Songs like Look Like You by Gordi
Based on a tempo of (+/- 10%) and a similar genre
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
54% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
54% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Ben Abraham
Somebody's Mother
118 bpm • C Maj • 04:37 • -14.25db
3% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
3% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Odette
Angels
118 bpm • A min • 02:39 • -14.86db
22% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gordi
Look Like You
118 bpm • C# min • 03:54 • -14.66db
9% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Khushi
Like a City
118 bpm • D Maj • 03:48 • -17.44db
18% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Howl & The Hum
Until I Found A Rose - Alternate
118 bpm • A Maj • 03:50 • -8.04db
9% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Juliana Daugherty
Sweetheart
118 bpm • G# Maj • 03:39 • -15.33db
21% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
21% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
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Victoria Canal
Favor
118 bpm • C Maj • 03:44 • -13.12db
14% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Emma Louise
Never Making Plans Again
119 bpm • D# Maj • 03:40 • -11db
6% Popularity • 41% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 41% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gordi
Extraordinary Life - 2018 demo
118 bpm • A Maj • 03:46 • -10.45db
0% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Tommy Ashby
High Moon
119 bpm • B Maj • 03:51 • -15.82db
25% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Hayden Calnin
As I Exit Parts I & II
117 bpm • A# Maj • 05:31 • -14.61db
10% Popularity • 42% Danceability • 23% Energy • 13% Liveness
58% Instrumentalness • 10% Positiveness
10% Popularity • 42% Danceability • 23% Energy • 13% Liveness
58% Instrumentalness • 10% Positiveness
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Le Youth
Hang On (Tritonia 384)
117 bpm • C Maj • 03:00 • -8.18db
6% Popularity • 68% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
6% Popularity • 68% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Miya Folick
I Will Follow You Into The Dark
117 bpm • D# Maj • 03:53 • -7.97db
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Alice Skye
Stay In Bed
119 bpm • C min • 04:06 • -9.87db
11% Popularity • 43% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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LÃ¥psley
Speaking of the End
120 bpm • G# min • 03:08 • -17db
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Keener
Do You Love Me Lately?
116 bpm • G Maj • 03:56 • -15.54db
25% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Rosie Carney
i spoke to god
120 bpm • G# Maj • 03:54 • -9.85db
11% Popularity • 58% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 58% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Hailaker
Wavepool
120 bpm • C Maj • 03:38 • -10.34db
29% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
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Little May
Blue Highway
120 bpm • C Maj • 03:31 • -18.79db
8% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Bear's Den
Crow - Fragments
120 bpm • A Maj • 04:42 • -14.78db
21% Popularity • 56% Danceability • 25% Energy • 12% Liveness
61% Instrumentalness • 27% Positiveness
21% Popularity • 56% Danceability • 25% Energy • 12% Liveness
61% Instrumentalness • 27% Positiveness
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Greta Stanley
Drunk Dreams
116 bpm • D Maj • 03:49 • -12.3db
22% Popularity • 73% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 28% Positiveness
22% Popularity • 73% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 28% Positiveness
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Aayushi
My Space Is Overgrown
120 bpm • C# Maj • 03:53 • -24.07db
32% Popularity • 69% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 69% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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#1 Dads
Fold
120 bpm • D min • 03:13 • -10.16db
18% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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San Fermin
Run Away With Me
120 bpm • D# min • 03:59 • -9.02db
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Odette
A Place That I Don’t Know
115 bpm • C Maj • 03:05 • -7.35db
33% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Alexander Biggs
I've Been Holding Onto You For Way Too L...
115 bpm • C# Maj • 03:36 • -13.8db
18% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
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Hayden Calnin
The Parts I Hid Away
115 bpm • G# Maj • 02:48 • -9.44db
22% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Luke De-Sciscio
Dream State
115 bpm • G# Maj • 03:27 • -9.08db
11% Popularity • 66% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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#1 Dads
4bit
115 bpm • E Maj • 04:11 • -15.04db
26% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
26% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Gordi
Limits
115 bpm • G Maj • 03:31 • -8.71db
11% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Angie McMahon
Tea, Milk & Honey
121 bpm • B Maj • 05:04 • -13.33db
36% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Aisha Badru
Love Doesn't Fade
115 bpm • G Maj • 02:58 • -14.75db
25% Popularity • 44% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 44% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Konradsen
Odd Mistake
115 bpm • D Maj • 04:53 • -12.9db
16% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rosie Carney
Your Love is Holy
121 bpm • A# Maj • 04:25 • -14.12db
24% Popularity • 36% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
24% Popularity • 36% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Mary Glenn
Dancefloor
122 bpm • F# Maj • 05:22 • -22.37db
34% Popularity • 55% Danceability • 1% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 55% Danceability • 1% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Didirri
Don't fight with what you're fighting fo...
121 bpm • G# min • 03:53 • -10.51db
11% Popularity • 39% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 39% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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BEXY
You Don't Lie
114 bpm • G# min • 03:41 • -17.93db
41% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Tiz McNamara
April Fool
122 bpm • A# Maj • 03:48 • -10.61db
18% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hailaker
Rainmaker
114 bpm • C Maj • 03:12 • -18.06db
36% Popularity • 36% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 11% Positiveness
36% Popularity • 36% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 11% Positiveness
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Amelie
Hearts That Pound Like Yours
122 bpm • E Maj • 03:31 • -18.63db
14% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Konradsen
Baby Hallelujah
114 bpm • G Maj • 02:48 • -16.17db
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Vera Blue
Heroes
122 bpm • A Maj • 03:28 • -6.95db
37% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Rosie Carney
Party Dress
122 bpm • G# min • 03:14 • -12.06db
36% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Didirri
Worth the Wait
122 bpm • C min • 05:38 • -13.38db
23% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Big Scary
You Won't Always
114 bpm • C Maj • 02:13 • -14.22db
18% Popularity • 59% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
18% Popularity • 59% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
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S. Carey
Take It With Me
114 bpm • C Maj • 04:59 • -17.63db
34% Popularity • 41% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 41% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Riun Garner
Wrote Myself Off
122 bpm • F Maj • 03:09 • -10.16db
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
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Hayley Gene Penner
People You Follow
113 bpm • D Maj • 03:01 • -8.78db
26% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jens Kuross
Everybody Wants to Rule the World
113 bpm • C Maj • 03:44 • -12.8db
21% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
21% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Jade Bird
Different Kinds of Light
113 bpm • C Maj • 03:05 • -12.7db
30% Popularity • 37% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 37% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
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Jaws of Love.
Giving Up Is Not The Easiest Way Out
113 bpm • C Maj • 04:06 • -19.29db
21% Popularity • 37% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
21% Popularity • 37% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Aisha Badru
Prisoners & Guards
123 bpm • F Maj • 04:50 • -16db
35% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Alexander Biggs
All I Can Do Is Hate You
113 bpm • E Maj • 03:44 • -11.98db
12% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Ayoni
Unmoved (A Black Woman Truth)
124 bpm • F# Maj • 04:16 • -9.73db
26% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lists
In the Breeze
124 bpm • C# Maj • 04:30 • -18db
16% Popularity • 55% Danceability • 4% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 55% Danceability • 4% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Terrible Sons
What a Friend
112 bpm • G# Maj • 03:58 • -16.55db
14% Popularity • 67% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
14% Popularity • 67% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Noah Cyrus
re: Stacks - Spotify Singles
124 bpm • A Maj • 05:09 • -11.39db
53% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
53% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Another Sky
The Water Below
112 bpm • F# Maj • 02:45 • -18.46db
18% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Benjamin Francis Leftwich
Sydney 2013
124 bpm • E Maj • 03:18 • -13.07db
10% Popularity • 63% Danceability • 37% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
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Gordi
Sandwiches - aO2Sk Mix
124 bpm • G Maj • 03:49 • -8.38db
9% Popularity • 65% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 65% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Azure Ryder
Stronger
124 bpm • B Maj • 03:24 • -9.08db
27% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Tomberlin
I'm Not Scared
124 bpm • F Maj • 04:52 • -10.09db
23% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Alex Luca
Only the River
124 bpm • G Maj • 02:38 • -11db
23% Popularity • 61% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 61% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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RYVOLI
Ulysses
112 bpm • D Maj • 04:30 • -9.37db
27% Popularity • 36% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 36% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Pyke
The Hummingbird
112 bpm • D min • 03:30 • -8.02db
15% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Gordi
Sandwiches
124 bpm • G Maj • 03:58 • -6.18db
13% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Eliott
Calling
125 bpm • E min • 03:44 • -9.63db
19% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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E^ST
I'M NOT FUNNY ANYMORE
125 bpm • A Maj • 02:55 • -15.75db
11% Popularity • 53% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 53% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Mitchell
Everything Is Free
112 bpm • C Maj • 04:17 • -9db
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
37% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
37% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Bleachers
Burn Your Life Down
125 bpm • C Maj • 02:40 • -18.44db
35% Popularity • 41% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 9% Positiveness
35% Popularity • 41% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 9% Positiveness
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Gordi
I'm Done - Acoustic
124 bpm • C Maj • 04:26 • -12.96db
2% Popularity • 43% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 43% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Cunningham
Pieces
125 bpm • E Maj • 03:25 • -16.78db
32% Popularity • 62% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
32% Popularity • 62% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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George Ogilvie
In Only a Day - Alternate
125 bpm • F Maj • 04:09 • -13.57db
28% Popularity • 44% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 44% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Kitt Philippa
Grace
125 bpm • D Maj • 02:58 • -12.31db
19% Popularity • 43% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 43% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hayden Calnin
Caution Cares - Rework
125 bpm • C# Maj • 04:49 • -13.23db
7% Popularity • 53% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
7% Popularity • 53% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
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Pretty Preachers Club
Just Tell People How You Feel
111 bpm • A Maj • 02:18 • -20db
33% Popularity • 62% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 62% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Gordi
Wrecking Ball - triple j Like A Version
111 bpm • D min • 04:50 • -11db
28% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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No Mono
Oh, This House Is Empty
111 bpm • G Maj • 02:32 • -15.47db
10% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Böhmer
Slow Wave (An Apparition)
126 bpm • D# Maj • 03:26 • -14.79db
17% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Meg Washington
Batflowers
126 bpm • E Maj • 03:04 • -7.23db
22% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Joshua Burnside
Whiskey Whiskey
111 bpm • D Maj • 02:51 • -13db
51% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
51% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Benjamin Francis Leftwich
Every Time I See A Bird
126 bpm • F# Maj • 03:33 • -11.97db
10% Popularity • 60% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
10% Popularity • 60% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Misty Boyce
charades
126 bpm • D# Maj • 03:31 • -9.48db
15% Popularity • 41% Danceability • 41% Energy • 11% Liveness
41% Instrumentalness • 34% Positiveness
15% Popularity • 41% Danceability • 41% Energy • 11% Liveness
41% Instrumentalness • 34% Positiveness
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Peter and Kerry
They Know God (But I Know You)
126 bpm • D min • 04:45 • -13.1db
8% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rosie Carney
when i look at you.
110 bpm • A Maj • 03:52 • -11.65db
41% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Gordi
Unready - aO2Sk
110 bpm • F Maj • 04:12 • -6.26db
10% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Orange
Three Words
110 bpm • A Maj • 04:04 • -15.08db
9% Popularity • 64% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 64% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Foreign Fields
The Beauty of Survival
110 bpm • C Maj • 04:01 • -20.55db
18% Popularity • 30% Danceability • 7% Energy • 7% Liveness
11% Instrumentalness • 6% Positiveness
18% Popularity • 30% Danceability • 7% Energy • 7% Liveness
11% Instrumentalness • 6% Positiveness
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Sea Changer
See You There
110 bpm • B min • 03:36 • -11.29db
14% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jamie Drake
Make a Spark
127 bpm • G min • 03:41 • -15.36db
14% Popularity • 31% Danceability • 16% Energy • 16% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 31% Danceability • 16% Energy • 16% Liveness
4% Instrumentalness • 18% Positiveness