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Lonely
Songs like
Lonely
by
PRETTYMUCH
Based on a tempo of (+/- 10%) and a similar genre
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Carlie Hanson
Fires
144 bpm • G# Maj • 02:44 • -7db
25% Popularity • 76% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Jack Newsome
The Year the World Stood Still
144 bpm • D Maj • 02:30 • -10.87db
13% Popularity • 62% Danceability • 42% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
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Lillian Hepler
I Only Love You When I'm Sad
144 bpm • F min • 02:22 • -10.83db
31% Popularity • 82% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Conor Matthews
Heartbreak in the Hills
144 bpm • E min • 02:44 • -6.48db
14% Popularity • 73% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 73% Positiveness
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Audrey Mika
Excuses
144 bpm • A# Maj • 02:25 • -8.5db
39% Popularity • 79% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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19&YOU
HEAD/HEART
144 bpm • G Maj • 02:49 • -6.49db
21% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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PRETTYMUCH
Real Friends
144 bpm • A Maj • 02:50 • -2.24db
33% Popularity • 78% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Nolie
Clever
144 bpm • A min • 02:31 • -11.5db
17% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Londin Thompson
People Change
144 bpm • E min • 03:37 • -7db
20% Popularity • 44% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Fenn
Dashboard
144 bpm • G Maj • 02:26 • -9db
23% Popularity • 77% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Watson
Formula 50
145 bpm • D Maj • 03:41 • -6db
18% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tate McRae
don't be sad
145 bpm • C# Maj • 02:23 • -6.18db
51% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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PRETTYMUCH
Lonely
144 bpm • C Maj • 02:31 • -8.86db
30% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Devin Kennedy
Happy Yet
143 bpm • D Maj • 02:33 • -8db
26% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:00 • -6.82db
35% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Carlie Hanson
Gucci Knife
145 bpm • B min • 02:31 • -7db
23% Popularity • 68% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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TONYB.
Worst Way
143 bpm • C min • 02:53 • -7.74db
26% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Hudson
Take My Time
143 bpm • F# min • 03:07 • -8db
28% Popularity • 64% Danceability • 53% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
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Dava
New Ceilings
146 bpm • G# Maj • 03:06 • -6db
13% Popularity • 66% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Why Don't We
Stay
146 bpm • A# Maj • 02:47 • -4.66db
45% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Mokita
Before We Can't Stop
142 bpm • C Maj • 03:22 • -7.75db
16% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Audrey Mika
Strangers
142 bpm • C Maj • 02:48 • -6.37db
29% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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PRETTYMUCH
Lying
142 bpm • B min • 03:23 • -3.69db
49% Popularity • 59% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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HAVEN
Be With You
146 bpm • E min • 02:55 • -3.99db
17% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Carson Lueders
Young And Free
142 bpm • G# min • 02:46 • -9db
21% Popularity • 73% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Wesley Tucker
Weakness
146 bpm • F min • 02:59 • -4.66db
4% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Mokita
colorblind - kina remix
146 bpm • G# Maj • 02:42 • -8.59db
22% Popularity • 61% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
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Daniel Schulz
AFK
147 bpm • A Maj • 02:34 • -6db
23% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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FlipTunesMusic
Feel A Way (FlipTunesMusic Remix)
141 bpm • E min • 03:31 • -10.53db
29% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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HAVEN
Swimming In Your Feelings
147 bpm • A Maj • 02:41 • -6.72db
30% Popularity • 75% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Chris LaRocca
In My Ends
148 bpm • F# min • 02:53 • -4.11db
12% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Alec Wigdahl
Lipstick
148 bpm • A Maj • 02:55 • -7.5db
21% Popularity • 80% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Angelic Montero
Cater 2 Me
140 bpm • A# Maj • 03:16 • -8.31db
30% Popularity • 71% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Mac Hunt
Haircut
140 bpm • E Maj • 02:58 • -8.16db
23% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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PRETTYMUCH
MARIA
140 bpm • B min • 03:29 • -7.81db
24% Popularity • 68% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Boys World
All Me
140 bpm • C Maj • 02:39 • -7db
29% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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PARRIS MITCHELL
bad place
140 bpm • B Maj • 03:22 • -8.99db
16% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lauv
Tell My Mama
140 bpm • C Maj • 02:46 • -7.02db
42% Popularity • 88% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Joshua Golden
I Love You, But..
140 bpm • D min • 02:20 • -4.36db
22% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Naliya
Handshakes
140 bpm • G# Maj • 02:34 • -7.25db
11% Popularity • 76% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Cassidi
Special
140 bpm • G# min • 03:29 • -10.2db
17% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Greyson Chance
Athlete
140 bpm • C# min • 03:12 • -10.89db
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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PRETTYMUCH
Open Arms
140 bpm • B min • 03:06 • -6.39db
45% Popularity • 69% Danceability • 42% Energy • 45% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan Jordan
aliso
140 bpm • G Maj • 02:50 • -7.06db
22% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Fischer
Everybody's Got Somebody
139 bpm • G Maj • 03:10 • -8db
25% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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Tate McRae
bad ones
139 bpm • F# Maj • 03:03 • -11.88db
57% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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SZNS
Comin' Thru
150 bpm • C# Maj • 03:17 • -13db
33% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Nicholas
Follow You
150 bpm • F# min • 02:43 • -10.5db
26% Popularity • 72% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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PRETTYMUCH
H2L
149 bpm • F min • 03:04 • -8.38db
29% Popularity • 48% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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RUSSELL!
WAKEUPNEXT2U
150 bpm • A# Maj • 02:23 • -6db
31% Popularity • 62% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Chelsea Collins
Hotel Bed [Swae Lee]
150 bpm • G Maj • 03:22 • -4.78db
31% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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RYYZN
Waiting on You
150 bpm • D min • 02:41 • -6.11db
31% Popularity • 66% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Lauv
Believed
150 bpm • B min • 02:49 • -8.09db
43% Popularity • 80% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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ASTN
Open Up
150 bpm • C# min • 03:05 • -16.56db
21% Popularity • 67% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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PRETTYMUCH
Blind
150 bpm • D# Maj • 03:21 • -4.74db
42% Popularity • 45% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
26% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Brandon Andre
goodbye.
150 bpm • D Maj • 03:28 • -7db
17% Popularity • 66% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Alec Wigdahl
Summer Is Over
150 bpm • D Maj • 02:40 • -6.16db
24% Popularity • 85% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
21% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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ZAYN
Windowsill
150 bpm • A Maj • 03:08 • -5.5db
47% Popularity • 72% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Boys World
Tiptoe
150 bpm • B min • 02:58 • -6.37db
27% Popularity • 63% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Emily Weisband
Dumber
138 bpm • C Maj • 03:30 • -6.56db
11% Popularity • 68% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Rock Mafia
Something in the Air
138 bpm • B min • 02:28 • -6.93db
7% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Emma Oliver
i'm sorry, i miss you
138 bpm • B Maj • 02:55 • -7db
20% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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PRETTYMUCH
EXCITED
138 bpm • F# min • 02:21 • -8.79db
30% Popularity • 79% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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PARADISE RISING
Safe Place
138 bpm • A Maj • 02:43 • -8.64db
29% Popularity • 56% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
31% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
34% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Sophia Messa
Ice Cream & Cigarettes
152 bpm • B Maj • 02:46 • -7.07db
18% Popularity • 63% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Why Don't We
In Too Deep
152 bpm • F min • 03:14 • -6.69db
51% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Ella Isaacson
Expectations
152 bpm • G# Maj • 02:36 • -9db
19% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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FLETCHER
Bitter
136 bpm • F# min • 03:14 • -6.14db
50% Popularity • 69% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Kareen Lomax
Big Facts
153 bpm • B min • 03:41 • -9.14db
11% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Nick Jonas
Death Do Us Part
152 bpm • G# Maj • 02:09 • -7.54db
27% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Marteen
Sriracha
153 bpm • F# min • 02:59 • -6.91db
40% Popularity • 79% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Almondmilkhunni
Mean To You
153 bpm • B min • 02:07 • -3.71db
24% Popularity • 82% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tara Jam
Motion Sickness
135 bpm • A# Maj • 03:04 • -7.95db
11% Popularity • 68% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Stanaj
Clock's Tickin
135 bpm • F min • 02:37 • -5.92db
10% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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will hyde
over u.
135 bpm • G min • 03:07 • -6.85db
27% Popularity • 96% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Noah Davis
Spaceship
135 bpm • F# min • 02:55 • -6.69db
25% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Hudson
Intimidating
134 bpm • G Maj • 03:13 • -8.51db
23% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Maro
Take It Back
134 bpm • B min • 02:40 • -7.31db
23% Popularity • 85% Danceability • 46% Energy • 39% Liveness
4% Instrumentalness • 82% Positiveness
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clide
WYL
134 bpm • B min • 02:56 • -7.67db
17% Popularity • 75% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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AWIN
DAMN, I'd be down
134 bpm • F Maj • 02:30 • -9.88db
26% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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ASTN
Real
155 bpm • C# min • 02:43 • -7.17db
39% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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JUJ
1-800-HELL-NO
155 bpm • F Maj • 02:35 • -7.2db
16% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
65% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Nick Jonas
Spaceman
156 bpm • F min • 03:16 • -7.37db
50% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Social House
Why You Always Gotta Start Something
156 bpm • E min • 03:45 • -9.22db
24% Popularity • 37% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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remy
what did you get yourself into
133 bpm • E Maj • 03:12 • -8.47db
24% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Will Gittens
Seen
156 bpm • F# Maj • 02:08 • -8.43db
20% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Why Don't We
Lotus Inn
156 bpm • D Maj • 03:15 • -5db
51% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Jonas
2Drunk - Chill Version
156 bpm • B Maj • 03:19 • -7.44db
24% Popularity • 54% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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PRETTYMUCH
BETTER THAN THE FIRST TIME (FEAT. REO CR...
133 bpm • E min • 03:39 • -9.46db
24% Popularity • 57% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ley Vara
Forfeit
132 bpm • A# Maj • 02:41 • -9.92db
10% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Boys World
Touched by an Angel
157 bpm • G# Maj • 02:43 • -4.56db
34% Popularity • 59% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Tate McRae
vicious
156 bpm • F min • 03:02 • -5.78db
55% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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MORGAN
Mulholland Drive
157 bpm • G# min • 03:30 • -6db
33% Popularity • 73% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 53% Positiveness
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Nick Jonas
2Drunk
156 bpm • F# Maj • 03:12 • -6.09db
41% Popularity • 65% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Lonely