:53 • -17.65db
23% Popularity • 18% Danceability • 20% Energy • 10% Liveness
15% Instrumentalness • 24% Positiveness
23% Popularity • 18% Danceability • 20% Energy • 10% Liveness
15% Instrumentalness • 24% Positiveness
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Choir of St. John's College, Cambridge
Lo! He Comes with Clouds Descending
135 bpm • G Maj • 03:36 • -23.02db
11% Popularity • 18% Danceability • 10% Energy • 24% Liveness
5% Instrumentalness • 23% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 24% Liveness
5% Instrumentalness • 23% Positiveness
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Chanticleer
Psallite Unigenito
135 bpm • F Maj • 01:15 • -25.34db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
135 bpm • G Maj • 07:33 • -21.65db
3% Popularity • 15% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Anonymous
My Dancing Day
134 bpm • G Maj • 03:11 • -23.88db
0% Popularity • 37% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 37% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Temple arr Martin Neary
Make me a channel of Your Peace
136 bpm • D Maj • 03:41 • -23.44db
19% Popularity • 17% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Ewing
Ewing "Jerusalem the Golden"
134 bpm • D Maj • 03:18 • -18.27db
12% Popularity • 19% Danceability • 19% Energy • 12% Liveness
38% Instrumentalness • 15% Positiveness
12% Popularity • 19% Danceability • 19% Energy • 12% Liveness
38% Instrumentalness • 15% Positiveness
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The Choir Of Westminster Abbey
Love Divine ("Blaenwern") (Royal duty)
136 bpm • G Maj • 03:29 • -19.6db
15% Popularity • 19% Danceability • 12% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
15% Popularity • 19% Danceability • 12% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Cathedral Choir
What Sweeter Music
136 bpm • F# Maj • 04:24 • -23.35db
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Traditional
Angels from the Realms of Glory (Arr. Le...
136 bpm • G# Maj • 02:37 • -27.3db
18% Popularity • 24% Danceability • 13% Energy • 8% Liveness
45% Instrumentalness • 15% Positiveness
18% Popularity • 24% Danceability • 13% Energy • 8% Liveness
45% Instrumentalness • 15% Positiveness
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John Wade
O Come All Ye Faithful
134 bpm • G Maj • 04:21 • -19.43db
12% Popularity • 19% Danceability • 25% Energy • 21% Liveness
13% Instrumentalness • 14% Positiveness
12% Popularity • 19% Danceability • 25% Energy • 21% Liveness
13% Instrumentalness • 14% Positiveness
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Benedictines of Mary, Queen of Apostles
Hayl Mary
134 bpm • G Maj • 03:13 • -19.58db
17% Popularity • 26% Danceability • 10% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
17% Popularity • 26% Danceability • 10% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
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Choir of King's College, Cambridge
Adeste Fideles (O come, all ye faithful)
136 bpm • G Maj • 04:01 • -22.44db
19% Popularity • 18% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
19% Popularity • 18% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
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William Henry Monk
Abide with me (Eventide)
133 bpm • D# Maj • 04:42 • -22.04db
15% Popularity • 18% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Henry John Gauntlett
Once In Royal David's City
133 bpm • G Maj • 04:24 • -25.21db
8% Popularity • 21% Danceability • 6% Energy • 12% Liveness
46% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 12% Liveness
46% Instrumentalness • 6% Positiveness
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Anonymous
Second Sentence & Collect
133 bpm • A Maj • 02:03 • -34.36db
0% Popularity • 25% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
Abide with Me
132 bpm • D# Maj • 05:14 • -14.54db
5% Popularity • 18% Danceability • 29% Energy • 11% Liveness
55% Instrumentalness • 15% Positiveness
5% Popularity • 18% Danceability • 29% Energy • 11% Liveness
55% Instrumentalness • 15% Positiveness
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Benedictines of Mary, Queen of Apostles
O Come, O Come Emmanuel
133 bpm • E min • 04:09 • -20.3db
22% Popularity • 25% Danceability • 11% Energy • 16% Liveness
58% Instrumentalness • 14% Positiveness
22% Popularity • 25% Danceability • 11% Energy • 16% Liveness
58% Instrumentalness • 14% Positiveness
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Louis Bourgeois
O Gladsome Light
138 bpm • F Maj • 01:58 • -27.22db
19% Popularity • 19% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 19% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Edward Bairstow
Let all mortal flesh keep silence
132 bpm • F# min • 03:45 • -23.5db
14% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Franz Xaver Biebl
Ave Maria (Angelus Domini)
138 bpm • C Maj • 06:24 • -26.88db
11% Popularity • 18% Danceability • 6% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 6% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Peter Kopp
Wie lieblich ist der Maien
132 bpm • C Maj • 01:41 • -27.99db
10% Popularity • 29% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Hark! The Herald Angels Sing
138 bpm • G Maj • 03:05 • -17.76db
12% Popularity • 21% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
12% Popularity • 21% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
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Benedictines of Mary, Queen of Apostles
Creator Alme Siderum
137 bpm • B Maj • 03:23 • -20.26db
16% Popularity • 23% Danceability • 9% Energy • 20% Liveness
3% Instrumentalness • 11% Positiveness
16% Popularity • 23% Danceability • 9% Energy • 20% Liveness
3% Instrumentalness • 11% Positiveness
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Hector Berlioz
The Shepherds' Farewell
138 bpm • E Maj • 04:03 • -24.78db
8% Popularity • 18% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
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Franz Biebl
Ave Maria
138 bpm • C Maj • 06:16 • -19.38db
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
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Arvo Pärt
Bogoróditse Dyevo
132 bpm • A Maj • 01:15 • -25.9db
13% Popularity • 24% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 24% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Dan Forrest
The Work of Christmas
138 bpm • D# Maj • 03:25 • -20.97db
8% Popularity • 18% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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John Tavener
God is with Us: Christmas Proclamation
138 bpm • C Maj • 05:28 • -24.51db
3% Popularity • 16% Danceability • 4% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 4% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
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The Choir Of Westminster Abbey
Be Thou My Vision ("Slane")
132 bpm • D# Maj • 02:45 • -22.61db
15% Popularity • 18% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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John Rutter
Rutter: What Sweeter Music
139 bpm • F# Maj • 04:29 • -30.09db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Gustav Holst
In The Bleak Midwinter
139 bpm • F Maj • 04:50 • -30.02db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Salve festa dies "Hail Thee, Festival Da...
131 bpm • G Maj • 06:41 • -16.32db
15% Popularity • 25% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
15% Popularity • 25% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Michael Praetorius
Praetorius, Michael : Es ist ein Ros Ent...
131 bpm • F Maj • 02:14 • -21.92db
13% Popularity • 21% Danceability • 10% Energy • 9% Liveness
64% Instrumentalness • 8% Positiveness
13% Popularity • 21% Danceability • 10% Energy • 9% Liveness
64% Instrumentalness • 8% Positiveness
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Chanticleer
Ríu, Ríu, Chíu
131 bpm • C min • 02:11 • -17.85db
16% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Benjamin Britten
A Hymn to the Virgin
131 bpm • E Maj • 03:14 • -30.83db
24% Popularity • 16% Danceability • 2% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 2% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Traditional
Let all mortal flesh keep silence (Jesus...
139 bpm • D min • 03:35 • -25.15db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
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Peter Warlock
Bethlehem Down
131 bpm • D min • 04:34 • -33.19db
20% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Dormi, Jesu
130 bpm • C# Maj • 05:17 • -31.64db
13% Popularity • 17% Danceability • 3% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 3% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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The Sixteen
Gabriel's Message
130 bpm • A min • 02:39 • -24.1db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Chanticleer
Il Est Né Le Divin Enfant
140 bpm • G# Maj • 02:25 • -25.57db
21% Popularity • 29% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
21% Popularity • 29% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
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Johannes Brahms
A German Requiem, Op. 45: How Lovely Are...
130 bpm • D# Maj • 05:24 • -24.49db
3% Popularity • 20% Danceability • 12% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
It Came Upon the Midnight Clear
130 bpm • G# Maj • 02:58 • -20db
8% Popularity • 25% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Benjamin Britten
Hymn to the Virgin
130 bpm • A min • 04:10 • -30.95db
2% Popularity • 16% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Stephen Jackson
Let all mortal flesh keep silence (Picar...
130 bpm • G Maj • 04:08 • -21.82db
23% Popularity • 17% Danceability • 12% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 12% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Melissa Dunphy
Halcyon Days
130 bpm • E Maj • 03:38 • -22.41db
11% Popularity • 20% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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The Cathedral Singers
On Jordan's Bank
130 bpm • A Maj • 03:09 • -21.02db
14% Popularity • 23% Danceability • 13% Energy • 6% Liveness
11% Instrumentalness • 5% Positiveness
14% Popularity • 23% Danceability • 13% Energy • 6% Liveness
11% Instrumentalness • 5% Positiveness
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Antonio Lotti
Crucifixus
130 bpm • C min • 03:18 • -31.51db
2% Popularity • 16% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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The Tabernacle Choir at Temple Square
Comfort Ye My People
141 bpm • B Maj • 02:43 • -19.65db
24% Popularity • 24% Danceability • 7% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
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Benjamin Britten
A Boy Was Born, Op. 3: Theme: A Boy Was ...
130 bpm • E min • 02:04 • -30.16db
12% Popularity • 21% Danceability • 2% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 2% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
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Edvard Grieg
Ave maris stella
129 bpm • G Maj • 03:24 • -25.09db
7% Popularity • 20% Danceability • 8% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 8% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
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Traditional
This joyful Eastertide
129 bpm • G# Maj • 02:21 • -27.16db
18% Popularity • 25% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 25% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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The Cathedral Singers
Of the Father's Love Begotten
129 bpm • D Maj • 03:03 • -26.27db
26% Popularity • 18% Danceability • 9% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 9% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: O salutaris hos...
129 bpm • F# min • 03:22 • -28.23db
2% Popularity • 20% Danceability • 2% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 2% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Sir David Willcocks
Tomorrow Shall be my Dancing Day (arr. D...
129 bpm • A# Maj • 02:07 • -26.8db
23% Popularity • 26% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 26% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Franz Xaver Gruber
Silent Night (Arr. Stephen Cleobury)
128 bpm • C Maj • 03:39 • -33.84db
6% Popularity • 18% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
6% Popularity • 18% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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The Scottish Festival Singers
Come,Thou Long Expected Jesus
128 bpm • G Maj • 02:16 • -11.97db
14% Popularity • 19% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 19% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Benedictines of Mary, Queen of Apostles
Gabriel's Message
128 bpm • G min • 02:28 • -18.44db
22% Popularity • 26% Danceability • 16% Energy • 18% Liveness
39% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 16% Energy • 18% Liveness
39% Instrumentalness • 12% Positiveness
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Traditional
Let all mortal flesh keep silence
127 bpm • D min • 03:07 • -27.88db
11% Popularity • 17% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Domine Fili Unigente
127 bpm • F Maj • 02:26 • -8.97db
17% Popularity • 39% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 39% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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The Oxford Trinity Choir
Ave Maria
127 bpm • F Maj • 02:54 • -18.16db
11% Popularity • 25% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Anonymous
The Cherry Tree Carol
143 bpm • A Maj • 02:24 • -24.62db
0% Popularity • 25% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
0% Popularity • 25% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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St. Paul's Cathedral Choir
The Coventry Carol
144 bpm • D Maj • 03:22 • -11.8db
11% Popularity • 24% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Helen Grime
Telling - Live
127 bpm • B min • 02:48 • -26.74db
0% Popularity • 23% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Maurice Bevan
There's a wideness in God's mercy
144 bpm • D# Maj • 02:45 • -19.47db
12% Popularity • 16% Danceability • 29% Energy • 29% Liveness
95% Instrumentalness • 12% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 29% Liveness
95% Instrumentalness • 12% Positiveness
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The Cathedral Singers
Let All Mortal Flesh Keep Silence
126 bpm • G min • 03:16 • -14.63db
18% Popularity • 22% Danceability • 22% Energy • 8% Liveness
9% Instrumentalness • 3% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 8% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
John Rutter
I will lift up mine eyes
126 bpm • A# Maj • 07:17 • -24.35db
17% Popularity • 18% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Peter Cornelius
The Three Kings
145 bpm • G Maj • 02:27 • -27.41db
8% Popularity • 19% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 11% Positiveness
8% Popularity • 19% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 11% Positiveness
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Chanticleer
Hodie Christus natus est
126 bpm • B Maj • 02:23 • -20.31db
12% Popularity • 20% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Come Thou Redeemer of the Earth
126 bpm • C# Maj • 02:49 • -18.37db
18% Popularity • 25% Danceability • 17% Energy • 17% Liveness
10% Instrumentalness • 16% Positiveness
18% Popularity • 25% Danceability • 17% Energy • 17% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Franz Xaver Gruber
Silent Night
126 bpm • C Maj • 03:22 • -33db
13% Popularity • 20% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Oratorio de Noel, Op. 12: Tollite hostia...
126 bpm • G Maj • 01:59 • -17.5db
25% Popularity • 25% Danceability • 26% Energy • 26% Liveness
38% Instrumentalness • 11% Positiveness
25% Popularity • 25% Danceability • 26% Energy • 26% Liveness
38% Instrumentalness • 11% Positiveness
► Preview
17th-century German
All creatures of our God and king (Lasst...
125 bpm • D# Maj • 04:36 • -17.33db
23% Popularity • 22% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
23% Popularity • 22% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
► Preview
Henry Purcell
Purcell: Rejoice in the Lord Alway, Z. 4...
125 bpm • C Maj • 08:10 • -24.84db
13% Popularity • 37% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
13% Popularity • 37% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Elizabeth Poston
Jesus Christ the Apple Tree
125 bpm • C Maj • 03:46 • -32db
13% Popularity • 25% Danceability • 3% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 25% Danceability • 3% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Pt. 1: No. 4, Chorus. A...
146 bpm • E Maj • 02:57 • -16.19db
37% Popularity • 42% Danceability • 19% Energy • 25% Liveness
1% Instrumentalness • 39% Positiveness
37% Popularity • 42% Danceability • 19% Energy • 25% Liveness
1% Instrumentalness • 39% Positiveness
► Preview
Charles Wood
Wood: Ding Dong Merrily on High
124 bpm • A# Maj • 02:03 • -25.08db
13% Popularity • 30% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 30% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Piae Cantiones
Unto us is born a Son (Arr. David Willco...
124 bpm • D Maj • 02:21 • -16.49db
3% Popularity • 19% Danceability • 21% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
3% Popularity • 19% Danceability • 21% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
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London Philharmonic Orchestra
Worthy Is The Lamb That Was Slain-Amen
124 bpm • D Maj • 07:04 • -14.11db
17% Popularity • 31% Danceability • 32% Energy • 18% Liveness
70% Instrumentalness • 23% Positiveness
17% Popularity • 31% Danceability • 32% Energy • 18% Liveness
70% Instrumentalness • 23% Positiveness
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Chanticleer
O Come, O Come, Emmanuel
124 bpm • B min • 03:17 • -24.47db
13% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Philipp Nicolai
Wachet auf, ruft uns die Stimme
123 bpm • D Maj • 03:40 • -23.22db
12% Popularity • 26% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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John Darwall
Ye holy angels bright
122 bpm • D Maj • 02:55 • -20.19db
10% Popularity • 19% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
10% Popularity • 19% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Benedictines of Mary, Queen of Apostles
Alma Redemptoris Mater
122 bpm • B Maj • 01:54 • -22.89db
20% Popularity • 28% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
20% Popularity • 28% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
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Anonymous
The Twelve Days Of Christmas
121 bpm • F# Maj • 04:07 • -15.4db
19% Popularity • 41% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 41% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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John Rutter
What sweeter music
121 bpm • F# Maj • 04:09 • -29.08db
6% Popularity • 21% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 21% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37 "Vespers": No. 6...
151 bpm • F Maj • 02:45 • -28.35db
23% Popularity • 12% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Traditional
Fum, Fum, Fum (arr. A. Parker and R. Sha...
121 bpm • A min • 01:05 • -23.36db
18% Popularity • 41% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 41% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Praetorius
En natus est Emanuel
120 bpm • F Maj • 01:20 • -25.69db
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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F.M. Álvarez
Plegaria
120 bpm • G Maj • 03:54 • -13.47db
16% Popularity • 25% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
16% Popularity • 25% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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William Walton
Jubilate Deo
119 bpm • C min • 03:47 • -22.89db
0% Popularity • 19% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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John Rutter
Carol of the Magi
120 bpm • D# Maj • 05:02 • -23.31db
11% Popularity • 20% Danceability • 6% Energy • 15% Liveness
5% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 15% Liveness
5% Instrumentalness • 7% Positiveness
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Martin Shaw
Little Cornard "Hills of the North, Rejo...
117 bpm • D# Maj • 02:45 • -20.52db
9% Popularity • 26% Danceability • 20% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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John Gardner
Tomorrow shall be my dancing day
117 bpm • D Maj • 01:55 • -21.65db
17% Popularity • 46% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 46% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Praetorius
Lo how a rose e'er blooming (Es ist ein ...
119 bpm • F# Maj • 02:14 • -28.67db
19% Popularity • 24% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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George Frideric Handel
And The Glory Of The Lord Shall Be Revea...
156 bpm • E Maj • 02:52 • -17.49db
10% Popularity • 31% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
10% Popularity • 31% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Ralph Vaughan Williams
All Creatures of Our God and King (Lasst...
116 bpm • D# Maj • 05:13 • -23.19db
23% Popularity • 18% Danceability • 14% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 18% Danceability • 14% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
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John Rutter
Rutter: Gloria: I. Allegro vivace
152 bpm • A# Maj • 05:35 • -24.11db
7% Popularity • 24% Danceability • 9% Energy • 11% Liveness
47% Instrumentalness • 9% Positiveness
7% Popularity • 24% Danceability • 9% Energy • 11% Liveness
47% Instrumentalness • 9% Positiveness
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Truro Cathedral Choir
Jerusalem
116 bpm • D Maj • 03:15 • -17.66db
15% Popularity • 17% Danceability • 26% Energy • 33% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 26% Energy • 33% Liveness
86% Instrumentalness • 4% Positiveness
