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Lone Pine Hill
Songs like
Lone Pine Hill
by
Steve Earle
Based on a tempo of (+/- 10%) and a similar genre
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Jeffrey Foucault
Real Hard Thinking
186 bpm • C Maj • 02:46 • -7.77db
10% Popularity • 40% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Steve Earle
Lone Pine Hill
186 bpm • B min • 02:43 • -8db
16% Popularity • 25% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 65% Positiveness
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Nathaniel Rateliff
Willie's Birthday Song
187 bpm • A Maj • 03:50 • -9.34db
29% Popularity • 40% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Shook & the Disarmers
Good As Gold
185 bpm • B Maj • 03:13 • -9.34db
37% Popularity • 40% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Bottle Rockets
Dog
184 bpm • C# min • 02:20 • -6.24db
29% Popularity • 38% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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John Mellencamp
Them Double Blues
188 bpm • C Maj • 02:50 • -7db
22% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Jaime Wyatt
Rattlesnake Girl
194 bpm • A# Maj • 03:23 • -5.14db
27% Popularity • 42% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Earle
Rita Ballou
186 bpm • C Maj • 03:12 • -5.79db
14% Popularity • 23% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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Drive-By Truckers
Thoughts and Prayers
178 bpm • F min • 05:21 • -6db
15% Popularity • 30% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Shook & the Disarmers
The Nail
192 bpm • D Maj • 03:13 • -4.48db
30% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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John Hiatt
Mississippi Phone Booth
178 bpm • A Maj • 03:06 • -8.51db
51% Popularity • 54% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Bottle Rockets
Every Kinda Everything
182 bpm • D Maj • 02:33 • -10.1db
30% Popularity • 44% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Ira Dean
Let it be Tonight
176 bpm • A# min • 03:30 • -7.41db
14% Popularity • 57% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Earle
Devil Put the Coal in the Ground
185 bpm • F Maj • 02:53 • -3.86db
33% Popularity • 34% Danceability • 87% Energy • 24% Liveness
63% Instrumentalness • 58% Positiveness
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Drive-By Truckers
My Sweet Annette
197 bpm • F Maj • 03:51 • -6.17db
50% Popularity • 30% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Russell
The Sky Above, The Mud Below
175 bpm • G Maj • 06:40 • -15.7db
22% Popularity • 46% Danceability • 21% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Mary Gauthier
Prayer Without Words
200 bpm • D Maj • 06:09 • -7.89db
15% Popularity • 19% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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The Bottle Rockets
Smokin' 100's Alone
183 bpm • E min • 03:15 • -11.41db
20% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jeff Tweedy
Natural Disaster
173 bpm • D Maj • 03:22 • -7.31db
19% Popularity • 57% Danceability • 80% Energy • 9% Liveness
31% Instrumentalness • 92% Positiveness
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Steve Earle
Billy and Bonnie
184 bpm • G Maj • 03:38 • -5.33db
22% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Bill Lyerly
Hangmen
173 bpm • A min • 02:44 • -10.82db
6% Popularity • 35% Danceability • 54% Energy • 12% Liveness
37% Instrumentalness • 80% Positiveness
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Elizabeth Cook
Half Hanged Mary
172 bpm • E Maj • 04:13 • -3.67db
8% Popularity • 40% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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James McMurtry
If It Don’t Bleed
173 bpm • G Maj • 03:50 • -6.53db
33% Popularity • 53% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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The Bottle Rockets
Dog - Audiotree Live Version
179 bpm • E Maj • 02:21 • -9.24db
19% Popularity • 29% Danceability • 68% Energy • 47% Liveness
5% Instrumentalness • 58% Positiveness
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Alejandro Escovedo
I Was Drunk
172 bpm • E Maj • 04:53 • -7.95db
31% Popularity • 37% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Steve Earle
Tennessee Blues
175 bpm • E Maj • 02:39 • -8db
36% Popularity • 60% Danceability • 68% Energy • 32% Liveness
5% Instrumentalness • 72% Positiveness
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The Jayhawks
Bitter Pill
171 bpm • A Maj • 03:23 • -6.88db
18% Popularity • 32% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Terry Allen
There Oughta Be a Law Against Sunny Sout...
171 bpm • E min • 04:29 • -10.09db
19% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Charlie Marie
40 Miles from Memphis
170 bpm • A Maj • 04:08 • -5db
8% Popularity • 47% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Bottle Rockets
Indianapolis
176 bpm • D Maj • 03:32 • -6db
36% Popularity • 35% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Tony Joe White
Bubba Jones
170 bpm • C Maj • 04:26 • -7.23db
32% Popularity • 41% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Steve Earle
Angel Is the Devil
173 bpm • C Maj • 02:12 • -9.2db
19% Popularity • 56% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Elizabeth Cook
Thick Georgia Woman
169 bpm • A min • 04:12 • -3.73db
13% Popularity • 40% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Drive-By Truckers
Tough to Let Go
205 bpm • F Maj • 04:49 • -4.99db
10% Popularity • 22% Danceability • 53% Energy • 8% Liveness
44% Instrumentalness • 58% Positiveness
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Sharon Shannon
The Galway Girl
169 bpm • D Maj • 03:00 • -5.89db
60% Popularity • 38% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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John Popper
Who's Gonna Grease My Skillet?
206 bpm • B min • 04:24 • -2.6db
15% Popularity • 50% Danceability • 86% Energy • 39% Liveness
7% Instrumentalness • 72% Positiveness
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James McMurtry
Choctaw Bingo
206 bpm • B min • 08:49 • -6.31db
45% Popularity • 34% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Earle
Tom Ames' Prayer
202 bpm • G Maj • 03:02 • -10.63db
27% Popularity • 38% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Amanda Anne Platt & the Honeycutters
The Devil
168 bpm • C Maj • 05:02 • -10.76db
12% Popularity • 55% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Braison Cyrus
Black Water
168 bpm • E min • 05:34 • -6.48db
12% Popularity • 51% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Margo Cilker
Tehachapi
168 bpm • A Maj • 03:07 • -8db
12% Popularity • 51% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Sturgill Simpson
Call to Arms
166 bpm • C Maj • 03:02 • -5.45db
36% Popularity • 41% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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John Hiatt
Long Black Electric Cadillac
166 bpm • E Maj • 03:25 • -8.94db
37% Popularity • 49% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Steve Earle
Union, God and Country
205 bpm • A Maj • 02:23 • -4.74db
16% Popularity • 21% Danceability • 83% Energy • 28% Liveness
28% Instrumentalness • 76% Positiveness
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Ian Noe
A Young Felon Dates an Old Woman
164 bpm • F Maj • 03:14 • -7.28db
38% Popularity • 30% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Jason Eady
Back to Normal
165 bpm • A min • 04:25 • -9.43db
13% Popularity • 62% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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The Pink Stones
Barroom Blues
163 bpm • A Maj • 03:02 • -7.51db
23% Popularity • 44% Danceability • 71% Energy • 38% Liveness
24% Instrumentalness • 90% Positiveness
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John R. Miller
Lookin' Over My Shoulder
164 bpm • F Maj • 03:37 • -7.94db
33% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Parr
Temperance River Blues
162 bpm • G Maj • 04:16 • -11.5db
22% Popularity • 39% Danceability • 29% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Mac Leaphart
That Train
162 bpm • G Maj • 05:42 • -5.36db
13% Popularity • 47% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
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Blaze Foley
Oval Room
162 bpm • C min • 04:04 • -6.33db
34% Popularity • 52% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Slaid Cleaves
Breakfast In Hell
162 bpm • B min • 05:51 • -11.13db
38% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Margo Cilker
Broken Arm In Oregon
162 bpm • G Maj • 03:47 • -9.01db
3% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Vandoliers
Waiting on a Train
161 bpm • C Maj • 03:48 • -6.3db
10% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Fred Eaglesmith
Cemetary Road
161 bpm • A# Maj • 02:17 • -8.47db
23% Popularity • 41% Danceability • 52% Energy • 35% Liveness
10% Instrumentalness • 65% Positiveness
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Steve Earle
John Henry was a Steel Drivin’ Man
215 bpm • B Maj • 03:28 • -5.79db
14% Popularity • 24% Danceability • 84% Energy • 32% Liveness
24% Instrumentalness • 71% Positiveness
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Ray Wylie Hubbard
Hellbent For Leather
160 bpm • G Maj • 03:08 • -5.29db
27% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Kris Kristofferson
Chase the Feeling
159 bpm • E min • 04:06 • -7.62db
21% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Margo Cilker
Kevin Johnson
161 bpm • C Maj • 03:24 • -7.42db
2% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Garrett T. Capps
Goodbye San Antonio, Hello Amsterdam
159 bpm • A Maj • 03:05 • -7db
22% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Fred Eaglesmith
Pontiac
159 bpm • A Maj • 04:48 • -6.71db
14% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Jayhawks
What Would I Dreamer Do?
159 bpm • E Maj • 03:15 • -7.29db
20% Popularity • 40% Danceability • 57% Energy • 25% Liveness
1% Instrumentalness • 29% Positiveness
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Steve Earle
Gettin’ By
161 bpm • C Maj • 03:59 • -5.04db
16% Popularity • 38% Danceability • 72% Energy • 20% Liveness
4% Instrumentalness • 90% Positiveness
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Steve Earle
Fastest Man Alive
158 bpm • E min • 02:51 • -4.22db
21% Popularity • 25% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Garrett T. Capps
Downtown, I'm Ready 2 Go
158 bpm • G Maj • 03:44 • -8.6db
11% Popularity • 52% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Lone Pine Hill