Songs like Logan's Song by Sandi Thom
Based on a tempo of (+/- 10%) and a similar genre
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Chesney Hawkes
The One And Only - Acoustic
113 bpm • D Maj • 03:13 • -11.83db
31% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sandi Thom
Hurt
114 bpm • A# min • 03:46 • -9.24db
16% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Pentatonix
Jolene
114 bpm • C min • 02:11 • -6.8db
52% Popularity • 65% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 65% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Philip Noone
The Galway Shawl
115 bpm • F# Maj • 04:29 • -18.48db
33% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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James Morrison
Broken Strings
112 bpm • C# Maj • 04:10 • -4.91db
71% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Annie Lennox
Walking on Broken Glass
115 bpm • C Maj • 04:13 • -8.45db
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Olly Murs
Up
115 bpm • A Maj • 03:44 • -5.39db
68% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Beth Porch
You Taught Me What Love Is - Britain's G...
115 bpm • G Maj • 03:28 • -7.04db
27% Popularity • 51% Danceability • 25% Energy • 78% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 51% Danceability • 25% Energy • 78% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Eyre
Swing Low, Sweet Chariot
115 bpm • C Maj • 03:14 • -8.76db
30% Popularity • 40% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 40% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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The Commitments
Mustang Sally
115 bpm • C# Maj • 04:01 • -10.77db
58% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Dolly Parton
Jolene
111 bpm • C# min • 02:41 • -10.97db
77% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
77% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Nicole Scherzinger
Don't Hold Your Breath
111 bpm • F min • 03:17 • -6.1db
55% Popularity • 66% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 66% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Deep Blue Something
Breakfast At Tiffany's
110 bpm • D Maj • 04:17 • -5.55db
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sandi Thom
I Love You Like a Lunatic
116 bpm • F# Maj • 04:51 • -9.25db
4% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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George Ezra
Shotgun
116 bpm • F Maj • 03:21 • -4.73db
78% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
78% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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MIKA
Big Girl (You Are Beautiful)
116 bpm • B Maj • 04:08 • -6.32db
59% Popularity • 80% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
59% Popularity • 80% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Take That
Greatest Day
110 bpm • C# Maj • 03:59 • -6.22db
55% Popularity • 46% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 46% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Girls Aloud
Love Machine
116 bpm • G Maj • 03:25 • -4.21db
56% Popularity • 66% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 66% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Scouting For Girls
Butterflies
110 bpm • D Maj • 02:59 • -5.29db
41% Popularity • 70% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 70% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Skipinnish
Walking On the Waves
110 bpm • A Maj • 04:03 • -8.2db
44% Popularity • 55% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 55% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
53% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Florence + The Machine
You've Got The Love
110 bpm • F# Maj • 02:48 • -4.7db
76% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Freya Ridings
Castles
117 bpm • E Maj • 03:31 • -4.87db
60% Popularity • 67% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 67% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Scouting For Girls
Love How It Hurts
110 bpm • C Maj • 03:07 • -3.41db
44% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Runrig
Every River
117 bpm • G# Maj • 04:41 • -6.54db
37% Popularity • 54% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 54% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 33% Positiveness
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Kari Parker
Bette Davis Eyes
117 bpm • F Maj • 03:38 • -7.09db
40% Popularity • 72% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 72% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Saturdays
Higher
117 bpm • A# Maj • 03:27 • -3.29db
52% Popularity • 64% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 64% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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S Club
Don't Stop Movin'
117 bpm • G Maj • 03:53 • -6.13db
62% Popularity • 82% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
62% Popularity • 82% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Olly Murs
Thinking of Me
109 bpm • C Maj • 03:25 • -4.68db
44% Popularity • 77% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 77% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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B*Witched
C'est La Vie
109 bpm • G Maj • 02:53 • -5.11db
62% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
62% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Sandi Thom
Tennessee whiskey
109 bpm • C Maj • 05:50 • -12.28db
10% Popularity • 45% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 45% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Beautiful South
A Little Time
109 bpm • F Maj • 02:59 • -15.7db
56% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Dylan
Why Did It Have To Be Me?
118 bpm • D Maj • 03:18 • -6db
60% Popularity • 55% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 55% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Cher
If I Could Turn Back Time
108 bpm • B Maj • 03:59 • -10.37db
74% Popularity • 66% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 66% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Fountains Of Wayne
Stacy's Mom
118 bpm • B min • 03:17 • -4.93db
74% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
74% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Newton Faulkner
Dream Catch Me
118 bpm • D Maj • 03:56 • -5.69db
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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James Blunt
Bonfire Heart
118 bpm • C Maj • 03:58 • -5.7db
67% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Darius
Colourblind
108 bpm • D Maj • 03:35 • -4.39db
49% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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S Club
Bring It All Back
108 bpm • E Maj • 03:34 • -4.91db
61% Popularity • 68% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
61% Popularity • 68% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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The Beautiful South
Rotterdam (Or Anywhere)
108 bpm • C Maj • 03:35 • -7.68db
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Sandi Thom
I Wish I Was a Punk Rocker
108 bpm • E Maj • 02:31 • -6.82db
58% Popularity • 70% Danceability • 46% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 70% Danceability • 46% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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![Dream Catch Me - (Acoustic Version) [Live] cover art](https://i.scdn.co/image/ab67616d00001e027d374e96b9c27d0b082e2c19)
Newton Faulkner
Dream Catch Me - (Acoustic Version) [Liv...
118 bpm • C# Maj • 04:24 • -8.28db
32% Popularity • 41% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 41% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
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Scissor Sisters
I Don't Feel Like Dancin' - Radio Edit
108 bpm • G Maj • 04:08 • -3.4db
63% Popularity • 71% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
63% Popularity • 71% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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fun.
Some Nights
108 bpm • C Maj • 04:37 • -7.05db
69% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
69% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Tenacious D
Fuck Her Gently
119 bpm • D Maj • 02:03 • -7.02db
59% Popularity • 52% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 52% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Whitney Houston
I Wanna Dance with Somebody (Who Loves M...
119 bpm • C# Maj • 04:51 • -8.82db
84% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
84% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Sandi Thom
What If I'm Right
108 bpm • E Maj • 02:58 • -5.38db
31% Popularity • 70% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 70% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Tracy Chapman
Talkin' Bout a Revolution
119 bpm • G Maj • 02:41 • -6.18db
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Journey
Don't Stop Believin' (2022 Remaster)
119 bpm • E Maj • 04:09 • -7.44db
84% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
84% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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George Ezra
Pretty Shining People
107 bpm • C# Maj • 03:32 • -4.6db
59% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Charlotte Church
Moodswings (To Come At Me Like That)
107 bpm • D Maj • 03:10 • -3.55db
21% Popularity • 69% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 69% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Rusted Root
Send Me On My Way
119 bpm • C Maj • 04:23 • -8.8db
72% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
72% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Toploader
Dancing in the Moonlight
119 bpm • A# Maj • 03:52 • -3.46db
80% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
80% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Eagle-Eye Cherry
Save Tonight
120 bpm • C Maj • 04:02 • -8.74db
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Kasey Chambers
Not Pretty Enough
120 bpm • B Maj • 03:19 • -5.43db
45% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Alexandra Burke
All Night Long - Single Version
120 bpm • G# Maj • 03:48 • -4db
43% Popularity • 65% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 65% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Newton Faulkner
If This is It
120 bpm • C Maj • 04:00 • -6db
19% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Sandi Thom
Sunset Borderline
120 bpm • C Maj • 03:36 • -4.41db
19% Popularity • 70% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Ed Sheeran
Small Bump
120 bpm • A# Maj • 04:19 • -12.68db
60% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Missy Higgins
Steer
120 bpm • E Maj • 03:51 • -7db
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Live Lounge Allstars
Times Like These - BBC Radio 1 Stay Home...
120 bpm • E min • 04:16 • -5.1db
48% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Axis of Awesome
4 Chords
120 bpm • D Maj • 05:48 • -6db
40% Popularity • 48% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 48% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Paolo Nutini
Pencil Full of Lead
106 bpm • G Maj • 02:26 • -6.54db
59% Popularity • 74% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
59% Popularity • 74% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Sandi Thom
I Wish I Was a Punk Rocker - Morlando Re...
120 bpm • F min • 03:30 • -5.7db
19% Popularity • 56% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 56% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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James Morrison
I Won't Let You Go
106 bpm • C Maj • 03:49 • -6.43db
66% Popularity • 54% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 54% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Ronson
Valerie - Version Revisited
106 bpm • C# Maj • 03:39 • -4.9db
81% Popularity • 70% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
81% Popularity • 70% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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The Saturdays
Ego
121 bpm • D Maj • 02:59 • -4db
51% Popularity • 76% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 76% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Axis of Awesome
Four Chords
121 bpm • E Maj • 05:33 • -10.04db
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Mandy Miles
Your so Vain (You Probably Think This So...
106 bpm • A min • 04:09 • -7.25db
31% Popularity • 73% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 73% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sandi Thom
May You Never
120 bpm • D Maj • 03:43 • -8.33db
12% Popularity • 72% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 72% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Bette Midler
Beast of Burden
105 bpm • E Maj • 03:45 • -6.81db
51% Popularity • 58% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 58% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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George Ezra
Listen to the Man
121 bpm • A Maj • 03:03 • -5.94db
58% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dolly Parton
9 to 5
105 bpm • F# Maj • 02:42 • -6db
80% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
80% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Lily Allen
Not Fair
121 bpm • F Maj • 03:22 • -9.19db
62% Popularity • 72% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
62% Popularity • 72% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Uncle Kracker
Follow Me
105 bpm • F Maj • 03:38 • -4.69db
72% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
72% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Sandi Thom
River
106 bpm • B Maj • 03:16 • -6.9db
5% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Robin Berrygold
I Keep Going to the River to Pray
105 bpm • F# min • 03:35 • -5.89db
38% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Ella Henderson
Ghost
105 bpm • A Maj • 03:33 • -3.82db
58% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Hanson
MMMBop - Single Version
105 bpm • A Maj • 03:58 • -6.77db
59% Popularity • 69% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 69% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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KT Tunstall
Black Horse And The Cherry Tree
105 bpm • E min • 02:52 • -7.79db
64% Popularity • 75% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
64% Popularity • 75% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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George Ezra
Hold My Girl
122 bpm • A# Maj • 03:31 • -6.37db
72% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sandi Thom
Make it rain
106 bpm • A min • 05:01 • -8.52db
3% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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MIKA
Grace Kelly
122 bpm • C Maj • 03:07 • -5.8db
73% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
73% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
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Hanson
MMMBop
105 bpm • A Maj • 04:28 • -6.34db
69% Popularity • 68% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 68% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Train
Drive By
122 bpm • C# min • 03:15 • -3.11db
81% Popularity • 76% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
81% Popularity • 76% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Bublé
Haven't Met You Yet
123 bpm • G# Maj • 04:04 • -4.81db
71% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Sandi Thom
Angel
106 bpm • F Maj • 03:41 • -7.41db
5% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
5% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
83% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
83% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Plain White T's
Hey There Delilah
104 bpm • D Maj • 03:52 • -10.57db
80% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
80% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Atomic Kitten
The Tide Is High - Radio Mix
104 bpm • G Maj • 03:26 • -4.13db
64% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Tracy Chapman
Fast Car
104 bpm • E min • 04:56 • -15.52db
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Sandi Thom
Little Remedy
105 bpm • D Maj • 02:53 • -4.98db
18% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ricki-Lee
Can't Touch It
104 bpm • G Maj • 02:58 • -4db
45% Popularity • 60% Danceability • 86% Energy • 20% Liveness
40% Instrumentalness • 74% Positiveness
45% Popularity • 60% Danceability • 86% Energy • 20% Liveness
40% Instrumentalness • 74% Positiveness
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Mickey Harte
We've Got the World
104 bpm • D Maj • 03:25 • -6db
34% Popularity • 60% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
