Songs like Long Goodbye (with Michelle Branch) by Dwight Yoakam
Based on a tempo of (+/- 10%) and a similar genre
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Tom T. Hall
Country Is
145 bpm • C Maj • 02:09 • -13.4db
51% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Nitty Gritty Dirt Band
Workin' Man (Nowhere to Go)
145 bpm • B Maj • 03:51 • -14db
32% Popularity • 63% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 63% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Gary Allan
Runaway
145 bpm • A Maj • 02:46 • -4.74db
40% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Sammy Kershaw
Queen Of My Double Wide Trailer
144 bpm • D Maj • 03:31 • -10db
60% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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Jamey Johnson
Macon
144 bpm • G Maj • 04:18 • -10db
42% Popularity • 34% Danceability • 49% Energy • 9% Liveness
15% Instrumentalness • 33% Positiveness
42% Popularity • 34% Danceability • 49% Energy • 9% Liveness
15% Instrumentalness • 33% Positiveness
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Dwight Yoakam
Little Sister
144 bpm • E Maj • 03:03 • -8db
35% Popularity • 63% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 63% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Clint Black
Walkin' Away
144 bpm • D Maj • 02:48 • -8.97db
43% Popularity • 54% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Midland
Fourteen Gears
144 bpm • D Maj • 03:32 • -5.49db
53% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
54% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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The Judds
Rockin' With The Rhythm Of The Rain
143 bpm • C Maj • 02:40 • -9db
54% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Jamey Johnson
Between Jennings And Jones
147 bpm • D Maj • 04:11 • -8db
55% Popularity • 54% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 54% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Tanya Tucker
It's A Little Too Late
142 bpm • G# Maj • 02:40 • -11.17db
42% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Dwight Yoakam
Intentional Heartache
147 bpm • A Maj • 04:25 • -8.07db
21% Popularity • 51% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 51% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Conway Twitty
Rocky Top
147 bpm • G Maj • 02:48 • -12.61db
52% Popularity • 52% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 52% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Paycheck
Someone To Give My Love To
142 bpm • A Maj • 03:06 • -16.61db
26% Popularity • 68% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 68% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
69% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Clint Black
Where Are You Now
149 bpm • F Maj • 03:09 • -12db
40% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tanya Tucker
If It Don't Come Easy
142 bpm • A# Maj • 03:32 • -13.89db
37% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Dwight Yoakam
Gone (That'll Be Me)
149 bpm • G# Maj • 02:49 • -6db
22% Popularity • 55% Danceability • 76% Energy • 28% Liveness
4% Instrumentalness • 85% Positiveness
22% Popularity • 55% Danceability • 76% Energy • 28% Liveness
4% Instrumentalness • 85% Positiveness
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Mark Chesnutt
Brother Jukebox
141 bpm • C# Maj • 03:04 • -11db
59% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Robison
My Hometown
141 bpm • G Maj • 04:22 • -8.64db
52% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
45% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Joe Diffie
Prop Me Up Beside the Jukebox (If I Die)
141 bpm • A Maj • 03:46 • -5db
53% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Brooks & Dunn
My Next Broken Heart
140 bpm • G Maj • 02:53 • -4.54db
43% Popularity • 65% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 65% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Robison
Barlight
149 bpm • A Maj • 03:36 • -6.6db
35% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
44% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Dwight Yoakam
Dim Lights, Thick Smoke
150 bpm • F Maj • 03:42 • -3.48db
35% Popularity • 56% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 56% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Ronnie Milsap
Smoky Mountain Rain
140 bpm • G Maj • 03:43 • -8.62db
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
65% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Diamond Rio
Mirror Mirror
150 bpm • C Maj • 03:11 • -12.14db
39% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Reba McEntire
Little Rock
140 bpm • D Maj • 03:07 • -15db
52% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Whitey Morgan and the 78's
I Ain't Drunk
140 bpm • C# min • 03:00 • -6.5db
52% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Midland
Mr. Lonely
150 bpm • E Maj • 03:00 • -4.49db
55% Popularity • 59% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 59% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Kentucky Headhunters
It's Chitlin Time
140 bpm • E Maj • 02:20 • -7.77db
27% Popularity • 50% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 50% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
68% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Deana Carter
Waiting
140 bpm • E Maj • 04:36 • -7.41db
15% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Johnny Paycheck
Fifteen Beers
140 bpm • C Maj • 02:38 • -9.45db
45% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Diffie
Third Rock from the Sun
151 bpm • A Maj • 03:06 • -8.64db
51% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Lee
Cherokee Fiddle
151 bpm • D Maj • 04:05 • -12.42db
41% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
56% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kathy Mattea
Eighteen Wheels And A Dozen Roses
139 bpm • G# Maj • 03:23 • -13.63db
57% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Milsap
Pure Love
151 bpm • D Maj • 02:21 • -8db
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Moe Bandy
Just Good Ol' Boys
151 bpm • A# Maj • 02:38 • -14db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
49% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Trace Adkins
I Left Something Turned On At Home
151 bpm • D# Maj • 03:08 • -5.29db
55% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Brooks & Dunn
Hard Workin' Man
152 bpm • C Maj • 02:58 • -9.36db
63% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Conway Twitty
You've Never Been This Far Before
139 bpm • A# Maj • 03:01 • -14.4db
47% Popularity • 47% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 52% Positiveness
47% Popularity • 47% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 52% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Daryle Singletary
Too Much Fun
152 bpm • G Maj • 02:45 • -4.64db
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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Junior Brown
Highway Patrol
152 bpm • A Maj • 02:35 • -9db
45% Popularity • 64% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 64% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Midland
Make A Little
152 bpm • E Maj • 03:01 • -5.16db
55% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Sammy Kershaw
Cadillac Style
138 bpm • D Maj • 02:55 • -11db
52% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Tracy Byrd
Lifestyles Of The Not So Rich And Famous
138 bpm • E Maj • 02:51 • -10db
46% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Toby Keith
You Ain't Much Fun
138 bpm • A Maj • 02:27 • -8db
64% Popularity • 77% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 77% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Ricky Skaggs
I Wouldn't Change You If I Could
138 bpm • F Maj • 02:59 • -10.94db
42% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Dwight Yoakam
What I Don't Know
138 bpm • A Maj • 03:46 • -11.43db
32% Popularity • 70% Danceability • 63% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
32% Popularity • 70% Danceability • 63% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Loretta Lynn
Coal Miner's Daughter - Single Version
137 bpm • A Maj • 03:00 • -14.07db
62% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
52% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Merle Haggard & The Strangers
Running Kind
137 bpm • G Maj • 03:04 • -10db
37% Popularity • 54% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 54% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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Tracy Lawrence
Can't Break It to My Heart
136 bpm • F Maj • 02:53 • -13.76db
44% Popularity • 61% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 61% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Dwight Yoakam
Together Again
137 bpm • C Maj • 04:36 • -8.37db
18% Popularity • 45% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 45% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
62% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Earl Thomas Conley
Somewhere Between Right and Wrong
136 bpm • A Maj • 04:08 • -10.98db
33% Popularity • 66% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 66% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
67% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
67% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dwight Yoakam
Always Late with Your Kisses
136 bpm • A Maj • 02:10 • -4.85db
24% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
42% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
59% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Nitty Gritty Dirt Band
Cadillac Ranch
135 bpm • E Maj • 03:42 • -7.25db
50% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
47% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Lee
Hey Bartender
156 bpm • D Maj • 02:43 • -13.11db
33% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
58% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Emmylou Harris
Two More Bottles of Wine - 2003 Remaster
134 bpm • D# Maj • 03:06 • -7.57db
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Clint Black
When My Ship Comes In
134 bpm • B Maj • 03:33 • -12.04db
44% Popularity • 69% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 69% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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The Mavericks
There Goes My Heart
135 bpm • C# min • 03:17 • -8.59db
42% Popularity • 66% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 66% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Doug Stone
I'd Be Better Off (In A Pine Box)
134 bpm • A# Maj • 03:20 • -9db
48% Popularity • 50% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 50% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Paycheck
Drinkin' and Drivin'
134 bpm • G Maj • 03:03 • -13.63db
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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The Oak Ridge Boys
Bobbie Sue
134 bpm • G Maj • 02:53 • -13db
40% Popularity • 79% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 97% Positiveness
40% Popularity • 79% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 97% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
61% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone
134 bpm • G Maj • 04:45 • -7.38db
49% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Gene Watson
Got No Reason Now For Goin' Home
157 bpm • G Maj • 02:44 • -12.94db
37% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Conway Twitty
You’ve Never Been This Far Before (Re-...
133 bpm • A# Maj • 03:08 • -14.47db
40% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
77% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
77% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Tom T. Hall
The Year That Clayton Delaney Died
133 bpm • C# Maj • 02:44 • -11db
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Diamond Rio
Unbelievable
158 bpm • B Maj • 02:21 • -8db
56% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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The Kentucky Headhunters
Spirit In The Sky
133 bpm • A Maj • 04:21 • -7.04db
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
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Clay Walker
Live Until I Die
133 bpm • D# Maj • 02:49 • -11.32db
52% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Sammy Kershaw
Vidalia
133 bpm • E Maj • 03:21 • -7.39db
49% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Ronnie Dunn
Long Cool Woman (In a Black Dress)
133 bpm • G Maj • 03:36 • -3.16db
39% Popularity • 65% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 78% Positiveness
39% Popularity • 65% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 78% Positiveness
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Dwight Yoakam
Guitars, Cadillacs
132 bpm • A Maj • 03:21 • -3.34db
38% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
