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Lonely Alone
Songs like
Lonely Alone
by
Chelsea Cutler
Based on a tempo of (+/- 10%) and a similar genre
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Gatlin
What If I Love You
101 bpm • B Maj • 02:38 • -8db
64% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Rosie Darling
Too Hot For You To Hold
101 bpm • A# Maj • 01:57 • -10db
56% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Blake Rose
How Do We Stay In Love?
100 bpm • D Maj • 02:39 • -10.81db
41% Popularity • 50% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Chelsea Cutler
Love You More
102 bpm • G Maj • 03:35 • -5.79db
31% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Virginia To Vegas
Just Friends
100 bpm • G Maj • 02:48 • -7.56db
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Patrick Droney
Brooklyn
100 bpm • B Maj • 03:47 • -8.91db
47% Popularity • 63% Danceability • 59% Energy • 63% Liveness
1% Instrumentalness • 51% Positiveness
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Peter Fenn
Here for You
102 bpm • E Maj • 02:47 • -10db
42% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
53% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Chelsea Cutler
You Are Losing Me
100 bpm • G Maj • 03:27 • -9db
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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LANY
Thick And Thin
100 bpm • F min • 03:32 • -6.18db
69% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ruel
MUST BE NICE
100 bpm • D Maj • 02:55 • -8.61db
51% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
73% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -8.27db
48% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Haley Joelle
idk
102 bpm • E Maj • 03:30 • -7.83db
40% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ashley Kutcher
Strangers
103 bpm • C min • 02:27 • -6.1db
45% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sam MacPherson
Start
99 bpm • C Maj • 02:44 • -6.93db
42% Popularity • 67% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
50% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
61% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
50% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Chelsea Cutler
Walking Away
99 bpm • D Maj • 02:56 • -8.92db
34% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
63% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Suriel Hess
Love Like That (Words from Her)
103 bpm • G Maj • 02:54 • -10.86db
54% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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LANY
pink skies
104 bpm • F Maj • 03:05 • -6.62db
68% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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gavn!
hit the dirt
104 bpm • D Maj • 02:18 • -10.21db
61% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Chelsea Cutler
you’re all i ever dreamed of
98 bpm • F Maj • 03:27 • -10.49db
44% Popularity • 49% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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carobae
the first one
104 bpm • C# Maj • 02:47 • -10db
31% Popularity • 74% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
46% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Michaels
17
98 bpm • E Maj • 03:02 • -6.87db
53% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Alexander 23
Caught in the Middle
98 bpm • G Maj • 02:42 • -8db
37% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
51% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Chelsea Cutler
Easy
98 bpm • C Maj • 02:50 • -11.1db
46% Popularity • 68% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
55% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
54% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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LANY
I Don't Wanna Love You Anymore
105 bpm • C Maj • 03:21 • -8.36db
64% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Clara Mae
Unmiss You
105 bpm • G Maj • 03:10 • -5.93db
42% Popularity • 73% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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EXES
One Day
105 bpm • B Maj • 03:21 • -14.5db
35% Popularity • 71% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Quinn XCII
Stacy
105 bpm • G# Maj • 02:48 • -6.97db
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Chelsea Cutler
Sad Tonight
105 bpm • C Maj • 02:58 • -7.58db
47% Popularity • 71% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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shy martin
Make Us Never Happen
105 bpm • A# min • 02:51 • -8.54db
47% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Loote
lost
97 bpm • E Maj • 02:56 • -6.01db
43% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
48% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
53% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Band CAMINO
2 / 14
97 bpm • A Maj • 02:43 • -7.43db
57% Popularity • 61% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Chelsea Cutler
Your Bones
105 bpm • E Maj • 02:39 • -7.7db
66% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Fly By Midnight
Caffeine
97 bpm • C Maj • 03:02 • -8.13db
41% Popularity • 49% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
52% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Loote
are you sure?
106 bpm • C Maj • 03:24 • -6.43db
44% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Suriel Hess
late nights and lonely
96 bpm • D Maj • 02:32 • -7db
56% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Virginia To Vegas
what are we
96 bpm • F# Maj • 03:20 • -6db
45% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Chelsea Cutler
Someone Else's Heaven
106 bpm • E Maj • 02:33 • -9.66db
39% Popularity • 85% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Sam MacPherson
Forget I Exist
96 bpm • G Maj • 02:52 • -9db
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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LANY
ex i never had
96 bpm • A# Maj • 03:21 • -7.07db
62% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Suriel Hess
Don't Wanna Know
106 bpm • G Maj • 02:58 • -8db
45% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Zach Seabaugh
Girl in a Coffee Shop
96 bpm • E Maj • 02:15 • -12.41db
55% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Chelsea Cutler
Strangers Again
96 bpm • D Maj • 03:12 • -7.43db
33% Popularity • 88% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Heather Sommer
sometimes
107 bpm • A Maj • 02:43 • -8.72db
51% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
47% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Fly By Midnight
Infinitely Falling
107 bpm • A Maj • 02:43 • -6.88db
62% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tate McRae
chaotic
107 bpm • F Maj • 02:55 • -6.99db
70% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Valley
Oh shit…are we in love?
95 bpm • F# Maj • 02:35 • -6.34db
56% Popularity • 70% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Quinn XCII
Let Me Down
95 bpm • A Maj • 02:29 • -5.77db
52% Popularity • 84% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Rosie Darling
Justify
95 bpm • D Maj • 03:04 • -8.48db
42% Popularity • 69% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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New Friends
Purple Candy
95 bpm • D# Maj • 04:15 • -8.92db
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
60% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lizzy McAlpine
Same Boat
95 bpm • D Maj • 03:22 • -11.92db
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
60% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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ROLE MODEL
that's just how it goes
108 bpm • G min • 02:46 • -5db
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jeremy Zucker
hello old friend
108 bpm • C Maj • 03:18 • -12.58db
42% Popularity • 65% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Delacey
The Subway Song
108 bpm • C Maj • 04:01 • -6.21db
48% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
48% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Clara Mae
Not Sad Anymore
94 bpm • C# Maj • 03:15 • -7.6db
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:24 • -7.61db
52% Popularity • 96% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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LANY
dancing in the kitchen
94 bpm • B Maj • 03:28 • -8db
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jordy Searcy
Friendship?
109 bpm • E Maj • 03:40 • -11.7db
40% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chelsea Cutler
I Miss You
94 bpm • A Maj • 04:20 • -8.65db
31% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
42% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
49% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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LANY
you!
94 bpm • A# Maj • 04:34 • -7.53db
61% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Chelsea Cutler
Forever
109 bpm • F Maj • 02:49 • -9.69db
38% Popularity • 75% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Quinn XCII
Coffee
93 bpm • F min • 03:00 • -5.11db
53% Popularity • 83% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
48% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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LANY
sad
94 bpm • A Maj • 03:19 • -7.77db
49% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Sara Kays
Picture of You
93 bpm • A Maj • 03:21 • -11.82db
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
54% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
46% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Quinn XCII
Flare Guns
93 bpm • C# min • 04:00 • -6.81db
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
67% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
53% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Lonely Alone