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Loch Lomond
Songs like
Loch Lomond
by
The King's Singers
Based on a tempo of (+/- 10%) and a similar genre
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Andrew DeTeliga
Ancient City
133 bpm • B min • 04:51 • -20.63db
7% Popularity • 27% Danceability • 10% Energy • 7% Liveness
8% Instrumentalness • 11% Positiveness
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Laura Marling
Bonny Portmore
133 bpm • C Maj • 02:31 • -13.5db
10% Popularity • 40% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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The Irish Folk
Irish Washerwoman
133 bpm • G Maj • 01:43 • -12db
37% Popularity • 69% Danceability • 69% Energy • 11% Liveness
93% Instrumentalness • 98% Positiveness
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The King's Singers
Loch Lomond
133 bpm • A# Maj • 03:03 • -24.5db
35% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Kathleen Ferrier
Blow The Wind Southerly
132 bpm • C# Maj • 02:28 • -16db
14% Popularity • 41% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
37% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Gay Men's Chorus of Washington, Dc
Make Them Hear You
134 bpm • G# Maj • 02:44 • -21.26db
8% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Octarium
Fa Una Canzona
132 bpm • A# Maj • 01:12 • -25.85db
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
13% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sinean Lohan
Out of the Woods
132 bpm • D# Maj • 04:12 • -27.75db
7% Popularity • 28% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
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Pierre Passereau
Il Est Bel Et Bon
134 bpm • D Maj • 01:12 • -21db
7% Popularity • 42% Danceability • 44% Energy • 75% Liveness
0% Instrumentalness • 61% Positiveness
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Eleanor Tomlinson
Hushabye Mountain
132 bpm • B min • 02:59 • -13.48db
34% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Ola Gjeilo
Song of the Universal
132 bpm • C Maj • 11:13 • -20.22db
29% Popularity • 16% Danceability • 13% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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John Jacobson
In Flanders Fields
132 bpm • F Maj • 03:20 • -12.65db
15% Popularity • 24% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The King's Singers
You Can Close Your Eyes
134 bpm • C# min • 03:41 • -12db
7% Popularity • 23% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Orlando Gibbons
The Silver Swan
134 bpm • D Maj • 01:45 • -24.17db
13% Popularity • 16% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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KasÃr
Moonrise
135 bpm • A# Maj • 03:58 • -16.69db
39% Popularity • 42% Danceability • 10% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
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Stephen Foster
Hard times come again no more
135 bpm • D Maj • 04:21 • -15.35db
18% Popularity • 33% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Ringmasters
The Bells of Notre Dame/Out There Medley
131 bpm • D min • 06:52 • -10db
28% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Elaine Hagenberg
Measure Me, Sky!
135 bpm • A# Maj • 04:16 • -16db
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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The King's Singers
We Are
131 bpm • D Maj • 02:52 • -18.42db
11% Popularity • 40% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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The Hillbilly Thomists
Poor Wayfaring Stranger
131 bpm • E min • 04:20 • -12.92db
37% Popularity • 40% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Clannad
Siúil, a Rún
136 bpm • A min • 05:49 • -15.65db
35% Popularity • 44% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Whistlin' Rufus
Scandinavian Waltz
136 bpm • G Maj • 02:26 • -6.49db
14% Popularity • 26% Danceability • 48% Energy • 15% Liveness
93% Instrumentalness • 56% Positiveness
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The Real Group
Gøta
130 bpm • D Maj • 04:45 • -10db
19% Popularity • 40% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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Geoff Castellucci
Shenandoah
130 bpm • A Maj • 04:08 • -13db
34% Popularity • 26% Danceability • 16% Energy • 11% Liveness
25% Instrumentalness • 16% Positiveness
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Julie Fowlis
Òran an Ròin
136 bpm • D# Maj • 02:35 • -12.57db
40% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Howard Goodall
Love Divine (2000)
136 bpm • C# Maj • 04:49 • -20.28db
13% Popularity • 17% Danceability • 13% Energy • 7% Liveness
36% Instrumentalness • 10% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eamon O'leary
Bonny George Campbell
130 bpm • D# Maj • 04:33 • -13.03db
12% Popularity • 64% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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Mark Miller & the New Haven Collective
I Believe
137 bpm • F# min • 02:41 • -12.36db
16% Popularity • 27% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Ian Giles
Haul away the bowline
137 bpm • F Maj • 01:18 • -10.43db
21% Popularity • 62% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Joe Zambon
Irish Jig
137 bpm • G Maj • 01:33 • -10.53db
17% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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All Souls Choir
Spirit Of Life
137 bpm • D Maj • 01:51 • -23.37db
10% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Forrest
Jubilate Deo: I. Jubilate Deo (Oh Be Joy...
138 bpm • D Maj • 08:56 • -13db
13% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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Eric Whitacre
Lux Aurumque
139 bpm • D min • 03:42 • -27.95db
9% Popularity • 15% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
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The Corries
The Skye Boat Song
139 bpm • D# Maj • 03:16 • -18.64db
37% Popularity • 40% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Fitzrovia Chorus
We're Here Because We're Here
139 bpm • A min • 00:59 • -9.38db
15% Popularity • 45% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Alan Reid
O, Were I on Parnassus Hill
139 bpm • C min • 03:28 • -11.72db
28% Popularity • 39% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
21% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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We Banjo 3
The Rocky Road to Dublin / The American ...
127 bpm • G Maj • 03:57 • -6.43db
34% Popularity • 45% Danceability • 81% Energy • 7% Liveness
33% Instrumentalness • 81% Positiveness
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Gaelic Storm
Hills Of Connemara
140 bpm • G Maj • 03:11 • -6db
40% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Stephen Foster
Hard Times Come Again No More
127 bpm • D Maj • 05:13 • -22.53db
9% Popularity • 27% Danceability • 10% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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The King's Singers
The Lincolnshire Poacher
127 bpm • C Maj • 02:09 • -18db
12% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Clamavi De Profundis
The Greatest Adventure
140 bpm • D Maj • 03:50 • -12.12db
28% Popularity • 26% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
Going Home
140 bpm • A Maj • 05:31 • -14.29db
21% Popularity • 20% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tallis
If Ye Love Me
127 bpm • F Maj • 02:41 • -17.35db
26% Popularity • 17% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Rune Tonsgaard Sorensen
Shine You No More
140 bpm • F# min • 03:38 • -19db
33% Popularity • 36% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Ewan MacColl
The Shoals of Herring
126 bpm • A Maj • 03:54 • -15.59db
28% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
29% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Vienna Teng
The Hymn of Acxiom
126 bpm • D Maj • 04:00 • -21.87db
13% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Karine Polwart
Follow The Heron
126 bpm • A Maj • 03:11 • -9.08db
32% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cantus
Shenandoah
126 bpm • F Maj • 03:41 • -30.51db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Stan Rogers
Leave Her, Johnny, Leave Her
126 bpm • D Maj • 02:58 • -11.79db
33% Popularity • 56% Danceability • 30% Energy • 82% Liveness
0% Instrumentalness • 67% Positiveness
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David Algeo Smith
The Rites Of Man
126 bpm • D Maj • 05:18 • -9.79db
20% Popularity • 63% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
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Randy Newman
Short People
126 bpm • F Maj • 02:44 • -20db
11% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dan Forrest
Good Night, Dear Heart
126 bpm • B Maj • 03:59 • -27.84db
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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The King's Singers
What Shall We Do With The Drunken Sailor...
125 bpm • B min • 01:49 • -15.3db
15% Popularity • 68% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Nickel Creek
In The House Of Tom Bombadil
142 bpm • G Maj • 03:46 • -9.1db
32% Popularity • 37% Danceability • 70% Energy • 22% Liveness
90% Instrumentalness • 67% Positiveness
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Ciaran Tourish
Molly Bán / Flowers of Edinburgh / Famo...
124 bpm • D Maj • 03:28 • -9db
40% Popularity • 55% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Libera
Wayfaring Stranger
124 bpm • D min • 04:03 • -14.51db
27% Popularity • 21% Danceability • 16% Energy • 6% Liveness
2% Instrumentalness • 16% Positiveness
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Seán Clárach Mac Domhnaill
Mo Ghile Mear - Arr. for choir by Desmon...
124 bpm • G# Maj • 04:04 • -19.42db
43% Popularity • 40% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Calme Des Nuits
142 bpm • D min • 03:15 • -32.14db
12% Popularity • 14% Danceability • 1% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
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Pierre Certon
La, la, la, je ne I'ose dire
124 bpm • D# Maj • 00:45 • -20.55db
12% Popularity • 61% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Pa's Fiddle Band
The Campbells Are Coming / Haste to the ...
124 bpm • D Maj • 02:59 • -11db
13% Popularity • 56% Danceability • 41% Energy • 16% Liveness
59% Instrumentalness • 96% Positiveness
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Charles Wood
Oculi omnium
124 bpm • D# Maj • 01:24 • -21db
19% Popularity • 19% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
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Amabile Choirs of London, Canada
All Too Soon
124 bpm • D Maj • 04:52 • -21.06db
11% Popularity • 26% Danceability • 27% Energy • 71% Liveness
0% Instrumentalness • 28% Positiveness
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Desmond Earley
The Parting Glass
124 bpm • E min • 03:10 • -22db
26% Popularity • 29% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Natalie MacMaster
Volcanic Jig
124 bpm • G Maj • 06:01 • -6db
24% Popularity • 53% Danceability • 74% Energy • 10% Liveness
30% Instrumentalness • 85% Positiveness
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David Cieri
Stand by Water, Pt. 1
123 bpm • G# Maj • 02:56 • -17.91db
12% Popularity • 37% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 33% Positiveness
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Paul Clayton
Boney Was A Warrior
123 bpm • C Maj • 01:19 • -14db
17% Popularity • 70% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Voices in Your Head
Sing for Myself
144 bpm • A# Maj • 02:07 • -12db
36% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Howard D. McKinney
Brothers, Sing On! (after Grieg's Sanger...
144 bpm • A Maj • 01:46 • -17.66db
9% Popularity • 26% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Phoenix Chamber Choir
When the Earth Stands Still
144 bpm • A# min • 03:40 • -27.24db
27% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Vocal Spectrum
Go The Distance
122 bpm • C Maj • 03:40 • -7.27db
22% Popularity • 29% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Stan Rogers
The Flowers of Bermuda
122 bpm • A Maj • 03:47 • -11.06db
29% Popularity • 60% Danceability • 62% Energy • 70% Liveness
1% Instrumentalness • 96% Positiveness
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Giovanni Pierluigi da Palestrina
Quam pulchri sunt gressus tui
123 bpm • C Maj • 02:48 • -18.94db
14% Popularity • 22% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Forrest
Requiem for the Living: II. Vanitas Vani...
145 bpm • A min • 06:13 • -15.44db
20% Popularity • 22% Danceability • 38% Energy • 15% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Jaqueline Schwab
Battle Cry of Freedom II
122 bpm • G Maj • 02:30 • -22.14db
22% Popularity • 63% Danceability • 2% Energy • 14% Liveness
95% Instrumentalness • 23% Positiveness
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John Jacobson
In Flanders Field
145 bpm • F Maj • 02:53 • -21.31db
16% Popularity • 15% Danceability • 20% Energy • 77% Liveness
3% Instrumentalness • 17% Positiveness
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The King's Singers
Supercalifragilisticexpialidocious
145 bpm • G Maj • 02:34 • -21.78db
9% Popularity • 53% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Swingle Singers
Poor Wayfaring Stranger
122 bpm • G min • 04:26 • -9.22db
25% Popularity • 41% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Clamavi De Profundis
Roads Go Ever On
145 bpm • E min • 04:07 • -15.23db
37% Popularity • 29% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Sacred Harp Singers
I'm Going Home
122 bpm • F# min • 02:18 • -12.17db
27% Popularity • 66% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Elixir
Meredith
122 bpm • D Maj • 03:57 • -9.5db
11% Popularity • 48% Danceability • 21% Energy • 10% Liveness
55% Instrumentalness • 30% Positiveness
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Loch Lomond