Songs like Long Way Down by Joshua Speers
Based on a tempo of (+/- 10%) and a similar genre
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Joshua Speers
Long Way Down
122 bpm • C Maj • 03:27 • -5.09db
6% Popularity • 67% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 67% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Yoke Lore
Safety - undressed
122 bpm • D Maj • 03:12 • -7db
6% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jackson Wooten
Dirt
122 bpm • C Maj • 05:25 • -16.73db
28% Popularity • 48% Danceability • 34% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 34% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Benjamin Love
The Part Where You Leave
122 bpm • G Maj • 04:02 • -14db
23% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Donovan Woods
Lonely People
122 bpm • G Maj • 03:37 • -12.05db
18% Popularity • 67% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 67% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Patric Johnston
Gold
122 bpm • C Maj • 03:20 • -8.26db
27% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Riun Garner
Wrote Myself Off
122 bpm • F Maj • 03:09 • -10.16db
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
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Ten Kills the Pack
You Just Want to Feel Whole Again
122 bpm • G Maj • 03:18 • -6.99db
13% Popularity • 42% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 42% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Joshua Speers
Thirteen
123 bpm • B min • 02:39 • -12.98db
23% Popularity • 48% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Brian Bulger
Dawn to 9pm
123 bpm • E Maj • 03:53 • -14.97db
18% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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the three of us
for months now (demo)
123 bpm • D Maj • 04:13 • -7.62db
20% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tow'rs
No Place to Fall
121 bpm • D Maj • 03:08 • -21.94db
22% Popularity • 57% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 57% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Bien
Times Like This
123 bpm • D Maj • 04:07 • -7.49db
31% Popularity • 62% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 62% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Julianna Zachariou
by the morning
123 bpm • B Maj • 03:14 • -10.58db
22% Popularity • 73% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 73% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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De Joie
Oslo
123 bpm • B Maj • 03:53 • -8.27db
23% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Yoke Lore
Safe and Sound - Mahogany Sessions
121 bpm • G Maj • 05:04 • -10.67db
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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Toby Sebastian
Hamliar
121 bpm • G Maj • 05:01 • -7.18db
24% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Humbear
Take Your Time
124 bpm • G Maj • 03:24 • -12db
35% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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San Fermin
Run Away With Me
120 bpm • D# min • 03:59 • -9.02db
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Speight
Alice
124 bpm • E Maj • 03:56 • -10.72db
17% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Night Beds
Lover's Ledge (Who Have I But You)
124 bpm • E Maj • 05:37 • -12.6db
22% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Wrabel
i hope you love somebody - demo
124 bpm • G Maj • 02:40 • -6db
21% Popularity • 73% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 73% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Riley Pearce
Ceramic Real Estate
120 bpm • D Maj • 03:08 • -6.77db
23% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Cyrus
re: Stacks - Spotify Singles
124 bpm • A Maj • 05:09 • -11.39db
52% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
52% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Mantaraybryn
Stand Tall the Four of Us
120 bpm • F min • 03:14 • -8db
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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An Unexpected End
Johnny
120 bpm • C# Maj • 04:13 • -11.54db
14% Popularity • 65% Danceability • 39% Energy • 16% Liveness
14% Instrumentalness • 10% Positiveness
14% Popularity • 65% Danceability • 39% Energy • 16% Liveness
14% Instrumentalness • 10% Positiveness
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Joshua Speers
Happy Birthday You're Alone
124 bpm • C# Maj • 03:10 • -9.65db
19% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Winterbourne
Too Many - Acoustic
124 bpm • D# Maj • 03:17 • -9.14db
9% Popularity • 69% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 69% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Donovan Woods
Way Way Back
124 bpm • D# Maj • 03:27 • -8.88db
21% Popularity • 65% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 65% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jolé
Lights Out
120 bpm • G Maj • 03:22 • -10.76db
13% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Mike Edel
Our Forever
120 bpm • C Maj • 03:22 • -10db
12% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Spectre Jones
Give It Up
120 bpm • G Maj • 03:15 • -5.19db
14% Popularity • 73% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 73% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Winnetka Bowling League
Congratulations - Acoustic Version
124 bpm • F Maj • 03:38 • -12.39db
12% Popularity • 70% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 70% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Branches
You Still Haunt Me
120 bpm • C# Maj • 02:55 • -9.03db
8% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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The Hollow Men
White Lies
120 bpm • D# Maj • 03:00 • -12.14db
20% Popularity • 57% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 57% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Jeff Pianki
Weight of the World
120 bpm • B Maj • 02:07 • -9.91db
14% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Toby Johnson
One Mississippi
120 bpm • E Maj • 03:41 • -11.15db
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Spectre Jones
Fire in the Dust
120 bpm • C# Maj • 04:33 • -11.56db
14% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Young Mister
Easier
120 bpm • E Maj • 03:04 • -11.7db
9% Popularity • 58% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 58% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Reuben And The Dark
We Will Get There
124 bpm • G Maj • 02:45 • -12.76db
13% Popularity • 57% Danceability • 50% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
13% Popularity • 57% Danceability • 50% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lewis Watson
fly when i fall
120 bpm • G# Maj • 04:10 • -10.29db
21% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Mountain Boy
52
125 bpm • F Maj • 03:30 • -11.12db
24% Popularity • 39% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 39% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Joshua Speers
Just Kids
125 bpm • D Maj • 03:52 • -3.92db
2% Popularity • 63% Danceability • 85% Energy • 32% Liveness
7% Instrumentalness • 47% Positiveness
2% Popularity • 63% Danceability • 85% Energy • 32% Liveness
7% Instrumentalness • 47% Positiveness
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Toby Johnson
Bulletproof
125 bpm • G# Maj • 03:26 • -10.49db
19% Popularity • 66% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 66% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Mr. Carter Davis
Storms
125 bpm • D# Maj • 03:25 • -10.39db
31% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
31% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Sawyer
Sweet Disposition
125 bpm • D Maj • 04:03 • -9.61db
34% Popularity • 65% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
34% Popularity • 65% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
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Joshua Radin
Chateau
125 bpm • G Maj • 03:53 • -7.29db
25% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mae Krell
garden
125 bpm • B Maj • 03:21 • -9.5db
14% Popularity • 63% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 63% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Hunts
Request
119 bpm • C Maj • 04:00 • -9.71db
20% Popularity • 35% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 35% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andreas Moe
Hey Lulu
126 bpm • C Maj • 03:24 • -7.69db
13% Popularity • 76% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 76% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Belle
To Be Alone
118 bpm • F Maj • 04:38 • -11.49db
28% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Fintan
Headstrong
118 bpm • G Maj • 03:14 • -10.69db
17% Popularity • 76% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 76% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Lawson Hull
Honey
126 bpm • F Maj • 04:25 • -7.43db
19% Popularity • 57% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 31% Positiveness
19% Popularity • 57% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 31% Positiveness
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Katie Ruvane
True
126 bpm • D Maj • 04:23 • -11.64db
24% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Charli Adams
Didn't Make It
118 bpm • C# Maj • 03:51 • -5.37db
32% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Loomis
You or Me
118 bpm • E Maj • 03:37 • -7.88db
18% Popularity • 75% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 75% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Ryann
One Minute
118 bpm • B Maj • 03:28 • -6.94db
14% Popularity • 78% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 78% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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The Careful Ones
Favorite Dream
118 bpm • B min • 04:06 • -20db
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Prince of Spain
Explore
118 bpm • G Maj • 03:22 • -13db
30% Popularity • 61% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 61% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Tall Heights
Under Your Skin
118 bpm • C Maj • 03:42 • -6.86db
9% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Cereus Bright
Waves
118 bpm • D# Maj • 03:17 • -18.57db
20% Popularity • 62% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
20% Popularity • 62% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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LULLANAS
Don't Say
118 bpm • C# Maj • 03:24 • -10.96db
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Milo Greene
Bringing Me Down
118 bpm • E min • 04:03 • -10.56db
23% Popularity • 62% Danceability • 62% Energy • 10% Liveness
39% Instrumentalness • 67% Positiveness
23% Popularity • 62% Danceability • 62% Energy • 10% Liveness
39% Instrumentalness • 67% Positiveness
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Nathan Colberg
Calm
118 bpm • D# Maj • 04:04 • -9.76db
34% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Toby Sebastian
Toothpaste Kisses
118 bpm • E Maj • 04:45 • -12db
15% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Head And The Heart
Glory of Music II
118 bpm • D Maj • 04:41 • -5.37db
30% Popularity • 70% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 70% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Bryant
Talk
118 bpm • C Maj • 03:49 • -10.65db
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Juke Ross
Tonight is Love
118 bpm • F# min • 04:10 • -12.4db
24% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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William Hinson
Ireland
127 bpm • A Maj • 02:54 • -9.41db
25% Popularity • 85% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 85% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Westerlight
I Wouldn't Change a Thing
117 bpm • A# Maj • 03:29 • -9.94db
22% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Brian Bulger
Don't Go Gently
117 bpm • D Maj • 03:34 • -13.48db
34% Popularity • 72% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 72% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Jon Bryant
I Don't Know How
127 bpm • C Maj • 03:46 • -8db
18% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Ivan & Alyosha
You That Carries Me
117 bpm • B Maj • 03:47 • -7.47db
25% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
25% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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S. Grant Parker
No Fire
127 bpm • F Maj • 03:48 • -7.42db
22% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
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Family and Friends
Ouroboros
127 bpm • C# Maj • 05:08 • -10.06db
24% Popularity • 31% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 31% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Wild Rivers
You Can Side
127 bpm • E Maj • 02:54 • -7.99db
34% Popularity • 79% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 79% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Wet
Where I'm Going
127 bpm • C Maj • 02:26 • -14.18db
11% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Jonny Morgan
Hurt Me
128 bpm • D# Maj • 04:12 • -4.05db
14% Popularity • 64% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
14% Popularity • 64% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Jeff Pianki
Song About
128 bpm • B Maj • 03:39 • -11.1db
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Toby Johnson
Carolina
128 bpm • F# Maj • 02:55 • -11.47db
18% Popularity • 63% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 63% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jesse Ruben
Future
116 bpm • B Maj • 04:10 • -12db
26% Popularity • 63% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 63% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Ten Kills the Pack
When I Say You Are Killing Me
116 bpm • A# min • 03:13 • -8.79db
37% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Emily Keener
Do You Love Me Lately?
116 bpm • G Maj • 03:56 • -15.54db
21% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Bre Kennedy
Jealous of Birds
116 bpm • D# Maj • 03:12 • -14.56db
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Hush Kids
Love Is a Made up Word
116 bpm • D Maj • 03:06 • -7.45db
29% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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SONTALK
I Am a Mountain
116 bpm • A# Maj • 05:01 • -7.58db
12% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Levi Matthan
Shoulders
116 bpm • D Maj • 03:55 • -10db
24% Popularity • 38% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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The Franklin Electric
Spindle
129 bpm • A Maj • 03:59 • -11.71db
26% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Emily James
that'd be alright
129 bpm • A# Maj • 02:58 • -13.08db
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
29% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Juke Ross
Sophia
115 bpm • F Maj • 03:51 • -11.94db
36% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jeremiah Lloyd Harmon
Almost Heaven
129 bpm • F# Maj • 03:49 • -6.96db
33% Popularity • 39% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 39% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lonas
Compromising
115 bpm • F Maj • 03:43 • -11.35db
12% Popularity • 73% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
12% Popularity • 73% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Gatlin
Maniac
115 bpm • C min • 04:14 • -10db
24% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
