Songs like Loaded by Richard Reynolds
Based on a tempo of (+/- 10%) and a similar genre
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Richard Reynolds
Lets Fuck!
128 bpm • C# Maj • 08:48 • -9.68db
0% Popularity • 82% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
0% Popularity • 82% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
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Raven & Kreyn
Back In Time
128 bpm • G min • 02:16 • -5.49db
16% Popularity • 42% Danceability • 95% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
16% Popularity • 42% Danceability • 95% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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Dimitri Vangelis & Wyman
Blizzard
128 bpm • F min • 02:52 • -3db
39% Popularity • 54% Danceability • 93% Energy • 57% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 54% Danceability • 93% Energy • 57% Liveness
0% Instrumentalness • 33% Positiveness
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Yosmer Davis
About U
128 bpm • A# min • 02:33 • -4.16db
16% Popularity • 67% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 67% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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AVY
Liar
128 bpm • D Maj • 02:39 • -3.38db
18% Popularity • 60% Danceability • 97% Energy • 25% Liveness
66% Instrumentalness • 39% Positiveness
18% Popularity • 60% Danceability • 97% Energy • 25% Liveness
66% Instrumentalness • 39% Positiveness
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Hardwell
F*CKING SOCIETY
128 bpm • A Maj • 04:39 • -5.51db
38% Popularity • 62% Danceability • 89% Energy • 92% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 62% Danceability • 89% Energy • 92% Liveness
84% Instrumentalness • 4% Positiveness
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Jack Rose
Tainted Love
128 bpm • G Maj • 02:20 • -5.05db
22% Popularity • 57% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 9% Positiveness
22% Popularity • 57% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 9% Positiveness
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TMW
Get Louder!
128 bpm • B min • 02:17 • -4.03db
44% Popularity • 82% Danceability • 83% Energy • 8% Liveness
80% Instrumentalness • 65% Positiveness
44% Popularity • 82% Danceability • 83% Energy • 8% Liveness
80% Instrumentalness • 65% Positiveness
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T.L.I.D
Feel so Lucky
128 bpm • C Maj • 02:52 • -3.67db
15% Popularity • 60% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 60% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Dimitri Vangelis & Wyman
Pablo - Extended Version
128 bpm • B min • 04:23 • -5.24db
8% Popularity • 78% Danceability • 93% Energy • 3% Liveness
3% Instrumentalness • 36% Positiveness
8% Popularity • 78% Danceability • 93% Energy • 3% Liveness
3% Instrumentalness • 36% Positiveness
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SSR
Keep On Dreaming
128 bpm • E min • 02:57 • -5db
20% Popularity • 58% Danceability • 91% Energy • 38% Liveness
5% Instrumentalness • 12% Positiveness
20% Popularity • 58% Danceability • 91% Energy • 38% Liveness
5% Instrumentalness • 12% Positiveness
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Hardwell
GODD
128 bpm • C Maj • 04:31 • -8.59db
28% Popularity • 57% Danceability • 99% Energy • 70% Liveness
19% Instrumentalness • 7% Positiveness
28% Popularity • 57% Danceability • 99% Energy • 70% Liveness
19% Instrumentalness • 7% Positiveness
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Hi3ND
Stranger
128 bpm • C# Maj • 02:33 • -4.88db
21% Popularity • 63% Danceability • 99% Energy • 87% Liveness
85% Instrumentalness • 3% Positiveness
21% Popularity • 63% Danceability • 99% Energy • 87% Liveness
85% Instrumentalness • 3% Positiveness
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Richard Reynolds
Shake It! - Original Mix
128 bpm • F min • 04:24 • -6.63db
5% Popularity • 66% Danceability • 92% Energy • 4% Liveness
32% Instrumentalness • 6% Positiveness
5% Popularity • 66% Danceability • 92% Energy • 4% Liveness
32% Instrumentalness • 6% Positiveness
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StrajGer
Luvstruck 2k21
128 bpm • C# Maj • 03:50 • -4.58db
14% Popularity • 75% Danceability • 82% Energy • 16% Liveness
77% Instrumentalness • 41% Positiveness
14% Popularity • 75% Danceability • 82% Energy • 16% Liveness
77% Instrumentalness • 41% Positiveness
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Jimmy Clash
Fiasco
128 bpm • F# Maj • 03:09 • -5.1db
13% Popularity • 57% Danceability • 91% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 91% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
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Nurii
Surge
128 bpm • C# Maj • 04:30 • -3.63db
24% Popularity • 76% Danceability • 77% Energy • 17% Liveness
79% Instrumentalness • 60% Positiveness
24% Popularity • 76% Danceability • 77% Energy • 17% Liveness
79% Instrumentalness • 60% Positiveness
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STRBLAST
Let Me See You
128 bpm • G# min • 02:26 • -3db
20% Popularity • 65% Danceability • 94% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
20% Popularity • 65% Danceability • 94% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
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CHRSTPHR
Another Chance
128 bpm • D Maj • 03:46 • -7db
31% Popularity • 81% Danceability • 58% Energy • 5% Liveness
19% Instrumentalness • 22% Positiveness
31% Popularity • 81% Danceability • 58% Energy • 5% Liveness
19% Instrumentalness • 22% Positiveness
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Richard Reynolds
Andromeda
128 bpm • B min • 07:03 • -6.01db
1% Popularity • 92% Danceability • 62% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness
1% Popularity • 92% Danceability • 62% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness
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NYMOUS
Icecold
128 bpm • D Maj • 02:17 • -3.4db
20% Popularity • 58% Danceability • 90% Energy • 27% Liveness
67% Instrumentalness • 19% Positiveness
20% Popularity • 58% Danceability • 90% Energy • 27% Liveness
67% Instrumentalness • 19% Positiveness
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Waztoo
Rave On
128 bpm • G# Maj • 03:35 • -11.62db
14% Popularity • 75% Danceability • 76% Energy • 6% Liveness
86% Instrumentalness • 21% Positiveness
14% Popularity • 75% Danceability • 76% Energy • 6% Liveness
86% Instrumentalness • 21% Positiveness
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Simon Miles
Shine
128 bpm • D Maj • 02:49 • -5.59db
35% Popularity • 64% Danceability • 93% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
35% Popularity • 64% Danceability • 93% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Almero
Restless
128 bpm • F# Maj • 03:37 • -5.25db
12% Popularity • 65% Danceability • 90% Energy • 46% Liveness
1% Instrumentalness • 32% Positiveness
12% Popularity • 65% Danceability • 90% Energy • 46% Liveness
1% Instrumentalness • 32% Positiveness
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Ape Rave Club
Hey Baby
128 bpm • B Maj • 02:46 • -7.4db
10% Popularity • 70% Danceability • 93% Energy • 96% Liveness
49% Instrumentalness • 28% Positiveness
10% Popularity • 70% Danceability • 93% Energy • 96% Liveness
49% Instrumentalness • 28% Positiveness
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AXMO
The Soulcatcher
128 bpm • G Maj • 02:48 • -5.11db
35% Popularity • 47% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 47% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Reynolds
Loaded
128 bpm • B min • 02:45 • -3.17db
4% Popularity • 68% Danceability • 99% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
4% Popularity • 68% Danceability • 99% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
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JETFIRE
Boom Boom Bass - Club Mix
128 bpm • C Maj • 04:39 • -5.2db
18% Popularity • 70% Danceability • 73% Energy • 29% Liveness
70% Instrumentalness • 29% Positiveness
18% Popularity • 70% Danceability • 73% Energy • 29% Liveness
70% Instrumentalness • 29% Positiveness
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David Tort
Lost In Acid - Henrix & Digital LAB Remi...
128 bpm • B min • 04:30 • -6.43db
15% Popularity • 83% Danceability • 91% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
15% Popularity • 83% Danceability • 91% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Hardwell
RETROGRADE - REBELS NEVER DIE REWORK
128 bpm • B min • 05:49 • -4.73db
27% Popularity • 55% Danceability • 97% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 55% Danceability • 97% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Alex Mueller
Ambulance
128 bpm • G# Maj • 02:37 • -4.22db
9% Popularity • 57% Danceability • 88% Energy • 18% Liveness
34% Instrumentalness • 31% Positiveness
9% Popularity • 57% Danceability • 88% Energy • 18% Liveness
34% Instrumentalness • 31% Positiveness
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Victor Tellagio
Satisfaction
128 bpm • B min • 02:31 • -4.81db
9% Popularity • 62% Danceability • 99% Energy • 15% Liveness
55% Instrumentalness • 39% Positiveness
9% Popularity • 62% Danceability • 99% Energy • 15% Liveness
55% Instrumentalness • 39% Positiveness
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Domeno
The Domeno Effect
128 bpm • G# Maj • 02:35 • -5.31db
21% Popularity • 63% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 63% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Vessbroz
Worshipper
128 bpm • C# Maj • 02:50 • -5.3db
10% Popularity • 67% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 67% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Corey James
Drum Beats Go Like
128 bpm • B Maj • 03:14 • -4.42db
21% Popularity • 75% Danceability • 95% Energy • 11% Liveness
92% Instrumentalness • 73% Positiveness
21% Popularity • 75% Danceability • 95% Energy • 11% Liveness
92% Instrumentalness • 73% Positiveness
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Triple M
ROCK!
128 bpm • F# min • 02:42 • -6.68db
26% Popularity • 64% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
26% Popularity • 64% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
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Rhys Sfyrios
Trippin
128 bpm • D Maj • 03:47 • -5.54db
11% Popularity • 65% Danceability • 72% Energy • 14% Liveness
16% Instrumentalness • 19% Positiveness
11% Popularity • 65% Danceability • 72% Energy • 14% Liveness
16% Instrumentalness • 19% Positiveness
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Hardwell
ZERO GRAVITY
128 bpm • C# Maj • 04:32 • -6.18db
25% Popularity • 69% Danceability • 100% Energy • 34% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 69% Danceability • 100% Energy • 34% Liveness
80% Instrumentalness • 4% Positiveness
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Richard Reynolds
Haze
128 bpm • G Maj • 02:14 • -3.66db
7% Popularity • 68% Danceability • 98% Energy • 36% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 68% Danceability • 98% Energy • 36% Liveness
89% Instrumentalness • 4% Positiveness
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Mark & Adam
Headbang
128 bpm • G min • 02:50 • -7.62db
22% Popularity • 61% Danceability • 93% Energy • 94% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 61% Danceability • 93% Energy • 94% Liveness
91% Instrumentalness • 4% Positiveness
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R3SPAWN
The Rave Army (Radio Edit)
128 bpm • C Maj • 02:39 • -5.75db
19% Popularity • 66% Danceability • 82% Energy • 30% Liveness
70% Instrumentalness • 37% Positiveness
19% Popularity • 66% Danceability • 82% Energy • 30% Liveness
70% Instrumentalness • 37% Positiveness
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Ummet Ozcan
Gargantua
128 bpm • E Maj • 03:48 • -6.66db
35% Popularity • 47% Danceability • 84% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 47% Danceability • 84% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Juicy M
Pump This
128 bpm • B Maj • 02:41 • -8.25db
29% Popularity • 73% Danceability • 94% Energy • 37% Liveness
75% Instrumentalness • 49% Positiveness
29% Popularity • 73% Danceability • 94% Energy • 37% Liveness
75% Instrumentalness • 49% Positiveness
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MORTEN
No Good
128 bpm • A# min • 02:21 • -4.38db
53% Popularity • 71% Danceability • 90% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
53% Popularity • 71% Danceability • 90% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
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Willy Saul
Gangstas in the House - Radio Edit
128 bpm • G Maj • 03:11 • -6.12db
18% Popularity • 60% Danceability • 86% Energy • 18% Liveness
92% Instrumentalness • 31% Positiveness
18% Popularity • 60% Danceability • 86% Energy • 18% Liveness
92% Instrumentalness • 31% Positiveness
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Luis Rodriguez
Hallelujah
128 bpm • E min • 03:02 • -4.94db
36% Popularity • 67% Danceability • 99% Energy • 6% Liveness
63% Instrumentalness • 5% Positiveness
36% Popularity • 67% Danceability • 99% Energy • 6% Liveness
63% Instrumentalness • 5% Positiveness
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Restricted
The Embers
128 bpm • G Maj • 02:33 • -5.69db
28% Popularity • 68% Danceability • 92% Energy • 31% Liveness
76% Instrumentalness • 15% Positiveness
28% Popularity • 68% Danceability • 92% Energy • 31% Liveness
76% Instrumentalness • 15% Positiveness
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Kohey
Bat Shit Crazy Lovin You
128 bpm • F min • 02:26 • -4.13db
20% Popularity • 57% Danceability • 97% Energy • 84% Liveness
46% Instrumentalness • 8% Positiveness
20% Popularity • 57% Danceability • 97% Energy • 84% Liveness
46% Instrumentalness • 8% Positiveness
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Juicy M
Anything
128 bpm • F min • 02:58 • -6.21db
25% Popularity • 61% Danceability • 98% Energy • 29% Liveness
13% Instrumentalness • 33% Positiveness
25% Popularity • 61% Danceability • 98% Energy • 29% Liveness
13% Instrumentalness • 33% Positiveness
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AOY
Jindesh
128 bpm • F Maj • 03:16 • -5.4db
10% Popularity • 79% Danceability • 77% Energy • 6% Liveness
62% Instrumentalness • 23% Positiveness
10% Popularity • 79% Danceability • 77% Energy • 6% Liveness
62% Instrumentalness • 23% Positiveness
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Taito
Rock On! - Original Mix
128 bpm • C Maj • 02:51 • -5.45db
19% Popularity • 90% Danceability • 85% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
19% Popularity • 90% Danceability • 85% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Tim Hox
Ebrius (I'm gonna get f***ed up tonight)
128 bpm • F# Maj • 02:28 • -8.87db
31% Popularity • 69% Danceability • 65% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 69% Danceability • 65% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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DubVision
No More - Extended Mix
128 bpm • C min • 04:15 • -5.22db
15% Popularity • 64% Danceability • 96% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
15% Popularity • 64% Danceability • 96% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
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Freejak
Joyenergizer (Freejak Club Edit)
128 bpm • B min • 03:03 • -6.51db
9% Popularity • 84% Danceability • 90% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
9% Popularity • 84% Danceability • 90% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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Hardwell
DOPAMINE
128 bpm • A Maj • 03:45 • -4.77db
33% Popularity • 75% Danceability • 98% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
33% Popularity • 75% Danceability • 98% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
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Breseb
Digital Vortex
128 bpm • B min • 02:44 • -4.97db
20% Popularity • 57% Danceability • 98% Energy • 33% Liveness
79% Instrumentalness • 5% Positiveness
20% Popularity • 57% Danceability • 98% Energy • 33% Liveness
79% Instrumentalness • 5% Positiveness
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MadTing
Feel Your Heart
128 bpm • F# min • 04:07 • -5.09db
18% Popularity • 59% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 59% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Manene
Ant
128 bpm • A# Maj • 03:47 • -5.19db
12% Popularity • 70% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 42% Positiveness
12% Popularity • 70% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 42% Positiveness
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NLW
DRUMS
128 bpm • G# Maj • 03:16 • -4.88db
19% Popularity • 72% Danceability • 97% Energy • 9% Liveness
88% Instrumentalness • 86% Positiveness
19% Popularity • 72% Danceability • 97% Energy • 9% Liveness
88% Instrumentalness • 86% Positiveness
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Ummet Ozcan
Reborn
128 bpm • G# Maj • 03:58 • -7.22db
31% Popularity • 65% Danceability • 90% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
31% Popularity • 65% Danceability • 90% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
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R3SPAWN
I Got It 4 U
128 bpm • A min • 02:18 • -6.34db
15% Popularity • 54% Danceability • 88% Energy • 33% Liveness
40% Instrumentalness • 27% Positiveness
15% Popularity • 54% Danceability • 88% Energy • 33% Liveness
40% Instrumentalness • 27% Positiveness
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Tim Bozhkov
Still Alive
128 bpm • G Maj • 03:45 • -6.54db
10% Popularity • 58% Danceability • 87% Energy • 8% Liveness
9% Instrumentalness • 6% Positiveness
10% Popularity • 58% Danceability • 87% Energy • 8% Liveness
9% Instrumentalness • 6% Positiveness
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Levex
Got Me Right
128 bpm • C# Maj • 02:19 • -2.89db
23% Popularity • 71% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
23% Popularity • 71% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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Hardwell
BLACK MAGIC
128 bpm • A# Maj • 04:05 • -6.72db
31% Popularity • 57% Danceability • 93% Energy • 52% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 57% Danceability • 93% Energy • 52% Liveness
90% Instrumentalness • 10% Positiveness
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Linka
Take Me Higher
128 bpm • A# min • 04:15 • -3.83db
21% Popularity • 64% Danceability • 94% Energy • 14% Liveness
64% Instrumentalness • 26% Positiveness
21% Popularity • 64% Danceability • 94% Energy • 14% Liveness
64% Instrumentalness • 26% Positiveness
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Johnny de City
Eleanor
128 bpm • B min • 03:24 • -5.31db
9% Popularity • 63% Danceability • 94% Energy • 95% Liveness
57% Instrumentalness • 30% Positiveness
9% Popularity • 63% Danceability • 94% Energy • 95% Liveness
57% Instrumentalness • 30% Positiveness
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Revaeon
Feels Like
128 bpm • G min • 03:24 • -4.54db
29% Popularity • 67% Danceability • 86% Energy • 24% Liveness
4% Instrumentalness • 15% Positiveness
29% Popularity • 67% Danceability • 86% Energy • 24% Liveness
4% Instrumentalness • 15% Positiveness
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Yantosh
About You
128 bpm • A min • 02:49 • -5.7db
11% Popularity • 62% Danceability • 96% Energy • 24% Liveness
18% Instrumentalness • 3% Positiveness
11% Popularity • 62% Danceability • 96% Energy • 24% Liveness
18% Instrumentalness • 3% Positiveness
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Shapov
Inside The Rave
128 bpm • B Maj • 02:10 • -5.23db
41% Popularity • 51% Danceability • 96% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
41% Popularity • 51% Danceability • 96% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
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Hardwell
REMINISCE
128 bpm • F min • 04:01 • -5.85db
25% Popularity • 52% Danceability • 97% Energy • 30% Liveness
20% Instrumentalness • 4% Positiveness
25% Popularity • 52% Danceability • 97% Energy • 30% Liveness
20% Instrumentalness • 4% Positiveness
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Gregor Potter
Fallen
128 bpm • F# Maj • 03:52 • -4.76db
14% Popularity • 60% Danceability • 87% Energy • 14% Liveness
4% Instrumentalness • 7% Positiveness
14% Popularity • 60% Danceability • 87% Energy • 14% Liveness
4% Instrumentalness • 7% Positiveness
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TV Noise
Turn It Up
128 bpm • F# Maj • 02:49 • -5.04db
30% Popularity • 79% Danceability • 95% Energy • 34% Liveness
52% Instrumentalness • 41% Positiveness
30% Popularity • 79% Danceability • 95% Energy • 34% Liveness
52% Instrumentalness • 41% Positiveness
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YROR?
Pump It To The Beat
128 bpm • G# Maj • 03:30 • -5.96db
21% Popularity • 93% Danceability • 69% Energy • 66% Liveness
12% Instrumentalness • 57% Positiveness
21% Popularity • 93% Danceability • 69% Energy • 66% Liveness
12% Instrumentalness • 57% Positiveness
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Shift & Palm
Never Give Up
128 bpm • E min • 02:43 • -1.52db
17% Popularity • 59% Danceability • 96% Energy • 27% Liveness
48% Instrumentalness • 4% Positiveness
17% Popularity • 59% Danceability • 96% Energy • 27% Liveness
48% Instrumentalness • 4% Positiveness
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Richard Reynolds
Rock the Beats
128 bpm • G Maj • 06:02 • -3.9db
1% Popularity • 77% Danceability • 85% Energy • 30% Liveness
64% Instrumentalness • 9% Positiveness
1% Popularity • 77% Danceability • 85% Energy • 30% Liveness
64% Instrumentalness • 9% Positiveness
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JuHyung
Spiral
128 bpm • D# min • 02:23 • -2.86db
22% Popularity • 55% Danceability • 98% Energy • 34% Liveness
24% Instrumentalness • 16% Positiveness
22% Popularity • 55% Danceability • 98% Energy • 34% Liveness
24% Instrumentalness • 16% Positiveness
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TMW
Shake That
128 bpm • C# Maj • 02:25 • -3.93db
27% Popularity • 62% Danceability • 99% Energy • 44% Liveness
58% Instrumentalness • 11% Positiveness
27% Popularity • 62% Danceability • 99% Energy • 44% Liveness
58% Instrumentalness • 11% Positiveness
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Roy Orion
Jungle Fever
128 bpm • C# Maj • 02:43 • -4.2db
22% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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NLW
Moombah 22
128 bpm • E Maj • 02:53 • -3.4db
23% Popularity • 63% Danceability • 97% Energy • 5% Liveness
2% Instrumentalness • 56% Positiveness
23% Popularity • 63% Danceability • 97% Energy • 5% Liveness
2% Instrumentalness • 56% Positiveness
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George Wonder
All The Better
128 bpm • F# min • 03:07 • -1.06db
12% Popularity • 54% Danceability • 98% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
12% Popularity • 54% Danceability • 98% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Richard Reynolds
Control - Original Mix
128 bpm • F# min • 05:45 • -7db
1% Popularity • 65% Danceability • 67% Energy • 11% Liveness
75% Instrumentalness • 24% Positiveness
1% Popularity • 65% Danceability • 67% Energy • 11% Liveness
75% Instrumentalness • 24% Positiveness
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Juicy M
Higher
128 bpm • B min • 02:40 • -4.99db
28% Popularity • 54% Danceability • 93% Energy • 31% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 54% Danceability • 93% Energy • 31% Liveness
88% Instrumentalness • 8% Positiveness
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Jera
Sonar
128 bpm • C# Maj • 02:50 • -5.1db
12% Popularity • 58% Danceability • 92% Energy • 72% Liveness
31% Instrumentalness • 5% Positiveness
12% Popularity • 58% Danceability • 92% Energy • 72% Liveness
31% Instrumentalness • 5% Positiveness
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Mark Bale
Get Ready - Original Mix
128 bpm • B Maj • 03:11 • -5.03db
11% Popularity • 62% Danceability • 88% Energy • 11% Liveness
36% Instrumentalness • 15% Positiveness
11% Popularity • 62% Danceability • 88% Energy • 11% Liveness
36% Instrumentalness • 15% Positiveness
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Lister
Eastern Standard
128 bpm • D Maj • 02:03 • -6.15db
25% Popularity • 76% Danceability • 71% Energy • 22% Liveness
91% Instrumentalness • 19% Positiveness
25% Popularity • 76% Danceability • 71% Energy • 22% Liveness
91% Instrumentalness • 19% Positiveness
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Maurice West
Sky Turns Dark
128 bpm • D Maj • 02:53 • -6.54db
31% Popularity • 64% Danceability • 86% Energy • 24% Liveness
10% Instrumentalness • 15% Positiveness
31% Popularity • 64% Danceability • 86% Energy • 24% Liveness
10% Instrumentalness • 15% Positiveness
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Richard Reynolds
Exit
128 bpm • C# Maj • 07:16 • -3.38db
1% Popularity • 63% Danceability • 88% Energy • 9% Liveness
18% Instrumentalness • 8% Positiveness
1% Popularity • 63% Danceability • 88% Energy • 9% Liveness
18% Instrumentalness • 8% Positiveness
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Johnny de City
Hands Up
128 bpm • G Maj • 02:31 • -5.57db
20% Popularity • 57% Danceability • 93% Energy • 68% Liveness
84% Instrumentalness • 18% Positiveness
20% Popularity • 57% Danceability • 93% Energy • 68% Liveness
84% Instrumentalness • 18% Positiveness
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Hardwell
LASER
128 bpm • B Maj • 02:54 • -6.31db
37% Popularity • 67% Danceability • 93% Energy • 61% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 67% Danceability • 93% Energy • 61% Liveness
68% Instrumentalness • 4% Positiveness
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Le Twins
Ones We Hate
128 bpm • F min • 02:35 • -2.34db
10% Popularity • 63% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 63% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Subliminals
Big Sound
128 bpm • C# Maj • 02:26 • -4.33db
21% Popularity • 55% Danceability • 99% Energy • 15% Liveness
31% Instrumentalness • 4% Positiveness
21% Popularity • 55% Danceability • 99% Energy • 15% Liveness
31% Instrumentalness • 4% Positiveness
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Quintino
Lowrider
128 bpm • C Maj • 02:31 • -5.69db
41% Popularity • 80% Danceability • 64% Energy • 32% Liveness
26% Instrumentalness • 15% Positiveness
41% Popularity • 80% Danceability • 64% Energy • 32% Liveness
26% Instrumentalness • 15% Positiveness
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Uplink
Machine (Uplink & Youree Remix)
128 bpm • D Maj • 03:15 • -8.16db
16% Popularity • 59% Danceability • 80% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
16% Popularity • 59% Danceability • 80% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Zaxx
Zilla 2.0
128 bpm • C# Maj • 02:15 • -3.21db
13% Popularity • 63% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 63% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Miami
Back Around
128 bpm • C# Maj • 02:50 • -3.35db
36% Popularity • 69% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 69% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 27% Positiveness
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Ummet Ozcan
Dust
128 bpm • F# Maj • 03:15 • -7.36db
32% Popularity • 46% Danceability • 70% Energy • 28% Liveness
86% Instrumentalness • 8% Positiveness
32% Popularity • 46% Danceability • 70% Energy • 28% Liveness
86% Instrumentalness • 8% Positiveness
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NIIKO X SWAE
Get Up and Go
128 bpm • A# min • 03:24 • -5.82db
14% Popularity • 54% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 54% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Vision Next
Your Love Only
128 bpm • F min • 02:26 • -4.81db
16% Popularity • 56% Danceability • 94% Energy • 18% Liveness
11% Instrumentalness • 25% Positiveness
16% Popularity • 56% Danceability • 94% Energy • 18% Liveness
11% Instrumentalness • 25% Positiveness
