Songs like Look Around by Trousdale
Based on a tempo of (+/- 10%) and a similar genre
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Madeline The Person
August
126 bpm • F# Maj • 03:41 • -7db
30% Popularity • 45% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 45% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Tiny Habits
one more
126 bpm • F# Maj • 03:43 • -12.7db
41% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Vaus
Wild Honey
126 bpm • B Maj • 03:33 • -8db
40% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Trousdale
Look Around
126 bpm • E min • 04:19 • -13.05db
27% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Delacey
Drama Queen
126 bpm • D Maj • 04:52 • -9.75db
23% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Matilda Mann
My Point of You
126 bpm • C min • 02:10 • -9db
28% Popularity • 42% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 42% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Jenny Yim
Rooftops
125 bpm • D Maj • 03:45 • -7.81db
10% Popularity • 69% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 69% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Katie Lynne Sharbaugh
Wishful Thinking
125 bpm • C Maj • 02:28 • -17.74db
14% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Trousdale
Happy Anymore
126 bpm • D Maj • 03:14 • -9db
42% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Madeline The Person
As a Child
126 bpm • G Maj • 03:10 • -10.33db
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sophie Holohan
Golden Years
125 bpm • B min • 02:57 • -6.01db
24% Popularity • 80% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 80% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Sarah Kinsley
Wine Stained Lips
127 bpm • C# Maj • 03:22 • -16.59db
27% Popularity • 44% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 44% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Jamie Drake
Make a Spark
127 bpm • G min • 03:41 • -15.36db
14% Popularity • 31% Danceability • 16% Energy • 16% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 31% Danceability • 16% Energy • 16% Liveness
4% Instrumentalness • 18% Positiveness
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Wet
Where I'm Going
127 bpm • C Maj • 02:26 • -14.18db
11% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lizzy McAlpine
Lady In Blue (Pickup Live Session)
127 bpm • F Maj • 03:10 • -14.9db
39% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sophie Holohan
Tippy Toes
125 bpm • G Maj • 04:09 • -14.67db
33% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Matilda Mann
As It Is
128 bpm • A# Maj • 03:04 • -12.61db
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Field Guide
All the Other Lovers
128 bpm • F Maj • 03:11 • -15.39db
30% Popularity • 65% Danceability • 33% Energy • 9% Liveness
49% Instrumentalness • 31% Positiveness
30% Popularity • 65% Danceability • 33% Energy • 9% Liveness
49% Instrumentalness • 31% Positiveness
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Cece Coakley
My Time
128 bpm • C# Maj • 03:43 • -7db
20% Popularity • 78% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 89% Positiveness
20% Popularity • 78% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 89% Positiveness
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Trousdale
Bad Blood
127 bpm • G# Maj • 02:45 • -6.24db
37% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Hush Kids
Spend My Time
128 bpm • C Maj • 03:10 • -9.48db
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Wild Rivers
Safe Flight
128 bpm • F# Maj • 03:35 • -10db
37% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Matilda Mann
Happy Anniversary, Stranger
124 bpm • E Maj • 02:54 • -7db
31% Popularity • 73% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 73% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
49% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Cece Coakley
Listerine
128 bpm • A Maj • 03:28 • -8.19db
24% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Noah Cyrus
re: Stacks - Spotify Singles
124 bpm • A Maj • 05:09 • -11.39db
52% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
52% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Trousdale
Sometimes
128 bpm • G Maj • 02:53 • -8.25db
34% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Orla Gartland
More Like You - Piano Version
124 bpm • D Maj • 03:20 • -11.35db
20% Popularity • 80% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 80% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
36% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The National Parks
Open Skies (Wildflower)
124 bpm • G Maj • 03:42 • -10.28db
31% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Abigail Osborn
Bad Lover (Acoustic)
128 bpm • D# Maj • 02:29 • -6.03db
27% Popularity • 54% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 54% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Shallow Alcove
Macon
124 bpm • G# Maj • 03:12 • -11.22db
20% Popularity • 61% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 61% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Trousdale
For Months Now
128 bpm • D# Maj • 03:42 • -8.34db
30% Popularity • 53% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 53% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Sophie Odira
Little Love
129 bpm • G Maj • 02:53 • -13.64db
33% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Andrea von Kampen
That Spell
129 bpm • F Maj • 03:23 • -9.61db
24% Popularity • 84% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 48% Positiveness
24% Popularity • 84% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 48% Positiveness
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Emily James
that'd be alright
129 bpm • A# Maj • 02:58 • -13.08db
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Julianna Zachariou
by the morning
123 bpm • B Maj • 03:14 • -10.58db
22% Popularity • 73% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 73% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Bien
Times Like This
123 bpm • D Maj • 04:07 • -7.49db
31% Popularity • 62% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 62% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Tiny Habits
some things (i've learned)
130 bpm • C Maj • 03:06 • -13db
40% Popularity • 51% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 51% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Gatlin
Cold Night in Brooklyn (Alternate Versio...
130 bpm • C Maj • 04:33 • -9.87db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sammy Rae & The Friends
I Get It Now
130 bpm • D Maj • 03:32 • -8.41db
47% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Alix Page
Stripes
130 bpm • C Maj • 03:56 • -9.66db
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Kacey Musgraves
angel
122 bpm • B Maj • 02:19 • -9.11db
50% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Sophie Holohan
I Get What I Want
130 bpm • D# Maj • 03:27 • -6.81db
25% Popularity • 55% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 55% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Shallow Alcove
Wishes on Weeds
130 bpm • D# Maj • 02:30 • -12.69db
31% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Rosie Carney
Party Dress
122 bpm • G# min • 03:14 • -12.06db
36% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
31% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
47% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Wild Rivers
Untouchable
122 bpm • C Maj • 02:47 • -12.28db
32% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Katie Pruitt
It's Always Been You
130 bpm • G Maj • 05:13 • -10.91db
32% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cece Coakley
Anything
130 bpm • G# Maj • 03:40 • -10.55db
33% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Lynch
Good Year
122 bpm • D Maj • 04:28 • -13db
27% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Field Guide
Me & You
122 bpm • A Maj • 02:23 • -9.98db
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Katie Lynne Sharbaugh
Take Up Space
131 bpm • A# min • 03:22 • -15.84db
18% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Annika Bennett
What Happened
121 bpm • D# Maj • 02:44 • -11.36db
12% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
48% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Sorry, Peach
Darling This Isn't
132 bpm • E Maj • 03:13 • -11.77db
19% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Addison Agen
My Kitchen Floor
132 bpm • A Maj • 04:12 • -7.5db
13% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Delacey
Manly Man
132 bpm • C Maj • 03:30 • -7db
36% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Annika Bennett
Every Color Of The Rainbow
132 bpm • D Maj • 02:44 • -9.05db
24% Popularity • 61% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 61% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Garden Gloves
Lover, I
132 bpm • G Maj • 02:41 • -10.92db
24% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Elliott
Better Off Alone
132 bpm • E Maj • 04:07 • -17db
24% Popularity • 62% Danceability • 20% Energy • 32% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 62% Danceability • 20% Energy • 32% Liveness
71% Instrumentalness • 4% Positiveness
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BAILEN
Something Tells Me
120 bpm • F min • 04:01 • -9db
51% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Wild Rivers
More or Less
120 bpm • D Maj • 04:04 • -8.99db
33% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Eleri Ward
Mind Reader
120 bpm • E Maj • 03:14 • -6.69db
8% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Emily James
venice
120 bpm • D# Maj • 03:38 • -9.25db
19% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Hayden Everett
Honeycomb
120 bpm • C Maj • 03:20 • -11.97db
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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PJ Harding
You Belong To Somebody Else
120 bpm • F Maj • 03:19 • -8.24db
46% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kate Rhudy
Dance It Away
120 bpm • B Maj • 02:29 • -9.88db
17% Popularity • 66% Danceability • 51% Energy • 10% Liveness
9% Instrumentalness • 32% Positiveness
17% Popularity • 66% Danceability • 51% Energy • 10% Liveness
9% Instrumentalness • 32% Positiveness
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Wes Reeve
Honey, I
120 bpm • F# Maj • 02:33 • -10.78db
40% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jensen McRae
Machines
120 bpm • D Maj • 04:31 • -9.42db
38% Popularity • 42% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 42% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Trousdale
Auld Lang Syne
133 bpm • C# Maj • 03:32 • -10.64db
22% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Devan
Lie
133 bpm • C Maj • 02:28 • -10.56db
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alix Page
Pulling Teeth - Audiotree Live Version
133 bpm • C# Maj • 03:25 • -19.09db
17% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Victoria Canal
pity season
134 bpm • D# Maj • 02:47 • -12.37db
27% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Charli Adams
Maybe Could Have Loved
134 bpm • B Maj • 03:41 • -7.57db
26% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Elliott
You Ran Out The Car
134 bpm • B Maj • 03:52 • -6db
10% Popularity • 36% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 36% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Ira Wolf
Love Song (For the Apocalypse)
118 bpm • D Maj • 03:29 • -10.15db
23% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Samia
Desperado
118 bpm • B Maj • 03:40 • -10.16db
31% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Toby Sebastian
Toothpaste Kisses
118 bpm • E Maj • 04:45 • -12db
15% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Elise Davis
Yellow Bed
118 bpm • D# Maj • 04:17 • -6.2db
3% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Lynch
Keeping Time - Acoustic
118 bpm • C# Maj • 03:43 • -13.67db
14% Popularity • 67% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 67% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lucie Silvas
Home Truths
118 bpm • C min • 03:37 • -8.91db
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lizzy McAlpine
Where Do I Go?
118 bpm • C# Maj • 03:26 • -16.43db
49% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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MishCatt
Midnight Sun - Acoustic Version
118 bpm • C# Maj • 03:13 • -15.93db
38% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sophia James
The Rain
118 bpm • C Maj • 04:18 • -19.17db
18% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
45% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
